英文毕业论文—西方电影中人物语言对人物性格塑造的影响.doc

I摘要自电影这门艺术形式问世以来,不少杰出的导演为观众打造了一部又一部精彩的电影，塑造了一个又一个生动的电影人物。这些电影之所以深深地打动了观众的心，是因为成功地塑造了一个又一个性格鲜明的银幕人物形象。而话语又是人物塑造的关键。因此，从语言学角度，结合社会语言学在人际交往方面的论述等，对电影人物对白进行分析，探索话语分析与电影人物的表现之间的关系，从而以此来探询人物语言对电影中人物性格塑造的影响。关键词：西方电影；人物性格；人物语言；影响IIAbstractFrommoviebirthuntiltoday,manyoutstandingdirectorshavecreatedmanybrilliantmoviesforaudience.Thereasonwhythesefilmscandeeplytouchedtheheartsoftheaudienceisthatfilmhavesucceedinshapingmanyvividfilmcharacters.Thediscourseisthekeyoftheshapingofthecharactersfigure.Inaddition,fromthelinguisticpointofviewandanalyzecharactersdialogue,toexploretheperformanceofthefilmcharactersandtherelationshipbetweencharactersandlanguage.Andtheaimistostudytheimpactoflanguagecharactersnature.Thisarticleattemptstoexplore.Keywords:westernfilm；charactersnature；characterlanguage；impactIIIContents摘要.IAbstract.IIContents.III1Introduction.12TheFormationofCharacterLanguageintheFilm.22.1Thefundamentofmovielanguagereallifeinwesterndevelopedcountries.22.2ThetonefordifferenttypesofmovielanguagesettledbytheScriptwriterandscript.32.3Theimportanceofperformancebyactoronmakingtheirwordsrichanddeep.33TheProcessofShapingCharactersNature.53.1Thecharactersnaturestereotypedbythescripts.53.2Thekeytoshapingnatureactorsperformance.64TheWayofShapingPersonalitybytheCharacterLanguage.74.1Theaffectionoflanguageatcharactersindifferentoccasions.74.2Theimpactofthestyleoflanguageonpersonality.94.2.1Seriouslanguagestyle.104.2.2Comicallanguagestyle.114.2.3Pithylanguagestyle.124.2.4Tactfullanguagestyle.134.3ThefunctionofKeylanguageortermsonaddinglustertothecharactersnature.134.4Theimportanceofcharacterlanguage.155Conclusion.17Acknowledgements.18Bibliography.1911IntroductionGenerallyspeaking,thecharacterizationisreflectedbythelanguageofthepeopleinthefilm.Thekindoflanguageistheappearanceofthekindofpersonality.Butfilmisdifferentfromit:onlythroughthelanguageandactionsofthecharactertheaudiencecanknowwhatkindofthecharacterinthemovieis,soisthereverse.Therefore，thispaper,figuresfromthemovietostartwiththelanguageofthecharactersexplorelanguageshapetheimpact.Thearticlelistedaconsiderablenumberofclassicmoviedialogueforanalysisanddialoguewillbedifferenttypesofclassificationinordertobetterconclusions.FinallyIcanrefinemypointofview.Throughthisresearch,IhopetogainadeeperunderstandingofWesternfilmsintheimplicationSignificance.22TheFormationofCharacterLanguageintheFilmLanguage,asweallknowisahuman-specifictools,itisusedtoexpressspecificsymbolsorafewrelativelyfixedmeaning.Withthepassageoftime,theprogressofsociety,thetypeandformoflanguagehasbeenincreasing.Forexample,wehavelivinglanguage,writtenlanguage,officiallanguage,stagelanguageandmovielanguagewhichwewanttodiscussion.Fromaprofessionalpointofview,movielanguageisaspeciallanguageartswhichtounderstandandreflecttheobjectiveworld,transmissionofthefeeling.SuchastheaffectionbySpielbergandhistoricaldetailsofKurosawaAkira.Butnow,wewilltalkaboutwesternmovielanguagewhichisjustmeansthewordsbycharacterinthewesternfilm.Sinceitisthewordsbycharacter,soweshouldknowwherethosewordscomefrom.Inotherwordsishowcharacterlanguageinthefilmbeformed.AndthenIwillbedividedintothreeaspectstoexplaintheformationofmovielanguage.2.1ThefundamentofmovielanguagereallifeinwesterndevelopedcountriesSincethebirthofthecapitalistmodeofproduction,capitalismbegantoaffecttheworld.Capitalistcountrieshaveestablishedandtheestablishmentofthecapitalistsystemhaschangedthewholeworldineverywhereall.Initially,applicationofthesteamengineledtotherapiddevelopmentoftheindustry,sothatthecapitalisteconomyhasbecomedominatedaroundtheworld.Thendevelopmentofprinting,inventionofgramophone,andemergenceofmoviesandsoon,ledtocapitalistculturebecamefashionableallovertheworld.Eventoday,despitethesocialistcountrylikeus,butitisundeniablethatcapitalismisstillthemainimpactofthisworld!Capitalismwasbornforseveralcenturiesandinthecapitalistcountries(thedevelopedwesterncountries),ithasformedauniquewayoflife,includingtheirlanguage.Peopleinwesterndevelopedcountries,thewesterneducation,political,cultureandsoonconstitutetheirreallife.Inthislife,peoplewillbegraduallydevelopedintoauniquelanguage.Ofcourse,thislanguageisnotanewtypeoflanguageornewlanguagenorm,butthelanguagebythecommunityenvironmentalimpact.Thesourcesofmovielanguagearenotbaseless,butrefinedinlife.Nolifenomovies,alsonolifelanguagenomovielanguage!Whateverthenatureofthecountryis,3thefundamentalsourceofmovielanguageisourlife.Therefore,thefundamentalofmovielanguageistherealityoflifeinthedevelopedwesterncountries!2.2ThetonefordifferenttypesofmovielanguagesettledbytheScriptwriterandscriptThescriptisthebasisofafilm,orthedrawingsofthefilm.Sothefilmcomesfromthescript.Agoodscriptcancreateagreatfilm.Ofcourse,agoodscriptisnotjustmeansthegrandscene,deephistoricalbackground,andcomplexcharactersrelations.Evenifitisaprosaicscript,aslongastotellastorybyheart,wealsocouldsaythisisagoodscript!Screenwriteristhesoulofascript.Noscriptwriternoscript!Havejustsaid,evenifitisaprosaicscript,aslongastotellastorybyheart,wealsocouldsaythisisagoodscript.Thepersonwhotellsthestorybyheartisthescriptwriter.Withthescriptandthescriptwriter,themaincontentsofafilmwillbestructuresup,whichalsoincludethecharacterlanguageinthefilm.Characterlanguageinthefilmofthescript,calledlines.Linesaredifferentfromwrittenlanguage,butalifeoflanguage.Itistheneedforbytheactor.Lifelanguageisalsoinseparablefromthelanguagesofexpressionandrhetoricscopeoflinguistics.Somovielanguageisastandardizedlanguage.Thefilmalsohasmanytypes.Evenasamestorywhichuseonetypeoffilmtoshoot,itcanbeformedseveraldifferentscripts.Inotherwords,accordingtothedifferenttypesofmovies,scriptwritershouldwritedifferenttypesofmovielanguage.Forexample,toshootastoryintoacomedy,scriptwritershouldmakecharacterlanguageveryrichsenseofhumor.Thisisthereasonwhyscriptwriterandscriptcansetthetonefordifferenttypesofmovielanguage.2.3TheimportanceofperformancebyactoronmakingtheirwordsrichanddeepAsweallknows,thewell-knownAmericanOscarawardsforthegreatestconcernisthebestactoraward.Thiscanadequateprovedtheimportanceofactorinthefilm!Whyagoodactororamoviestarcanmakefilmhyperchromicmany?Ofcourse,herewedonttalkaboutthereasonsforeconomics.Thisisbecausegoodactorormoviestarwithagoodqualityofperformancescandepicteveryaspectofcharactersinthefilmbetterandmakemoviecharactersreductionofthescriptbetter,evenbeyondthescript!Actorinthefilmperformancecanbesummedupastwoaspects:Firstislimb4movements,andsecondislanguage.EarlyfilmssuchasCharlieChaplinsfilmsaresilent,limbmovementsbecometheonlymeansofthemethod.Withtheemergenceofmovieswithsound,andtheimportanceoflanguagewillrevealtheplan.Filmlanguageisdirectlyfromthecreationofthescriptbyscriptwriter,sotheactorsperformanceshouldbeontheneedtoshowthescript.Andactorperformingisonthequalityofthescripttobeaffectingthecontentofexpression.Actorsintheperformancesarenotjustfluentinaccordancewiththescriptof,butneedtoplay.Foragoodactorwhograspthelanguagewillbeveryaccurate,andthatistosayhecanplaybetter,canmakelanguagebeenrichedanddeepened!