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英文毕业论文—西方电影中人物语言对人物性格塑造的影响.doc

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英文毕业论文—西方电影中人物语言对人物性格塑造的影响.doc

I摘要自电影这门艺术形式问世以来,不少杰出的导演为观众打造了一部又一部精彩的电影,塑造了一个又一个生动的电影人物。这些电影之所以深深地打动了观众的心,是因为成功地塑造了一个又一个性格鲜明的银幕人物形象。而话语又是人物塑造的关键。因此,从语言学角度,结合社会语言学在人际交往方面的论述等,对电影人物对白进行分析,探索话语分析与电影人物的表现之间的关系,从而以此来探询人物语言对电影中人物性格塑造的影响。关键词西方电影人物性格人物语言影响IIAbstractFrommoviebirthuntiltoday,manyoutstandingdirectorshavecreatedmanybrilliantmoviesforaudience.Thereasonwhythesefilmscandeeplytouchedtheheartsoftheaudienceisthatfilmhavesucceedinshapingmanyvividfilmcharacters.Thediscourseisthekeyoftheshapingofthecharactersfigure.Inaddition,fromthelinguisticpointofviewandanalyzecharactersdialogue,toexploretheperformanceofthefilmcharactersandtherelationshipbetweencharactersandlanguage.Andtheaimistostudytheimpactoflanguagecharactersnature.Thisarticleattemptstoexplore.KeywordswesternfilmcharactersnaturecharacterlanguageimpactIIIContents摘要...........................................................................................................................IAbstract..........................................................................................................................IIContents.........................................................................................................................III1Introduction.................................................................................................................12TheFormationofCharacterLanguageintheFilm.................................................22.1Thefundamentofmovielanguagereallifeinwesterndevelopedcountries...22.2ThetonefordifferenttypesofmovielanguagesettledbytheScriptwriterandscript........................................................................................................................32.3Theimportanceofperformancebyactoronmakingtheirwordsrichanddeep....33TheProcessofShapingCharactersNature.............................................................53.1Thecharactersnaturestereotypedbythescripts...................................................53.2Thekeytoshapingnatureactorsperformance...............................................64TheWayofShapingPersonalitybytheCharacterLanguage................................74.1Theaffectionoflanguageatcharactersindifferentoccasions...............................74.2Theimpactofthestyleoflanguageonpersonality................................................94.2.1Seriouslanguagestyle............................................................................104.2.2Comicallanguagestyle.................................................................................114.2.3Pithylanguagestyle..................................................................................124.2.4Tactfullanguagestyle...................................................................................134.3ThefunctionofKeylanguageortermsonaddinglustertothecharactersnature.....................................................................................................................................134.4Theimportanceofcharacterlanguage...................................................................155Conclusion..................................................................................................................17Acknowledgements.......................................................................................................18Bibliography..................................................................................................................1911IntroductionGenerallyspeaking,thecharacterizationisreflectedbythelanguageofthepeopleinthefilm.Thekindoflanguageistheappearanceofthekindofpersonality.Butfilmisdifferentfromitonlythroughthelanguageandactionsofthecharactertheaudiencecanknowwhatkindofthecharacterinthemovieis,soisthereverse.Therefore,thispaper,figuresfromthemovietostartwiththelanguageofthecharactersexplorelanguageshapetheimpact.Thearticlelistedaconsiderablenumberofclassicmoviedialogueforanalysisanddialoguewillbedifferenttypesofclassificationinordertobetterconclusions.FinallyIcanrefinemypointofview.Throughthisresearch,IhopetogainadeeperunderstandingofWesternfilmsintheimplicationSignificance.22TheFormationofCharacterLanguageintheFilmLanguage,asweallknowisahumanspecifictools,itisusedtoexpressspecificsymbolsorafewrelativelyfixedmeaning.Withthepassageoftime,theprogressofsociety,thetypeandformoflanguagehasbeenincreasing.Forexample,wehavelivinglanguage,writtenlanguage,officiallanguage,stagelanguageandmovielanguagewhichwewanttodiscussion.Fromaprofessionalpointofview,movielanguageisaspeciallanguageartswhichtounderstandandreflecttheobjectiveworld,transmissionofthefeeling.SuchastheaffectionbySpielbergandhistoricaldetailsofKurosawaAkira.Butnow,wewilltalkaboutwesternmovielanguagewhichisjustmeansthewordsbycharacterinthewesternfilm.Sinceitisthewordsbycharacter,soweshouldknowwherethosewordscomefrom.Inotherwordsishowcharacterlanguageinthefilmbeformed.AndthenIwillbedividedintothreeaspectstoexplaintheformationofmovielanguage.2.1ThefundamentofmovielanguagereallifeinwesterndevelopedcountriesSincethebirthofthecapitalistmodeofproduction,capitalismbegantoaffecttheworld.Capitalistcountrieshaveestablishedandtheestablishmentofthecapitalistsystemhaschangedthewholeworldineverywhereall.Initially,applicationofthesteamengineledtotherapiddevelopmentoftheindustry,sothatthecapitalisteconomyhasbecomedominatedaroundtheworld.Thendevelopmentofprinting,inventionofgramophone,andemergenceofmoviesandsoon,ledtocapitalistculturebecamefashionableallovertheworld.Eventoday,despitethesocialistcountrylikeus,butitisundeniablethatcapitalismisstillthemainimpactofthisworldCapitalismwasbornforseveralcenturiesandinthecapitalistcountriesthedevelopedwesterncountries,ithasformedauniquewayoflife,includingtheirlanguage.Peopleinwesterndevelopedcountries,thewesterneducation,political,cultureandsoonconstitutetheirreallife.Inthislife,peoplewillbegraduallydevelopedintoauniquelanguage.Ofcourse,thislanguageisnotanewtypeoflanguageornewlanguagenorm,butthelanguagebythecommunityenvironmentalimpact.Thesourcesofmovielanguagearenotbaseless,butrefinedinlife.Nolifenomovies,alsonolifelanguagenomovielanguageWhateverthenatureofthecountryis,3thefundamentalsourceofmovielanguageisourlife.Therefore,thefundamentalofmovielanguageistherealityoflifeinthedevelopedwesterncountries2.2ThetonefordifferenttypesofmovielanguagesettledbytheScriptwriterandscriptThescriptisthebasisofafilm,orthedrawingsofthefilm.Sothefilmcomesfromthescript.Agoodscriptcancreateagreatfilm.Ofcourse,agoodscriptisnotjustmeansthegrandscene,deephistoricalbackground,andcomplexcharactersrelations.Evenifitisaprosaicscript,aslongastotellastorybyheart,wealsocouldsaythisisagoodscriptScreenwriteristhesoulofascript.NoscriptwriternoscriptHavejustsaid,evenifitisaprosaicscript,aslongastotellastorybyheart,wealsocouldsaythisisagoodscript.Thepersonwhotellsthestorybyheartisthescriptwriter.Withthescriptandthescriptwriter,themaincontentsofafilmwillbestructuresup,whichalsoincludethecharacterlanguageinthefilm.Characterlanguageinthefilmofthescript,calledlines.Linesaredifferentfromwrittenlanguage,butalifeoflanguage.Itistheneedforbytheactor.Lifelanguageisalsoinseparablefromthelanguagesofexpressionandrhetoricscopeoflinguistics.Somovielanguageisastandardizedlanguage.Thefilmalsohasmanytypes.Evenasamestorywhichuseonetypeoffilmtoshoot,itcanbeformedseveraldifferentscripts.Inotherwords,accordingtothedifferenttypesofmovies,scriptwritershouldwritedifferenttypesofmovielanguage.Forexample,toshootastoryintoacomedy,scriptwritershouldmakecharacterlanguageveryrichsenseofhumor.Thisisthereasonwhyscriptwriterandscriptcansetthetonefordifferenttypesofmovielanguage.2.3TheimportanceofperformancebyactoronmakingtheirwordsrichanddeepAsweallknows,thewellknownAmericanOscarawardsforthegreatestconcernisthebestactoraward.ThiscanadequateprovedtheimportanceofactorinthefilmWhyagoodactororamoviestarcanmakefilmhyperchromicmanyOfcourse,herewedonttalkaboutthereasonsforeconomics.Thisisbecausegoodactorormoviestarwithagoodqualityofperformancescandepicteveryaspectofcharactersinthefilmbetterandmakemoviecharactersreductionofthescriptbetter,evenbeyondthescriptActorinthefilmperformancecanbesummedupastwoaspectsFirstislimb4movements,andsecondislanguage.EarlyfilmssuchasCharlieChaplinsfilmsaresilent,limbmovementsbecometheonlymeansofthemethod.Withtheemergenceofmovieswithsound,andtheimportanceoflanguagewillrevealtheplan.Filmlanguageisdirectlyfromthecreationofthescriptbyscriptwriter,sotheactorsperformanceshouldbeontheneedtoshowthescript.Andactorperformingisonthequalityofthescripttobeaffectingthecontentofexpression.Actorsintheperformancesarenotjustfluentinaccordancewiththescriptof,butneedtoplay.Foragoodactorwhograspthelanguagewillbeveryaccurate,andthatistosayhecanplaybetter,canmakelanguagebeenrichedanddeepened

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