英文毕业论文—西方电影中人物语言对人物性格塑造的影响.doc英文毕业论文—西方电影中人物语言对人物性格塑造的影响.doc

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I摘要自电影这门艺术形式问世以来,不少杰出的导演为观众打造了一部又一部精彩的电影,塑造了一个又一个生动的电影人物。这些电影之所以深深地打动了观众的心,是因为成功地塑造了一个又一个性格鲜明的银幕人物形象。而话语又是人物塑造的关键。因此,从语言学角度,结合社会语言学在人际交往方面的论述等,对电影人物对白进行分析,探索话语分析与电影人物的表现之间的关系,从而以此来探询人物语言对电影中人物性格塑造的影响。关键词西方电影;人物性格;人物语言;影响IIABSTRACTFROMMOVIEBIRTHUNTILTODAY,MANYOUTSTANDINGDIRECTORSHAVECREATEDMANYBRILLIANTMOVIESFORAUDIENCETHEREASONWHYTHESEFILMSCANDEEPLYTOUCHEDTHEHEARTSOFTHEAUDIENCEISTHATFILMHAVESUCCEEDINSHAPINGMANYVIVIDFILMCHARACTERSTHEDISCOURSEISTHEKEYOFTHESHAPINGOFTHECHARACTER’SFIGUREINADDITION,FROMTHELINGUISTICPOINTOFVIEWANDANALYZECHARACTERS’DIALOGUE,TOEXPLORETHEPERFORMANCEOFTHEFILMCHARACTERSANDTHERELATIONSHIPBETWEENCHARACTERSANDLANGUAGEANDTHEAIMISTOSTUDYTHEIMPACTOFLANGUAGECHARACTER’SNATURETHISARTICLEATTEMPTSTOEXPLOREKEYWORDSWESTERNFILM;CHARACTER’SNATURE;CHARACTERLANGUAGE;IMPACTIIICONTENTS摘要IABSTRACTIICONTENTSIII1INTRODUCTION12THEFORMATIONOFCHARACTERLANGUAGEINTHEFILM221THEFUNDAMENTOFMOVIELANGUAGEREALLIFEINWESTERNDEVELOPEDCOUNTRIES222THETONEFORDIFFERENTTYPESOFMOVIELANGUAGESETTLEDBYTHESCRIPTWRITERANDSCRIPT323THEIMPORTANCEOFPERFORMANCEBYACTORONMAKINGTHEIRWORDSRICHANDDEEP33THEPROCESSOFSHAPINGCHARACTER’SNATURE531THECHARACTER’SNATURESTEREOTYPEDBYTHESCRIPTS532THEKEYTOSHAPINGNATUREACTOR’SPERFORMANCE64THEWAYOFSHAPINGPERSONALITYBYTHECHARACTERLANGUAGE741THEAFFECTIONOFLANGUAGEATCHARACTERSINDIFFERENTOCCASIONS742THEIMPACTOFTHESTYLEOFLANGUAGEONPERSONALITY9421SERIOUSLANGUAGESTYLE10422COMICALLANGUAGESTYLE11423PITHYLANGUAGESTYLE12424TACTFULLANGUAGESTYLE1343THEFUNCTIONOFKEYLANGUAGEORTERMSONADDINGLUSTERTOTHECHARACTER’SNATURE1344THEIMPORTANCEOFCHARACTERLANGUAGE155CONCLUSION17ACKNOWLEDGEMENTS18BIBLIOGRAPHY1911INTRODUCTIONGENERALLYSPEAKING,THECHARACTERIZATIONISREFLECTEDBYTHELANGUAGEOFTHEPEOPLEINTHEFILMTHEKINDOFLANGUAGEISTHEAPPEARANCEOFTHEKINDOFPERSONALITYBUTFILMISDIFFERENTFROMITONLYTHROUGHTHELANGUAGEANDACTIONSOFTHECHARACTERTHEAUDIENCECANKNOWWHATKINDOFTHECHARACTERINTHEMOVIEIS,SOISTHEREVERSETHEREFORE,THISPAPER,FIGURESFROMTHEMOVIETOSTARTWITHTHELANGUAGEOFTHECHARACTERSEXPLORELANGUAGESHAPETHEIMPACTTHEARTICLELISTEDACONSIDERABLENUMBEROFCLASSICMOVIEDIALOGUEFORANALYSISANDDIALOGUEWILLBEDIFFERENTTYPESOFCLASSIFICATIONINORDERTOBETTERCONCLUSIONSFINALLYICANREFINEMYPOINTOFVIEWTHROUGHTHISRESEARCH,IHOPETOGAINADEEPERUNDERSTANDINGOFWESTERNFILMSINTHEIMPLICATIONSIGNIFICANCE22THEFORMATIONOFCHARACTERLANGUAGEINTHEFILMLANGUAGE,ASWEALLKNOWISAHUMANSPECIFICTOOLS,ITISUSEDTOEXPRESSSPECIFICSYMBOLSORAFEWRELATIVELYFIXEDMEANINGWITHTHEPASSAGEOFTIME,THEPROGRESSOFSOCIETY,THETYPEANDFORMOFLANGUAGEHASBEENINCREASINGFOREXAMPLE,WEHAVELIVINGLANGUAGE,WRITTENLANGUAGE,OFFICIALLANGUAGE,STAGELANGUAGEANDMOVIELANGUAGEWHICHWEWANTTODISCUSSIONFROMAPROFESSIONALPOINTOFVIEW,MOVIELANGUAGEISASPECIALLANGUAGEARTSWHICHTOUNDERSTANDANDREFLECTTHEOBJECTIVEWORLD,TRANSMISSIONOFTHEFEELINGSUCHASTHEAFFECTIONBYSPIELBERGANDHISTORICALDETAILSOFKUROSAWAAKIRABUTNOW,WEWILLTALKABOUTWESTERNMOVIELANGUAGEWHICHISJUSTMEANSTHEWORDSBYCHARACTERINTHEWESTERNFILMSINCEITISTHEWORDSBYCHARACTER,SOWESHOULDKNOWWHERETHOSEWORDSCOMEFROMINOTHERWORDSISHOWCHARACTERLANGUAGEINTHEFILMBEFORMEDANDTHENIWILLBEDIVIDEDINTOTHREEASPECTSTOEXPLAINTHEFORMATIONOFMOVIELANGUAGE21THEFUNDAMENTOFMOVIELANGUAGEREALLIFEINWESTERNDEVELOPEDCOUNTRIESSINCETHEBIRTHOFTHECAPITALISTMODEOFPRODUCTION,CAPITALISMBEGANTOAFFECTTHEWORLDCAPITALISTCOUNTRIESHAVEESTABLISHEDANDTHEESTABLISHMENTOFTHECAPITALISTSYSTEMHASCHANGEDTHEWHOLEWORLDINEVERYWHEREALLINITIALLY,APPLICATIONOFTHESTEAMENGINELEDTOTHERAPIDDEVELOPMENTOFTHEINDUSTRY,SOTHATTHECAPITALISTECONOMYHASBECOMEDOMINATEDAROUNDTHEWORLDTHENDEVELOPMENTOFPRINTING,INVENTIONOFGRAMOPHONE,ANDEMERGENCEOFMOVIESANDSOON,LEDTOCAPITALISTCULTUREBECAMEFASHIONABLEALLOVERTHEWORLDEVENTODAY,DESPITETHESOCIALISTCOUNTRYLIKEUS,BUTITISUNDENIABLETHATCAPITALISMISSTILLTHEMAINIMPACTOFTHISWORLDCAPITALISMWASBORNFORSEVERALCENTURIESANDINTHECAPITALISTCOUNTRIESTHEDEVELOPEDWESTERNCOUNTRIES,ITHASFORMEDAUNIQUEWAYOFLIFE,INCLUDINGTHEIRLANGUAGEPEOPLEINWESTERNDEVELOPEDCOUNTRIES,THEWESTERNEDUCATION,POLITICAL,CULTUREANDSOONCONSTITUTETHEIRREALLIFEINTHISLIFE,PEOPLEWILLBEGRADUALLYDEVELOPEDINTOAUNIQUELANGUAGEOFCOURSE,THISLANGUAGEISNOTANEWTYPEOFLANGUAGEORNEWLANGUAGENORM,BUTTHELANGUAGEBYTHECOMMUNITYENVIRONMENTALIMPACTTHESOURCESOFMOVIELANGUAGEARENOTBASELESS,BUTREFINEDINLIFENOLIFENOMOVIES,ALSONOLIFELANGUAGENOMOVIELANGUAGEWHATEVERTHENATUREOFTHECOUNTRYIS,3THEFUNDAMENTALSOURCEOFMOVIELANGUAGEISOURLIFETHEREFORE,THEFUNDAMENTALOFMOVIELANGUAGEISTHEREALITYOFLIFEINTHEDEVELOPEDWESTERNCOUNTRIES22THETONEFORDIFFERENTTYPESOFMOVIELANGUAGESETTLEDBYTHESCRIPTWRITERANDSCRIPTTHESCRIPTISTHEBASISOFAFILM,ORTHEDRAWINGSOFTHEFILMSOTHEFILMCOMESFROMTHESCRIPTAGOODSCRIPTCANCREATEAGREATFILMOFCOURSE,AGOODSCRIPTISNOTJUSTMEANSTHEGRANDSCENE,DEEPHISTORICALBACKGROUND,ANDCOMPLEXCHARACTERSRELATIONSEVENIFITISAPROSAICSCRIPT,ASLONGASTOTELLASTORYBYHEART,WEALSOCOULDSAYTHISISAGOODSCRIPTSCREENWRITERISTHESOULOFASCRIPTNOSCRIPTWRITERNOSCRIPTHAVEJUSTSAID,EVENIFITISAPROSAICSCRIPT,ASLONGASTOTELLASTORYBYHEART,WEALSOCOULDSAYTHISISAGOODSCRIPTTHEPERSONWHOTELLSTHESTORYBYHEARTISTHESCRIPTWRITERWITHTHESCRIPTANDTHESCRIPTWRITER,THEMAINCONTENTSOFAFILMWILLBESTRUCTURESUP,WHICHALSOINCLUDETHECHARACTERLANGUAGEINTHEFILMCHARACTERLANGUAGEINTHEFILMOFTHESCRIPT,CALLEDLINESLINESAREDIFFERENTFROMWRITTENLANGUAGE,BUTALIFEOFLANGUAGEITISTHENEEDFORBYTHEACTORLIFELANGUAGEISALSOINSEPARABLEFROMTHELANGUAGESOFEXPRESSIONANDRHETORICSCOPEOFLINGUISTICSSOMOVIELANGUAGEISASTANDARDIZEDLANGUAGETHEFILMALSOHASMANYTYPESEVENASAMESTORYWHICHUSEONETYPEOFFILMTOSHOOT,ITCANBEFORMEDSEVERALDIFFERENTSCRIPTSINOTHERWORDS,ACCORDINGTOTHEDIFFERENTTYPESOFMOVIES,SCRIPTWRITERSHOULDWRITEDIFFERENTTYPESOFMOVIELANGUAGEFOREXAMPLE,TOSHOOTASTORYINTOACOMEDY,SCRIPTWRITERSHOULDMAKECHARACTERLANGUAGEVERYRICHSENSEOFHUMORTHISISTHEREASONWHYSCRIPTWRITERANDSCRIPTCANSETTHETONEFORDIFFERENTTYPESOFMOVIELANGUAGE23THEIMPORTANCEOFPERFORMANCEBYACTORONMAKINGTHEIRWORDSRICHANDDEEPASWEALLKNOWS,THEWELLKNOWNAMERICANOSCARAWARDSFORTHEGREATESTCONCERNISTHEBESTACTORAWARDTHISCANADEQUATEPROVEDTHEIMPORTANCEOFACTORINTHEFILMWHYAGOODACTORORAMOVIESTARCANMAKEFILMHYPERCHROMICMANYOFCOURSE,HEREWEDON’TTALKABOUTTHEREASONSFORECONOMICSTHISISBECAUSEGOODACTORORMOVIESTARWITHAGOODQUALITYOFPERFORMANCESCANDEPICTEVERYASPECTOFCHARACTERSINTHEFILMBETTERANDMAKEMOVIECHARACTERSREDUCTIONOFTHESCRIPTBETTER,EVENBEYONDTHESCRIPTACTORINTHEFILMPERFORMANCECANBESUMMEDUPASTWOASPECTSFIRSTISLIMB4MOVEMENTS,ANDSECONDISLANGUAGEEARLYFILMSSUCHASCHARLIECHAPLINSFILMSARESILENT,LIMBMOVEMENTSBECOMETHEONLYMEANSOFTHEMETHODWITHTHEEMERGENCEOFMOVIESWITHSOUND,ANDTHEIMPORTANCEOFLANGUAGEWILLREVEALTHEPLANFILMLANGUAGEISDIRECTLYFROMTHECREATIONOFTHESCRIPTBYSCRIPTWRITER,SOTHEACTORS’PERFORMANCESHOULDBEONTHENEEDTOSHOWTHESCRIPTANDACTORPERFORMINGISONTHEQUALITYOFTHESCRIPTTOBEAFFECTINGTHECONTENTOFEXPRESSIONACTORSINTHEPERFORMANCESARENOTJUSTFLUENTINACCORDANCEWITHTHESCRIPTOF,BUTNEEDTOPLAYFORAGOODACTORWHOGRASPTHELANGUAGEWILLBEVERYACCURATE,ANDTHATISTOSAYHECANPLAYBETTER,CANMAKELANGUAGEBEENRICHEDANDDEEPENED
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