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UsingMarxistTragedyViewtoAnalyzeDramaWorks获奖科研报告"LeifengTower";WhiteLady;tragedy
"LeifengTower"byFangChengpeioftheQingDynastyisadramaabout"WhiteSnake".Tothisday,"LeifengTower"stillhasahighvalueinboththeplotandthecharacterization.FangChengpei,theauthorof"LeifengTower",canbesaidtobeanimportantwriterinthehistoryofChinesedramaliterature.
Fromtheanalysisofthecontentof"LeifengTower",thelegendofFangChengpeis"LeifengTower"inheritedthestorymodeofthelovestorybetweenhumansandmonsters.Infiltratemoreelementsofrationalthinking,Atthesametime,itwritesthecomplexityandprofoundnessofthetragedyoftheWhiteSnake,whichbreaksthroughtheframeworkofthelovebetweenhumansandmonsters,hasdeepspiritualconnotations,anddemonstratesprofoundsocialcontradictions.
1.UnderstandingofMarxistTragicViewTheory
Hegel'stheoryoftragedyisthis:First,hebelievesthat"anythingthatisrealisticisreasonable,andeverythingthatisreasonableisrealistic";Second,hebelievesthatthedevelopmentofworldhistoryisanascentfromalow-levelsocialformtoahigh-levelsocialform.Fromtheperspectiveofdevelopmentandchange,therealitywiththeinevitabilityandrationalityofexistencewillinevitablyloseitsrationalityandbecomeunreasonable.TheemphasisofMarxistphilosophyontragedyistoemphasizetheunityoftragedyandhistory.Therefore,thenatureoftragedyisrevealedinthemultipleinternalconstructiverelationsbetweenthetragedyofMarxismandpolitics,economy,andhistory.Marxbelievesthattherearetwotypesoftragedies.Thefirstoneisbecauseitviolatestheinevitableprocessofhistoricaldevelopment,makesmistakesorsomeoneisdestinedtofacetheendofthetragedy,buthedoesnotrealizeit,butinsistsonhisownopinions.Thisisatragedy;thesecondistragedy.Thetragedyisbecausethe"oldforces"aretoopowerful,andthingsthatarefullofvitalityandrepresentprogresscannotfullyrealizethemselves.Thisisalsoatragedy.
2.TheTragicLifeoftheWhiteLady
Thewhitelady'sstrugglefinallyendedintragedy.ShewassuppressedundertheLeifengTowerandcouldneverstandup.AlltheconflictsbetweenWhiteLadyandFahai,thegovernment,andXuXuanareallforthepursuitofherownloveandhappiness.Therefore,thewhitelady'sloveforXuXuanandthefierceresistanceandhugesacrificesmadeforthisaremoreobviousmodernlovecolorsinthissense.WhiteLady'skindness,loyaltytolove,andresistanceandstrugglefrombeginningtoendallshowthetremendouspowerofhumannature.Therefore,italsoshowsthemosttrueandinstinctivesideindealingwithlove.
3.Marxistviewoftragedyanalyzesthetragiclifeofthewhitelady
In"LeifengTower",thewhiteladyboldlychallengedthefeudalethics,andthepursuitoffreeandhappyloveisboundtobeunacceptabletodefenderswhorepresenttheevilforcesoffeudalism.Intheseventh[TanteOrder]straightforward,"Ifyoudontgiveup,letmepityeachother,Iwouldliketosendthesameheart."[DrunkDongfeng]:"Theofficialreturn,thatis,beggingthematchmakertoagree,anditwillbeagoodthingearly."ItshowsanewtypeoffemaleimagethatbreaksthroughtheConfucianself-restraint,self-restraint,pursuesself-instinct,andlovesfreely.Butthosewhoareontheroadaheadwillalwaysbeinterferedbytheoldforces,andthedevelopmentisnotyetmature,andreformsthatlackexperienceandtheoreticalguidancearedoomedtofailandbecometragedies.ThisshowsthatthecontentoftragedyintheMarxistviewoftragedyisnotanidea,butthecontradictionandconflictinreallife,whichistheconceptof"aconflictbetweentheinevitablehistoricalrequirementandthepracticallyimpossiblerealizationofthisrequirement".
4.Conclusion
Asanartthatreflectstheconceptoftragedy,reflectingsocialconflictistheessentialfeatureofdramaart,anditismostprominentandconcentrated.In"LeifengTower",themoreintenseherresistance,themoreincomparableherimagemeaningis.Theweakerherpower,themoreintensehervoice,themoreinfluentialandaestheticeffecthertragicmeaningis.Thespiritoftheweakwhodaretochallengethepowerfulisevenmorevaluable.Inshort,thedrama"LeifengTower"reflectstheyearningofordinaryworkingpeopleforahappylifebyshapingthetragiccharacteroftheWhiteLady.Eveniftwopeoplearetrulyinlove,theywilleventuallybedestroyedbytherulingclassthatrepresentspower.
References:
[1]ZhangYanju.Awailingweed——AnanalysisoftheMarxistviewoftragedyonthetragicfateoftheslaveMosesin"TheWeedsAreSinging"[J].ModernCommunication,2011.
[2]LuGuishan,editedbyZhouZhonghou.SelectedLecturesonMarxistLiteratureandArt[M].Publishedb
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