好莱坞电影发展史及美国电影概述

Americanfilmculture,TheformationofHollywood,Hollywood,Thereareseveralwaystodefinethe“Hollywood”thebroadestistheAmericanfilmindustry,includingdifferentcitiesanddifferentscalefilmproductionanddistributioncompanies.Italsoreferstothesevenbiggestfilmcompanies,includingMGM，ParamountPicture，ColumbiaPictures,WarnerBrothersPictures,WaltDisneyCompany,20thCenturyFoxCorporation,UniversalPictures.,HollywoodliesonthewestcoastoftheUnitedStates,outsideLosangeles,California.,TheformationofHollywoodmovieindustry,1907,becauseofsomebadweather,thecountofMonteCristocameheretomakesomeshots.1911,agroupoffilmworkersfromNewJerseycreatedHollywoodsfirstfilmstudio,NestorFilms.Inthesameyear,15otherstudioshavesettledhere.1913,DaimlercompletedthefirstfilmIndianWomansWhiteHusbandfilmedinHollywood.1923,thewhitecharacterHOLLYWOOD,oneofHollywoodsymbols,waserectedonthehillsidebehindHollywood.1929,theAcademyAwardswereawardedforthefirsttime.,TheSilentFilms,TheEarly20thCentury,In1915,TheBirthofANationwasfirstreleased.ItwasthebeginningofHollywoodsdominationoftheworld.,CharlieChaplin1889-1977,Chaplinisaworld-famouscomedian.withrichlifeexperience,profoundsocialinsight,hecreatedhighestachievementsofsilentfilmformankind.,TheFirstGoldenPeriodofHollywood,1930sto1950s,NewHollywood,1970sto1980s,NewHollywood,Inthe1960s,theUnitedStateshadaserioussocialcrisis,Theoldmovieproductionsystemhasbeenshakenforhalfacentury,Therehavebeenmanynewmovies.,TheGodfather,OneFlewOvertheCuckoosNest,Jaws,NowHollywood,Aftermorethan100yearsofdevelopment,Hollywoodhasamaturebusinessculturemodelformovies.ThemovieisalreadyamatureculturallineinHollywood,Thankyou,IllshareitwithyoutodayMyfavoriteAmericarepresentativeDirectorandactor!今天和大家分享我喜欢的美国有代表性的导演与演员！,StevenAllanSpielberg史蒂文斯皮尔伯格,01,VinDiesel范迪塞尔,02,LeonardoDiCaprio莱昂纳多迪卡普里奥,03,JamesCameron詹姆斯卡梅隆,04,catalogue,HavetomentionThe2018empirefilmawardforlifetimeachievementStevenAllanSpielberg,Abouthisunderstanding,letsbaidu,史蒂文斯皮尔伯格为“电影织梦者”一点也不为过，他是以影片辛德勒名单和拯救大兵瑞恩而两次荣获奥斯卡金像奖的大导演，他的大白鲨、E.T.、侏罗纪公园等著名的商业片也为全球广大影迷们所熟知，当人们带着这种印象涌向电影院去欣赏那部黑白电影辛德勒名单时，却发现了斯皮尔伯格的另一个世界，一个充满智慧和理性的世界，一个真正斯皮尔伯格可以将电影的深刻思想性与商业元素完美的结合在一起，让观众们体验震撼壮美的画面效果同时，感受到其影片中所传达出的深刻内涵，让人意犹未尽，回味无穷。这在整个美国电影界乃至全球电影界都是非常稀有的.,Stevenspielbergfilmweavethedreameralittletoomuch,heisamovieschindlerslistandsavingprivateRyanandthedirectortwicewontheOscar,hisjaws,E.T.,Jurassicparkandotherfamouscommercialalsoknownbytheglobalfanswhenpeopleflockingtothecinemawiththisimpressiontoappreciatetheblackandwhitemovieschindlerslist,onlytofindthatthespielbergsanotherworld,aworldfullofwisdomandreason,arealmovieartoftheworld.Spielbergfilmcanbeaprofoundideologicalcontentandcommercialelementsperfectunifiesintogether,lettheaudienceexperienceshockmagnificentpictureatthesametime,tofeelthefilmconveysprofoundconnotation,letapersonwantingmore,endlessaftertaste.ThisisveryrareintheentireAmericanfilmindustryandintheglobalfilmindustry,领衔硬汉特工团，用速度与激情征服观众1967年，他出生于美国纽约州纽约市，从小没有见过自己的亲生父亲，而是由非洲裔美国人继父欧文抚养大的，迪塞尔的童年一直在剧院工作。他想为他成为好莱坞演员梦想而放弃高中，高中毕业以后，他被亨特学院录取，他在学校主修英语编剧在在学院学习三年后，他决定离开做电影，从1997年他自编、自导、自演了一部小投资影片迷失到2017年，主演速度与激情8中继续饰演多姆，最终取得12亿美元的全球票房，期间他一次又一次塑造了经典形象。,Leadthetoughguys,conquertheaudiencewithTheFastandtheFuriousIn1967,hewasborninNewYorkCity,NewYork,havenotseenhisfathersincechildhood,butbytheAfricanAmericanstepfatherraised,diselschildhoodhavebeenworkinginthetheatre.HewantstobeaHollywoodactorforhisdreamandgiveuphighschool,graduatedfromhighschool,hegothuntercollegeadmission,hemajoredinEnglishatschoolwritersintheschoolthreeyearslater,hedecidedtoleaveforthemovie,from1997,hewrote,directedandactedinasmallinvestmentfilmlostin2017,starringinfastandfurious8continuetoplaytheroleofdaum,winning$1.2billioninglobalbox-office,duringhisclassicimageagainandagain.,1974年11月11日出生于美国加利福尼亚州洛杉矶，美国影视演员、制作人。1990年，16岁的他参加了电视剧成长的烦恼，1997年，莱昂纳多主演了泰坦尼克号。2010，他出演了盗梦空间，2016年，凭借电影荒野猎人获得第73届金球奖最佳男主角奖和第88届奥斯卡金像奖最佳男主角奖。莱昂纳多保持着前进的动力，他做到了角色在情感和心理上的真实化表演，无论它是如何的丑陋，幼稚或是令人费解。通过他的脸庞，他的眼睛，他占据了整个屏幕，就像一个默片演员，他知道如何运用它们，也知道如何运用他的身体；他对于表演的收放有着天生的感悟。,BorninLosAngeles,CaliforniaonNovember11,1974,heisanAmericanfilmactorandproducer.In1990,attheageof16,heappearedingrowingpains,andin1997,leonardostarredinTitanic.In2010,hestarredininception,andin2016,hewonthegoldenglobeawardforbestactoratthe73rdgoldenglobeawardsandbestactoratthe88thAcademyAwardsforhisfilmtherevenant.Leonardokepthismomentumgoing,andhemadehischaracteremotionallyandpsychologicallyrealistic,nomatterhowugly,childishorincomprehensibleitwas.Throughhisface,hiseyes,hetakesoverthescreen,likeasilentactor,heknowshowtousethem,heknowshowtousehisbody;Hehasanaturalappreciationofthewaytheshowisplayed.,詹姆斯卡梅隆1954年8月16日出生于加拿大安大略省，好莱坞电影导演、编剧。他12岁时所写的一部科幻小说是他的科幻影片深渊故事的原型。1980年，他获得了在影坛的第一份正式工作，在罗杰考执导的影片世纪争霸战中任艺术总监，制作特效模型。1981年，詹姆斯卡梅隆执导了第一部作品食人鱼2。1997年，詹姆斯卡梅隆执导了电影泰坦尼克号，上映后，在美国的票房达到了4亿7千万美元；全球票房超过18亿美元，打破影史票房纪录。2010年1月，詹姆斯卡梅隆凭借阿凡达获得第67届金球奖最佳导演奖。詹姆斯卡梅隆的影片体现了成人化的幻想，但他的为人却非常地孩子气。这种“孩子气”更多体现在不顾任何世俗的限制，一心追求自己心目中的完美目标。,JamesCameronwasborninOntario,CanadaonAugust16,1954.Hewroteasciencefictionnovelwhenhewas12yearsold,whichwasthebasisofhissciencefictionfilmtheabyss.In1980,hegothisfirstofficialjobinthefilmindustry,workingasartisticdirectorandmakingspecialeffectsmodelsintheRogercoveyfilmthecenturyisafighter.JamesCamerondirectedthefirstfilm,piranhaii,in1981.In1997,JamesCamerondirectedthefilmTitanic.Worldwideboxofficereceiptsexceeded$1.8billion,breakingabox-officerecordinfilmhistory.InJanuary2010,JamesCameronwonthegoldenglobeawardforbestdirectorforavatar.JamesCameronsfilmsembodyadultfantasies,butheisverychildish.Thiskindofchildishismorereflectedinthedisregardofanysecularrestrictions,thepursuitoftheirownidealgoal.,THAT,SALLTHANKYOU,Manymore,tobecontinued,SUCHAS：The12directorsbehindthemarvelmovies,Thenext,FeatureofAmericanfilms,ThroughtheunderstandingofthecharacteristicsofAmericanfilms,wecandiscoverthecharacteristicsofAmericanculture,TherelationshipbetweenAmericanmoviesandAmericanculture,AmericanmoviesareamajorpartofAmericanculture.ItgrowsanddevelopswiththegrowthanddevelopmentofAmericanculture.ItvividlyembodiesmanyfeaturesofAmericanthoughtandtheAmericannationandculture.ItconformstothelivelynatureandactivepersonalityoftheAmericans.Atthesametime,italsoreflectstheoptimisticspiritandhumannatureoftheAmericans.Americanmoviesfocusoncommercialityandboxofficevalue,buttheyarestillveryconcernedaboutsocietyandrealitywhilepursuingpopulartaste,beingapproachableandaccessible.ItmakesapoeticdescriptionofAmericanlife.,FeatureofAmericanfilms,AmericanmoviesarefullofheroismAmericanmoviesarefullofeternalaffectionandloveAmericanmovieshaveastrongscienceandtechnologyculture,nineelevenattacks,TheSeptember11,2001,attacks(oftenreferredtoas9/11pronouncednineeleven)consistedofaseriesofcoordinatedsuicideterrorist1attacksupontheUnitedStates,predominantlytargetingcivilians,carriedoutonTuesday,September11,2001.Thatmorning,19terrorists2affiliatedwithal-Qaeda3hijackedfourcommercialpassengerjetairliners.Eachteamofhijackersincludedatrainedpilot.Twoplanes(UnitedAirlinesFlight175andAmericanAirlinesFlight11)crashedintotheWorldTradeCenterinNewYorkCity,oneplaneintoeachtower(OneandTwo).Bothtowerscollapsedwithintwohours.ThepilotofthethirdteamcrashedAmericanAirlinesFlight77intothePentagoninArlingtonCounty,Virginia.Passengersandmembersoftheflightcrewonthefourthaircraft(UnitedAirlinesFlight93)attemptedtoretakecontroloftheirplanefromthehijackers;thatplanecrashedintoafieldnearthetownofShanksvilleinruralSomersetCounty,Pennsylvania.Aswellasthe19hijackers,aconfirmed2,973peoplediedandanother24aremissingbutpresumedkilledasaresultoftheseattacks.,Americanmoviesarefullofheroism,Afterthe9.11incident,Americancitizenshaveanunprecedentedsenseofcrisis.Theyareeagertohaveheroeswhocanstepforwardandsavethemwhentheyareindistress.Americanshaveastrongsenseofself-centeredness,believeinindividualism,andpursuepersonalhappinessasasocialconsensus.Americancitizensworshipindividualheroes.Theyadvocateindividualstruggleandtakerisks.Therefore,Americanmoviesstronglyadvocateself-centeredindividualismandheroism.Theyhopetoencouragetheirownpeopleandtaketheirownresponsibility.,Theblackpresidentoffilm“2012”,atthetimeofthehumandisaster,gaveuptheopportunitytoboardanescapeboatandlefttheline:“Ayoungscientistwantstoovercometwentyoldpoliticians.”ThisisAheroicrealmwiththehumanfutureasitsownresponsibility,Themaleprotagonistssavethesocietywiththeirownextraordinaryabilityandpunishevil.Andthistypeofloneheroisoftenjustanordinarypersonatthebeginningofthemovie,reflectingthatordinarycitizenscanalsofindtheirownresponsibilitiesinthissociety.Nomatterwhatkindofcrisesorhardshipstheyface,nomatterwhatfatalblowstheyreceive,theyneverbelieveinfailure.Theheroesalwaysusetheincomprehensiblerationalmindtoquicklymakeaperfectlayoutandinstantlymakeabsolutecorrectjudgments.Youcanalwayscatchonlyonepercentchanceofwinning,Americanmoviesarefullofeternalaffectionandlove,Loveistheeternalthemeofthemovie.Ithasanirreplaceableposition.Nomatterwhichmovie,itdescribestheperfectionandeternityoflovemoreorless.ThefamilyisthemostimportantpartofAmericans.After9/11,theUnitedStatescompletelychangedtheconceptofpeopleslife:thefamilyswarmestaffectionisthemostvaluable.SoAmericanmoviesthatreflectloveandfamilyaffectionaregettingmoreandmore,anditcanbeseenthatAmericansattachimportancetoaffectionandlove.,Americanmovieshaveastrongscienceandtechnologyculture,ThehightechnologyintheUnitedStateshascontributedtotheglobalcompetitivenessofAmericanmovies,theluxuryofcinema,thespectacleandthedreaminess.Americanmovieshavecreatedauniquecultureofthefilmwithavarietyofvisualstylingandtechnologicalmeans,reflectingitsinfinitecreativity.Somemassivedisasterfilms,sciencefictionfilmsanddramafilmshaveemergedinlargenumbers,suchasJaws,Alien,JurassicPark,PearlHarbor,Avatarandotherfilms,withhigh-techadvantages.Createdimpressivemovieeffects,Americanmovieshavealwaysbuiltuptheimageofindividualheroisminthespiritofscienceandtechnology,andtheyhaveanultra-modernsenseofscienceandtechnology.AmericanmoviesareoneofthemostimportantexpressionsofAmericancultureonthescreen.AmericancinemaincorporatesthespiritualvisionofAmericanliteratepeople,implicatestheirdeepculturalvalues,propagatestheirculturalvalues,andinfluencestheformationofculturalvaluesforfilmloversaroundtheworld.Americanmoviesembodytheculturalcharacteristicsofself-centeredindividualismandheroism,eternalloveandaffection,andastrongscienceandtechnologyculture.ThereasonisthatinadditiontoHollywoodisgoodattellingstoriesandhasstrongcommercialoperations,thecompletenarrativestructureofAmericanmovieshasmaturelyreflectedthegeneraldemandforrationalorder.,Themovieasaworkofarthasdeeplyattractedourattention.Inthecourseofmanyyearsofwatchingthemovie,wehavealsoprogressedfromsimplyappreciatingthedirectionofthefilmtoexploringthefootprintsofitscreativebackground.AmericanmoviescontinuetoattractustolookbackandpayattentiontotherelationshipbetweenthehistoricalbackgroundoftheUnitedStatesandthecreationofamovie.,Thankyou!,ThemeofAmericanmovies,Themovietellsthestoryofthegreenhouseeffectcausingglobalclimatechange,andtheworldisabouttofallintothesecondglacialperiod.Thenorthernhemispherewasmeltedbythegreenhouseeffect,theearthe