里姆斯基·科萨科夫 全部音乐作品列表(List of compositions by Nikolai Rimsky-Korsakov).doc

List of compositions by Nikolai Rimsky-KorsakovContents 1 Opera 2 Choral musico 2.1 Sacred choralo 2.2 Secular choral 3 Orchestral and band musico 3.1 Works for symphony orchestrao 3.2 Opera excerpts for orchestral concertso 3.3 Solo instrumental music with orchestra or band 4 Songso 4.1 Romances, other art songs and duetso 4.2 Folksong collections 5 Chamber music 6 Piano music 7 Editing or completion of works by otherso 7.1 Alexander Borodino 7.2 Csar Cuio 7.3 Alexander Dargomyzhskyo 7.4 Mikhail Glinkao 7.5 Modest Mussorgsky1. Opera The Maid of Pskov ( = Pskovitjanka): 1868-1872 (1st version); 1876-1877 (2nd version); 1891-1892 (3rd version) Mlada (): 1872 (portions of Acts II and III from project composed collectively by Borodin, Cui, Minkus, Mussorgsky, and Rimsky-Korsakov) May Night ( = Majskaja noch): 1878-1879 The Snow Maiden ( = Sneguroka): 1880-1881 (1st version); ca. 1895 (2nd version) Mlada (): 1889-1890 (complete setting of unstaged collaborative project from 1872) Christmas Eve ( = No pered Rodestvom): 1894-1895 Sadko (): 1895-1896 Mozart and Salieri ( = Mocart i Saleri): 1897 The Noblewoman Vera Sheloga ( = Bojarynja Vera eloga): 1898 The Tsars Bride ( = Carskaja nevesta): 1898 The Tale of Tsar Saltan, of His Son, the Famous and Mighty Bogatyr Prince Gvidon Saltanovich, and of the Beautiful Princess Swan ( , , = Skazka o care Saltane, o syne ego, slavnom i moguem bogatyre knjaze Gvidone Saltanovie i o prekrasnoj Carevne Lebedi): 1899-1900 Servilia ( = Servilija): 1900-1901 Kashchey the Immortal ( = Kaej bessmertnyj): 1901-1902 Pan Voyevoda ( = Pan vojevoda; literally, The Gentleman Provincial Governor): 1902-1903 The Legend of the Invisible City of Kitezh and the Maiden Fevroniya ( = Skazanie o nevidimom grade Kitee i deve Fevronii): 1903-1904 The Golden Cockerel ( = Zolotoj petuok): 1906-19072. Choral music2.1 Sacred choral Thee, O God, We Praise ( ), for double chorus, 1883 Our Father Collection of Sacred Musical Compositions by N.A. Rimsky-Korsakov Used at the Imperial Court. Four-Voice Compositions from the Liturgy of St. John Chrysostom, Op. 22, 1883; contains 8 pieces Collection of Sacred Musical Arrangements by N.A. Rimsky-Korsakov Used at the Imperial Court, Op. 22b, 1884; contains 6 hymns based on chant melodies Collection of Sacred Musical Compositions and Arrangements by N.A. Rimsky-Korsakov for Mixed Chorus, 1883-1884; contains 23 pieces, published posthumously in 19132.2 Secular choral Two Choruses, Op. 13, for three womens parts, 1874 Four Variations and a Fughetta on the Russian Folksong , Op. 14, for four womens parts with piano or harmonium ad lib. 1874 Six Choruses, Op. 16, variously for mixed, womens, and mens voices, 1875-1876 Two Choruses, Op. 18/22, for mixed voices, 1876 Four Choruses, Op. 23, for three mens parts with piano ad lib., 1876 Poem about Alexei, Man of God, Op. 20, for altos, tenors, and bass (voice type) with orchestra, 1878 Fifteen Russian Folksongs, Op. 19, for mixed voices, 1879 Glory ( = Slava), Op. 21, for mixed voices with orchestra, 1879-1890 Two Choruses, for childrens voices, 1884 Switezianka, Op. 44, cantata for soprano and tenor soloists and mixed voices with orchestra, 1897 Song of Oleg the Wise, Op. 58, cantata for tenor and bass soloists and mens voices with orchestra, 1899 From Homer, Op. 60, prelude-cantata for soprano, mezzo-soprano, and alto soloists and womens voices with orchestra, 19013. Orchestral and band music3.1 Works for symphony orchestra Symphony No. 1 in E minor, Op. 1, 1861-1865 (1st version), 1884 (2nd version) Overture on Three Russian Themes, op. 28 1866 (1st version), 1879-1880 (2nd version) Fantasy on Serbian Themes, Op. 6 1867 (1st version), 1886-1887 (2nd version); also called Serbian Fantasy Sadko, Op. 5, musical tableau, 1867 (1st version), 1869 (2nd version), 1891-1892 (3rd version) Antar, Op. 9, 1868 (1st version), 1875 (2nd version), 1897 (3rd version), 1903 (amended 2nd version published by Bessel). Originally designated Symphony No. 2, he later reclassified it a symphonic suite. (See Rimsky-Korsakov, My Musical Life, 92.) Symphony No. 3 in C, Op. 32, 1866-1873 (1st version), 1886 (2nd version) Music to Meis drama The Maid of Pskov, suite of five numbers, 1877 (adapted from the opera as incidental music) Fairytale = Skazka, Op. 29, 1879-1880 Sinfonietta on Russian Themes in A minor, Op. 31, 1879-1884; adaptation of first three movements from string quartet of 1878-1879 Capriccio Espagnol, Op. 34, 1887, (Based mainly on Asturian traditional folk music themes) Scheherazade, Op. 35, symphonic suite, 1888 Russian Easter Festival Overture ( ), Op. 36, 1888 Theme and Variation No. 4, 1903, from collective set of variations on a Russian theme, with Artsybushev, Vitols, Lyadov, Sokolov, and Glazunov On the Tomb, Op. 61, prelude, 1904, in memory of M.P. Belaieff Dubinushka, Op. 62, 1905 (1st version), 1906 (2nd version with choral parts ad lib.) Greeting , 1907, for Glazunov Neapolitan Song i.e., Funiculi, funicula, Op. 63, 19073.2 Opera excerpts for orchestral concerts The Snow Maideno Suite; includes: Dance of the Skomorokhi (Act III) (also known as Dance of the Clowns or Dance of the Tumblers) Mladao Suite; includes: Procession of the Nobleso Night on Mount Triglav, 1899-1901; purely orchestral adaptation of Act 3 Christmas Eve - suite The Tale of Tsar Saltano Three Musical Pictures (introductions to Act 1, Act 2, and Act 4, Tableau 2)o Flight of the Bumblebee (from Act III, Tableau 1) Pan Voyevoda - Suite The Golden Cockerelo Introduction and Wedding Marcho Suite (prepared by Glazunov and M. Steinberg) The Legend of the Invisible City of Kitezh and the Maiden Fevroniya - Suite (prepared by Glazunov and M. Steinberg)3.3 Solo instrumental music with orchestra or band Concerto in B, for trombone and military band, 1877 Variations in G minor on a theme by Glinka, for oboe and military band, 1878 Konzertstck in E, for clarinet and military band, 1878 Piano Concerto in C minor, Op. 30 1882-1883 Fantasy on Two Russian Themes, for violin and orchestra, Op. 33, 1886-1887 Mazurka on Three Polish Folk Themes, for violin and orchestra, 1888; also called Souvenir de trois chants polonais Serenade for cello and orchestra, Op. 37, orchestrated in 1903 from cello/piano original4. Songs4.1 Romances, other art songs and duets Butterfly = Babochka, duet, 1855 Come out to me, signora , = Vykhodi ko mne, sinora, 1861 In the blood burns the fire of desire = V krovi gorit ogon ljubvi, 1865 (current provenance unknown) Four Songs, Op. 2, 1865-1866o 3. Lullaby from the drama The Maid of Pskov = Kolybelnaja pesnja iz dramy Pskovitjanka; incorporated later into the opera The Noblewoman Vera Sheloga Four Songs, Op. 3, 1866 Four Songs, Op. 4, 1866 Four Songs, Op. 7, 1867 Six Songs, Op. 8, 1878-1870 Two Songs, Op. 25, 1870 Four Songs, Op. 26, 1882 Four Songs, Op. 27, 1883 Four Songs, Op. 39, 1897 Four Songs, Op. 40, 1897 Four Songs, Op. 41, 1897 Four Songs, Op. 42, 1897 In Spring , Op. 43, 1897 (four songs) To the Poet, Op. 45, 1897-1899 (five songs) By the Sea , Op. 46, 1897 (five songs) Two Duets, Op. 47, for mezzo-soprano and baritone or soprano and tenor, 1897 Two Songs, Op. 49, for bass, 1882-1897 Four Songs, Op. 50, 1897-1898 Five Songs, Op. 51, 1898 Two Duets, Op. 52, 1897-1898 Dragonflies , Op. 53, for two sopranos, 1897 Four Songs, Op. 55, for tenor, 1897-1898 Two Songs, Op. 56, for soprano, 18984.2 Folksong collections Collection of One Hundred Russian Folksongs, Op. 24, 1875-1876 Forty Folksongs, 1875-18825. Chamber music String Quartet in F, Op. 12, 1875 String Sextet in A, for pairs of violins, violas, and violoncellos, 1876 Quintet in B-flat, for flute, clarinet, horn, bassoon, and piano, 1876 String Quartet on Russian Themes, 1878-1879o First three movements later adapted for Sinfonietta, Op. 31o Remaining fourth movement has title In a Monastery (version for piano four-hands is entitled In a Church) Four Variations on a Chorale in G minor, for string quartet, 1885 String Quartet B-la-F, 1st movement, 1886; other movements by Lyadov, Glazunov, and Borodin String Quartet Jour de fte , finale (Round-Dance ), 1887; other movements by Glazunov and Lyadov Nocturne in F, for four horns, ca. 1888 Two Duets in F, for two horns, 1883?-1894? Canzonetta and Tarantella, for two clarinets, 1883?-1894? Serenade, for violoncello and piano, 1893; also orchestrated as Op. 37 String Quartet in G, 1897 Trio in C minor, for violin, violoncello, and piano, 1897; completed by his son-in-law Maximilian Steinberg in 1939 Theme and Variation No. 4 in G major, for string quartet, 1898; for collaborative Variations on a Russian Theme ( ), with Artsybushev, Skriabin, Glazunov, Lyadov, Vitols, Blumenfeld, Ewald, Winkler, and Sokolov Allegro in B-flat, for string quartet, 1899, for the collaborative set of string quartet pieces entitled Les vendredis, with Glazunov, Artsybushev, Sokolov, Lyadov, Vitols, Osten-Sacken, Blumenfeld, Borodin, and Kopylov6. Piano music Six Variations on the theme BACH, O. 10, 1878 (Waltz, Intermezzo, Scherzo, Nocturne, Prelude and Fugue) Four Pieces, O. 11, 1876-1877 (Impromptus, Novelette, Scherzino, Etude) Three Pieces, O. 15, 1875-1876 (Waltz, Romance, Fugue) Six Fugues, Op. 17, 1875 Two Pieces, O. 38, 1894-1897 (Prelude-Impromptus, Mazurka) Variations (Nos. 1, 2, 6, 11, 3, 16 and 19) and Pieces (Lullaby, Little Fugue on the theme BACH, Tarantella, Minuet, Bells Trezvon, Comic Fugue) from a collaborative paraphrase to the constant theme, 1878 (without opus no) Fugues and Fughettas, 1875-1876 (without opus no) Allegretto C major, 1895 (withou