某广电IP城域网改造方案建议书

某广电IP城域网改造方案建议书某广电IP城域网改造方案建议书某广电IP城域网改造方案建议书 本文简介：opinionabout,andstatementof,:Moralinferencesmaybedrawnfrommoststories,nodoubt,evenwhenanauthordoesnotinten。某广电IP城域网改造方案建议书opinionabout,andstatementof,thetheme.Moralinferencesdrawnfrommoststories:Moralinferencesmaybedrawnfrommoststories,nodoubt,evenwhenanauthordoesnotintendhis/herstorytobereadthisway.In“AClean,Well-LightedPlace”,wefeelthatHemingwayisindirectlygivingusadviceforproperlyregardingandsympathizingthelonely,theuncertain,andtheold.Butobviouslythestorydoesnotsetforthalessonthatwearesupposedtoputintopractice.Wecansayforsurethat“AClean,Well-LightedPlace”containsseveralthemesandotherstatementscouldbemadetotakeinHemingwaysviewoflove,ofcommunicationbetweenpeople,ofdignity.Greatstories,likegreatsymphonies,frequentlyhavemorethanonetheme.WhenwesaythatthetitleofPrideandPrejudiceconveysthethemeofthenovelorthatUncleTomsCabinandTheGrapesofWrathtreatthethemesofslaveryandmigratorylaborrespectively,thisistousethemeinalargerandmoreabstractsensethanitisinourdiscussionofHemingways“AClean,Well-LightedPlace.”InthislargersenseitisrelativelyeasytosaythatMarkTwainsHuckleberryFinn,UpdikesA(2)theoccupationsanddailymanneroflivingofthecharacters;(3)thetimeorperiodinwhichtheactiontakesplace,forexample,thelateeighteenthcenturyinhistoryorwinteroftheyear;(4)thegeneralenvironmentofthecharacters,forexample,religious,mental,moral,social,andemotionalconditionsthroughwhichcharactersinthestorymove.(HolmanandHarman,AHandbooktoliterature,1986)Butoften,inaneffectivestory,settingmayfigureasmorethanmerebackground.Itcanmakethingshappen.Itcanpromptcharacterstoact,bringthemtorealizations,orcausethemtorevealtheirinnermostnatures,asweshallseeinJohnCheeversshortstory“TheSwimmer”.First,aswehavesaid,theideaofsettingincludesthephysicalenvironmentofastory:aregion,alandscape,acity,avillage,astreet,ahouseaparticularplaceoraseriesofplaceswhereastoryoccurs.(Whereastorytakesplaceissometimescalleditslocale.)Placesinfictionnotonlyprovidealocationforanactionoraneventofthestorybutalsoprovokefeelingsinus.Asightofagreenfielddottedwithflutteringdaffodilsaffectsusverydifferentlyfromasightofadingyalley,atropicaljungle,orasmallhousecrowdedwithfurniture.Inadditiontoasenseofbeautyorugliness,weusuallybuildupcertainassociationswhenweputourselvesinsuchascene.Wearedepressedbyadingyalley,notonlybecauseitisugly,butbecauseitmayarouseafeeling,perhapssometimesunconsciously,ofpoverty,misery,violence,viciousness,andthestrugglesofhumanbeingswhohavetoliveundersuchconditions.Atropicaljungle,forexample,inJosephConradsHeartofDarkness,mightinvolveacomplicatedanalysis:thepleasureofthecoloursandformsofvegetation,thediscomfortofhumidity,heat,andinsects,asenseofmystery,horror,etc.ThepopularityofSirWalterScotts“Waverley”novelsisdueinparttotheirevocationofaromanticmoodofScotland.TheEnglishnovelistGrahamGreeneapparentlyneededtovisitafreshsceneinordertowriteafreshnovel.HisabilitytoencapsulatetheessenceofanexoticsettinginasinglebookisexemplifiedinTheHeartoftheMatter;hiscontemporaryEvelynWaughstatedthattheWestAfricaofthatbookreplacedthetruerememberedWestAfricaofhisownexperience.Suchpowerisnotuncommon:theYorkshiremoorshavebeenromanticizedbecauseEmilyBrontewroteoftheminWutheringHeights,andliterarytouristshavevisitedStoke-on-TrentinnorthernEnglandbecauseitcomprisesthe“FiveTowns”ofArnoldBennetsnovelsoftheearlytwentiethcentury.Thus,areadersreactiontoaplaceisnotmerelybaseduponthewayitlooks,butuponthepotentialitiesofactionsuggestedbyit.Placesmattergreatlytomanywriters.Forinstance,theFrenchnovelistBalzac,beforewritingastorysetinatown,hewouldgoandvisitthattown,selectafewlanesandhouses,anddescribesthemindetail,downtotheirverysmells.Inhisviewtheplaceinwhichaneventoccurswasofequalmomentwiththeeventitself,andithasaparttoplay.AnotherexampleisThomasHardy,underwhomthepresentationofsettingassumesanunusualimportance.His“Wessex”villagescastintangiblysuchasspelluponthevillagersthatoncetheyleavetheirhometownstheywillinevitablysufferfromdisasters,andthefarthertheyareawayfromtheirhometowns,themore,terribletheirdisasterswillbe.Forexample,intheTessoftheDUrbervilles,theValeofBlakemorewastheplacewhereTesswasbornandherlifewastounfold.Everycontourofthesurroundinghillswasaspersonaltoherasthatofherrelativesfaces;shelovedtheplaceandwaslovedintheplace.Thevale,farfromthemaddingcrowdofthecivilizedcity,wasassereneandpureastheinhabitants.Tess,imbueddeeplywiththenaturalhueofthevaleandboundcloselytothisworldofsimplicityandseclusion,experiencedherowndelightandhappinessthoughherfamilywaspoor.Itwas,tosomeextent,herdeparturefromhernativeplacethatledtohertragedy.InTheReturnoftheNative,theatmosphereofEgdonHeathprevailsoverthewholebook;asanenvironment,itabsorbssomeandrepelsothersofthecharacters:thosewhoareabsorbedachieveasomberintegrationwithit,butthosewhoarerepelledandrebelsufferdisaster.Sometimesanenvironmentservesasmorethanamereplacetosetthestory.Often,itisinextricablyentangledwiththeprotagonist,andevencarriesstrongsymbolicmeanings.Cathyasanimageofthefemininepersonality,forexample,inEmilyBrontesWutheringHeights,isnotsupposedtopossessthe“wilderness”characteristicofmasculinityandsymbolizedbythelocalesofHeathcliffandWutheringHeights.Insomefiction,settingiscloselyboundwiththeme.InTheScarletLetter,evensmalldetailsaffordpowerfulhintsatthethemeofthestory.Atthestartofthestory,thenarratordescribesacolonialjailhouse:Beforethisuglyedifice,andbetweenitandthewheeltrackofthestreet,wasagrass-plot,muchovergrownwithburdock,pigweed,apple-peru,andsuchunsightlyvegetation,whichevidentlyfoundsomethingcongenialinthesoilthathadsoearlybornetheblackflowerofcivilizedsociety,aprison.But,ononesideoftheportal,androotedalmostatthethreshold,wasawildrosebush,covered,inthismonthofJune,withitsdelicategems,whichmightbeimaginedtooffertheirfragranceandfragilebeautytotheprisonerashewentin,andtothecondemnedcriminalashecameforthtohisdoom,intokenthatthedeepheartofNaturecouldpityandbekindtohim.Apparently,theauthormakesacontrastbetweentheuglyjailhousewithatangledgrass-plotovergrownwithburdockandpigweedandsomethingasbeautifulasawildrose.Asthestoryunfolds,hewillfurthersuggestthatsecretsinandaprettychildmaygotogetherlikeapigweedandwildroses.Inthisartfullycraftednovel,settingisintimatelyblendedwithcharacters,symbolism,andtheme.Inadditiontoplace,settingmaycruciallyinvolvethetimeofthestorycentury,year,orevenspecifichour.Itmaymattergreatlythatastorytakesplacesinthemorningoratnoon.Themedievalbackgroundinformsusdifferentlyfromthetwentiethcentury.KennedyandGioianotethatinTheScarletLetter,thenineteenth-centuryauthorNathanielHawthrone,utilizesalongintroductionandavividdescriptionofthesceneataprisondoortoinformusthattheeventsinthestorytookplaceinthePuritancommunityofBostonoftheearlierseventeenthcentury.Thissetting,towhichHawthornepayssomuchattention,togetherwithourschemataconcerningPuritanpractice,helpsusunderstandwhathappensinthenovel.Wecanunderstandtosomeextenttheagitationinthetownwhenawomanisaccusedofadultery,foradulterywasaflagrantdefianceofchurchfortheGod-fearingNewEnglandPuritancommunity,andanillegitimatechildwasevidenceofsin.Withoutinformationabouttheseventeenth-centuryPuritanbackground,areadertodaymaybeperplexedatthenovel.ThefactthatthestoryinHawthornesnoveltookplaceinatimeremotefromourownleadsustoexpectdifferentattitudesandcustomsofthecharacters,isstronglysuggestiveofthewholesociety,whichiscrucialtoanessentialunderstandingofTheScarletLetterasawhole.Besidesplaceandtime,settingmayalsoincludetheweather,which,indeed,maybecrucialinsomestories.2.Localcolorwriting/regionalismandthewriter,aregionalwriter.Whensettingdominates,orwhenapieceoffictioniswrittenlargelytopresentthemannersandcustomsofalocality,thewritingisoftencalledlocalcolorwritingorregionalismandthewriter,aregionalwriter.Aregionalwriterusuallysetshis/herstoriesinonegeographicareaandtriestobringitalivetoreaderseverywhere.ThomasHardy,inhisportrayaloflifeinWessex,wroteregionalnovels.ArnoldBennettsnovelsofthe“FiveTowns”aremarkedlyregional.WillliamFaulkner,knownasadistinguishedregionalwriter,almostalwayssethisnovelsandstoriesinhisnativeMississippi.3.Thesettingofanovelisnotalwaysdrawnfromareal-lifelocale.Thesettingofanovelisnotalwaysdrawnfromareal-lifelocale.Literaryartistssometimesprefertocreatethetotalityoftheirfictionthesettingaswellascharactersandtheiractions.ThecreationofsettingcanbeamagicalfictionalgiftinaXX广电IP城域网改造方案建议书opinionabout,andstatementof,thetheme.Moralinferencesdrawnfrommoststories:Moralinferencesmaybedrawnfrommoststories,nodoubt,evenwhenanauthordoesnotintendhis/herstorytobereadthisway.In“AClean,Well-LightedPlace”,wefeelthatHemingwayisindirectlygivingusadviceforproperlyregardingandsympathizingthelonely,theuncertain,andtheold.Butobviouslythestorydoesnotsetforthalessonthatwearesupposedtoputintopractice.Wecansayforsurethat“AClean,Well-LightedPlace”containsseveralthemesandotherstatementscouldbemadetotakeinHemingwaysviewoflove,ofcommunicationbetweenpeople,ofdignity.Greatstories,likegreatsymphonies,frequentlyhavemorethanonetheme.WhenwesaythatthetitleofPrideandPrejudiceconveysthethemeofthenovelorthat