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,Tranquilglee,Eachsnowingscene,Findsmepluckingtheplumblossom,Holdingflowersandholdingpain,Mytearsarerunningalloverthem!,Nowonthestrangestsea,Mytemplesareblownsnowywhite.,Thelatewindisheadingforme,Enjoyingplumflowerssobecomeshard.,Doyouknowwhowrotethispoem,清平乐年年雪里,常插梅花醉,挪尽梅花无好意,赢得满衣清泪!今年海角天涯,萧萧两鬓生华。看取晚来风势,故应难看梅花。,TranquilGlee,Eachsnowingscene,Findsmepluckingtheplumblossom,Holdingflowersandholdingpain,Mytearsarerunningalloverthem!,Nowonthestrangestsea,Mytemplesareblownsnowywhite.,Thelatewindisheadingforme,Enjoyingplumflowerssobecomeshard.,shewasregardedasChinasgreatestfemalepoet.,LiQingzhao,乱世中的美神,减字木兰花,“卖花担上,买的一枝春欲放!泪染轻匀,犹带彤霞晓路痕。怕郎猜到,奴面不如花面好。云鬓斜簪,徒要叫郎比并看!”,恬淡清雅弦乐一般的风情质如清水灿若月华,Biography,Shewasborn(c.1083CE)inpresent-dayJinanoftodaysShandongProvinceintoafamilyofofficialsandscholars;herfatherwasafriendofSuShi.,Beforeshegotmarried,herpoetrywasalredywell-knownwithinelitecircles.,Unlikeothergirlsborninnoblefamilies,Liwasoutgoingandknowledgeable,sheestablishedherselfearlyasamajortalent.,-beforeshewentsouth,-TheMarriageLife,In1101shemarriedZhaoMingcheng,withwhomshesharedinterestsinartcollectionandepigraphy(题铭研究,金石学).Aftermarriage,theylovedeachotherdeeplyandledaveryhappylife.Theylivedinpresent-dayShandong.ButafterZhaostartedhisofficialcareer,hewasoftenawayfromhome.Thisinspiredsomeofthelovepoemsthatshewrote.Bothsheandherhusbandcollectedmanybooks.Herhusbandandshesharedaloveofpoetryandoftenwrotepoemsforeachother.Theyalsowroteaboutbronze(青铜)artifactsoftheShangandZhoudynasties.,Intheyear1127,theJin,aminoritynationalityinthenorth,vanquishedtheNorthernSonggovernment,whichfledsouthandestablishedtheSouthernSongregimeinHangzhou.ThewarbrokeupLiQingzhaoshappyfamily.ZhaoMingchengdiedofillnesswhilealargepartoftheircollectionofbooks,scrolls(卷轴)andcurios(珍奇物品)waslostinthewar.,Alone,LiQingzhaowanderedaboutuntilshecametoanareabetweentodaysHangzhouandShaoxing,andspenttherestofherdaysinmisery,lonelinessandprofoundmelancholy(忧郁).Inmanyofherpoems,sheexpressedhernostalgia(乡愁)forhernativetown,heroldhomeandlatehusband,recallingthepeacefulhappylifethatwasnomore.Allalone,mythoughtskeepwandering,gropingmournfullyintheuttergloomofmisery.Thesearethebeginninglinesofthebest-knowncipoemShengshengmanshewroteinheroldage,inwhichshepouredouttheboundlesspent-upbitternessinherheart.,WritingStyle,ThestyleofLiQingzhaoslyricschangedsharplyaftershefledtothesouthaftertheinvasionoftheJinKingdominnorthChina.Beforeshewentsouth,herlyricsmainlyrecountedthelivesofgirlsandwomenintheirboudoirs(闺阁).Forexample,LikeaDreamandComplaintofthePrince(怨王孙)describestheairylifeofcheerthepoetessenjoyedathome.TipsyintheFlowersShadow(醉花阴)expressesagirlslonelinessandlongingforlove,asalsoexpressedintheFluteonPhoenixTerrace(凤凰台上忆吹箫),andATwigofPlumBlossoms(一剪梅).Afterfleeingsouth,sheenduredgreathardshipsinlifeandthestyleofherlyricpoetryturneddeepandpithy.BuddhistDancers(菩萨蛮)CharmofaMaidenSinger(念奴娇)andSlow,SlowSong(声声慢)exploretheauthorsfeelingsaboutlifeinexile.JoyofEternalUnion(长寿乐)isoneoftheclassicLiQingzhaoslyricpoemscomposedinthesouth,presentingasceneduringtheLanternFestivalinwhichthepoet,avoidingthecompanyoffriends,meditatesonthebitternessconsignedherbythewar.Inthislyricpoem,LiQingzhaorisesaboveself-pityandexpressesherfearsforthewholenation.,poems,ADreamLyricGustofwindandheavyraincamelastnight,Soundsleephardlyreducedthewineeffect.Iaskedthehousemaidtoexaminetheflower,Cherry-appletreesbeingfineistheanswer.Youknow?Oryoumaynotknow?Flowersshouldbewitheredandleavesgreener.,Contributions,Theabruptchangesoftheageandthevicissitudes(世事变迁)inherlifegaveLiQingzhaospoemsarichnessofsubjectmatter,asincerityoffeelingandanartisticmaturity.LiQingzhaobecameanoutstandingrepresentativeofthe“EuphemisticSchool”(婉约派)inChinesepoetry,whoseworksarecharacterizedbyadepthofmeaningandagracefulstyleofnaturalsimplicity.LiQingzhaowasnotonlyanaccomplishedcipoetessbutanoutstandingandoriginaltheoreticianofciwritingaswell.HeressayOnCiwastheearliesttheoreticalworkonthesubject.Shewasaversatilewriterwhoalsoexcelledi
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