奥林匹克雕塑公园.ppt

olympic sculpture park, seattle, washington 华盛顿州西雅图奥林匹克雕塑公园,lead designer: weiss/manfredi 首席设计师：韦斯/曼弗雷迪 landscape architect: charles anderson landscape architecture 景观设计师：查尔斯安德森景观设计 client: seattle art museum 客户端：西雅图艺术博物馆 “a brilliant move. its fantastic and not easily accomplished. the design team showed great restraint.“ 2007 professional awards jury comments 辉煌之举。这是梦幻般的，不容易完成的。设计团队表现出了极大的克制。2007年专业奖项评委点评,project statement项目说明 envisioned as a new urban model for sculpture parks, this project is located on seattles last undeveloped waterfront property an industrial brownfield site sliced by train tracks and an arterial road. the design connects three separate sites with an uninterrupted z shaped “green” platform, descending 40 feet from the city to the water, capitalizing on views of the skyline and elliot bay.,这是一个新城市类型的雕塑公园，位于西雅图未开发的滨水区，这里曾经是工业棕色地带，铁轨和一条国家公路将这个地区分隔开。此项目把三个分隔的区域连接起来，这利用到一座连续的z字形绿色平台，平台的高地落差有40公分，平台位于城市和水域之间，因此在这里可以很好地欣赏城市天际线和艾略特湾。,formerly owned by union oil of california (unocal), the area was used as an oil transfer facility. before construction of the park, over 120,000 tons of contaminated soil was removed. the remaining petroleum contaminated soil is capped by a new landform with over 200,000 cubic yards of clean fill, much of it excavated from the seattle art museums downtown expansion project.,此地原来属于加州联邦石油公司，作为石油运输站使用。在公园动工前，12万顿的石油污染土壤被移走，然后在剩下的污染土壤上建造了一个新的地表，新的地表总体积为20万立方英码，而大部分新地表的土壤自西雅图艺术博物馆扩展项目挖掘出来。,参观者在这样的人工化地形上，不出城市，同样可以领略到山野郊外的野花浪漫。此外，“z” 字形的游览线路很好地把城市天际线、远处的白雪覆盖的奥林匹克山和脚下碧波荡漾的艾略特湾联系在一起，形成极佳的观景场所。在这里漫步，游人还可以体验到类似于中国园林“步移景异”感受。西雅图雕塑公园成功塑造了一个与城市连接、与自然和谐、与艺术融合的公共环境，在博物馆墙外为人们提供新的现代艺术体验场所。时代周刊形容公园将自然和艺术与城市糅合起来，成为西雅图的“动能地带”。,z字形平台的创意,各类学校,校生,教职工,专任教师,分层的地表（layered ground）,虽然地表在人类干预之前就有自身的层次与结构，然而人类的干预可以使其结构增强或重新构建。当地表变成一种空间，它需要层次和空间上的复杂性来满足不同功能和高密度土地利用的要求。这里，设计者使用的是一个“z”字形人工化的地形，这个增强型的地表结构，被建在原来的场地地形之上，它跨过公路和铁轨，把三个不连贯的区域连接起来，恢复了原有地貌，加强了场地与城市地貌的联系，从而把城市与滨水区重新连接起来,我们可以清楚地看到：原有的公路和铁路以及它们的使用功能得到了保留，而在其之上，设计师呈现的是以雕塑户外展示为主导的公共空间。借助于“分层的地面”寻求综合的规划，通过开放式的空间取向设计，设计师为我们创造的是一个高质量混合功能的公共空间，而不是孤立而单一的功能元素。,planned as a continuous landscape that wanders from the city to the shoreline, this z-shaped hybrid landform provides a new pedestrian infrastructure. built with a system of mechanically stabilized earth, the enhanced landform re-establishes the original topography of the site, as it crosses the highway and train tracks and descends to meet thecity. the main pedestrian route is initiated at an 18,000-square-foot exhibition pavilion and descends as each leg of the path opens to radically different views. the first stretch crosses a highway, offering views of the olympic mountains; the second crosses the train tracks, offering views of the city and port; and the last descends to the water, opening views of the newly created beach.,这是一个连续的景观设计，从城市向海边蜿蜒过去，公园内设计了新的人行交通道路。利用机械加固土地系统，这个增强型的地表重建在原来的场地地形上，跨过公路和铁轨。主要的人行通道从18000平方英尺的展馆开始，呈辐射状通向场地的其他地方。第一条跨过公路，通往奥林匹克山；第二条跨过铁轨，通往城市和港口；最后一条通往新治理后的海滩。,as the route descends from the pavilion to the water, it links three re-created archetypal landscapes of the northwest: a dense and temperate evergreen forest lined withferns; a deciduous forest of quaking aspens with seasonally changing characteristics; and a shoreline garden including a series of new tidal terraces for salmon habitat and saltwater vegetation.,从展馆通往海滩的道路连接了三个特色分明的区域：一座茂密、温和的丛林；一座随季节变化的落叶林；一座海边花园，这包括一系列的新潮汐梯田，为大马哈鱼和海水植物提供生活环境。,借助于超过85,000种乡土植物，设计者规划了代表3种植物群落的花园区域，很好地再现了美国太平洋西北地区特有的生态景观。,丰富多彩的乡土植物,as a “landscape for art”, the olympic scu