米开朗基罗绘制的西斯廷教堂壁画.ppt

Frescoes in the Sistine Chapel by MICHELANGELO,part 1,米开朗基罗绘制的西斯廷教堂壁画,米开朗基罗绘制的西斯廷教堂壁画,Exterior of the Sistine Chapel 1475-83 - Cappella Sistina, Vatican,梵蒂冈 西斯廷教堂外观,Interior of the Sistine Chapel 1475-83, 1508-12, 1535-41 Frescoes Cappella Sistina, Vatican,西斯廷教堂内部,半圆窗和教皇,墙壁装饰细部,先知和女巫,在教堂的侧墙上，五个先知和五个女巫间隔设置，这样，每个先知和女巫在相对的侧墙上形成配对：德尔斐女巫和约珥（乔尔）先知；厄立特利亚女巫和以赛亚先知；库马伊女巫和以西结先知；波斯人女巫和丹尼尔先知；利比亚女巫和耶利米先知。这种相对应的安排暗喻拯救世界预言的普遍性主题，以及在犹太教世界和异教徒世界的心灵上的完美和谐的理念。 另外两个先知撒迦利亚和约拿，被绘制在西斯廷教堂的主轴线上。这样布局同样有特定意义，因为撒迦利亚先知位于教堂大门上方，教皇要在棕枝全日庄严地通过大门召回基督进入耶路撒冷开始圣周日的重大庆典；而约拿先知位于上后方，一般认为是基督升天的前导。,Zechariah, 1509, Fresco, 360 x 390 cm, Cappella Sistina, Vatican,先知 撒迦利亚,Jonah, 1511, Fresco, 400 x 380 cm, Cappella Sistina, Vatican,先知 约 拿,The Delphic Sibyl, 1509, Fresco, 350 x 380 cm, Cappella Sistina, Vatican,女巫 德尔斐,Joel, 1509, Fresco, 355 x 380 cm, Cappella Sistina, Vatican,先知 约 珥,Putti, 1511, Fresco, Cappella Sistina, Vatican,丘比特 梵蒂冈西斯廷教堂壁画,Isaiah, 1509, Fresco, 365 x 380 cm, Cappella Sistina, Vatican,先知 以赛亚,The Erythraean Sibyl, 1509, Fresco, 360 x 380 cm, Cappella Sistina, Vatican,女巫 厄立特里亚,The Cumaean Sibyl, 1510, Fresco, 375 x 380 cm, Cappella Sistina, Vatican,女巫 库马伊,Ezekiel, 1510, Fresco, 355 x 380 cm, Cappella Sistina, Vatican,先知 以 西 结,Daniel, 1511, Fresco, 395 x 380 cm, Cappella Sistina, Vatican,先知 丹尼尔,The Persian Sibyl, 1511, Fresco, 400 x 380 cm, Cappella Sistina, Vatican,女巫 波斯人,The Libyan Sibyl, 1511, Fresco, 395 x 380 cm, Cappella Sistina, Vatican,女巫 利比亚,Putti, 1511, Fresco, Cappella Sistina, Vatican,丘 比 特,Frescoes in the triangular spandrels (Ancestors of Christ) Occupying the triangular fields between the thrones of the prophets and sibyls, above the lunettes, the eight spandrels of the side walls contain family groups with figures seated or reclining on the bare ground, in poses that seem to draw on the theme of the flight into Egypt. Together with the groups or single figures in the lunettes on either side of the tablets, they represent the generations of Christs ancestors. Due to the lack of typological elements or precise attributions and, in most cases, of iconographic precedents, it is difficult; if not impossible, to identify the figures represented.,三角拱肩的壁画（基督的祖先）,位于半圆窗上面，在先知和女巫之间侧墙上的八个三角拱肩内绘制的是家族群体，有的坐着，有的斜倚在地上。从图像的姿态来看，似乎是表现“逃往埃及”的主题。将这些群体图像和单个图像结合起来看，图像是展示基督的世代祖先。由于没有这类图像的资料，所以很难具体确定这些人物。,Ancestors of Christ: figures, Fresco, 245 x 340 cm, Cappella Sistina, Vatican,基督的祖先,Ancestors of Christ: figures, 1510, Fresco, 245 x 340 cm, Cappella Sistina, Vatican,基督的祖先,最后审判 这幅壁画是教皇克雷芒七世（15231534）去世前不久委请米开朗基罗制作的.他的继承者保罗三世法纳斯（15341549）要求米开朗基罗迅速完成这项世纪最大的单幅壁画工程。,Last Judgment 1537-41 Fresco, 1370 x 1220 cm Cappella Sistina, Vatican,最后审判 1537-1541年制作，1370x1220厘米。 梵蒂冈西斯廷教堂,Last Judgment (detail) 1537-41, Fresco, Cappella Sistina, Vatican,最后审判 （细部）,Last Judgment (detail) 1537-41, Fresco, Cappella Sistina, Vatican,最后审判 （细部）,Last, Fresco, Cappella Sistina, Vatican,Judgment (detail) 1537-41,Last Judgment (detail) 1537-41, Fresco, Cappella Sistina, Vatican,最后审判