中国民间艺术英语ppt(2).ppt

Chinesefolkart Groupno 2 Shadowplay 皮影 于玲Chineseknot 中国结 杜静paper cut 剪纸 常艳红Facemakeup 脸谱 李梦玲Acrobatics 杂技 闫红莲 Shadowplay Origin 起源 Theoriginofthename 名称由来 Development 皮影的发展 Origin WesternHanDynastytwothousandyearsagoOriginatedinChina Shanxi name shadow shadowplay soilfilm theshadowisfortheuseofleathermaterials itisbettertoleatheranddonkeyskin Development 1 Itisdecoratedwithdifferentpatterns conciseandnotempty 2 Eachimageisnotonlyengaginglocal buttheoverallfitbothsubstantialandvivid perfectformofartasawhole ItistheoldestvarietyArtsChineseandevenintheworldInthedomesticskineverposition similartotheQinShihuangTerracottaArmyinChineseArchaeologystatus 华县皮影 Chineseknot 1 Origin Chinesenode ourthoughtsconnectedwiththeancestors Chinanode weconnectedwiththeancientcomplex nottheolddays nohardfeelings heartlikedoublescreen therearethousandsofnodes 2 Meaning itisthesymbolofgoodluckandhappiness Polishtraditionalthingsofacertainagearenotafraidof So noresearch tracetheoriginChinaknotmustbestartedfromtheancient 源 MaybeCoffeedrinkmanyfeeldull perhapsbusyforalongtimeandhopethedepositionandaccumulation Atabout90intheearly1980s modernpeoplebeganthestartofthetraditionalsearchknot 承 艺 Humanhistoryislong howlongisthetraditionalknotart paper cut 1 PapercuttingisoneofthemostpopularfolkartinChina itshistorycanbetracedbacktothe6thcenturyAD 2 Paper cutisoftenusedinreligiousceremonies decorationandplasticarts Introduction Twelvechinesezodiacsigns Influence Folkpaper cutthecreatorsofthepapercuttingasapartoflife longingforabetterlifeandworshipofancienttotemFolkpapercuttingisthemaincontentsofexpression 年年有余Everyyearhaveenoughthingtospend BeijingOperatypesoffacialmakeupinart Contents TheformationofthePekingOperaCharacterclassificationThecolorofthefacialmakeupsymbolBeijingOperabigfour TheformationofthePekingOpera symbol FourHuiBanxi 1790 Intopractice In1840 Characterclassification sheng themalecharactertypeinBeijingopera dan thefemalecharactertypeinBeijingopera Newdrunkenedconcubine HUADAN PekingOperaBlues OLDDAN JING the paintedface acharactertypeinBeijingopera etc militaryjing CHOU clowninBeijingopera the paintedface Thecolorofthefacialmakeupsymbol 敖闰 包拯 程咬金 二郎神 蝙蝠精 地神 曹操 董卓 1 REDFACE Representbravecompassionatejustice suchasguanyu 2 Whiteface Symbolsinister Suspectedfraud Suchascaocao 3 Blackface Alreadyseriousperformancecharacter unsmiling suchas bao Symbolforthrightrecklesspersonalitytraits suchaszhangfei likui 4 Yellowface symbolfiercefighting Suchas dianwei 5 Blueface Obstinateandunrulysymbol strongcharacter suchasDou 6 purpleface Symbolofsolemn sedate richsenseofjustice suchas XuYanzhao 7 Greenface Thesymbolofstubborntemper suchas greensurfaceofthetiger 9 Gold silverface Mainlyusedforperformancegod Buddha elveslichrole BeijingOperabigfour 梅兰芳 程砚秋 尚小云 荀慧生 IntroductionofChina sACROBATICS Acrobaticsistheperformanceofextraordinaryfeatsofbalance agilityandmotorcoordination Itcanbefoundinmanyoftheperforming aswellasmanysports 杂技 TraditionalChineseAcrobatics Tumblingthroughhops 耍花坛Playflowerbad 柔术 软功Contortion 顶碗BowlesonHeads Contortionistwithglasses 走钢丝WireWalking 舞狮子Liondance Acrobaticpolec