哈代从现实主义到现代主义转变的体现 (3).ppt

TheEmbodimentofRealismtoMordernism onThomasHardy sWork Group2 201311010313张方芳201311010315李勤201311010326刘杰201311010328何紫薇201311010331高慧敏 Content ThomasHardy bridge ThomasHardy AnEnglishnovelistandpoet AVictorianrealistinthetraditionofGeorgeEliot hewasinfluencedbothinhisnovelsandinhispoetrybyRomanticism especiallyWilliamWordsworth CharlesDickenswasanotherimportantinfluence realism LikeDickens hewashighlycriticalofmuchinVictoriansociety whileHardyfocusedmoreonadecliningruralsociety Hardy asageatmanofliteraturecrosssingtwocenturies wasthelastbutoutstandingcriticalrealistwritersoftheEnglishVictorianperiod sotherearemanyfactorsofmodernismintegratedinhisrealistnovels sohewasthetransitionalbridgeforEnglishliteraturetoenteritsmodernstagefromtheVictorianperiod TermInterpretation realismandmodernism Realism Realismstressingthetruthfuldepictionofcontemporarylifeandsocietyasitexistsorexisted Itfocusedonshowingeverydayactivitiesandlife primarilyamongthemiddleorlowerclasssociety withoutromanticidealizationordramatization Mainfeaturesofrealismliterature 1 truthfuldepiction2 typicalimage3 ojectivenarration Modernism Englishmodernliteartuerisananti tradltionalliteratarytrendthatgerminatedattheendofthe19thcentury sprangupatthebeginningofthe20thcentury andspreadrapidlyovertheWesternworld Itisasummaryofallanti traditionschools includingsymbolism impressionism expressionism futurism existentialism blackhumor etc Itwidelyuseofsuchtechniquesassymbol allegory illusion streamofconsciousness etc AnalysisofRealismandMordernismonHardy snovel AnalysisofRealismonHardy sNovel characterdepiction 1 Hardy srealismfirstliesinhisoriginalunderstangingoftheprofoundityofart heinsistingthatartshouldbetruetoandalsohigherthanreality Hebelievedthatartistypicalsummary puttingemphsisonthefactthatcharactercouldreflectgeneralones Hecreatedaseriesoftypicalimagesinhisnovels Forexample inTessofthed Urbervilles andJudetheObscure fromsuchcharacterasTessandJude wecanseetheoccupyingprocessofthecapitalistproductionrelations thetragicdestinyoftheWessexpeasants andhistoriccourseofthepeasants transformingintotheproletariat 工人阶级 BothTessandJudearetypicalpersonsoflowerclass AnalysisofRealismonHardy sNovel plotprcessing tradge Thecentralfiguresinbothnovels TessandJude notonlycomefromthelaboringfolkbutarethemselveslaborers andbotharecrushedeventuallybythesocietyinwhichtheylive Thoughthetragicstoryoftheprinciplecharacterineithernovelseemstohingeuponthehero sorheroine sloveandmarriage whatHardyattacksinthetwonovelsgoesmuchbeyondthesystemofmarriageinthehypocriticalbourgeoissocitytoincludeallthelegal moral educationalandreligiousphenomenaofthesocietyofcapitalistrelations AnalysisofRealismonHardy sNovel narrativetechnique TakingtheJudetheObscureasanexample inHardy sworks therearetwokindofpaimarynarrativetechniques 1 Takingtheauthorasanarratortotellthestory 2 Takingthespectatorasanarratortotellthestory AnalysisofMordernismonHardy sNovel psychologiscaldevelopmentofhischaracter BlodwoodofFarfromtheMaddingCrowd 远离尘嚣 whohasacomplexanddisturbedpersonalities Hardy sportraitofBlodwoodisatentative exploratoryexaminationofthecausesofneuroses HardyrepeatedlycontrastsBlodwoodnormalwithabnormal well balanedwithunbalanced sanitywithinsanity butHardyseemsnoanydefinablepointatwhichapersoncanbeidentifiedasneurotic Itindicateshisfocusonhuman sinnerworld AnalysisofMordernismonHardy sNovel useofthenovelasareflectionsofmodernproblems AllHardy snovelsdealtosomeextentwiththeproblemsbothofone sadjustingtochangesinsocietyandofhisorhercopingwithitsfailuretochangeinresponsetotheindividual sneed Angle Tessofthed Urbervilles conflictbetweenreasonandemotion Sue JudetheObscure psychologicalproblemsandunconsciousmotivation AnalysisofMordernismonHardy snovel symbolismandpoeticlanguage Allusivelanguage FarFromtheMaddingCrowed theuseofAdan sfirstviewofEveasacomparisonforBoodwood sawakeningtoBathsheba s 所罗门王 charm Symbolism FarFromtheMaddingCrowed Oak forthechoiceofGabriel s 加百利 nameisobviouslysymbolic Hardy safffinitieswithLawrence amodernnovelist Theideathatacharacterinanovelca