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histotyof westernart thespeaker albuspercivalwulfricbriandumbledore preface albuspercivalwulfricbriandumbledore westernartcanbesaidtobebroughtanddevelopedbythegreeks duetotheculturaldifferencesbetweenchinaandthewest theperformanceofartisalsounique takingpaintingasanexample theeastemphasizesakindofartisticconceptionwithsplashinkandfreehandbrushwork whilethewestemphasizesrealismwithitsvividsenseofrealityandsimplicityofvisionandperception cotent theprehi storic theanci ent themiddleages inmoderntimes 01 theprehistoric theearliestwesternartworkswereproducedinthelatepaleolithicage between30 000and10 000yearsago themostoutstandingoriginalpaintingsarefoundindozensofcavesinsouthernfranceandnorthernspain amongwhichthemostfamousarethefrescoesoflascauxcaveinfranceandaltamiracaveinspain thepaintedimagesareallanimals realistictechniques vividimages mostoftheoriginalcarvingsdiscoveredsofararesmallanimalcarvings theprehistoric intheminorityofportraitcarvings nudefemalestatuesoccupythemainposition thesefemalestatuesexaggeratethephysiologicalcharacteristicsofwomen highlightingthefemalebreasts buttocks abdomen thighsandsoon reflectingtheprimitivepeople sworshipofmotherhoodandreproduction thefemalestatueunearthedinwillendorf nearvienna austria iscalled venusofwillendorf andisoneofthemostfamousrepresentativeworks 02 theancient westerncustomcallstheendoftheneolithicperiodtothemiddleagesancienttimes whichspecificallyreferstotheperiodfrom4000bc theappearanceofwriting to476ad thefallofthewesternromanempire mainlyincludesmesopotamian egyptian greekandromanperiodart sculpturesofmesopotamia theareabetweentheeuphratesandtigrisrivers alsoknownasmesopotamia suchasthe codeofhammurabi reliefofthekingdomofbabylon andthoseoftheassyriankingdomthatshowthetensescenesofwarandhunting withextremelyrealistictechniques fulloffiercedynamics theancient ancientegypt shugepyramidbuilding accordingtothefrontofthelawcarvedfiguresculptureandmysteriousmajestyofthesphinx thefreedemocracyofancientgreececreatedarchitecture sculptureandpaintingworkswithdemocraticideas amongwhichtherearealotofhandsomeandelegantcarvedimages suchasthediscusthrowerandvenusofmilos whichareespeciallyofinfinitecharm romanartinheritedthetraditionofancientgreece butromanartwasmorepragmatic thecolosseumandpantheonaretheoutstandingrepresentativesofancientromanarchitecture thepompeiifrescoes buriedinthevolcanicashofvesuviusformorethan1 700years showustheuniquefeaturesofancientromanpainting 03 themiddleages themiddleages thehighdevelopmentofarchitectureisthegreatestachievementofmedievalart byzantinechurch romanesquechurchandgothicchurch eachwithartisticcreativity combinedwithreligiousarchitecture sculpture mosaicsandmuralshavealsoachievedsomesuccess themiddleages fromthe5thcenturyad markedbythecollapseoftheromanempirein476ad tothe15thcentury thedawnoftheitalianrenaissance markedthebeginningofthechristianageinthewest restrictedbychristianity medievalartpaidnoattentiontotherealdescriptionoftheobjectiveworld butemphasizedtheso calledexpressionofthespiritualworld themiddleages 04 inmoderntimes 14 the18thcenturyinternationalgothic renaissance early 14thcentury stylism 16thcentury baroqueart 17thcentury rococo neoclassicism romanticism 18thcentury inthe19thcenturyrealism barbizon pre raphaelites college impressionism post impressionism neo impressionismpointpaintingstyle nabistyleintegratedmainsymbolism hudsonriverschool the21stcenturyphilosophicalconstellationprototypecriticalaesthetics throughoutthedevelopmenthistoryofchinesefineartsinthe20thcentury itisahistoryofcriticizingandinheritingthetraditionalartcultureofournationandabsorbinganddrawinglessonsfromthemodernwesternarttrend inmorethan100yearsofdevelopmentandreform somechineseartistsconsciouslyorunconsciouslytakewesternartasacontrastandreferenceobjectintheirownartisticcreationactivities currentgomeimpact currentgomeimpact especiallyforsomechinesepainterswhoinsistonseekingnoveltyandchangefromtraditionalartitself whileretainingtheuniquepersonalityofchinesepainting theyalsoconsciouslyorunconsciouslyadopt absorbandappreciatethebeneficialelementsofmodernwesternarttoenrichtheirartisticlanguage specificallyspeaking thereareroughlythreeaspects first undertheinfluenceofmodernwesternirrationalismphilosophy itcompletelyabandonstheidealisticcolorofclassicalartandturnstotheexpressionofhumaninnerworld secondly focusonformandtake formtoitsindependentstatus asthebasiclanguageofartisticcreation current gomeimpact thirdly itactivelyabsorbstheexcellentachievementsofscientificandtechnologicalprogress absorbsandutilizeshumananatomy modernoptics chemistry colorscience compositionscience perspectivescience sociology psychologyandotherknowledgetocreateartisticworksuniqueartisticpersonalityandspiritofthetimes currentgomeimpact theabovethreeaspectsnotonlyplayapositiveroleinpromotingthedevelopmentofweste
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