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音乐堂和家中的房子-The memory of existing architecture and the opportunity of a new program: Alguea is a small village in the interior of Alicante County, with a population of two thousand and an economy based in agriculture and marble industries.We were asked for a building able to bring together all the activities related to music and culture that took place in the village, and also promoting its cultural future. We were commissioned to search for an opportunity, articulate it and carry it out.Under these circumstances, that also comprised the definition of an extensive musical schedule of activities and a maximum budget of 562.800 , we proposed in a first phase the rehabilitation of old Guardia Civils quarter that was in disuse since the 80s. That allowed us to have a surface area of 670 m2 that we only had to adequate, and the construction on a new Auditorium of 350m2 and 230 seats. In a second phase, we proposed the construction of a park with an open-air auditorium that will join the village and its zone of future urban development.The definition of the architectural program is the opportunity in this project. Sometimes, as in this case, the decisions of the architects have to do more with the “building of an opportunity” and the creation of a dense and appropriate schedule of activities for the village, than strictly with the discipline, the aesthetics, the materiality, the form.The responsibility in the approach and the impossibility of failing are important parameters in this kind of villages, where the opportunities come rarely, and theres no possibility of increasing the budget. Thats why it is very important to construct a complex reality linked closely with the village, and auditing the process with all the agents and citizens involved.The intervention is located in the west entrance to the village, near from classical local wineries, in a city limit that the new urbanistic plan will develop around this plot. We propose to reserve a green zone beside the building, to develop in second phase an open-air auditorium and a garden with jacarandas, that will have enough entity to separate the new urbanistic development of the existing one, and generating a joining place and giving it ambiental quality.Besides, in the plot exits a building of the 60s, an old Guardia Civil quarters, that is in disuse from years and that has a load-bearing wall structure in good state of maintenance. And its shaped in U with an interesting central courtyard for this architectural program. We propose to rehabilitate it for developing that program.The new construction is separated from the old by new adapted stairs that are enclosed in glass boxes lighted from overhead, that try to add fragility to the rotundness of the whole. The multipurpose hall houses 230 seats, these seats are moveable and the installations are able to accommodate different kind of functions, from a concert to a new years eve party, thats why it also houses a warehouse where organize all these elements that allow use change.The central courtyard is designed to house the rehearsals of the music band in open-air, or any other kind of functions as award giving parties, etc. without any fixed element. Moreover, its designed together with the back courtyard, in which we propose to develop another open-air hall. The intervention has a great potential to be used and we propose more for less.In the existing building we propose the rehabilitation without formal changes. Simply recovering all the old constructive techniques and turning them white with different grades of shine with the intention of generating tension between what the users remember about the building and what it is now, we search for surprise perceptions and the generation of a new surface. Instead the new hall is a blind box, a strange element because of its shape and dimensions. To emphasize this sensation we propose a cladding that vibrates and shines with a pearly-iridescent material.The generation of a “low cost” landmark: vibration and brightness: Politicians demanded the generation of a building that could be used as a brand, able to arise as a recognizable landmark in the village, where doesnt exist any exempt contemporary building able to act as a brand.The generation of this recognizable landmark, architecturally speaking, usually has to do with expensive budgets, amazing materials and sculptured shapes. However, this project generates this landmark with a low cost solution relying on two concepts, one concerns “psychology of perception” and uses vibration and brightness, and the other concerns shape and uses the rotund appearance with proportions similar to its industrial landscape.Brand architecture is used in big cities to offer a recognizable image that can be easily remembered and associated to a city and its values. Using this kind of marketing at village level has to be reflected, because they only need a building for a determinate program. Here it allows starting sketching a strategy to reactivate the exterior image of the village, and helping strengthen it for the imminent economical change its immersed.The ceramic: pearly and iridescent: The use of a ceramic surfacing with pearly and iridescent finishing responds the intention of generating a vibrant volume in constant change, due to lighting changes o observatory movements, this solution makes the building vibrate, changing its colour, saturation and profundity.The bet on this material, made “exnovo” for this building, with the use of existing techniques of firing, vitrifying and metals deposition, give this appearance and respond to the necessity of not creating a tectonic or shape solution, but a perceptive one.This technique is based on a porcelain base material that resists frost and is guaranteed in exterior. Each of these plates is pressed in dry and is fired 3 times: first of them at 950C to biscuit it, second to fire the white enamel and vitrifying the biscuit at 1180C in rapid cicle, and third that obtains the iridescent-pearly finishing or the metal reflections at 780C approximately.The opportunity of the project is the creation of an architectural program audited with the village. For many years music is an important part of the culture in Alguea. This building is the opportunity to bring together in a same space all the activities that are spread through the village.The program departs form music realm and we lead it to a more indeterminate situation, linked to multipurpose uses. After doing the work of defining the architectural programs, that we developed in multiple meetings with different agents and citizens, the building houses a wide range of activities form music lessons, rehearsals and concerts of the municipal music band, the “rondalla” and choir, lessons and performances of the regional dance group, the “dolaina and tabalet” group, rock bands, composition workshops and electronic music lessons; to exhibition rooms, conference rooms, assembly rooms, place to hold popular feasts, and even a municipal warehouse.The music as social enhancer in a village. Music bands are a great valencian tradition because in almost every village and town it exists at least one of these musical groups. The musical quality of these bands is recognized around the world, some of them reaching more than 125 members. These groups are not only cultural entities but also social, with a high degree of participation in the village that goes far beyond the music and concerns social integration, formation and group work.Algueas band is a good example of this. Each event or concert, and even the rehearsals are followed by the people; not only the results (concerts) are appreciated but also the process (rehearsals, auditions, lessons, meetings) are shared. As an example: as they have few cultural events, people assists to weekly rehearsals of the band.As a result, in the Comunidad Valenciana exists a network of bands and music centers that are the birthplace of internationally prestigious musicians. This encouraged the creation in 1968 of the Musical Societies Federation of the Comunidad Valenciana. Its aim is to promote and spread the love, teaching and practice of music and enhancing associationism and allowing society a mean of cultural development. In Europe, the Comunidad Valenciana is the region where more music bands exist with Austria and Holland.The historical marc of the building. Working with collective memories. When you decide to work in an existing building with a profound historical mark, so profound as can be in a Guardia Civil quarter and checkpoint, its commonly assumed that one of the challenges of the project will be erasing that historical mark.To do so we developed with the Art Agency “La Ballena Imantada”, directed by Luisa Mart, a social and artistic event in the building: “60 glances” whose objective was to take 60 artists paint during a day each one of the jambs and lintels of the doors and windows. We generated a “transcendent social act” that brought together more than 500 people around the building among artists, musicians, spectators, familiars,. allowing us to show the building while still in construction and start to weave a consensus atmosphere between the citizenship, detaching authorship and leave the building up to its future users. This work concerning sociology and anthropology is vital in this project to provoke a shift in the collective memories.泰姬迈阿密:如何生活的像一个老板为4199000美元 Taj Miami: How to Live Like a Boss for $4,199,000One of Miamis most unique properties, this three-story glass house, perched atop the Palace Condominium on Brickell Avenue, has a quirky cultural history. In 1981, Leona and Harry Helmsley were about to call this their sky residence when Saudi Sheik Saoud Al-Shaalan purchased the property and converted the already stunning structure to a Mughal Palace.Unfortunately, the Sheik rarely visited this work of art he could have called home, but in 1999 international real estate developer antique weapons expert Anthony Tirri purchased the glass house, adorning it with Muslim weapons, furniture and art. Mr. Tirri has since moved on to Paris, where he has remodeled an 1135 chateau named after renowned French author Alexander Dumas.For sale now for $4,199,000.迈阿密的一个最独特的性质,这个3层楼高的玻璃房,坐落在公寓Brickell宫殿在大街上,有一个奇特的文化历史。1981年,利昂娜和哈里正要海称这是它们的天空在沙特的酋长Saoud住宅Al-Shaalan购买了财产和转换结构已经惊人的莫卧儿王朝的宫殿。不幸的是,很少王储参观这个艺术品他本来可以打电话回家,但在1999年国际地产开发商古董武器实验只学一篇韵文 便识天下汉字(全文用字4000,无一字相重,小学6年的识字量,你都读懂了么?) “只学一篇韵文 便识天下汉字”这句话说的似乎大了,但事实的确如此 郑州大学郭保华教授用三年多的时间将4000汉字 著成一篇韵文中华字经全文共一千句,用字4000无一字相重,涵盖了百科又韵语成章,高难度的写作换来了识字教材的全方位突破,小 学6年的识字量,二个半月就可完成。中华字经是教育部语言文字应用研究所的 “ 快速识字,提前阅读 ” 课题的最新科研成果。该成果被立项为全国教育科学规划 “ 十五 ” 研究课题,题目是 “ 传统文化教育的现代价值研究与创新实践 ” 。中华字经及配套教材均为该成果的具体转化并被教育部语用所语言教学研究室作为 “ 快速识字、提前阅读特种教材 ” 向全国及海外推广,是中国侨联指定的海外华人学习的汉语教材。中华字经是一种超级识字教材,以四字一句、分门别类、字不重用、韵语连篇的方法编撰而成。全文收录汉字 4000 个,涵盖了国家教育部、国家语委联合颁布的常用汉字和 HSK 考试大纲规定的四级汉字。集识字、组词、习韵、正音、学知于一体,可使普通儿童学习 46个月掌握一生常用的全部汉字,并经教育部语言文字研究所实验基地、多家幼儿园所验证,经公证处公证,5岁儿童 4 个月学完中华字经,巩固率为 74.6% ,即 2984个字,提高现有识字速度的1520倍。d y b fen第 一 部 分qin kn yu x y zhu w jing xng chn m b du bng zh hng乾 坤 有 序 , 宇 宙 无 疆 , 星 辰 密 布 , 斗 柄 指 航 。zhu bi y hi r mng yu ling fng ch xu w din shn li xing昼 白 夜 黑 , 日 明 月 亮 , 风 驰 雪 舞 , 电 闪 雷 响 。yn tng zh y l ji chn shung hng n xi hu w chn bo jing云 腾 致 雨 , 露 结 晨 霜 , 虹 霓 霞 辉 , 雾 沉 雹 降 。chn shng xi zhng qi shu dng cng sh lng yng hu hn li sh wng春 生 夏 长 , 秋 收 冬 藏 , 时 令 应 候 , 寒 来 暑 往 。yun g hng hung hi tin cng sng l d pio y bn kui png zhung远 古 洪 荒 , 海 田 沧 桑 , 陆 地 漂 移 , 板 块 碰 撞 。shn yu wi h p dng yng zh bi kung y do s wng yng山 岳 巍 峨 , 湖 泊 荡 漾 , 植 被 旷 野 , 岛 撒 汪 洋 。bng chun dng t sh m w rng m fng sh sn yn du tn gung冰 川 冻 土 , 沙 漠 沃 壤 , 木 丰 树 森 , 岩 多 滩 广 。nio fi shu zu ln qin y xing jng ti h xi w zhng n xing鸟 飞 兽 走 , 鳞 潜 羽 翔 , 境 态 和 谐 , 物 种 安 详 。xng fn shng xi do h yn yng yu mng yo mio tin t zh zhng形 分 上 下 , 道 合 阴 阳 , 幽 冥 杳 渺 , 天 体 著 彰 。nng q wi jng j nng y chng su nng r zh j wi xin ling凝 气 为 精 , 聚 能 以 场 , 缩 浓 而 质 , 积 微 显 量 。hu j hun x hung h chng xing qing g lng ru ru y zh gng化 巨 幻 虚 , 恍 惚 成 象 , 强 固 凌 弱 , 柔 亦 制 刚 。zhng j b fn cn xng q wng s kng ln hu dng jng hng chng终 极 必 反 , 存 兴 趋 亡 , 色 空 轮 回 , 动 静 恒 常 。wi sh zhng mng y l wn fng f m di ning mi ch nn wng唯 实 众 名 , 一 理 万 方 , 父 母 爹 娘 , 没 齿 难 忘 。xing d ji mi wi kn zh bng g y sh ji qn qi h fng兄 弟 姐 妹 , 危 困 助 帮 , 姑 姨 叔 舅 , 亲 戚 互 访 。zh nn gu sho b y zhu zhung f q xing jng mng y zo kng侄 男 闺 少 , 哺 育 茁 壮 , 夫 妻 相 敬 , 梦 忆 糟 糠 。g w ln sh y sh qin ling b gng y p c xio shn yng隔 屋 邻 舍 , 遇 事 谦 谅 , 伯 公 妪 婆 , 慈 孝 赡 养 。zn png l yu rn y jn lng yn hung r d yo shn shn rng尊 朋 礼 友 , 仁 义 君 郎 , 炎 黄 二 帝 , 尧 舜 禅 让 。y q sh x mi ji shng tng zhu w f zhu hu li g bng禹 启 世 袭 , 灭 桀 商 汤 , 周 武 伐 纣 , 侯 列 各 邦 。qn hung j qun hn li ch xing dng l g j lun jn b wng秦 皇 集 权 , 汉 刘 楚 项 , 鼎 立 割 据 , 乱 晋 八 王 。nn bi du zh f xi su yng zhn gun zhng yo w di x tng南 北 对 峙 , 腐 朽 隋 炀 , 贞 观 政 要 , 五 代 续 唐 。chn qio bng bin ch r jng kng y l wn yn yun jin sng jing陈 桥 兵 变 , 耻 辱 靖 康 , 耶 律 完 颜 , 元 建 宋 僵 。zhng l ti z chng zhn dio sng qng jn r gun d chn zh cng钟 离 太 祖 , 崇 祯 吊 丧 , 清 军 入 关 , 大 臣 驻 藏 。fn su pn zhu l y sh jing ti wn f gu shu wi bin fng粉 碎 叛 卓 , 犁 域 设 将 , 台 湾 复 归 , 守 卫 边 防 。y pin zhn zhng yng zhn xing gng w x wi xn sh hu gi ling鸦 片 战 争 , 英 占 香 港 , 戊 戌 维 新 , 社 会 改 良 。xn hi g mng sn wn s xing lin mng kng w gu gng ling dng辛 亥 革 命 , 孙 文 思 想 , 联 盟 抗 倭 , 国 共 两 党 。dng d jng sh rn mn ji fng zh z bi ji kng mng lo zhung定 都 京 师 , 人 民 解 放 , 诸 子 百 家 , 孔 孟 老 庄 。bin qu lng y l bn qio jing lu pn xio yo zhn ji lio shng扁 鹊 灵 医 , 鲁 班 巧 匠 , 罗 盘 硝 药 , 针 灸 疗 伤 。ci ln b shng jin zhn xun zng y jng ln y sh j d chng蔡 伦 毕 升 , 鉴 真 玄 奘 , 易 经 论 语 , 史 记 达 畅 。h t lu sh sun sh ji zhng x sn hng shu lio r png xing河 图 洛 书 , 算 术 九 章 , 西 三 红 水 , 聊 儒 瓶 厢 。sh c q f x j shu chng p p qn s lu ch kng qing诗 词 曲 赋 , 戏 剧 说 唱 , 琵 琶 琴 瑟 , 锣 镲 铿 锵 。shng xio w y w d yu yng zhng yn bn fn su n go kng笙 箫 呜 咽 , 卧 笛 悠 扬 , 筝 音 奔 奋 , 唢 呐 高 亢 。jng ho kung l dng yun xio xing m f xi y bi hng jn ng荆 浩 匡 庐 , 董 源 潇 湘 , 米 芾 写 意 , 悲 鸿 骏 昂 。b m zh yn bin mi yng bng ki l zhun k bi ti co kung笔 墨 纸 砚 , 匾 楣 楹 榜 , 楷 隶 篆 刻 , 碑 帖 草 狂 。dn hung sh k chng chng wi qing qng tng ji g l y sh shng敦 煌 石 窟 , 长 城 伟 墙 , 青 铜 甲 骨 , 缕 衣 纱 裳 。h f yu jin to m yng zng ci c bo wng s chu t xing虎 符 越 剑 , 陶 马 俑 葬 , 彩 瓷 宝 瓮 , 丝 绸 他 乡 。fn r si gng jn z t zhung ti j lng m b d jio tng凡 尔 赛 宫 , 金 字 塔 状 , 泰 姬 陵 墓 , 彼 得 教 堂 。z yu n shn x l s xing zu hu wn cn chung zo y dng自 由 女 神 , 希 腊 塑 像 , 最 后 晚 餐 , 创 造 亚 当 。tng xi lu g s mio din lng png mn b h zhng sh l chung亭 榭 楼 阁 , 寺 庙 殿 廊 , 蓬 门 荜 户 , 丈 室 绿 窗 。f d bi sh hu dng dio ling tng yun t b yng png m zhng府 弟 别 墅 , 画 栋 雕 梁 , 庭 院 踏 步 , 影 屏 幕 障 。chng chn zo jng l ba zh zhung xin du f ko png ln tio wng承 尘 藻 井 , 篱 笆 柱 桩 , 舷 舵 扶 靠 , 凭 栏 眺 望 。xun y qio b fng lun di zhng qun pn ln zho tun j bo dng悬 崖 峭 壁 , 峰 峦 叠 嶂 , 泉 喷 岚 罩 , 湍 急 瀑 宕 。xi gu tn yun x jin li tng ch q yn b zho z n tng峡 沟 潭 渊 , 溪 涧 流 淌 , 池 渠 堰 坝 , 沼 泽 泥 塘 。xun w di b jio y lin jing xing yng png pi jng to hi lng漩 涡 带 波 , 礁 屿 连 江 , 汹 涌 澎 湃 , 惊 涛 骇 浪 。zi lo y xi xn cho f zhng cng sng shu bi chu li mo yng灾 涝 溢 泻 , 汛 潮 浮 涨 , 苍 松 寿 柏 , 垂 柳 毛 杨 。b jio p shn bn zh mi kung hui chn y hu shn gu rng zhng芭 蕉 蒲 扇 , 斑 竹 篾 筐 , 槐 椿 榆 桦 , 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bin f q dng w tng yn hung鹦 鹉 学 舌 , 蜜 蜂 穿 忙 , 蝙 蝠 栖 洞 , 梧 桐

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