“中国学派”动画电影论文：“中国学派”动画电影视觉风格研究.doc

“中国学派”动画电影论文：“中国学派”动画电影视觉风格研究【中文摘要】”中国学派”动画电影的视觉风格具有浓郁的中华民族美学特色。研究“中国学派”动画电影的视觉风格,挖掘其内在精髓,对于当下中国动画创作有着十分重要的启发意义与指导作用。“中国学派”动画电影视觉风格的发展历程是一个由融汇中国各种传统艺术样式到承袭中国传统美学思想,再到与其他电影元素相融合的不断创新的过程,它经历了从二十世纪五十年代至九十年的草创、繁荣、沉寂、复兴和世纪末的辉煌这几个阶段。“中国学派”动画电影的画面呈现与动画效果结合巧妙,“画”中有“动”,“动”中有“画”。画面呈现的构图具有起伏跌宕、虚实相生的形式美感；场景设置始终贯穿着对自然之美的表现；角色造型具有内在生命活力,充满神韵；色彩运用呈现出清雅古拙的风格。动画效果流畅自然,飘逸灵动,在细节制作方面精益求精；镜头语言优美隽永,节奏舒缓,富于诗意；想象瑰丽,生动有趣。中国许多传统艺术样式都是“中国学派”动画电影视觉创作学习借鉴的对象。其中有作为中国传统国粹艺术代表的中国画的散点透视、单线平涂的绘画理念和书画艺术共同的节奏感,戏曲艺术中的脸谱设计与虚拟舞美设计；还有中国传统民间艺术中的剪纸、皮影戏和木偶戏；以及敦煌壁画的绘画风格、精神旨趣和少数民族服饰及装饰艺术等。“中国学派”动画电影视觉风格的形成有着深厚的中华民族传统美学思想的根基,它们相互融通又各有侧重。其中,给视觉呈现以指导的有形神说与性灵说；对视觉语言精神陶冶功能提出要求的有品格观与载道观；给视觉综合审美以启迪的是中国古典美学思想中最具民族特色的气韵论与意境说。“中国学派”动画电影民族化视觉元素与其他元素结合得十分完美。视觉元素与表达中国传统哲学思想的主题相契合,与动画电影题材、叙事结构、角色性格等叙事元素相互融合,与动画音乐、配音等听觉元素紧密结合。【英文摘要】The Chinese School animation movies visual style has strong aesthetic characteristics of Chinese nation.It has great importance to research the visual style of Chinese School animation and learn its inner essence for creating Chinese native animation.The development of Chinese School animation moviesvisual style is a relentless progressive process fused traditional Chinese art forms to the in-depth content, set the strengths of traditional Chinese art and film language fusion of innovation, which has experienced a process of embryonic, prosperity, quiet, brilliant final stages of rehabilitation until gone from 1950s to 1990s.Chinese School animation moviespicture presention and animation effects shows the ingenious combination, “painting” in the “action”, “action” in the “painting”. The composition of picture presention has ups and downs, void-solid combination forms of aesthetic feeling. The scene has always been permeated with the natural beauty of the performance. The character modelling has inner vitality, full of charm. The using of colour presents a delicate style. Animation effect is smooth and natural, elegant smart in detail banner and perfection. Movie camera language graceful meaningful, slow, pure poetry. Imagines are magnificent, lively and interesting.Many Chinese traditional art form is the object for Chinese School animation movies visual creation to learn, including the art form, the painting idea of Scatterplot perspective and spiraling flat coating and the rhythm which calligraphy and painting both have, the makeup design and virtual stage design of drama Chinese traditional art, paper cutting, shadow play and puppetry in Chinese traditional folk art, the painting style and spiritual pursuit of dunhuang frescoes painting,and the costumes and decorative arts of minority in other traditional art forms.The formation of Chinese School animation moviesvisual style has a profound foundation of traditional Chinese aesthetics. They fuse mutually while have different focuses. Among them, which guide the creation of visual presentations are the Appearance Sprite Theory and the Spirituality Theory. Which put spirit cultivate requests to visual language is the Character Concept and Containing Taoist Theory. Which give inspirations to comprehensive aesthetic vision are the most national characteristics in classical Chinese aesthetics, respectively are the Artistically Theory and the Artistic Conception Theory.The Chinese School animation movies national visual elements are combined with other elements perfectly. Visual elements fit well with the theme which expresses the Chinese traditional philosophy, subjects, narrative structure and characters of narrative elements, and movie music, voice of audio elements.【关键词】”中国学派”动画电影 视觉风格 艺术形式 美学思想【英文关键词】Chinese School animation movies Visual style Art form Aesthetic thought【目录】”中国学派”动画电影视觉风格研究摘要3-4Abstract4-5绪论8-13第一节 “中国学派”动画电影8-10第二节 “中国学派”动画电影视觉风格的研究意义10-13第一章 “中国学派”动画电影视觉风格的发展历程13-24第一节 1922年1956年:筚路蓝缕的开创时期13-16第二节 1957年1965年:百花争妍的繁荣时期16-18第三节 1966年1976年:步履维艰的沉寂时期18-19第四节 1977年1986年:风格张扬的复兴时期19-22第五节 1987年20世纪90年代:世纪末的辉煌22-24第二章 “中国学派”动画电影视觉风格的表现形式24-39第一节 “中国学派”动画电影的画面呈现24-33一、构图起伏跌宕 虚实相生24-27二、场景趣在自然27-29三、造型神韵自得29-31四、色彩清雅古拙31-33第二节 “中国学派”动画电影的动画效果33-39一、运动流畅 飘逸灵动34-35二、镜语优美 节奏舒缓35-37三、想象瑰丽妙趣横生37-39第三章 “中国学派”动画电影视觉风格形成的艺术源泉39-50第一节 中国传统国粹艺术的濡染39-44一、书画艺术39-42二、戏曲艺术42-44第二节 中国传统民间艺术的熏陶44-47一、剪纸及皮影戏44-45二、木偶戏45-47第三节 中国其他传统艺术的滋养47-50一、敦煌壁画47-48二、少数民族服饰及装饰艺术48-50第四章 “中国学派”动画电影视觉风格形成的美学思想根基50-63第一节 中国传统美学思想对”中国学派”动画电影视觉呈现的创作指导50-55一、形神说不似之似 迁想妙得51-53二、性灵说不拘格套 匠心独运53-55第二节 中国传统美学思想对”中国学派”动画电影视觉语言的人文观照55-58一、品格观德艺并举 知行