蝴蝶梦观后感(精选多篇)

蝴蝶梦观后感(精选多篇) 学号：ap0709217姓名：林国锋科目：影视鉴赏 蝴蝶梦观后感 这个学期我选修了影视鉴赏这个课程。因为这个课程经常放电影看的，所以我很喜欢这个课程，不过上了几周课之后我觉得这个课程慢慢地让我学会了怎么去看待一部电影，也让我学会了怎样去一部好的电影。观看了那么多部电影，其中蝴蝶梦这部让我久久回味。在此写下我观看后的感想。 本片的故事结构以女主人公回忆的方式倒叙开始。影片开头便以一个极长的镜头，同时配上诗一般的语言构造出具有宁静，悠远而唯美的气氛的世界这可以说是本片的精华之一，只是若想体会她也许得把整部影片看完了才更有效果！紧接下来男女主人公去庄园以前的这一部分导演处理的轻快而简洁，剪辑快速而流畅，用清新而幽默的方式勾勒出女主人公清纯活泼而率真的性格，但在某些对话中“暗藏杀机”，暗示出男主人公的阴郁往事，使影片游移在一种带一丝悲观的欢快气氛中。 女主人公在(更多内容：)庄园中的经历是本片的重头戏，这一段始终沉浸在迷雾般的气氛与神经质般的节奏中。在这里可以看到很多经典的西区科克式的制造进展氛围的手法：镜头的缓慢的微微晃动的推移，音乐恰到好处的起落，利落而又微带跳跃的剪辑，镜头的突然变换和人物无声息的不可预期的突然出现等等。这些技巧虽然已被后人用滥了，但能像本片如此微妙到“杀人不见血”的地步的却寥寥无几！ 但这一部分最令我佩服的不是这些，而是导演通过影像对人物内心的情绪和心理的细腻刻画！大量表现主义手法的运用巧妙采用黑白光影的鲜明对比和室内物件与室外植物的斑驳错乱的投影，烘托出虽唯美而赋有诗意，但又紧张，令人眩晕不安，同时又带有一点超现实的气氛；模糊的雾气更暗示了人物内心的迷茫和不安，大大增加了本片的艺术渲染力！给我印象最深的是男女主人公在观看蜜月录像的那一段，同样的一处场景，经过前后两次不同角度的拍摄居然能产生如此大的气氛反差！后半部分通过银幕黑白对比与光线的回闪变化反映人物复杂的内心，这里光影的变化是如此的微妙，和人物心理的变化是如此的对应和同步，以至于几乎仅用这一手法就能表达一切！只有黑白片才能有如此强烈的效果。 这部分虽然节奏起伏多变，但变化却十分柔和精妙，这种细致是只有某些文艺片才能达到的。我认为能有这种效果除了导演对镜头调度和剪切的精致处理外很大程度上归功于无所不在而又变化莫测的配乐。影片的声画结合几乎完美，尤其是几处拉窗帘，以及女主人公穿这盛装下楼梯一边期待丈夫回头的段落，令人拍案叫绝！ 从男女主人公在海边小屋里的对白结束开始，影片的情节趋于明了，但同时也微显平淡，我个人认为整个审判那一段有一些过于冗长和干涩，人物的对白略显罗嗦（至少对于母语非英语的观众来说是这样），和整部影片的基调有些不调和，结构上略欠张力。当然，有几处细节还是很见功力，例如法庭上对女主人公的脸部特写，很有紧张感。 影片的结局处理的很有力度和韵味，弥补了前一段的不足，同时与开头衔接，可谓一气呵成，又留下几许回味。这时如果你记得开头，相信你一定会有想再次去品味她的冲动！其实这个结局在前文已有了暗示（可以注意男女主人公在壁炉前拥抱的那一段），这种微妙的手法在西区科克的其他作品中也有所体现，如美人计中的几处酒瓶特写。 人物的塑造也是本片的一大亮点。影片多方位的细腻展现了一个率直，纯洁，善良而又痴情的柔弱女子的形象以及她面对陌生冷酷而又迷乱的环境时的内心世界，由影星joan fontaine主演，我认为总的来说比较到位，只是在个别细节上处理的略为单一化；本片的人物设置不禁让人想起了去年的“小岛惊魂”，相比之下，kidman更加收放自如一点，但不可否认的是fontaine所饰的角色难度高；两部影片中的女管家也有相同之处，两位演员表现的都十分精彩，但小岛惊魂中的角色难度系数更高，蝴蝶梦中的那位更多是靠形象和特写来展现。本片男主人公由laurence olivier扮演，其形象和气质和角色都很相符，虽无十分出彩之处，倒还自然。 此片是西区科克自英赴美指导的第一部影片，后来成为家庭悬疑片竞相模仿的对象。如今看来，六十年前的光与影至今依然毫无退色，依然能如此打动人心！我不知道为何此片中文译名为“蝴蝶梦”，但我很喜爱这个名字，也许是因为她如影片本身一样幽静，柔美而缥缈的缘故吧！相信这种感觉一定会永久的留在我的心中。 rebea i like this storys heroine, the second mrs. de winter. although she is so poor and doesnt have an extremely pretty face, she has a very pure heart and she is also very kind-hearted. when she meets mr. de winter, her gentle and purity moves his heart deeply. soon they fall in love with each other and even get married. then they return to mandalay, his large country estate. she is very sincere and kind to every servant. mrs. danvers, the housekeeper of mandalay, resents her having taken the place of rebea, the former hostess. but the heroine politely says to her“i do hope well be friends. you must be patient with me. this sort of life is new to me, and i do want to make a suess of it. ”and the heroine loves his husband very deeply, even though there are many troubles in their lives, her love doesnt change all the time. i really like her goodness. i dont like mrs. danvers, the housekeeper. she admires rebea the former hostess morbidly and even tries to make troubles to divide mr. de winter and the heroine. at last, she perishes together with her cherished rebea myth. i think her action is very stupid. rebea the introduction of writer: daphne du maurier (1907-1989) has been called one of the great shapers of popular culture and the modern imagination. among her famous works are jamaica inn, the scapegoat, rebea, and the short story the birds, all of which were subsequently made into films, the latter two were directed by alfred hitchcock. the introduction of film director: alfred hitchcock (1899-1980), an english director. he has learned engineering at london university. then he began to produce a film in 1920 and direct his first work 6 years later .he is acknowledged as one of the most inparable master in the history of film because of advanced technology and pleted details. the thirty-nine steps (1935) and the lady vanishes (1938) are the english film under his direction. the film rebea (1940) is his a american work and win the bid for the oscar prize in that year. later, he has directed the film phycho (1960), the birds (1963) and frenzy (1972). the ubiquitous rebea i spent the majority of this film thinking about how lucky m. olivia really was. to be able to wrap his arms around joan fontaine and kiss her. shes one of the most beautiful women ive ever seen. shes also absolutely perfect in the role of the second mrs. dewinter, taking a character that could have transformed her into a sympathetic and interesting figure. the movie, on the whole, is similarly amazing, capturing the spirit and the tone of those great gothic romances. watching rebea, i reminded pleasantly of his other films i have seen, such as the rear window, just for grace kelley .i love her wonderful show in this film .actually, i like all the films she was in. and it is a pity that she departed hollywood and was willing to marry a king in reality. i must assume that the guiding hand of hitchcock played no small role in recreating the feel of a gothic romance. there are very few that would be able to take a love story, infusing it with such gloom, with such a sense of gothic scary, and still manage to create something that ends happily . id also like to draw everyones attention to the incredibly moving section of the film that ours between the arrival of the second mrs. dewinter at manderly. the emotional change on the joan fontaine character is so palpable which pains me to watch. i feel hurt along with her. few other movies affect me so deeply in emotion. on a cliff of south france, she meets an odd, grieved, but glamour man by mistake. maxim de winter has lost her wife several years ago. apparently, he is in blue mood because his wife was drawn herself and even he wants to mit suicide for frustrated love. but the true fact is that maxim has killed his wife and he could not escape the feeling of evil, and he is in scary everyday .that spirit of rebea is wander in manderly. then mr.winter fall in love with that lovely and kind-hearted girl and propose to her when she is going to leave with her master. so, they e back together to manderly. mrs. danvers has never shown her emotion in the house. she is a woman filled of mystery. her ramble represent in the room will make you can not breath and quicken your rate of heart. she always representing in where she should have not and with the statue of higher position. it seems that mrs. danvers is a rebea. in this film ,the photographer has never paned the camera to mrs. danvers to display her ing, but make the music and sound go faster than her. under her caution arrangement in the house, a sense of horrible feeling is flooded into the young lady. mrs. winter is trapped in uneasy state now. of course, she eagers to blend with the family life well with the other people. but anything she could find suggests that her husband still love rebea. therefore she planted to wear the new dress like the oil painting in the room so that to make her husband happy and love her more. what is she never can know is that the women in dress on the oil painting is rebea, which disclose a murder case many years ago! when mr. winter has seen her dress, he is extremely angry. his bad temper and odd manner let her feel hurt. in order to save her heart, he admits that he killed rebea, that immoral, heartless and evil-minded woman. mrs. winter nearly mits suicide under the huge press ing form mrs. danvers. the dead woman, rebea, has so much mystery upon her. at this time, the sunken ship with the body of rebea is found on the sea and her cause to death allure curiosity. later, the winter couple knows that rebea has infected heavy cancer before her death, and she took advantage of this to revenge mr. winter. mrs. danvers burn manderly with herself aounting for she can not receive the result, the rebea in reality.they contrive sincere and affection love forms each other after they know the fact of all things. i have never known the looks of rebea, but felt her ubiquitous in the room. mr. winter and his wife live in the room filled of the letter r, which represent the ex-wife of mr. winter, rebea, the hostess in manderly. the film rebea has never forgotten to make exaggerated additions to the handkerchief, bed sheet and clothes. and this not existing rebea promote the development in this story and affect everyone once has went along with her .it seems like mrs. danvers is another rebea. and i see a strong and existing form her speech and smile. this typical style to shoot a film is out of the ordinary and imitated by people in the following days to film mystery movies. 我在睡梦中回到了曼德利。大路蜿蜒地展开，依然如故，渐渐地，大路变成了狭窄 的小径，月光透过树的空隙，洒向大地?法国南部的海滨，浪涛呼啸，浪花飞溅。 陡峭的悬崖上，站立着一个四十岁左右的中年男子。他凝视着大海，往前移动了一 步? 我不由大声喊起来：“站住！” 那个男子被喊声一惊，回过头来，怒视着我，责问 * 喊他。 我当时年方二十，带着画夹。他咄咄逼人地打量着我，我忽然明白，他并没有想跳 海自杀。 我连忙离开，边走还边回头看他，觉得这人很怪。 在蒙特卡洛的公主饭店，大厅内，我正陪主人范霍珀太太坐着，那个被我误认为要 跳海的男子潇洒地走了进来。 范霍珀太太高兴万分：“啊！是德文特先生！”她对豪富的德文特大献殷勤，德文 特却很冷淡，相反，却很愿意和我说话。 德文特走了。范霍珀太太告诉我：“可怜的人啊，他在怀念他死去的妻子。”第二天，在公主饭店的餐厅里，我又遇见了德文特。他邀我共同进餐，并对自己昨 天的不礼貌行为道歉。我如实告诉德文特，我是为了生活，被雇来当范霍珀太太的伴侣 的。我们渐渐熟悉了。经常利用范霍珀太太生病的机会，悄悄去海边散步，画画，谈心。 从德文特那儿，我知道了，他出生、成长在美丽的曼德利。只是不知为什么，德文特不 愿回忆曼德利。 那天晚上我回到饭店范霍珀太太处，只听她正对护士谈论着德文特：“我非常了解 德文特，也了解他的夫人。在她没有结婚以前，是个有名的美人，叫丽贝卡。可怜的人 哪，在曼德利附近驾着小帆船时淹死了。当然罗，他从来不和人谈起这件事，他的心都 碎了。” 范霍珀太太的病好了。她的女儿来了份电报，要她马上去纽约。她决定带着我马上 动身。 我的第一个念头就是要把这消息告诉德文特，让他知道我要走了。可是电话打去， 他却不在。中午，汽车开来接我们。我找了个借口，又一次去找德文特。他刚回来。我 告诉他我马上就要离开的消息，他却突然向我求婚。 范霍珀太太一人去纽约了。我和德文特在市政府结婚大厅，向市长领取了结婚证书。 婚后，我和德文特在一个大雨天坐汽车回到了曼德利。曼德利，它像中世纪的建筑， 座落在平坦的草原深处，花园通向海边。远远望去，像海市蜃楼，美不胜收。我和德文特一同走进豪华的大厅，一大堆仆人早已列队在那儿欢迎我们。一个穿着黑色长裙的妇人幽灵般地出现在我前面，她就是德文特已故夫人丽贝卡过 去的贴身女仆丹佛斯太太。她的举动庄重而老练，表情和语调却又冷淡得可怕。我成了曼德利的女主人。但出身贫寒的我，对曼德利的生活总不大习惯，曼德利的 气氛使我感到困窘不安：丹佛斯太太对我始终摆出傲慢、冷漠的态度，言必称丽贝卡， 一切生活安排都以过去丽贝卡的爱好为准则；住宅四处是旧女主人留下的痕迹、餐巾上， 枕套上，通讯簿上，绣着或写着丽贝卡名字的第一个字母“r”，老是刺眼地显现在我 面前。 我和德文特散步来到海滩。海滨方向有一个停船的小湾，我想去看看，德文特却驻 足不前，神情紧张而愠怒。我再三请求，他才勉强同意我一个人去。 沿着海湾的小路向前，我发现了一座小屋。我正想转身回去，小屋门轻轻地开了， 走出一个模样很怪的人，他衣衫褴褛，目光呆滞。 小屋内，我又意外地看到了那熟悉的丽贝卡的符号：“r”，绣在床毛毯上。那个怪人用发呆的目光望着我，口中呐呐：“她到大海里去了，?永远不回来 了。” 我逃似地离开了那里。德文特正在原处等着我。当他知道我去过那间小屋时，非常 生气。我问他为什么，他粗暴地大声喊着：“因为我恨那个地方，?甚至连想都不愿 去想它！” 望着德文特那难看的脸色，我难受地哭了。德文特为自己刚才的失态感到后悔，转 而温柔地安慰我：“原谅我，有时我无缘无故地发火?把这一切忘掉！”后来，我听管家弗兰克说：“丽贝卡过去经常将她乘坐的小船停在那间小屋附近。 一次，她一人出海，船翻了，沉了。两个月以后，在四十里外的地方发现了丽贝卡的尸 体。德文特去认的尸。我问弗兰克，丽贝卡究竟是怎样的人。”弗兰克回答说：“可能 是?我有生以来所见过的最漂亮的人。” 一天，德文特到伦敦去了。我一人在家，走到西房，遇上丹佛斯太太和一个男人说 话，这个男人放肆、轻浮、惹人厌。他自称是丽贝卡的表哥。 这位“表哥”走后，我向西房走去。这是丽贝卡住过的房子，陈设极为华丽。丹佛斯太太幽灵般地出现在我的眼前。她向我炫耀着丽贝卡生前的衣物，沉浸在对 丽贝卡的回忆中：“有时我在走廊里走的时候，好像听到她那轻快的脚步在我的身后似 的，?她不仅在这屋里，而且在整个这座楼里。?” 我再也无法忍受，逃也似地离开了西房。 德文特回来了。为了使我自己，也使德文特忘记过去的不快，我决定举办一次盛大 的舞会。 舞会上我将怎样打扮？我自行设计了好几张草图，都不满意。丹佛斯太太建议我穿 一套华丽的白色礼服。不想舞会那天，当我穿着这样一套衣裙出现在客人面前时，比阿 特丽丝失声喊道：“丽贝卡！啊?”而德文特则更是恼怒：“你穿的什么呀？”“走， 快去脱掉。” 我又惊又怕，简直无地自容，急忙转身回楼上。我不知不觉跑到了西房，丹佛斯太 太正在那里鲜花。她冷酷地对我说：“