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Lecture9TheGrowthofRationalismandAbsolutism,SkepticismandEmpiricismDeismandLeClassicismNation-StatesandConstitutionalistDemocracy,PamphletofwitchtrialPrintedpamphlets,suchasthissixteenth-centuryexampledescribingtheexecutionofthreewomeninEssex,England,spreadthenewsoflocaloutbreaksofwitchcraft.Oneofthewomen,JoanPrentis,isalsodepictedsurroundedbyheranimalfamiliars.TheferretinJoanslap,thepamphletrelates,wastheDevilhimselfinanimalform.(LambethPalaceLibrary),目录,(philosophical)Skepticismrationalskepticism(scepticism),sometimesreferredtoasskepticalinquiry,isapractical,epistemologicalpositioninwhichonequestionstheveracityofclaimslackingempiricalevidence.,Epistemology,Itaddressesthequestions:Whatisknowledge?Howisknowledgeacquired?Howdoweknowwhatweknow?,PierreBayle(1647-1706),Moralitycanbedetachedfromtraditionalreligion.QuestionaboutthemonopolyofmoralitybyChristianity.Dictionnairehistoriqueetcritique(1702),Scientificskepticism,CriticalthinkingInductivereasoningEvidentialbasis,Questioningthenatureoftheworld.,NicholasCopernicus(1473-1543)OntheRevolutionofHeavenlyBodies(1543)Heliocentrictheory,GalileoGalilei,Mechanics:movementsofbodiesPublicizedfindingspublicdebate“Iholdthatthereexistsnothinginexternalbodiesbutsize,shape,quantityandmotion.”InertiaDialogueontheTwoChiefSystemsoftheWorld(1632)Heresy,Purelogicalthinkingcannotyieldusanyknowledgeoftheempiricalworld;allknowledgeofrealitystartsfromexperienceandendsinit.Galileosawthis,andparticularlybecausehedrummeditintothescientificworld,heisthefatherofmodernphysics-indeed,ofmodernsciencealtogether.-AlbertEinstein,LawsofgravityPlanetarymotionLawsofmotionInertia,IsaacNewton(1643-1727),EmpiricismRationalism,Inphilosophy,empiricismisatheoryofknowledgethatassertsthatknowledgearisesfromevidencegatheredviasenseexperience.Empiricismthen,inthephilosophyofscience,emphasizesthoseaspectsofscientificknowledgethatarecloselyrelatedtoevidence,especiallyasdiscoveredinexperiments.,“empirical”:scienceandstatistics=experiments,FrancisBacon,ThomasHobbesJohnLocke(1632-1704),Deism,Baroque:Rubens,HorrorsofWarWithenormousintellectualandphysicalenergy,aswellasalargestudioofassistants,thegreatFlemishpainterPeterPaulRubens(1577-1640)wasincrediblyproductive,andthemostinfluentialfigureinbaroqueartinnorthernEurope.Inthisdynamicallegoryfrom1638-HorrorsofWar-VenustriestorestrainMars(holdingthetorch);heisfollowedbydiseaseandfamine.Theshriekingladyatleft,cladinblack,representsmiserableEurope.(PalazzoPitti/TheBridgemanArtLibraryInternational),Baroque:Rubens,Horrorsofwar,Wurzburg(GermanBaroque)Thebaroquestylebroughtarchitects,painters,andsculptorstogetherinharmonious,evenplayfulpartnership.ThismagnificentmonumentalstaircaseinthePrince-BishopsPalace,Wurzburg,designedbyJohannBalthasarNeumann(1687-1753)in1735,mergesintothevibrantceilingfrescoesbyGiovanniBattistaTiepolo(1696-1770).(ErichLessing/ArtResource,NY),Wurzburg(GermanBaroque),PortraitofElizabethThisanonymouspaintingofthesixteenthcentury,dubbedTheArmadaPortrait,depictsthesereneandresoluteElizabethlflankedbybeforeandafterglimpsesoftheSpanishfleet.Herhandrestsontheglobeinagestureofdominionthatalsomemorializesthecircumnavigationoftheglobebyherfamouscaptain,SirFrancisDrake,someyearsbefore.(BykindpermissionofMarquessofTavistockandTrusteesofBedfordEstate),PortraitofElizabeth,TerritorialGainsofLouisXIV,16671715Louisswars,thoughenormouslyexpensiveforFrance,producedonlymodestgainsofterritoryalongFranceseasternandnorthernfrontiers.,TerritorialGainsofLouisXIV,16671715,DutchCommerceintheSeventeenthCenturyTheDutchsupplantedPortuguesecontroloftradewithAsiaanddominatedseabornetradewithinEurope.,DutchCommerceintheSeventeenthCentury,EnglishandFrenchinNorthAmerica,ca.1700,EnglishandFrenchinNorthAmerica,ca.1700By1700averitableringofFrench-claimedterritoryencircledthecoastalcoloniesofEngland.English-claimedareas,however,weremoredenselysettledandmoreeconomicallyviable.,LouisXIVbyRigaudThebest-knownportraitofLouisXIVwaspaintedbyHyacintheRigaud(1659-1743)in1701.Louis,adornedinhiscoronationgarmentlinedwithermine,staresdirectlyattheviewerasheflauntshislegsbedeckedwithhigh-heeledshoes.Rigaudsceremonialportraitsucceededincapturingtheessenceofthedivinerightabsolutismofthekingwhohadproclaimed,letat,cestmoi(Iamthestate).(Louvre/R.M.N./ArtResource,NY),LouisXIV,路易十四,HallofMirrors,VersaillesThemostspectacularmanifestationofLouisXIVsabsolutemonarchyishiscomplexofpalacesandgardensatVersailles,locatedtwelvemilessouthwestofParis.In1669,LouiscommissionedthearchitectLouisLeVau(1612-1670)totransformanexistingroyalhuntinglodgeintoanelaborateandextensivepalace,thePalaisdeVersailles.Beginningin1678,JulesHardoin-Mansart(1646-1708)tookovertheproject.HesupervisedtheconstructionoftheHallofMirrors.Thehallismorethan200feetlongandisframedbyseventeenwindowsandseventeenarchedmirrors.Theceilingislinedwithsixcameos,twelvemedallions,andninemonumentalpaintingsexecutedbyCharlesLeBrun(1619-1690).(MichaelHolford),HallofMirrors,Versailles,PetertheGreatonhorsebackThisseventeenth-centurypaintingofPetertheGreat(1682-1725)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