当代建筑的特点与实例PPT课件

-,1,建筑赏析ReadingArchitecture,当代建筑的特点与实例,-,2,概要,当代建筑的主要特点实例解读,-,3,A.当代建筑的重要变化,功能的复合（Multi-Function）材料的创造性运用（新构造/材料）审美趋向的多样化（多元/个性）生态和智能的趋势CAD技术的影响,-,4,功能的复合Multi-Function,-,5,功能的复合(Multi-Function)：光大会展中心,-,6,功能的复合：光大会展中心,-,7,1.功能的复合：光大会展中心,-,8,功能的复合：光大会展中心,-,9,功能的复合（Multi-Function）,JohnHancockCenter,Chicago,1969,Skidmore,Owings&Merrill(SOM),-,10,2.材料的创造性运用（新构造/材料）,SignalBox,Basel,Switzerland,1994,Herzog&deMeuron,-,11,材料的创造性运用（新构造/材料）,SignalBox,Basel,Switzerland,1994,Herzog&deMeuron,-,12,材料的创造性运用（新构造/材料）,Housingruedemeaux,Paris,France,1989-1991,RenzoPiano,-,13,材料的创造性运用（新构造/材料）,Housingruedemeaux,Paris,France,1989-1991,RenzoPiano,-,14,材料的创造性运用（新构造/材料）,DominusWineryinNapaValley,California,USA,1995-97,Herzog&deMeuron,-,15,DominusWineryinNapaValley,Yountville,California,USA,1995-97,Herzog&deMeuron,平面信息：线形空间，比例关系，与功能的适应,ReceptionArea,Cellar,TankRoom,Office,Storage,-,16,DominusWineryinNapaValley,Yountville,California,USA,1995-97,Herzog&deMeuron,-,17,DominusWineryinNapaValley,Yountville,California,USA,1995-97,Herzog&deMeuron,-,18,DominusWineryinNapaValley,Yountville,California,USA,1995-97,Herzog&deMeuron,材料的运用,-,19,DominusWineryinNapaValley,Yountville,California,USA,1995-97,Herzog&deMeuron,材料：用于筑堤或防御的金属网+石块为什么说创造性地运用材料？美观要求（质感、疏密）适应气候变化要求对光线的考虑表皮的概念,-,20,DominusWineryinNapaValley,Yountville,California,USA,1995-97,Herzog&deMeuron,石块所产生的光线效果,-,21,DominusWineryinNapaValley,Yountville,California,USA,1995-97,Herzog&deMeuron,-,22,DominusWineryinNapaValley,Yountville,California,USA,1995-97,Herzog&deMeuron,-,23,DominusWineryinNapaValley,Yountville,California,USA,1995-97,Herzog&deMeuron,-,24,BlueMoonApartment,Groningen,Netherlands,2000ToyoIto&ForeignOfficeArchitects,-,25,BlueMoonApartment,Groningen,Netherlands,2000ToyoIto&ForeignOfficeArchitects,-,26,生物钢,牵引丝织网框架丝作茧,-,27,透光混凝土,-,28,皱褶玻璃,-,29,发光（led）中空玻璃,-,30,太阳能灯,-,31,More,-,32,3.审美趋向的多样化（多元/个性）,TheUmbrella,CulverCity,California,2000,EricOwenMoss,-,33,审美趋向的多样化（多元/个性）,浙江大学宁波理工学院图书馆，宁波，2002，马青运,-,34,审美趋向的多样化（多元/个性）,CityofMusic,Paris,France,1984-90,ChristiandePortzamparc,-,35,审美趋向的多样化（多元/个性）,TokyoMetropolitanGymnasium,Tokyo,Japan,1990,FumihikoMaki/槇文彦,-,36,4.生态和智能的趋势,MenaraMesiniaga,SelangorDarulEhsan,Malaysia,1992,T.R.Hamzah&Yeang,-,37,生态和智能的趋势,MenaraMesiniaga,Malaysia,1992,T.R.Hamzah&Yeang,-,38,生态和智能的趋势,MenaraMesiniaga,Malaysia,1992,T.R.Hamzah&Yeang,-,39,生态和智能的趋势,智能建筑IntelligentBuilding,-,40,5.CAD技术的影响,GuggenheimMuseum,Bilbao,Spain,1991-97,FrankO.Gerhy,-,41,CAD技术的影响,世纪东方城SantiagoCalatravasdesignofMovingBones2008奥运会主体育场,-,42,CAD技术的影响,TheTurbulenceHouse,NewMexico,2001-04,StevenHoll,-,43,B.实例解读以风格为主线,现代主义建筑的反思与发展后现代新现代极少主义解构主义地方主义的演进高技与建筑的技术趋向中国当代建筑实践,-,44,1.后现代主义(Post-Modernism),对现代建筑（国际式）的批判性思考与实践理论准备：RobertVenturi，建筑的复杂性与矛盾性：针对现代主义所忽视的美学问题，提倡多元、兼容并蓄建筑师：MichaelGraves,RobertVenturi(&ScottBrown),AldoRossi,CharlesMoore,JamesStirling,-,45,AT&TBuilding,NewYork,1978,PhilpJohnson,-,46,AT&TBuilding,NewYork,1978,PhilpJohnson,-,47,ThePortlandBuilding,Portland,Oregon,1980,MichaelGraves,-,48,DenverCentralLibrary,Denver,Colorado,1996,MichaelGraves,-,49,DenverCentralLibrary,Denver,Colorado,1996,MichaelGraves,-,50,DenverCentralLibrary,Denver,Colorado,1996,MichaelGraves,-,51,DenverCentralLibrary,Denver,Colorado,1996,MichaelGraves,-,52,DenverCentralLibrary,Denver,Colorado,1996,MichaelGraves,-,53,PiazzadItalia,NewOrleans,Louisana,1974,CharlesMoore,-,54,PiazzadItalia,NewOrleans,Louisana,1974CharlesMoore,-,55,SainsburyWing,NationalGallery,London,1988-91,VenturiScottBrown&Associate,-,56,SainsburyWing,NationalGallery,London,1988-91,VenturiScottBrown&Associate,-,57,SainsburyWing,NationalGallery,London,1988-91,VenturiScottBrown&Associate,-,58,SainsburyWing,NationalGallery,London,1988-91,VenturiScottBrown&Associate,-,59,NewStateGallery,Stuttgart,Germany,1977-83,JamesStirling,-,60,NewStateGallery,Stuttgart,Germany,1977-83,JamesStirling,-,61,NewStateGallery,Stuttgart,Germany,1977-83,JamesStirling,-,62,NewStateGallery,Stuttgart,Germany,1977-83,JamesStirling,-,63,2.新现代主义(Neo-Modernism),对现代建筑的传承与发展BrunoZevi，建筑空间论：功能原则扩大化，着眼于创造形式对空间、光、形式的认识和实践建筑师：LouisKahn,RichardMeier,TandoAndo,GwathmeySiegel,LuigiSnozzi,-,64,JonasSalkInstitute,LaJolla,California,1959-1966,LouisKahn,-,65,JonasSalkInstitute,LaJolla,California,1959-1966,LouisKahn,-,66,JonasSalkInstitute,LaJolla,California,1959-1966,LouisKahn,-,67,JonasSalkInstitute,LaJolla,California,1959-1966,LouisKahn,-,68,JonasSalkInstitute,LaJolla,California,1959-1966,LouisKahn,-,69,JonasSalkInstitute,LaJolla,California,1959-1966,LouisKahn,-,70,GettyCenter,LosAngeles,California,1985-97,RichardMeier,-,71,GettyCenter,LosAngeles,California,1985-97,RichardMeier,-,72,GettyCenter,LosAngeles,California,1985-97,RichardMeier,-,73,GettyCenter,LosAngeles,California,1985-97,RichardMeier,-,74,GettyCenter,LosAngeles,California,1985-97,RichardMeier,-,75,GettyCenter,LosAngeles,California,1985-97,RichardMeier,-,76,TheNewModernArtMuseum,FortWorth,Texas,2002,TadaoAndo,-,77,TheNewModernArtMuseum,FortWorth,Texas,2002,TadaoAndo,-,78,TheNewModernArtMuseum,FortWorth,Texas,2002,TadaoAndo,-,79,TheNewModernArtMuseum,FortWorth,Texas,2002,TadaoAndo,-,80,3.极少主义(Mininalism),对现代建筑的发展准备：MiesvanderRohe的实践极少主义艺术家的创作建筑师：Herzog&DeMeuron,AlbertoCampoBaeza,LuisBarragan,ToyoIto(伊东丰雄),ShigeruBan(坂茂),KazuyoSejima(妹岛和世),-,81,CollectionGoetz,Munich,German,1989,Herzog&DeMeuron,-,82,CollectionGoetz,Munich,German,1989,Herzog&DeMeuron,-,83,CollectionGoetz,Munich,German,1989,Herzog&DeMeuron,UpperLevelEntranceLevelLowerLevel,-,84,CollectionGoetz,Munich,German,1989,Herzog&DeMeuron,-,85,CollectionGoetz,Munich,German,1989,Herzog&DeMeuron,-,86,THouse,Yutenji,Tokyo,1999,ToyoIyo,-,87,THouse,Yutenji,Tokyo,1999,ToyoIyo,-,88,2/5House,Nishinomiya,Hyogo,1995,ShigeruBan,-,89,2/5House,Nishinomiya,Hyogo,1995,ShigeruBan,-,90,Mhouse,Tokyo,Japan,1997,KazuyoSejima,-,91,Mhouse,Tokyo,Japan,1997,KazuyoSejima,-,92,Mhouse,Tokyo,Japan,1997,KazuyoSejima,-,93,4.解构主义(Deconstructionism),对现代建筑的批判理论准备：JacquesDerrida建筑师：BernardTschumi,FrankO.Gehry,DanielLibeskind,EricOwenMoss,RemKoolhaas,PeterEisenman,ZahaHadid,CoopHimmelblau,Morphosis,Asymptote,-,94,LaVillette“Follies”,Paris,France,1982-85,BernardTschumi,-,95,LaVillette“Follies”,Paris,France,1982-85,BernardTschumi,-,96,VitraFurnitureMuseum,WeilamRhein,Germany,1986-89,FrankO.Gehry,-,97,VitraFurnitureMuseum,WeilamRhein,Germany,1986-89,FrankO.Gehry,-,98,VitraFurnitureMuseum,WeilamRhein,Germany,1986-89,FrankO.Gehry,-,99,VitraFurnitureMuseum,WeilamRhein,Germany,1986-89,FrankO.Gehry,-,100,VitraFurnitureMuseum,WeilamRhein,Germany,1986-89,FrankO.Gehry,-,101,VitraFurnitureMuseum,WeilamRhein,Germany,1986-89,FrankO.Gehry,-,102,VitraFurnitureMuseum,WeilamRhein,Germany,1986-89,FrankO.Gehry,-,103,VitraFurnitureMuseum,WeilamRhein,Germany,1986-89,FrankO.Gehry,-,104,VitraFireStation,WeilamRhein,Germany,1986-89,ZahaHadid,-,105,VitraFireStation,WeilamRhein,Germany,1986-89,ZahaHadid,-,106,VitraFireStation,WeilamRhein,Germany,1986-89,ZahaHadid,-,107,VitraFireStation,WeilamRhein,Germany,1986-89,ZahaHadid,-,108,VitraFireStation,WeilamRhein,Germany,1986-89,ZahaHadid,-,109,TheUmbrella,CulverCity,California,2000,EricOwenMoss,-,110,TheUmbrella,CulverCity,California,2000,EricOwenMoss,-,111,TheUmbrella,CulverCity,California,2000,EricOwenMoss,-,112,RooftopRemodelling,Vienna,Austria,1983-89,CoopHimmelblau(蓝天组),-,113,RooftopRemodelling,Vienna,Austria,1983-89,CoopHimmelblau(蓝天组),-,114,RooftopRemodelling,Vienna,Austria,1983-89,CoopHimmelblau(蓝天组),-,115,RooftopRemodelling,Vienna,Austria,1983-89,CoopHimmelblau(蓝天组),-,116,ConventionCenter,Columbus,Ohio,1988-1993,PeterEisenman,-,117,ConventionCenter,Columbus,Ohio,1988-1993,PeterEisenman,-,118,LoisiumVisitorsCenter,Langenlois,Austria,2003，StevenHoll,-,119,LoisiumVisitorsCenter,Langenlois,Austria,2003，StevenHoll,-,120,FelixNussbaumMuseum,Osnabruck,Germany,1998,DanielLibeskind,-,121,5.地方主义的演进(Regionalism),结合当地的环境要素和条件（气候、地形、材料、形式等）理论介绍：Frampton,Kenneth.(1985)CriticalRegionalism:modernarchitectureandculturalidentity,ModernArchitectureACriticalHistory,London:ThamesandHudson,建筑师：AlvarAalto,PeterZumthor,MarioBotta,GlenMurcutt,CharlesCorrea,LuisBarragan,-,122,VillaMairea,Noormarkku,Finland,1938-41,AlvarAalto,-,123,VillaMairea,Noormarkku,Finland,1938-41,AlvarAalto,-,124,VillaMairea,Noormarkku,Finland,1938-41,AlvarAalto,-,125,SyntsaloTownHall,Finland,1952AlvarAalto,-,126,SyntsaloTownHall,Finland,1952AlvarAalto,-,127,SyntsaloTownHall,Finland,1952AlvarAalto,-,128,SaintBenedictChapel,Sumvitg,Switzerland,1988,PeterZumthor,-,129,SaintBenedictChapel,Sumvitg,Switzerland,1988,PeterZumthor,-,130,SaintBenedictChapel,Sumvitg,Switzerland,1988,PeterZumthor,-,131,SaintBenedictChapel,Sumvitg,Switzerland,1988,PeterZumthor,-,132,SaintBenedictChapel,Sumvitg,Switzerland,1988,PeterZumthor,-,133,父亲住宅,玉山，蓝田，陕西，2003,马清运,-,134,父亲住宅,玉山，蓝田，陕西，2003,马清运,-,135,父亲住宅,玉山，蓝田，陕西，2003,马清运,-,136,ThermalBath,Vals,Graubunden,Switzerland,1997,PeterZumthor,-,137,-,138,Ther