介绍宫崎骏英语演讲

Classreport,MiyazakiHayao,Oneofthecountrysmostpopularanimators,HayaoMiyazaki,hasproducedsomeofthegreatclassicsofJapaneseTVanimation.Nevertheless,hefindstelevisiontoorestrictive,andpreferstomakefull-lengthanimatedmovies.,宫崎骏是日本最受欢迎的漫画家之一，他曾制作了多部日本电视动画的经典巨作。然而，他发现电视创作太受限制，因而更喜欢创作正片长度的动画电影。,HayaoMiyazakiwasborninTokyoin1941.Hisfamilyownedafactorythatbuiltairplanes,andhefellinlovewithplanesandflyingatanearlyage.Anyonefamiliarwithhisfilmshasseentheoftenbreathtakingflyingscenesthatarehispersonaltrademark.,1941年宫崎骏出生于日本东京。他的家族拥有一座制造飞机的工厂，他早年也曾醉心于飞机及飞行。熟悉宫崎骏电影的人，都很熟悉他影片中经常出现的常令人叹为观止的飞行场景，那正是宫崎骏动画的一大特色。,Inthefilmwecansee,HayaoMiyazakisthinkingisdividedintotwolevels:Atthefirstlevel,Miyazakithinksthattherelationshipbetweencivilizationandnature,justassameastherelationshipbetweentreesandsoil.Ifthesoilisnotrootedintheearth,eventalltreescannotsurvive.我们可以看出，在本片中，宫崎骏的思考是分为两个层次的：在第一个层次中，宫崎骏认为文明与自然的关系，就如同树木与泥土的关系一样。如果不植根于大地的泥土，即使是参天大树也无法存活。,Inthesecondlevel,Miyazakithinkthatthevitalityofcivilizationwillbegivenbynaturally,thenthevitalitywillbedestroyedbygreeduntilthecompletedestructionofcivilization.在第二个层次中，宫崎骏认为如果说自然会赐予文明以生命力的话，那么贪欲则会夺取文明的生命力直至彻底毁灭文明。,ValleyoftheWind,1984film风之谷CastleintheSky,1986film天空之城MyNeighborTotoro,1988film龙猫KikisDeliveryService,1989film魔女宅急电PrincessMononoke,1997film幽灵公主SpiritedAway,2001film千与千寻(winner,AcademyAwardforBestAnimatedFeature,2002)HowlsMovingCastle,2004film霍尔的移动城堡(nominee,AcademyAwardforBestAnimatedFeature,2005)Ponyo,2008film悬崖岸上的金鱼姬,MiyazakisStyles,Miyazakisworksarecharacterisedbytherecurrenceofprogressivethemes,suchasenvironmentalism,pacifism,feminism,andtheabsenceofvillains（反派角色）.Hisfilmsarealsofrequentlyconcernedwithchildhoodtransitionandamarkedpreoccupationwithflight.,EventhoughMiyazakisometimesfeelspessimisticabouttheworld,hepreferstoshowchildrenapositiveworldviewinstead,andrejectssimplisticstereotypesofgoodandevil.,Environmentalism（环保主义）Miyazakisfilmsoftenemphasizeenvironmentalism.InaninterviewwithTheNewYorker,Miyazakiclaimedthatmuchofmoderncultureis“thinandshallow（肤浅）andfake,“naturethemountainsandriverswasbeingdestroyedinthenameofeconomicprogress.“Miyazakiiscriticalofcapitalism,globalizationandtheirimpactsonmodernlife.Commentingonthe1954AnimalFarmanimatedfilm,hehassaidthat“exploitationisnotonlyfoundincommunism（共产主义）,capitalismisasystemjustlikethat.Ibelieveacompanyiscommonpropertyofthepeoplethatworkthere.Butthatisasocialisticidea.“Nonetheless,hesuggeststhatadultsshouldnotimposetheirvisionoftheworldonchildren.,Pacifism（反战主义）PrincessMononokeandHowlsMovingCastlefeatureanti-warthemes.In2003,whenSpiritedAwaywontheAcademyAward（奥斯卡金像奖）forBestAnimatedFeature,Miyazakididnotattendtheawardsshowpersonally.HelaterexplainedthatitwasbecausehedidntwanttovisitacountrythatwasbombingIraq.,Feminism（女性主义）MiyazakihasbeencalledafeministbyStudioGhibliPresidentToshioSuzuki,inreferencetohisattitudetofemaleworkers.Thisisevidentintheall-femalefactoriesofPorcoRosso（红猪）andPrincessMononoke（幽灵公主）,aswellasthematriarchal（女族长制的）bath-houseofSpiritedAway.ManyofMiyazakisfilmsarepopulatedbystrongfemaleprotagonists（主人公）thatgoagainstgenderrolescommoninJapaneseanimationandfiction.,IncontrasttoAmericananimation,thescriptandstoryboardsarecreatedtogether,andanimationbeginsbeforethestoryisfinishedandwhilestoryboardsaredeveloping.,Especialcreationprocess：1：exertimagination尽情的想象,Miyazakitakesaleadingrolewhencreatinghisfilms,frequentlyservingasbothwriteranddirector.Hepersonallyreviewedeveryframeusedinhisearlyfilms,thoughduetohealthconcernsoverthehighworkloadhenowdelegatessomeoftheworkloadtootherGhiblimembers.Ina1999interview,Miyazakisaid,atthisage,IcannotdotheworkIusedto.IfmystaffcanrelievemeandIcanconcentrateondirecting,therearestillanumberofmoviesIdliketomake.,2：Commitment全身心的投入,Miyazakiusesveryhuman-likemovementsinhisanimation.Inaddition,muchoftheartisdoneusingwatercolors.,个人的画风,Miyazakihasusedtraditionalanimationthroughouttheanimationprocess,thoughcomputer-generatedimagerywasemployedstartingwithPrincessMononoketogivealittleboostofelegance.However,inhis2008filmPonyo,Miyazakiwentbacktotraditionalhand-drawnanimationforeverything,sayinghanddrawingonpaperisthefundamentalofanimation.StudioGhibliscomputeranimationdepartmentwasdissolvedbeforeproductiononPonyowasstarted,andMiyazakihasdecidedtokeeptohanddrawnanimation.,3：insistencetradition对传统的坚持,handdrawanimation,LupinIIICastleofCagliostro卡里奥斯特罗之城（1979）.,NausicaaoftheValleyoftheWinds风之谷(1984),Laputa:CastleintheSky天空之城（1985）,Oneday,thegirlfellfromthesky,Thisstrangecreature(生物),perhapsstilllivinginJapan,MyNeighborTotoro龙猫（1988）,Iwasreallydownforawhile,butImoknow,KikisDeliveryService魔女宅急便（1989）,PorcoRosso红猪（1992）,PrincessMononoke幽灵公主（1997）,Livetobestrong,HowlsMovingCastle哈尔的移动城堡（2004）,PonyoontheCliff悬崖上的金鱼姬(2010),Wehavenochoicebutprevailintheworldfromthestartofthisflu.OnYourMark我们别无选择，只能存这个流感盛行的世界出发。Eveninthehatredandkilling,therearestillsomethingsworthyofpeopleinthelive.Abeautifulenc