莫奈简介(全英)ppt课件

Monet,AndTheImpressionMovementHeWasIn,1,Outline,HistoricalBackgroundTheIntroductionofImpressionismMonet,theImpressionistTheInfluenceofMonetandtheImpressionism,2,HistoricalBackground,3,WhatIsImpressionism?,Impressionism,amajormovement,firstinpaintingandlaterinmusic,thatdevelopedchieflyinFranceduringthelate19thandearly20thcenturies.Impressionistpaintingcomprisestheworkproducedbyagroupofartistswhosharedasetofrelatedapproachesandtechniques.ThemostconspicuouscharacteristicofImpressionismwasanattempttoaccuratelyandobjectivelyrecordvisualrealityintermsoftransienteffects(瞬时效应)oflightandcolour.,4,RepresentativeFigures,Impressionistpainters:Principal:ClaudeMonet,PierreAugusteRenoir,CamillePissarro,AlfredSisley,etcEdgarDegas(德加)andPaulCzanne（塞尚）intheearly1870s.TheestablishedpainterManetadoptedtheImpressionistapproachabout1873.Inotheraspects:Music:ClaudeDebussyInspiringthemtoexperimentwiththecandidgroupings,off-centerfocus,deepperspectivesforeshortening;recordingtherealworldratherthanhistoricalimagination-Impressionistsmotivatedtodepictpeopleandlandscapeswithoutmythologicalorhistoricalexaggerations.,9,InnovationblurryeffectMixingprimarycolours-apaletteofjusteighttotencolorstoachievemanyvariableandsubtleeffectsPaintingrealpeople-everydayactivities;variousclassesComplimentarycolours-createanespeciallyintenseeffect;vibrancyLifebeyondtheframeseeminglycarelesscutofffigures;viewerstoacknowledgethatlifecontinuedbeyondtheframe,10,PublicOpinion,PaintingswererejectedbySalondeParisandsomemuseumexhibitionsformanytimesIfImpressionistswerebecomingappreciatedfromthe1880s,theirsituationwasstillharsh;theSalonwasstillrefusingtheirpaintings,andin1894,25outof65artworksdonatedtotheLuxembourgmuseumwererejected.whenCamillePissarro,theImpressionistpatriarch,diedin1903,everybodyagreedthatthismovementwasthemain19thcenturyartisticrevolution,andthatallitsmemberswereamongthefinestpainters.,11,ClaudeMonetsearlyworks:(18581873)TheBeginningofImpressionistArt,12,Atthebeginningofhiscareer,Monetuseddarkcolors,ashedidintheStudioCornermarkedbyblackshades.HispaintingevokestheRealistSchool.From1860on,Monetabandoneddarkcolorsandworkedfromapalettelimitedtopurelightcolors.,13,LuncheonOnTheGrass(1865),Monetsfirstmasterpiece;usingthesamethemeandsamestyleasManettwoyearsbeforeforhisownLuncheononthegrass,apaintingwhichscandalizedpeopleattheSalonin1863.,14,15,Exquisitecaptureoflightandcolours,TheReaderInthespringof1872ProbablytheportraitofhiswifeCamille,16,ImpressionSunrise(1873),TheImpressionismwasborn,17,PaintingsofArgenteuillaterenlargedtotodayssize.Thewatergardenisfullofasymmetries(不对称)andcurves.ItisinspiredbytheJapanesegardensthatMonetknewfromtheprintshecollected.,25,Water-LilyPondinGiverny,MybadsightmeansthatIseeeverythingthroughamist.Evensoitisbeautiful,andthatswhatIwouldliketoshow.”ClaudeMonet,26,Twelvelargecanvas:TheWater-Lilies(19161926),donatedtoFrancetocelebrate1918victorylaterbeinstalledinanarchitecturalspacedesignedspecificallyforthematanmuseuminParis,27,Influences,InfluenceofMonetInfluenceofImpressionismInfluenceonMusic,28,MonetwasafounderofFrenchimpressionistpainting.Hewasthemostconsistentandprolific(多产的)practitionerofthemovementsphilosophyofexpressingonesperceptionsbeforenature,especiallyasappliedtoplain-airlandscapepainting.ThetermImpressionismisderivedfromthetitleofhispainting“Impression,Sunrise”.,29,TheImpressionistscreatedamodelforfreedomandsubjectivitythatpromotedartisticfreedomthatwhichmanyartistsofthepastlongedfor.Theirexampleempowered(允许,授权)laterartiststhattookitmuchfurtherthantheydid.Duetotheneverendingsupplyofresourceswehaveatourcommandinourpresentlives,artcontinuestoexpandandwillstillcontinuetogrowandbreaklimitsthatwillfascinatepeople.,30,Itmarkedanewwayofpaintingthatwasmoreconcernedwithcreatingimpressionsofthetransienteffects(瞬时效应)oflight.Manyartistspaintedoutside,inanattempttocapturefleetingeffectsofsunlightoneverydayscenes.Coloursbecamemoreimportantthanlineinthecreationofshimmeringsurfacesofvibratingcolours.,31,VanGoghwasinfluencedbyhisfriendshipwithImpressionists.AfterseeingtheirpaintingsinParis,hebegantousebrightercolorsandbrokenbrushstrokes.Howeverhedifferedfromtheminoneimportantway.Ashewrotein1888,“InsteadoftryingtorenderwhatIseebeforeme,Iusecolorinacompletelyarbitrary(任意的)wayinordertoexpressmyselfpowerfully”.,InfluenceofImpressionismonVanGogh,32,InfluencedbythepaintingsoftheFrenchimpressionistsandbythepoetryofPaulVerlaine(魏尔伦)andsoon,themovementinmusicwasledbytheFrenchcomposerClaudeDebussy.Musicalimpressionismemphasizedtonalcolorandmoodratherthanformalstructuressuchasthesonataandthesymphony.,Debussy,anactivecriticaswellasacomposer,viewedimpressionismasareactiontoboththeformalemphasisofsuchcomposersasMozartandBeethovenandtheemotionalrichnessofromanticcomposerssuchasRobertSchumannandFranzSchubert.,33,Impression