沃斯堡现代美术馆

1、沃斯堡现代美术馆 美国沃斯堡MODERN ART MUSEUM OF FORT WORTH Fort worth, usa"7才一卜乃一X現代美術館力<7才一卜ift计Ll，gjn SStWR 1DQ7.01.10W.00臺工时骨/ Ccndnjdto. MUJm 1000.00.2002.10SteM» 敗地面.45300rrf呂地面¥b BukWArgQ240X. TotdFkxxMnKJJflO.Om160 T/OAOAHDO# T/OAOAHDO)0nuummunniiuIlilllllllllllllllllllllll lllllllllllll

2、llllll!lllllllllllllllllliiii III NIR!7 o# T/OAOAHDO# T/OAOAHDO60页.右下：檯嬰.雄賀由6杨平行II列釣箱 倬为茎*申伦购战.»55»孙说计的会贝佩 黄木馆檢第61页.从黄术馆内艸望水旋如城市.整人基沦不仗 ssa：®aT水池而且连在艾木馆朋辺配了充霸 绿豹的树聊地.以it悬更出了一个池禽水62&戈关夭馆东北外朝的無体堆験吴用玻 aia；81tt«lWiqSY型的泯屋土柱支播匕岀M 的XM±8IS.这种手浪是工一次出现左安忠31 的件0中.p.8 bskrnr pit Mj

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4、rotfkj tho muMum. pp.62-63： Sew d lh» muKum free Nofiemrt. Th® rvcWKiJar bQMM hw» a doUHv* loyvrod atnxOo o< tfaw oonardo. Iho fnrt limo 1f*rt a ooncroto rod oupcxrtKj by Y kspe coOcrato ZImv introdtnod in a prcvoct tv ladao Ando. Tho photos on cp.601 by ladx> ?ndo end the photo

5、 on pp.62-63 by Kibauo MatsUaka.60H.右下：»5L入 力一：牛met地U位61H :莫制8内邹力、曰s, c»cjz9.水七KX C2U3inrcBMI%作丿 出62-63H 五»08n：/夕卜性支丸5孚法461 T/OAOAHDO基地位于徳克萨斯州沃斷年郊外城市公园的一角.毗邻路易斯履设计的金贝尔美术馆.设计以存严酷气候命件下制造一个沙漫皱洲力丰颠首先从外部水池和级化的园林设计开始看丰.同时针对金贝尔黄术馆井然有序的构成、以尺貝有喫和自飮光 线的展示空间我们考虑用一种具有现代感的设计來雄承它的空间性。建筑由5栋平行排列的箱体为基

6、本单位构成。箱体长短两边的比例与整个设计相呼应.全部采用混凝士和玻璃的双重表层构造.考虑到酷曷盛夏的强烈 日略.各栋建筑全都设计了深深的抉檐。夹在玻璃和混凝土之间的获窄空间.匠足使放置展品的混凌土箱体的室内环境得以安定的过池装25同时也起到了缓和各展空独立性的作用.这足一个可供人们休 憩的空间.人们可以从水池反射的柔和光线中.欣赏对岸的绿茵。由于理筑的双重膜构造和隧处可见的夭井设计.从而在单纯的构成中实现了复杂的空间J?列。对于展示空何主Jffi之一旳光*我们设计了两种自然采光系统.既有赋予箱体空间以特性的高侧光.也有透过聚四氣乙烯膜洒向室内的柔和屋顶采光 由t筑设计和悔工阶段针对展品的收價.

7、我们奁和类术偵方面充分协商、互相理解的基确上.逐步推进展示空间的设计对于黄术慎这样一个追求艺术空间主 題的设计来说.这是一个达到理JS状态的项目。WAOANDOWAOANDO64 66页.上：黄手检事珂用 和前页Jt或 的比.近 下：用 66页黄术!»««*««IS»5全部设计丁深盘 的携交审国总蛊夏的省刊曰E 2页：黄术馆的解刻廈浣7071页.上 关术下.安II忠3KiS计 草图.74页：理査墓拉的賂燮作£ 7576页：畫术馆展眾厅5SSL 77页：违按上于展求厅的大阶样pp.64-65: Skoteh rendoriri

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11、Q00)69 TM3AOANDOihte museum of modem art is to be relocated and newly oonstnjcted inthecity of Fort Worth. Texas. It is located on a 480.000 square feet site across a road from the Kimbel Art Museum cfesRed by Louis I. Kahn. The museum is conceived as *An Artxx for Art*, indicatirg that the vkhole o

12、f this extensive site is perceived as an envrofwent for the mecftative appreciation of art. The baking consists of rectangular ooncrete boxes In peraitel arrangement, each box is sheathed In a sMn of glass. To the east there is a spacious vkater garden and a grove of trees, viich shteid the museum f

13、rom a busy Intersection and create a tranquil natural environment.The structures use glass end concrete, two of the most representative malenafe of this oentuy. Sheathed withh their glass skins, the concrete paraltetepjpeds emphasize the transparency of the glass. Mile the glass softens the strong i

14、mpresston that would othecwfe© be created by the exposure of massive forms to the envfronmont.The material strength of concrete protects the prtoete6s art works housed wlthn the museum from the extremes of the local climate. The Intertor ooncrete boxes assure structural secutty and the exterior

15、 glass boxes amelorate the cirect influence of the external climate on the exhtoition spaces. Although the overal configuration of the oomplex Is simple, various types o( places and vokrres are provided for the exhbAon spaces.Further variety Is added by the introduction of several dflerent natural l

16、lghthg systems. The mediating spaces enctosed between glass and concrete wals are like the engewa ol Japanese traditional arctitecture. belonghg to both Interior and exterior. They are ctfized as integral parts of the exNbitfon spaoes in order to stimuiate the spirit of creation whilst Incorporating

17、 the ight. water, and greenery of the surrcunding environment.The IntenttDn Is to provide a tniy open museum, one that wl seg as an oaas In the midst of a severe local dmate and as an artxx of peace to sttmulate the spirit of creativity.70 1X3AOANDO疋抵 类祈館側充分肚打合垃购館主jsk：对g理恵的肚状況下rscir tk乞理解（0上I、展示空f30

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