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1、学号:2009020619姓名:丰慧联系 :Email:所在学院chofung163 外 国 语 学 院硕士学位论文论文题目 On the Creative Development of Symbolismin Yeats s Poems叶芝诗歌对象征主义创作手法的运用发展ii学科专业名称申请人姓名指导教师论文提交时间英语语言文学丰慧张京生教授2 011年 06月 24日单位代码10445学 号2009020619分 类 号I106研究生类别全日制硕士On the Creative Development of Symbolism in Yeats sPoemsByS
2、upervisor:Feng HuiProfessor Zhang JingshengSubmitted to the School of Foreign LanguagesOf Shandong Normal University in PartialFulfillment of the Requirements forThe Degree of Master of ArtsShandong Normal UniversityJinan, ChinaJune, 2011独创声明本人声明所呈交的学位论文是本人在导师指导下进行的研究工作及取得的研究成果。据我所知,除了文中特别加以标注和致谢的地方
3、外,论文中不包含其他人已经发表或撰写过的研究成果,也不包含为获得(注:如没有其他需要特别声明的,本栏可空)或其他教育机构的学位或证书使用过的材料。与我一同工作的同志对本研究所做的任何贡献均已在论文中作了明确的说明并表示谢意。学位论文作者签名:导师签字:学位论文版权使用授权书本学位论文作者完全了解学校 有关保留、使用学位论文的规定,有权保留并向国家有关部门或机构送交论文的复印件和磁盘,允许论文被查阅和借阅。本人授权 学校 可以将学位论文的全部或部分内容编入有关数据库进行检索,可以采用影印、缩印或扫描等复制手段保存、汇编学位论文。 保密的学位论文在解密后适用本授权书)学位论文作者签名:导师签字:签
4、字日期:2011 年月日签字日期:2011 年月日(山东师范大学硕士学位论文ContentsAbstract. I摘 要. VIIntroduction .1Chapter One The Exercise and Innovation of Image in Yeats s Poetry .61.1 The Emotional Images .71.1.1 Rose. 71.1.2 Dewdrop.141.2 The Intellectual Images .221.2.1 The Wheel .221.2.2 The Tower .29Chapter TwoSources of Yeats
5、s Symbolist Theory.332.1 Victorianism.342.1.1 Matthew Arnold .352.1.2 A. H. Hallam and Pater .362.2. British Pre-Raphaelites.392.2.1 Dante Gabriel Rossetti .402.2.2 William Morris .412.2.3 Walter Pater .422.3 Aestheticism .442.3.1 Origin .452.3.2 Disagreement .452.3.3 Final Impact .47Chapter Three T
6、he Combination of Symbol and Reality in Yeatss Poetry .493.1 Biography, Background and Influences .493.2 Symbolism and Yeats s Love Affaires .513.2.1 Maud Gonne.523.2.2 Lady Augusta Gregory .543.2.3. Olivia Shakespear .553.3 Symbolism and Yeats s Nationality.553.3.1 Background .56i山东师范大学硕士学位论文3.3.2
7、Yeats and his contradictory nationality .59Chapter Four Symbolism and Philosophical Concepts .674.1 Mysticism in Yeats s Poetry .674.1.1 Background .674.1.2 The Cultural Context.714.1.3 The Sources of Mysticism.724.1.4 Acceptance and Misunderstanding of the Oriental mystery .734.2 Celtic Awareness .
8、774.2.1 Genetic Origin.784.2.2 Influence on Yeats s Poetry .794.3 Troy Complex .804.3.1 Cause and Origin.804.3.2 Influences upon Yeats s Poetry .814.3.3 Similarity and Difference between Celtic Awareness and Troy Complex .844.4 Binary Opposition .85Conclusion .89Notes . 90Bibliography .92Acknowledge
9、ments .94Publications .95ii山东师范大学硕士学位论文AbstractWilliam Butler Yeats (1865-1939) is one of the most prominent Irish poet, adramatist, mystic and public figure. He won Nobel Prize for literature in 1923 andaccomplished great achievements in the fields like Symbolism, Romanticism,Aestheticism and Moder
10、nism. The purpose of this thesis is to analyze the applicationand development of Symbolism in Yeats poetic works. The paper consists of sixparts, including an introduction and a conclusion.The first part is the introduction, in which the background of Yeats creation, theoverview of Yeats life, his l
11、iterary career and literary achievements are given,followed by the literature review at home and abroad. Finally, the application of thetheory in the analysis is introduced.The first chapter explores the exercise and innovation of symbolism in Yeatspoems. According to his creation, there are mainly
12、two catalogues of image, that is,the emotional image and the intellectual image.When he was young Yeats lived in dreams, starved for love, and expressedhimself in a kind of mythology. So his early poetry is full of emotional images, andthe philosophical images in his early poetry usually evoke ideas
13、 mingled withemotions, i.e. , the rose and the white birds. When he was older he had more interestin philosophical images and welcomed the coming of wisdom with time.As Yeats longs for wisdom rather than youthful fancies and passions,his imagesbecame more and more intellectual. In old age his quest
14、for wisdom and intellectualjoy reached the climax, as is best shown in his immortal poem Sailing toByzantium(1927). This intellectual image in his late poetry almost excludes emotionsand evokes ideas only. Of these intellectual images in his late period, the mostcharacteristic ones are the tower, th
15、e winding stair, Byzantium, the great wheel, thegyre, and the phases of the moon. Behind these intellectual images there is an occult,philosophical background, which we may call esoteric Yeatsism and which enrichesI山东师范大学硕士学位论文the meanings of these symbols.The second chapter mainly deals with the so
16、urces of Yeatss Symbolist theory.Yeatss symbolist theory has special characteristics. Where does his theory comefrom? We immediately think of one man . That man is Arthur Symons (1865-1945)who dedicated to Yeats The Symbolist Movement in Literature (1899), a book thatintroduced for the first time th
17、e French Symbolist movement to the English readersand was rather influential at the turn of the century; that school is the FrenchSymbolists whose representatives included Villier de LIsle Adam, StephaneMallarme, Paul Verlaine, and so on. In that famous dedication To W. B. Yeats,Symons begins,It is
18、almost worth writing a book to have one perfectly sympathetic reader, whowill understand everything that one has said, and more than one has said, who willthink ones own thought whenever one has said exactly the right thing, who willcomplete what is imperfect in reading it, and be too generous to th
19、ink that it isimperfect. I feel that I shall have that reader in you; so here is my book in token ofthat assurance.Most obviously Symons considers Yeats as the chief representative of theSymbolist movement in the United Kingdom and the perfectly sympathetic reader ofhis book. So Yeats s contemporari
20、es were easily given the impression that before thepublication of Symons s book the French Symbolist had influenced Yeats already.Chapter Three analyses the combination of symbol and reality in Yeatss Poetry.Before we begin to look at Yeats work, we need to know something of the worldand the circums
21、tances which shaped it. This is particularly important since the eventsof Yeats life, his friends, his lovers, his relations and the places in which he lived areso central to his writing.William Butler Yeats was born in Dublin on 13 June 1865. His father, JohnButler Yeats, was a barrister who had an
22、 additional income from inherited estates inCounty Kildare. Yeats mother, Susan Pollexfen, came from Sligo in the west ofIreland where her family owned various companies. Yeats sister Susan was born in1866, and there were three more children to follow: two brothers and a sister. One ofII山东师范大学硕士学位论文
23、the brothers, however, died in 1873.Because Yeats s work and life were so entwined as a matter of philosophy,because Yeats wrote about his life in memoirs and autobiographies as well as poemsand because so many of Yeats s contemporaries wrote their own account of events,there is a wealth of material
24、 for the psychoanalytical critic to consider. Similarly, dueto the fact that Yeats s relationships with women were so central to his poetry, sorife with ambiguity and because part of Yeats s relationships with women were socentral to his poetry, so rife with ambiguity and because part of Yeats s met
25、hod ofpresentation was to mythologize, sot identify types, there is much for the feministcritic to consider as well.Yeats wrote during one of the most volatile periods of his countrys history, andhis poetry captures this. The defeat of the Irish Home Rule Bill, the fall of Parnelland the founding of
26、 the Fenian movement, in its various forms led to the uprising of1916 and, eventually, to the Civil War which ended in partition. In the world beyondthis struggle, Yeats saw the start and finish of the First World War, and the events inEurope, which culminated in the beginning of the Second World Wa
27、r. Yeats writesabout historical events and personalities vividly. There are elegies to dead heroes andtributes to revolutionaries, tempered by misgivings about the nature of politics andthe need for something more.Perhaps in the typical historical discourse of Ireland, the greatest nationalistpoet i
28、s neither Celtic nor English. As W. B. Yeats, he has an advantageous positionwhere he can be in and out of the nationalist movement freely. Yeats makes full useof this advantage and jumps out of historical bond. He creates so many great worksand makes all the people have a better understanding of Ir
29、eland the lovely sister ofEngland. Meanwhile, he has build a cultural identity for Ireland.The last chapter mainly deals with Symbolism and Philosophical concepts inYeatss poetry, including mysticism, Celtic awareness, Troy complex, etc.In Yeats s works, oriental mysticism plays an important part an
30、d becomes atimeless theme. Its influence is extensive and profound. In the past, the westerncritics hasnt paid enough attention in Yeats s acceptance of mysticism. As to theIII山东师范大学硕士学位论文source of it, most analyze are done in the cycle of western culture, chieflyneoplatonism, Christian Kabbalah, Jo
31、hn Blake and Emannuel Swedenborgsmysticism. The oriental sect is always neglected. In fact, according to the developingtrack of the poets mentality, it can be easily concluded that oriental mysticism is oneof the main line in Yeats s creation.In reading the poetry of W. B. Yeats, inspired by its bea
32、uty and philosophicalthoughts, we tend to trace all back to his legendary life. He is highlyautobiographical poet and notes down his life in the form of a large amount of work.For an artist, what we should investigate the psychological structure itself. Thestrong autobiographical feature in his poet
33、ry provided the researchers with richmaterials and evidence.In 1904, H. J. Watt, the member of Würzburg School, discovers that people tendto give the same response to similar stimulations in the long-term practice andexperience. This tendency differs a lot from those form in short-term doings.
34、Oncegets a fixation, it can influent one dramatically. This phenomenon is called themental set. It can provide you with analyzing ways and method to solve problems.The unique life experience of Yeats enables him to have a prominent mental set, thatis the Celtic awareness.Besides, the powerful influe
35、nce of Greek culture is an objective factor forYeats s Troy complex. Ever since the renaissance, back to ancient Greece hasbeen the uniform claim in each enlightenment in human history. The outstandingcultural personages in the west keep promoting the slogan that Greece is the spiritualgarden for th
36、eir mental arms, which can be seen as a cultural Oedipus complex.Yeats is no exception. He used to compose poetry under the radiance of ancientGreek culture, to express his irreconcilable mental world. Therefore, emotionalfactor also plays an important role in the formation of Troy complex.As a matt
37、er of fact, Yeats s Celtic awareness has reached its harvest time since1923. Academic Institute of Sweden, Nobel Prize committee gives remarks on him,because of his inspiring poetry, in a highly artistic way, shows the spirit of the wholenation. Therefore, he realized the dream of many years, that i
38、s, he retains goodIV山东师范大学硕士学位论文relationship with his nation and receives recognize of the world. The Celticawareness promotes his poetry to take on a radiance of Irish nature while the Troycomplex enhances his poetic level to eternity and immortality. Both of the twomental set give an everlasting p
39、ower to Yeats s poetry. Through the analyses of thepaper, I wish to give researchers a better understanding of W. B. Yeats and hispoems.Key Words: Yeats; symbolism; imageCategory Number: I106V山东师范大学硕士学位论文摘 要叶芝(1865-1939)是享誉世界的爱尔兰诗人、剧作家、神秘主义者和社会活动家。他于 1923 年获得诺贝尔文学奖,并在象征主义、浪漫主义、唯美主义和现代主义等多种文学领域取得成就。本
40、论文目的拟在分析叶芝诗歌作品中对象征主义的运用和发展,论文整体包括六个组成部分,包括引言和结语。第一部分是引言,在这一部分主要介绍叶芝的创作背景、生平以及文学生涯中取得的成就,并陈述本文所应用到的研究理论及方法。第一章主要介绍叶芝诗歌作品对象征主义的运用和发展。据诗人所言,象征主义所运用的意象主要分为两大类:情感意象和哲理意象。青年时代的叶芝想象力丰富,沉浸在对爱情的最求中,喜欢在诗歌中运用神话典故。因此诗人作品中的情感意象占了主导,所出现的哲理意象也大都与个人情感有关,比如玫瑰,白鸟等。随着年龄的增长,诗人更加关注哲理意象,在时间的历练之后,智慧也随之而来。由于不再追求幻想和激情,诗人的意象变得越来越富有哲理。在老年时期,叶芝对智慧和哲理的追求达到顶峰,其中集大成的作品就包括驶向拜占庭。这部作品中的哲理意象排
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