《高老庄》 《还乡》 原型批评 比较文学论文

《高老庄》论文：原型批评视野下《高老庄》与《还乡》之比较研究【中文摘要】原型批评理论的出现为大量文学巨作,如古希腊悲剧、《圣经》和莎士比亚戏剧等,提供了全新的分析切入点。本文运用原型批评相关理论对中国当代作家贾平凹的《高老庄》和英国小说家托马斯·哈代的《还乡》两部小说进行了平行比较研究。《高老庄》与《还乡》在情节安排上有着共同的“回归故里”大背景,两位主人公都是在离乡数年后的选择性回归；在故事设置上也有相似之处,比如主人公的所处环境；在故事发生的文化背景上,两者都处在社会工业化和城镇化的转型时期。两部作品的相似点奠定了比较的基础,在此之上,本文运用原型批评理论主要创始人诺思洛普·弗莱的原型主题和原型意象对两部作品进行了诠释与比较。在《高老庄》与《还乡》中,随着故事情节的发展,本文发掘出了原型主题中的逃离主题与成长主题；通过将书中主要人物的对应展开,具体呈现出了四个典型原型意象,即荒漠意象、希腊女神意象、基督教精神意象以及影子意象。通过对四个意象和两个主题的挖掘,证明了原型批评理论应用于比较文学方面的可行性和正确性,该理论将单一的文学作品纳入到文学大系统中,而“原型”就是连接单一文学作品之间的桥梁。同时,通过对两部小说的平行比较阐发了一个事实,即不同国家在特定历史时...【英文摘要】Undertherationallightofarchetypalcriticism,agroupofgreatworkshavebeenunderstoodandanalyzedfromanewperspective.TheseworksincludeGreektragedy,theBibleandShakespeare’sdramas.ThethesisistoattemptaparallelcomparativestudybetweenChinesewriterJiaPingwa’sGaoLaoZhuangandEnglishnovelistThomasHardy’sTheReturnoftheNativefromtheperspectiveofarchetypalcriticism.Despitethesedifferences,bothGaoLaoZhuangandTheReturnoftheNativeshareasimilarnat...【关键词】《高老庄》《还乡》原型批评比较文学【英文关键词】GaoLaoZhuangTheReturnoftheNativearchetypalcriticismcomparativestudy【目录】原型批评视野下《高老庄》与《还乡》之比较研究

摘要

4-5

Abstract

5

TableofContents

6-8

ChapterOneIntroduction

8-14

1.1JiaPingwaandThomasHardy

8-9

1.2GaoLaoZhuangandTheReturnoftheNative

9-10

1.3TheFoundationsoftheComparativeStudy

10-12

TheSimilaritiesbetweentheTwoaboveNovelists

11

TheSimilaritiesbetweentheTwoaboveNovels

11-12

1.4TheStructureoftheThesis

12-14

ChapterTwoLiteratureReview

14-18

2.1LiteratureReviewofGaoLaoZhuang

14-15

2.2LiteratureReviewofTheReturnoftheNative

15-16

2.3LiteratureReviewofComparativeStudiesupontheTwoNovels

16-18

ChapterThreeTheoreticalRationale-ArchetypalCriticism

18-26

3.1AnOverviewofArchetypalCriticism

18-20

3.2FrazerandJungandArchetypalCriticism

20-21

FrazerandArchetypalCriticism

20

JungandArchetypalCriticism

20-21

3.3FryeandArchetypalCriticism

21-23

3.4TheImpactofArchetypalCriticism

23-24

TheImpactofArchetypalCriticismonWesternLiteraryWorks

23

TheImpactofArchetypalCriticismonChineseLiteraryWorks

23-24

3.5TheImplementationsofArchetypalCriticismupontheComparativeLiterature

24-26

ChapterFourAnalysisofArchetypalMotifsinGaoLaoZhuangandTheReturnoftheNative

26-32

4.1EscapeMotif

26-28

DefinitionofEscapeMotif

26-27

DisplacementofEscapeMotif

27-28

TheAffinityofEscapeMotifsbetweenGaoLaoZhuangandTheReturnoftheNative

28

4.2InitiationMotif

28-31

DefinitionofInitiationMotif

28-29

DisplacementofInitiationMotif

29-30

TheAffinityofInitiationMotifsbetweenGaoLaoZhuangandTheReturnoftheNative

30-31

4.3Summary

31-32

ChapterFiveAnalysisofArchetypalImagesinGaoLaoZhuangandTheReturnoftheNative

32-49

5.1TheDesertImage

32-37

StonesinGaoLaoZhuang

33-35

EgdonHeathinTheReturnoftheNative

35-37

Stones-TheDesert-EgdonHeath

37

5.2TheGreekGoddessImage

37-41

XiXiainGaoLaoZhuang

38-39

EustaciainTheReturnoftheNative

39-40

XiXia-TheGreekGoddness-Eustacia

40-41

5.3TheChristianSpiritImage

41-44

ShiTouinGaoLaoZhuang

41-43

ClyminTheReturnoftheNative

43-44

ShiTou-TheChristianSpirit-Clym

44

5.4TheShadowImage

44-47

GaoZiluinGaoLaoZhuang

45-46

Wildevein