魂断蓝桥影视欣赏课件

TheSwayLoveinWarALoveStoryMeetattheWaterloobridgeTokensofloveonthebridgeRespectively,fromthebridgeMyraisastrugglingballerinainlovewitharichguyabouttogoofftoWWI.

NoChoiceButforLivingBettermissthanmeet.

VivianMaryHartleywasbornonNovember5,1913,inDarjeeling,India,astrangeplaceforoneoftheworld'smostcelebratedactressestobeborn.Shediedattheageof53afterasevereboutoftuberculosisonJuly7,1967.

ThingsAreLookingUp

WaterlooBridge

Abeautifulandsadlovestory,atouchinglovesong.Shouldauldacquaintancebeforgot,andneverbroughttomind?Shouldauldacquaintancebeforgot,forthesakeofauldlangsyne.Ifyoueverchangeyourmind,butIliving,livingmebehind,knockoffwatches,ohbringittome,bringmeyoursweetloving,bringithometome.bringithometome.Yeah~Yeah~agoodlovestorywiththisbeautifulsoundtrackithometome.Forauldlangsynemydear,forauldlangsyne,we'lltakeacupofkindnessIt'smyfavorit.Thankyoufordownload.Iwannabeyourfriend,pleaseaddmeI'llgiveyoujewelryandmoneytoo.That'sallallI'lldoforyou.DarlingyouknowIlaughedwhenyouleft,butnowIknowthatIonlyhurtmyself.Pleasebringittome,bringyoursweetsweetlove,bringithometome,bringetforthesakeofauldlangsyne.the

major

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Montageisatechniqueinfilmeditinginwhichaseriesofshortshotsareeditedintoasequencetocondensespace,time,andinformation.Itisusuallyusedtosuggestthepassageoftime,ratherthantocreatesymbolicmeaningasitdoesinSovietmontagetheory.Fromthe1930stothe1950s,montagesequencesoftencombinednumerousshortshotswithspecialopticaleffects(fades,dissolves,splitscreens,doubleandtripleexposures)danceandmusic.Theywereusuallyassembledbysomeoneotherthanthedirectorortheeditorofthemovie.Twocommonmontagesequencedevicesoftheperiodanewspaperone

arailroadone

Takethescript'sonelinedescriptionofthemontage

From1933to1942montagesdifferedfromtheusualones

thebest-knownmontagespecialistofthe1930sFilmcriticEzraGoodmandiscussesthecontributionsofSlavkoVorkapić,whoworkedatMGMandwasthebest-knownmontagespecialistofthe1930s:“Hedevisedvividmontagesfornumerouspictures,mainlytogetapointacrosseconomicallyortobridgeatimelapse.Inamatterofmoments,withimagescascadingacrossthescreen,hewasabletoshowJeanetteMacDonald'srisetofameasanoperastarinMaytime(1937),theoutbreakoftherevolutionin

VivaVilla(1934),thefamineandexodusinTheGoodEarth(1937),andtheplagueinRomeoandJuliet(1936).”From1933to1942,DonaldSiegel,lateranotedfeaturefilmdirector,wastheheadofthemontagedepartmentatWarnerBrothers.Hedidmontagesequencesforhundredsoffeatures,includingConfessionsofaNaziSpy;KnuteRockne,AllAmerican;BluesintheNight;YankeeDoodleDandy;Casablanca;ActionintheNorthAtlantic;GentlemanJim;andTheyDriveByNight.SiegeltoldPeterBogdanovichhowhismontagesdifferedfromtheusualones..Incontrast,Siegelwouldreadthemotionpicture'sscripttofindoutthestoryandaction,thentakethescript'sonelinedescriptionofthemontageandwritehisownfivepagescript.Thedirectorsandthestudiobosseslefthimalonebecausenoonecouldfigureoutwhathewasdoing.Leftalonewithhisowncrew