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Unit 单元要画艺术”这一进行本单元的目的在于帮助学生掌握与“绘画艺术”这一有关的词AbriefhistoryofWesternpainting sandworksof]v.采用;采纳;收养[源:n.学者[来源:v.n.v.&n.n.v.;预告;预n.[源v.n.n.目标;目的v.n.]adj.的n.汇adj.n.v.adj.n.adj.n.adj.n.adj.n.adj.n.adj.n.adj.n.阴影;adj.的n.;身材;数adj.的;好斗n.adj.n.adj.n.adj.n.adj.n.肉;adj.n.adj.n.adv.n.林;大agreatdealattempttodosth.ontheotherhand(可是)beallergictoappealto(对)有haveapreferenceformakesculpturesinthefleshbycoincidence1.Ifyouwere ,whatkindofpictureswouldyoupaint?(thesubjunctive2.Iftherulesofhad_not_been_discovered,noonewould_have_beenabletosuchrealisticpictures.(thesubjunctive3.Therearescoresofmodernartstyles,butwithouttheImpressionists,manyofthesestylesmight_not_exist.(thesubjunctive4.Among_the_painters_whobrokeawayfromthetraditionalstyleofpaintingwereImpressionists,wholivedandworkedin虚拟语气(SubjunctiveMood)(1)(IwishIwere/did/could/would...;IfIdid...,Iwoulddo...)Ifyoucouldhavethreeofthesepaintingsonthewallsofyourclassrooms,whichwouldyouIfyouwerean,whatkindofpictureswouldyouHaveyoueverwishedyoucouldpaintaswellasaprofessionalGetstudentstoknowaboutWesternpainting sandworksofHavestudentslearnsomeusefulnewwordsandexpressionsaboutpaintingandartandletthemlearneffectivewaystomasterthem.EnablestudentstograspandusetheexpressionsofLetstudentslearnthenew ritem:thesubjunctiveDevelopstudents'listening,speaking,readingandwritingEnablestudentstomastertheuseofthesubjunctiveLetstudentslearntowritealetterofDevelopstudents'integrativePeriodsPeriod1 WarmingUp,Pre-reading,ReadingandComprehendingPeriod2 LanguageStudyPeriod3 r—theSubjunctiveMood(1)Period4 ListeningandSpeakingPeriod ReadingandPeriod SummingUp,LearningTipandPeriod WarmingUp,Pre-reading,Reading整体设Thisisthefirstteachingperiodofthisunit.ThecentralpartofthisperiodisthereadingpassagewiththenameofAShortHistoryofWesternPaintingshowingthestudentsthehistoryofWesternWarmingUpgivesstudentsfourquestionstodiscuss,aimingatpreparingstudentsforboththecontentandthegrroftheunit.Pre-readingprovidesthreequestionstohelpstudentsfocusonthetopicofthereadingpassageandleadsthestudentstothinkaboutany alexperiencesofWesternarttheymayhave,suchasthingsaboutartgalleries,paintingsingalleries,someWesternsandpaintings.ReadingmainlyintroducesthehistoryofWesternpainting.TherearefourmajormovementsinWesternart.Social,politicalandculturalchangescontributetothechangesinicstyles.Therearefourpicturesofpaintingsinthepassagerepresentingthefourmajormovements.Afteraglanceatthetitleofthetextandtheheadlineswithinitweknowthatitisahistoricalreport,inwhichtherearemanytimeexpressions.Thenwecanknowthetopicofthetextandhowtheinformationisorganized—intheorderoftime,fromtheearliesttothepresent.Comprehendingconsistsoffourwrittenororalexercisesforthestudentstodosoastohelpthestudentstogetabetterunderstandingofthetext,thatistosay,tohelptheteachertocheckhowmuchthestudentshaveunderstoodthetext.KnowledgeandTounderstandthemeaningsofthefollowingnewwordsandphrases: 有代表性的),evident(明显的),adopt(采用),possess(拥有),superb(卓越的,杰出的),TolearnaboutsomemajormovementsinWesternartandhowarthaschangedstylisticallyoverthecenturies.TolearnhowtheinformationisTodevelopthestudents'readingabilitybyskimmingandscanningtheTodevelopthestudents'speakingabilitybytalkingaboutWesternProcessandWhilengWarmingUptheteachercanleadinthetopicofthisunitbyshowingstudentssomeandWestern-stylepaintingstorecalltheirownknowledgeandopinionsaboutvariousartforms.Studentsshouldalsobeintroducedtothesubjunctivemoodandtrytouseitwhentalkingabouttheartforms.DuringPre-readingtheteachercangoaroundtheclassroomanddiscussthequestionswithseveralstudents.Thisdiscussionshouldbestudent-centeredandarousestudents'interestinWesternpainting.Theteachershouldalsoaskthestudentstolookatthepaintingsinthereadingpassageandtrytoidentifywhichstyleeachofthembelongstosoastoletthemhaveageneralknowledgeofthesepaintings.WhilengReadingandComprehending,theteachermayfirstaskthestudentstoreadthetextquicklytogetthegeneralideaofeachparagraph.Afterreadingthepassage,studentsareencouragedtoanswersomequestionsanddiscussthetextToconsolidatethecontentsofthereadingpassage,thestudentsshouldberequiredtore thehistoryofWesternartintheirownwordsattheendoftheclass.Emotion,attitudeandTostimulatestudents'senseofbeautyandtheabilityofunderstanding,enjoyingandcreatingbeauty.Todevelopstudents'senseofcooperativeToenablethestudentstolearnaboutthehistoryofWesternartandtodeveloptheirreadingToenablethestudentstotalkaboutWestern教学过Step1WarmingWarmingupbylookingandShowthefollowingpaintingstothestudentsandletthemfindouttheirfavoritesandgivethereasons.ThenhelpthemfindoutthedifferencesbetweenthefirstthreepicturesandthenextthreeSampleIfIweretochoosepaintingsonthewall,Iwouldchoosethefirstone,because...IfIwerean ,Iwouldpainthorses.Because...WarmingupbyreadingtheshortpassageThehaveforcenturiesseenpaintingasthehighestformofart.paintingshaveanairoflivingnature,harmonyandpeacethatisnotalwaysfoundintheartofothercivilizations.ItisentirelydifferentfromWesternpainting,butthatdifferenceishardtograspandexpress.Thefollowingaresomedifferentformsofart:asthemainsubject.Linesarethekeypoint.Landscapepainting:landscapepaintingscanbedividedintoblue-and-greenlandscape,gold-and-greenlandscape,light-purple-redlandscapeandwaterinklandscapeaccordingtothecolorsusedinpaintings.Theonewithoutoutlinesiscalledbonelesslandscape.Flowerandbirdpainting:Flowers,rocksandbirdsareusuallythemainsubjectsofthiskindofpaintings.Technically,therearedetailedstylewithcolorsandstylewithink.Courtpainting:Itreferstotheworksdonebythoseprofessionalpaintersemployedbytheroyalcourt,orimitationsoftheirworksbyotherpainters.Thepassageaboveisaboutartforms.Withthis,theteachercanarousestudents'interesttoreadthepassageaboutWesternpainting.Step Matchthepaintingsandtheir4:VanGoghEncouragestudentstotalkmoreaboutthepaintingsandthehiscareerworkingforamasterpainterinFlorence.HismasterpieceisMonaLisa.Leonardowastrulya“RenaissanceMan”skilledinmanyfields.Hewasascientistandaninventoraswellasan.Hemadenotesanddrawingsofeverythinghesaw.Leonardoinventedclevermachines,andevendesignedimitationwingsthathehopedwouldleta flylikeabird.Step3ReadingandAskstudentstoskimthepassagetogetthe andgeneralideaofeachparagraphandanswerthefollowingquestions:What'sthemainideaoftheHowmanystylesofWesternartarementionedinthetext?WhatareSuggestedThestyleofWesternarthaschangedalotastimegoesFour.Theyare:theMiddleAges,theRenaissance,ImpressionismandModernart.MainaimCharacteristicsofRepresentativeTheMiddleto15thMainaimCharacteristicsofRepresentativeTheMiddleto15thcenturyTorepresent TheRenaissance(15thto16thcentury)Topaint③ theyreallywere,realistic,newoilImpressionism( Toshowhow fellonobjectsatNotNotfferenttimesofchangesin⑥(20thcenturytotoday)Toconcentrateocertainqualitiesofthe⑦,veryNotAskstudentstoscanthepassagefordetailedinformationanddothefollowingmultiple①IntheRenaissance,painters paintedreligiousscenesinamorerealisticfocusedmoreonreligionthanonbegantopaintreturnedtoclassicalRomanandGreekideasabout discoveredhowtomakepaintingslookmorerealbyusingA.Giottodi C.Claude D.Pablo③Accordingtothetext,artisinfluencedlesslikelyby A.socialchanges B.thewayoflife D.beliefsof④WhendidpeoplefocusmoreonpeopleandlessonA.From5thto15thcenturyB.From15thto16thC.Fromlate19thtoearly20thD.From20thcenturyto⑤MostpeoplehatetheImpressionists'styleofpaintingatfirstbecausetheythought A.theirpaintingswereB.theybrokeawayfromthetraditionalstyleofC.theirpaintingswereveryD.theirpaintingswerevery⑥Whatdoesthetext lA.HowreligiouspaintingB.HowoilpaintingC.HowImpressionistpaintingdevelopeD.HowWesternartGuesswhichperiodthefollowingpicturesbelongSuggestedanswers:(1)①religious ②GiottodiBondone ③peopleandnature toearly20th ⑤lightandshadow ⑥ModernArt (3)Painting1:theRenaissance;Painting2:theMiddleAges;Painting3:ModernArt;Painting4:ImpressionismStep4LanguageDealingwithanylanguageproblems(wordsorsentencesstudentsmightnotunderstand)tohelpthestudentstohaveabetterunderstandingofthetext.Step5Listening,readingaloudandAskstudentstoreadthepassagealoudtothetapeandletthempayattentiontothepronunciationofeachwordandthepauseswithineachsentence.lthemtopickoutalltheusefulexpressionsorcollocationsfromthepassagewhilereadingandcopythemtothenotebookafterclassas that,bycoincidence,agreatdeal,leadto,breakawayfrom,attempttodo,ontheotherStep6StructureAfterreading,askstudentstodiscussthetextstructure.Keysforreference:Thispassageisahistoricalreport.Thefirstparagraphintroducesthetopicandthethemeofthetext.Therestofthereportpresentstheinformationinchronologicalorder.Afeatureofhistoricalreportsistheabundanceoftimeexpressions.Thelastsentenceofthereportfunctionsasaconclusion.Inaddition,eachsectionbeginswithatopicsentence.Step7ReAskstudentstotalkaboutthehistoryofWesternpaintingintheirownwords.Givethemsomeandexpressionsontheblackboard.Thenletthemtrytore lthepassage.StepLearntheusefulnewwordsandexpressionsinthispartbyTrytofindabookwithreproductionsofWesternpaintingsorpaintingsandexinwhatyoulikeordislikeaboutthem.Step ReflectionafterPainting
教学参paintingisgenerallydividedbysubjectmatterintofourbroadcategories:figures,landscapes,flowersandbirds,andbambooandrocks.Thefirstthreecategoriessucceededeachotherinthesummitsoftheirdevelopments,whilethepaintingofbambooandrocksbecameacasualpleasureoftheeducatedelitefromthe12thcenturyon.BeforetheHanDynasty,foundedinonlaterbronzes,jades,andpottery.DuringtheHanDynasty,theartofdepictingfiguresbecameincreasinglyelaborate.RulersuseddidacticarttoemphasizecodesofexamplesofstoneengravingandwallpaintingshowstrongandlivelyTheartoflandscapepaintingformedthecentralandmoststandingtraditioninpainting.OnabasisofTaoistcommunionwithnatureandstrengthenedbyBuddhism,therewasastronglirytraditionofseclusionamong,andmeditationuponthe mountains.'slandscapepaintingbroughtnature'spresencetowherevermandesiredit.ElementsoflandscapearealreadypresentinartoftheHanDynasty,butdevelopmentdidnotreallybeginuntiltheTangDynasty.ThesucceedingNorthernSungDynasty(960-1127)hasoftenbeencalledtheGoldenAgeofLandscape.Thedifferencesinapproachandtechniquethatnaturallyappearedgraduallycategorizedintotraditions:thenorthernandsouthernBirdsandinbirdsandflowers.However,thefirsttwoimportantnamesinbirdandflowerpainting,Huang
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