全英文直接发基地项目英文翻译

TheMajorResearchProjectsofCAAEin2004TheTimeofLotResearchofThreeClassicalAestheticZhuTheResearchofThreeClassicalAestheticsystemsismajorprojectnnedbyRCAAE.Amongonlyafewmajoraestheticsystemswiththeoreticalsignificance,theyyakeyroleinhistoryofChineseAestheticsandreflectthegeneralfeaturesofaestheticthoughts.Byresearchingintotheseaestheticsystems,especiallydiggingintotheirfeaturesoftheoreticalthinkingandtheircoreissues,itwouldyasignificantparttorevealtheinnerthreadsofaesthetichistory,tograspnationalidentityofaesthetictheoryandtoestablishcontemporaryaestheticsystemwithcharaBesidestheoveralloutlineofmainfeaturesofaestheticdisciplineandsystems,theprojectfocusesonthreesignificantaestheticsystemsinhistoryofaesthetics.1、ThestudyofaestheticsystemofWenXingDiaoAstheworkcalled“uniqueinlituregarden”bythescholarTanXianinQingdynasty,itisrelativelysystematicworkinaesthetictheorywiththegreatsignificanceinhistoryofaesthetic美学体系，特别是深入研究它们的理论思维特点以及它们的问题，对揭示美学史发展的内在脉络，把握中国美学理论的民族特点、构建具有的现代重选择三个具有理论独创性美学发展史上具有深远影响的美学体系进行12、ThestudyofaestheticsystemofWangAsagreatthinker,Wang’saestheticthoughtshavebothextensiveknowledgeandprofoundscholarship.CenteringtheideaofYiXiang(Imagery),heconstructedhisuniqueaestheticallytheoreticalsystems,manysinwhicharegreatlycreativeandprofoundandprovidetheimportantenlightmentforestablishingthecontemporaryaestheticsystem.2、3、ThestudyofaestheticsystemofShiShiTaoiswell-knownpainterandpaintingtheoristinQingDynasty,whosemagnumopus“ThePaintingLanguage”takesacrucialpositioninhistoryofbothaestheticsandpainting.UndertheinfluenceofboththephilosophyofDaoismandZenandideasofZhouyi,ShiTaocreatedasetofuniqueaestheticconcepts.Hispaintingtheoryfocusingon“YiHua(Onepaint)”istheacademicsystemwithprofoundtheoreticalconnotation.Itissignificantforstudyofhistoryofaestheticsandestablishmentofthecontemporaryaestheticsystem.3、美学体系研究。史上都有极其重要的地位在道禅哲学和易学思想的影响下，创立了一套独。TheMajorResearchProjectsofCAAEin2004TheTimeofLotThestudyofAestheticYeTheMajorResearchProjectsofCAAEinHeritageof2005ZhangFa,Aesthetics9Zhiqiang,EsteblishmentofContemporaryTheMajorResearchProjectsofCAAEin2005TimeofFromAestheticsto2005、PengFeng,GaoyticalaestheticsandpragmaticshadbeentwomaincurrentsofthoughtsinAnglo-Americanaestheticssincethemiddleofthe20thcentury.AstotheresearchintotheturnaroundfromyticalAestheticstoPragmaticsofAnglo-Americanaesthetics,itisbeneficialtograspthecontemporaryfeaturesofaestheticaldisciplineandconstructtheaestheticfundamentaltheorywithcharacteristics.Inhistory,yticalaestheticswasdevelopedbythecriticismofpragmatics.Havingdevelopedforabouthalfacentury,henceyticalaestheticsturnedintoneo-pragmatics.Thedevelopmentakintocyclingarenotsupposedtobeunderstoodasasimplerepeat,yetthereareprofoundchangesraisedbythechangeoferaconditionsinaestheticsdiscipline.Themainissueofyticalaestheticsfocusesonthedefinitionalfeatureofartworks,thatis,todistinguishtheartworksfrom-artworkstheoretically,referringtotheissueofdefinitionofartthefundamentalcharacteristicsofartworksorontologyofare,ect.ThemainissuesofPragmatistAesthetics aresocialfunctionofartworks,ortheeffectofartintheaspectssuchaspolitics,s,society,cultureandindividual-improvement.Thesefunctionsofartworkshavetogothroughaestheticexperience,andonlybyexcludingtheaestheticexperiencecanthedefinitionalfeatureofartworksbeunderstoodexactly.Hencetheantithesisbetweenyticalaestheticsandpragmatistaestheticsarebrieflyembodiedontheissueofaestheticexperience:theformerabandonstheconceptofaestheticexperiencecompleyandthelattertakeitasitscoreconcept.建设具有的美学基本理论。实用主义美学则将审美经验作为概念。Toputitconcrey,astotheturnaroundfromyticstopragmaticofcontemporaryAnglo-Americanaesthetics,itissignificantinfollowingthreeaspectsatleast：Firstly,itcouldinterpretthecontemporaryicpracticebetterandalsocouldmaketherules.Bothyticalandpragmaticaestheticsstrivetomakethetheoreticalinterpretationonthenovelartformsince20thcentury.yticalaestheticstrytofindakindofdefinitionofart,underwhichallartworkscouldbeconcludedandallnon-artworksbeexcluded.Thusaestheticaltheorycouldbeembodiedonnotonlytheinterpretationtoartpracticebuttheregulationanddirectionofit,whichisexactlythedemandsofcontemporaryartpracticeincurrentincreasinglydisorder.Secondly,ithelpstounderstandthefeaturesofthetimesandtheeffectbyaestheticstoday.TheturnaroundfromyticalAestheticstoPragmaticsactuallyreflectsthatofthetimesfromrationalismtoaestheticism.Thirdly,itisbeneficialonthedeepcommunicationanddialogs,lyingthefirststoneforestablishingcontemporaryaestheticsystemwithcharacteristics.Consideringthevacuumonthepurposefulresultsonyticalaesthetics,pragmaticaestheticsandturnaroundfromyticaltopragmaticaesthetics,theresearchmustfillthegapandpromotethedevelopmentofwesternaestheticstudyinlanguage.Allmaterialsusedbythetopicwillbefirst-hand,whichwillmaketheeffectonbuildinguptheparadigmsofdomesticresearchofwesternaesthetics.TheMajorResearchProjectsofCAAEininTimeTheYeLang,PengFeng,YuanHistoryAesthetics(Sofar,thereisnoonegeneralhistoryworksreflectingtheoveralldevelopment aestheticthoughts ,whiletheeralhistoryworksofwesternaestheticshavemany,suchas“GeneralHistoryofWesternAesthetics”editedbyZhuthethesamenameworksbyRuXin.PekingUniversityemphasizethetraditionofChineseaestheticstudythroughout.ZongBaihuamadeasignificancewithhisgroundbreakingresearchandrecently“AestheticOmnibusinallChineseDynasties”editedchieflybyProf.YeLangisthelatestThisprojectintenttocarrytheaesthetictraditionofPekingUniversity,supportedbyCAAE,integratingtheresearchintraditionalaestheticsand plishedageneralhistorythatrepresentthecontemporaryaestheticslevel,reflecttraditionalaestheticideasandfacetotheworld.Theacademicvalueofthisprojectismainlyembodiedinfollowingaspects:1、Toreflectoverallstyleof2、Toreflecttheuniquetraditionof3、Toreflectthetheoreticalenchantmentofaesthetics4、TodistinguishtherelativeissueofaestheticsThepracticalmeaningofthisprojectismainlyembodiedinfollowingaspects:1、WhenitcomestoSoftPowerofculture,aestheticsisaninconsiderablepart.Byunscramblingtheheritageofaesthetics,itissignificanttobringthevaluablepartsbacktothespirituallifeofmodernpeopleandtobededicatedtotheworld.2、Thespiritualpressureofmodernpeopleisincreasingalongwiththeincreasinglyfiercecompetitioninmodernsociety.Theicattitudeandtheaestheticbeinginaestheticswouldbeprecioustohelprelievepsychologicalstressandestablishaharmonioussociety.Thisproject,obviously,willyaimportantroleinthis，到目前为止，我国还没有一部全面反映中国美学思想发展的性著作，而西方美学则有多种，如主编的《西方美学（人民， （中国社会科学）等。历来有重视 来由教授主编的《中国历代美学文库（一千多万字，由高等教育出版，则是这方面的成果。，本项目的研究是想发扬的美学传统依托美学与美育研究面反映传统美学思想、面向世界的。123、反映中国美学的理 42TheMajorResearchProjectsofCAAEinnineTimeofTheGeneral2006、ZhuLiangzhiof1PengJixiangCriticism(VolumeYuanOurabundanttraditionalicheritageareaccumulatedandcreatedforthousandsofyearsinthefieldslikepainting,calligraphy,music,dance,drama,gardening,architecture,artcrafts,ect.Accordingly,wedevelopmentthesystemofartcriticismwithcharacteristic,basedonwhichtherichartcriticismtheorywasdevelopedanditisinnerroottoentheprosperityinart.artcriticismisgreatlyvaluabletoresearch,consideringthefollowingfactors:中国艺术批论是一个极有价值的研究对象，这主要体现在1Artcriticismhavevariousmodesandartcriticismwasderivedearly,alongwiththevarietyofart.Thetheoryinmanytsbecamematureinveryearlytimeandthecriticismpracticeinsomeicpartwasextremelyactive.Therichofartcriticismcanbeseldomfoundelsewhere.2、artcriticismhaveaspecialdistinctionfromthewesternmode,whichmakeitmuchbrighterinthefieldofartcriticismoftheworld.3、artcriticismharboredastrongsenseofhumanisticcare.Thepuremodeofcriticismdidnotethemainstream,instead,artcriticismpaidmoreattentiononthecareoflifeandvalueofsociety,accordingtowhichourhumanities-orientedandlife-orientedtraditionwasdeveloped.不少部门批论很早就有成形态，有的艺术部门批评实践极为活跃。中国艺术批论的丰富性在世界上是很少见的。界艺术批论领域独放异彩。3、中国艺术批评具有人文倾向，纯粹形式的批评并不占主流，Therichartcriticismtheoryisthetreasureofcivilization,afullshowofthecharacteristicofculture.TheGeneralHistoryofArtCriticismintentstograspanddepicttheartcriticismoverall,yzeitstheoreticalachievement,revealitslogicalprocessanddigintoitspositioninspirituallife.Andinallitemphasizesthenationalcharacteristicandshowsitsvalueacademically.Consideringthecurrentresearchconditions,thevalueofthisprojectsee