《倾城之恋》与《飘》的女性主义解读商务英语

PAGEPAGE14中国某某某某学校学生毕业设计(论文)题目：《倾城之恋》与《飘》的女性主义解读姓名：00000000班级、学号：0000、000000系(部)：经济管理系专业：商务英语指导教师：000000000开题时间：2009完成时间：20092009年11目录毕业设计任务书…………………1毕业设计成绩评定表……………2答辩申请书……………………3-4正文……………5-13答辩委员会表决意见……………14答辩过程记录表…………………15课题《倾城之恋》与《飘》的女性主义解读课题(论文)提纲0.引言1.女权运动在美国1.1女权运动的历史概观1.2女权主义对美国文学产生的影响2.女性主义在中国的兴起和发展2.1空白期2.2引入期2.3畸变期2.4发展期3.《倾城之恋》与《飘》的女性主义思想的差异3.1《倾城之恋》中的女性主义思想3.2《飘》中的女性主义思想3.3女性主义意识的差异4.结论二、内容摘要20世纪30、40年代，部分女性已经从沉睡中醒来，用文学创作的方式表达各自不同的女性主义思想。本文尝试从女权运动的发生与发展对女性主义文学产生的影响着手，分析具有代表性的美国女作家玛格丽特.米切尔与中国女作家张爱玲作品中的女性主义文学思想。从作品中女主人公的性格差异来剖析不同文化背景下的女性意识的表现。在比较中透视女权主义思想对中西方现代生活的影响。关键词：女权运动；女性主义文学；文化差异；女性主义思想参考文献[1]Taylor,Helen.Starlet’sWomen:GonewiththeWindandItsFemaleFans.Florida：International[2]安冬.两性的对立与和谐——<飘>的女性主义解读.语文学刊,2006年第6期.[3]陈子善.阅读张爱玲书系之四张爱玲的风气.山东：山东画报出版社,2004.[4]丁伊莎.中国女性主义文学的兴起与发展.中国文学研究,2003.[5]荆兴梅．《飘》的女性主义解读.江苏：江苏科技大学学报：社会科学版，2005.[6]乔以钢.多彩的旋律中国女性主义主题研究.天津：南开大学出版社,2003.[7]宋家宏.张爱玲的“失落者”心态及创作.文学评论,1988.[8]吴世娟.漫谈<飘>中的女权主义思想.河南:焦作大学学报,2006.Feminismin“LoveoftheCity”and“GonewiththeWind”0000000Abstract:During1930sand1940s,somewomendelivertheirfeministthoughtsthroughliterarycreation.Thispaperattemptstobeginwiththeinfluenceswhichproducedbytheoccurrenceanddevelopmentoffeministmovementonfeminineliterature,andtriestoanalyzethedifferentfeministthoughtintheworksofMargaretMitchellinAmericaandEileenChanginChina.Theheroine’sdispositiondifferencessymbolizetheperformanceoffeminineawarenessunderthedifferentculturalbackground,andfindtheeffectwhichproducedbyfeministthoughtonmodernsocietyinchinaandwesterncountriesthroughsuchcomparison.KeyWords:FeministMovement;feminineliterature;culturaldifference;feministthough0.IntroductionThemainpurposeofFeministmovementistogettheequalrightswithmen,andthenimprovethesocialstatusandlivingconditionsofwomen.It’salsonamedwomen’sliberationmovement.Feministsinsistthatthereshouldbeanequalrightaboutpolitical,economicsandculture,etc.betweenmenandwomen.In1930s,womenawareoftheirown“withoutme”state,theybegantoexpresstheyunderstandandexperiencetothesociety,humanbeingsandthemselves.EileenChang,Margaret.Mitchellbecamethefeminismrepresentativeofthisera，“LoveoftheCity”and“GonewiththeWind”becameaclassicofmodernliterature.Theideaoffeminismisexpressedinthesetwoworks.Thoughtheyweregrowingupindifferentcountries,theirworksaretoconveythedesireandrequirementofwomen,andadmirethevalueofwomen.Inthisarticle,Ihavemadeacomparisonabouttheideaoffeminismwhichisexpressedinboth“LoveoftheCity”and“GonewiththeWind”,andtrytostartwiththeeffectofthefeministliteraturethatmadebytheoccurrenceanddevelopmentofthefeministmovement,analyzedtheliteratureideaoffeminismexistedinthetwoworks.Fromthecharacterdifferencebetweenthesetwoheroines,Ihavemadeananalysisabouttherepresentationoffeminineconsciousnessunderthedifferentcultureenvironment.1.FeministmovementintheUnitedStates1.1OverviewaboutthehistoryoffeministmovementThewesternfeminismmainlyexperiencedtworevolutions:Thefirsttimewasinthelate18thandearly19thcentury.UndertheinfluenceofFrenchbourgeoisrevolution,womenbegantoleavetheirhomesforparticipatinginvigoroussocialrevolution.Theawakeningoffeministconsciousness,makingfeministideasquicklyspreadthroughouttheWesternworld.Influencedbythetwoscientificandtechnologicalrevolutionsandtwoworldwars,especiallytheimpactoftheSecondWorldWarafterthemid-20thcentury,theWesternfeministmovementhasclimax.ThesecondwaveoffeminismfromtheUnitedStatesandquicklyspreadtoothercountriesinNorthAmericaandEurope.Itinheritstheideaoffeminismhasalwaysbeenagainstthetraditionalinequalitybetweenmenandwomenagainstmen,discriminationagainstwomenandgenderoppression,butwhat’sdifferentwiththefirstwaveofisthatfeministcriticismnolongersimplypointingthefingerofblamemen,butbegantoreflectonandself-criticism.AstothefeminismofUnitedStates,whatwearefamiliarwithistheblackwomen’sliberationmovement.Whitewomenalsofightforelectoralrights,politicalparticipationandthesamerightsasman.Thesesharedtheoppressedandtheircampaigntomakethetraditionalfeministawareof:theirgenderandidentityisnotthemostimportant,norisitunique,whatreallymattersistherightsofgenderequality.Theawakeningoffeministconsciousnesshelpthemtowinmorerightsandopportunities,theyoccupiesaplaceinthepolitical,economic,andculturalfields.1.2TheimpactofFeminismonAmericaTheappearanceanddevelopmentoffeministmovementhasmuchinfluenceonAmericanliterature,theriseofwomen’sliteratureisconfirmedbythis,womansuffereddiscriminationbecauseoftheirgender,andtheirspecialneedsarestillnotbemet,andinordertomeetthesespecialneeds,theyneedsinnovationintheruleofsocial,economicandpolitical,Astheirliteraturereflectedthisdemandhead.ThefeministmovementmakingtheU.S.literaryscenealive,therehaveappearedagroupofwriterslovestothinkthatrepresentedbyMargaret.Mitchell.Intheireyes,Americansocietyhasbecomeverycomplicated,andthevaluesareconfused.Theygenerallyfeelthatdonotknowhowtoexplainthisreality,sotheyadoptedbizarre,fantasy,exaggeratedwaytoreproductionthechaos,terrorandmadnessoflife.2.TheriseanddevelopmentoffeminisminChina2.1BlankperiodBeforeWesternfeministideascameintoChina,therehavebeenalmostthousandsofyears.AlthoughtheChinesehistoryhasemergedmanyoutstandingwomen,therearenotsofierce,wide-rangingimplicationsoffeministthoughtlikewesterncountries.Therefore,wecanregarditastheinterregnumoffeministthoughtduringthislongperiod.2.2TheintroductionofphaseWhenwesternfeministthoughtenteredintoChinaforthefirsttime,Chinaisexperiencingafeudalliberationmovement.Intheearly20thcentury,theNewCultureMovementhasinjectedalotoffreshairintoChinesesociety.TheChinesewomen’sliteratureoftheNewLiteratureMovementdevelopedaslogantomakeresponseto“personalityliberation”,theypursuethelibertyoftheirownmarriage,oradvocatedlovesupreme,orjoinafull-fledgedsocialrevolutionwhichobviouslyreflectedthatera.2.3VariationperiodThefeministthoughtwasintroducedtoChinainearly20thcentury,itbeganaspecial“localization”ofthevariationafterexperiencingthenationaldemocraticrevolution,feministsthoughtdeviatedfromitsoriginalpurposeforaverylongperiodoftime.TheoppositesideofthestruggleforChinesewomen’sliberationmovementinthe20thcenturyisnottheinequalitybetweenmenandwomenonpolitical,economic,culturalhegemony,butthreegreatmountains:imperialism,feudalismandbureaucrat-capitalism,whichpressedalltheChinesepeople.Therefore,theadvocatorsandleadersoftheChinesewomen’smovementarenotwomenthemselves,buttheoppositesex-men.2.4DevelopmentperiodChinahasgraduallyreintegratedwiththeworld,afterthereformingandopeningupinthe1980s.Therightsofwomengraduallylosttoacertainextentinpoliticalandlegalprotection.TheGovernmentimplementedpolicieswhichisbasedonthestatusofmentoprotectwomen,buttheproblemsoftheirpoorself-independence,consciousnessandsenseofcommunitygraduallyexposedunderthelooseningofthecontrolofthewholecountry.3.Thedifferencesoffeminismthoughtbetween“LoveoftheCity”and“GonewiththeWind”3.1TheFeminismThoughtin“LoveoftheCity”In1940s,severalmodernwomenhadwakenedup,andsparenoeffortstogetawayfromtheshacklesoffeudalfamiliestoseekafreeandbrightlife.However,it’sdifficultforthemtogetridofsocialdiscriminationandpersecution.BaiLiusu,forexampleisarepresentativeinEileenChang’sarticle.Butthemoreimportantthingisherrealizationoffemaleawarenessthatdenyanarrangedfate.Inourtradition,womenarelivinginapatriarchalsociety.Thesocietydidnotrequirethemtohavemuchknowledge,SocialMoralandethical.BaiLiusuwhoisinthe“LoveoftheCity”didnottakethewaythatthesocialmoralityandethicsrequired,differentfromthosesubmissivewoman,Liumadearesistance.WhetherthewomencanliberatethemselvesisalldependoniftheyhaveanEconomicindependence.Thewomenhasbeensuppressedanddiscriminatedforalongtimethattheyareconfusedabouttheirowngenderrolesandresistance,alargenumberofwomenwerenotstillrealizedthattheyshouldliberatethemselvesfromthegenderratherthanaccepttheliberation.BaiLiusuisagoodexample,inthefrontoftraditionalethicsandmorals,sheisawareofherpositionandtrytochangeit,butwhensheisfightagainsttheethics,shemakeamistakeagain,andthenbecomeasubsidiaryofamanatlast.3.2TheFeminismThoughtin“GonewiththeWind”AmericanwomenarethesameastheChinesewomeninthesameperiodthattheyareasubsidiaryofmen.ButwhatmakeScarlettwhoisinMitchell’sarticleinterestedis“Oneday,IdowhatIwanttoandsaywhatIwantedtosay,evenifpeopledonotlike,Iwillnotcareabout.”Fromherwordswecanseeherfortitudeaswellasherpassionandrebelliousspirit,andshediditfinally.Thestoryof“GonewiththeWind”takesplaceintheAmericanCivilWar.It’sthewarthatbreaksalltherules,andgivesthecountryanopportunitytore-establishvaluesandethicalstandardsandatthesametime,bringanopportunityandchallengesforthepersonaldevelopment.Andtheactressinthestoryisobviousseizesuchanopportunity,andstruggleforanequalrightsandeconomicindependence.It’stheNorth-SouthwarandsocialchangethatletScarlettbreakthetraditionalfamilymodel,andresistedagainstthesociety.It’sthehardshipsinlifethatletsheremovedheraristocraticeffeminacy,themoreimportantthingistrainedtheirunyieldingcharacterandindomitablespiritwhentheyareinadifficultposition,it’sherextraordinarylifeskillsthatlethergraduallymature.It’stheLifeatpost-warreconstructionthattrainedherindependentspiritandhertenacity,aswellascouragetofacetherealityofthecharacter.Scarlettbecameamalewhoisdaredtofightagainstrightstotakewomen’srights.3.3ThedifferenceoffeminismawarenessEileenChanglivingintheeraofEastandWestculturecollide,hasbeeninfluencedbyWesternculture.Theheroineshedescribedinthebooklivesinthefamilyatmosphereoffeudalculture,occasionalcontactwithWesternculture,butstillcannotshakeoffthestrangleholdoftraditionalChineseculture.Traditionalvaluesdeeplyrootedinmen-centeredsociety.AwhitetasselinEileenChang’spenisawomanwanttogooutthecagetotheoutsideworld,butcannotescapetheshacklesofherheart.SheembodiedthecontradictionsofChinesewomenatthattime,acomplexspiritandrealityofthesituationofconfrontation.Scarlettwasgrownupinalargefamilywhichhasastrictetiquette,butshedoesnotwanttheconstraintsoffamily,shewantedtoliveforherownemotions.Whetherthewomencanliberatethemselveslargelydependsontheireconomicabilitytogetridoftheirdependentstatus.Becauseofthis,Scarlettdecidedtomakeherowneconomicindependence,nolongerbeavassalofmen.Theinitiativeoffeministthinkinghasbeensomeexpressedhere.Comparedwiththetwoworks,therearetoomanyconnectionsbetweenSino-USdifferencesinfeministconsciousnessandculturalsituation.Inviewofthelove,Chinesewomenoftencontactedmarriagewiththeeconomy.Tothem,thereisnoreallyliberation.However,Westernwomenfirstlyrealizedtheindependenceandfreedom.Itiscloselyrelatedwiththeearlywesterndemocracy.4.ConclusionTheimpactthatFeministmovementmadeontheliteratureisnotonlyexpressedinthedisenchantmentoffemaleawarenessinwomen’sliterature,what’smore,throughaprofoundimpactwhichismadebytheformofliteraryandideasonmodernlifeintheWest.Withtheawakeningoffeministconsciousness,theybegantoparticipateinthepolitical,economicandsoon.Fromwhathasbeendiscussedabove,aconclusioncanbedrawnthatwomenhavewakenedfromthelongsleep.Today’swomen,holdinghalfthesky,aremastersoftheirownfate,whichbringthemgreatdesiretoachievewhattheydreamof.Anidealwomanshouldbesuccessfulincareer,familylifeandinterpersonalrelationship,whichisnoteasytoachieve.Womencandowhatmendoandtheycanevendobetterthanmen.Womencanachievesuccessincareer,familylifeandinterpersonalrelationshipatthesametime.Sowomenshouldbravelypursuewhattheyhopefor,andwithalltheireffortswomenwilleventuallysucceed.Bibliography:[1]Taylor,Helen.Starlet’sWomen:GonewiththeWindandItsFemaleFans.Florida：International[2]安冬.两性的对立与和谐——<飘>的女性主义解读.语文学刊,2006年第6期.[3]陈子善.阅读张爱玲书系之四张爱玲的风气.山东：山东画报出版社,2004[4]丁伊莎.中国女性主义文学的兴起与发展.中国文学研究,2003.[5]荆兴梅．《飘》的女性主义解读.江苏：江苏科技大学学报：社会科学版，2005.[6]乔以钢.多彩的旋律中国女性主义主题研究.天津：南开大学出版社,2003.[7]宋家宏.张爱玲的“失落者”心态及创作.文学评论,1988.[8]吴世娟.漫谈<飘>中的女权主义思想.河南:焦作大学学报,2006.目录TOC\o"1-3"\f\h\u15739第一章总论 452391.1项目概述 4108251.2项目提出的背景和必要性 4177201.3项目建设的可行性分析 166440第二章项目依据和范围 20167162.1项目编制依据 20262292.2编制原则 20168752.3项目编制范围 219126第三章市场发展预测及行业关键指标分析 22254183.1二手车市场风险及发展预测 22292673.2目前二手车价格分析 2597423.3二手车关键指标分析 2818504第四章项目选址