中外服饰文化差异

1、cultural differences between chinese and western clothing,tips,lay stress on the womens dresses “主题以女性裙装为主” lay stress on the noble clothing “贵族服饰为主” the pictures are only similar in form or appearance. “影视图片仅仅取其形似为主” western clothing: the rococo period “西方服饰选取18世纪洛可可时期为代表”,differences,1.structure a

2、nd design 2.color 3.pattern and ornaments,structure and modeling,plane design （平面设计） lengthways （纵向扩张） loose h-type (宽松的h形） covering（覆盖）,semi-stereoscopic （半立体设计） transverse (横向扩张) tight-fitting x-type （紧身的x形） revealing （显露）,china europe,structure and modeling,plane design （平面设计） lengthways （纵向扩张） l

3、oose h-type (宽松的h形） covering（覆盖）,semi-stereoscopic （半立体设计） transverse (横向扩张) tight-fitting x-type （紧身的x形） revealing （显露）,china europe,differences,1.structure and design 2.color 3.pattern and ornaments,china,金 木 水 火 土,黄 青 白 红 黑,正 色,间 色,for the rich,for the poor,white white symbolizes purity and justi

4、ce. purple purple means nobility (高贵） . blue （the religious color) blue is considered as the color for the spirit and intelligence.,europe,耶稣 圣母mary,differences,1.structure and design 2.color 3.pattern and ornaments （图案与配饰）,1 cirrus (藤草，庭院花草) 2 jewelry like pearls and diamonds (珍珠宝石） 3 the hat and g

5、loves（帽子手套) 4 the palace fan(宫廷扇子）,1 dragon, phoenix, peony（龙凤牡丹等花样） 2 gold vessel and jade （金器美玉） 3 headwear (头饰） 4 handkerchief （手绢）,china,europe,analysis,1 geographical environment 2 the historical reason 3 the cultural reason,in the mediterranean region 地中海地区 marine civilization 海洋文明 people want

6、 to explore the ocean to find more resources. peoples character: open, active and the curiosity of the outside world consequently, in terms of clothing style, it becomes open, revealing and varied.,the chinese geographical environment is closed mainland civilization 内陆文明 china itself has vast territ

7、ory and abundant natural resources, it is not necessary to go out. (地大物博) peoples character: introverted personality (内敛 the garment is implicit（含蓄） and does not appear, the human body is hidden in clothing.,geographical environment,中,西,industrial revolution and textile industry 工业革命和纺织业发展 the bourg

8、eois culture and art 资产阶级文化艺术 mrs. pompidou queen marry,a vertical development of various dynasties垂直延续的朝代更替 feudalism 封建主义 han clothing and cultures dominant position汉文化的主导地位,the historical reason,the chinese believed that people and clothing, man and nature, clothing and natural relationship is ha

9、rmonious, without conflict. clothing does not bind or harm the body. it pursues naturally to cover human body in the clothing, not to show off for the purpose of self-publicity, not want to only perform individuality. 人与服装与自然和谐无冲突，服装不束缚伤害身体，体现中国女性宽容,自然 westerners take themselves as masters of the wo

10、rld and the ruler of the world. they are self-centered, make every effort to tap into the power of people, release human potential, advocate hard competition and make desires expand. they strongly express individuality in dress and emphasize the beauty of the exaggerated human body. 以自我为中心，强烈表达个性的穿着

11、和强调夸张的人体美,the cultural reason,文化复兴 汉服复兴,nowadays,儒学复兴乃至传统文化复兴，是多方面、多角度、多层次的，而且是长期的过程，服饰礼仪的复兴也只是其中的一部分。华夏复兴，少不了传统文化的复兴；传统文化的复兴，不可能没有承载它的形式。儒学、论语可以是载体，汉服也可以是载体。 穿上汉服，拜孔夫子，诵读论语选段，这是优秀传统文化的回归的一种尝试。汉服作为优秀传统文化也理应受到更多的重视，只希望它能在中断两百多年以后还能再度被我们大家唤醒，不再让它深藏于历史而能活跃于今朝，成为直观的传统文化标志之一！,nowadays, it is necessary for us to absorb the western advanced technology . at the same time, it is very important for us to treasure our own civilization of five thousand years. it is significant to promote and develop our unique costume cult