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1、.,1,Lesson 3,Blackmail,Arthur Hailey,本单元作者:颜静兰 陈彦会,Book 1,外语教学与研究出版社 FOREIGN LANGUAGE TEACHING AND RESEARCH PRESS,.,2,Contents,Part One: Warm-up Part Two: Background Information Part Three: Text Appreciation Part Four: Language Study Part Five: Extension,.,3,Part OneWarm-up,. Video Watching . Brains

2、torming . Discussion . Learning Objectives,.,4,. Video Watching,Watch the video clip and describe it.,.,5,. Brainstorming,Make some predictions about the text to be learned.,Dirty deal,Robbery,Loot,Kidnapping,House-breaking,Theft,Murder,Highjack,Gangsterdom,.,6,. Discussion,1. Can you foresee what i

3、s in store for the house detective? 2. Which aspects are revealed of the American social life in this excerpt? 3. In what way would you like to continue the story?,.,7,. Learning Objectives,1. To know the 3rd-person narrative technique. 2. To be acquainted with some literary terms. 3. To learn to us

4、e words to describe crimes. 4. To appreciate the language features. 5. To learn to write a story about dirty deals.,.,8,. About the Author . Hotel . Jaguar . Irish Bayou . New Orleans . The American South,Part TwoBackground Information,.,9,. About the Author,Arthur Hailey A British/Canadian novelist

5、 and author of The Final Diagnosis (1959), In High Places (1960), Hotel (1965), Airport (1968), Wheels (1971), The Moneychangers (1975).,.,10,Though a Canadian himself, he set the scene of most of his works in the United States. Each of his books deals with one particular field of society.,. About t

6、he Author,.,11,A 1965 novel by Arthur Hailey. It is the story of an independent New Orleans hotel, the St. Gregory, and its Managements struggle to regain profitability and avoid being assimilated into the OKeefe chain of hotels.,. Hotel,.,12,The novel was adapted into a movie in 1967, and in 1983 A

7、aron Spelling turned it into a television series, airing for five years on ABC. In the TV series the St. Gregory Hotel was moved from New Orleans to San Francisco.,. Hotel,.,13,. Jaguar,.,14,. Irish Bayou,.,15,The city is named after Philippe dOrlans, Duke of Orlans, Regent of France, and is well kn

8、own for its distinct French Creole architecture, as well as its cross cultural and multilingual heritage.,. New Orleans,.,16,New Orleans is also famous for its cuisine, music (particularly as the birthplace of jazz), and its annual celebrations and festivals, most notably Mardi Gras. The city is oft

9、en referred to as the “most unique” in America.,. New Orleans,.,17,. The American South,.,18,Part ThreeText Appreciation,. Text Analysis Introduction Theme Text Organization Further Understanding . Writing Devices Language Style Rhetorical Devices . Sentence Paraphrase,.,19,. Text Analysis,Introduct

10、ion “Blackmail” is a piece of narration, taken from Arthur Haileys novel Hotel, which features multiple unfolding plot lines which take place over five days. The text about the Duke and Duchess of Croydon is one of such plot lines taking place in the hotel.,.,20,. Text Analysis,The two basic types o

11、f narration are the first-person and the third-person. The first-person narrator “I” is someone who is involved in the story. For the third-person narration, there are two kinds: one is the “omniscient” and the other is limited third-person narration.,.,21,. Text Analysis,In the novel Hotel, the “om

12、niscient” third-person narrative voice is used. The narrator is totally outside the events. This narrator can not only tell the reader everything pertinent to the story, no matter when it occurred, where it happened or who did it, but also can enter the minds of the characters, revealing how they th

13、ought and felt.,.,22,. Text Analysis,Character: In a story or novel, a person is called a character. There are main characters and minor characters, with the main characters getting more attention from the writer and reader alike.,.,23,. Text Analysis,In this story, there are three people: the Duke,

14、 the Duchess and Ogilvie. we can see the Duchess plays a more important role than the other two. When reading a story, we read for characters among other things and pay attention to characterization. Characterization: the way the author depicts and portrays characters.,.,24,. Text Analysis,Character

15、ization may be achieved through describing the characters in various ways, including how they look, what kind of place they live in, what clothes, furniture, cars, etc. they have, and most importantly, what they say, do and think. They can be flat or two-dimensional, and rounded or three-dimensional

16、.,.,25,. Text Analysis,The text centers on the confrontation between the Croydons and the hotel detective Ogilvie. Lying behind the higher-class life is a mixture of wickedness, misery, struggle and dirty deals. Crises expose Humanitys weakness.,Theme,.,26,. Text Analysis,Text Organization Part 1 (P

17、aras. 1-3): This part introduces the meeting of the house detective Ogilvie with the Duke and the Duchess. Part 2 (Paras. 4-22): This part describes the Croydons hit-and-run accident, Ogilvies blackmailing, the Dukes breakdown and the Duchess helplessness before the facts.,.,27,. Text Analysis,Part

18、3 (Paras. 23-99): This part tells how the Duchess uses her wits in the conflict between blackmailing and anti-blackmailing.,.,28,Part 4 (Paras. 100-109): This part describes the Duchesss intervention in the blackmailing. Offering 25,000 dollars to the house detective, the Duchess firmly controls the

19、 situation and the arrogant Ogilvie becomes obedient.,. Text Analysis,.,29,. Text Analysis,Further Understanding 1. The central matter of “Blackmail” is _. A. the Duke and the Duchess discussed with Ogilvie about running away B. the Duke and the Duchess negotiated with Ogilvie over how much they wou

20、ld pay for the dirty deal C. the Duke and the Duchess hatred toward Ogilvie D. the Duke and the Duchess quarreled over whether to accept Ogilvies blackmail,.,30,. Text Analysis,3. Why did Ogilvie deliberately delay his call at the Croydons suite? A. To make them more anxious. B. he was a stranger th

21、ere. C. To show his arrogance. D. To show his confidence.,2. How much did the Duchess offer Ogilvie? A. $20000 B. $10000 C. $25000 D. $15000,.,31,. Text Analysis,4. What made the Duchess jump to the conclusion that Ogilvie had come to blackmail them? A. Ogilvie came to talk with them rather than go

22、to report to the police. B. She was informed by the hotel manager. C. She had investigated Ogilvie for a long time. D. It was her direct sense. 5. How many people were killed in the traffic accident? A. 4 B. 2 C. 3 D. 1,.,32,. Writing Devices,Language Style 1. Effective use of adjectives The effecti

23、ve use of adjectives serves the purpose of vivifying the characters or scenes that the author aims to present to the readers.,.,33,Ogilvie: fat, piggy, obese, sardonic, self-assured, shameless, subservient, etc. The Duchess: pale, gray-green, imperious, decisive, vigilant, etc.,. Writing Devices,.,3

24、4,. Writing Devices,2. Slangy and ungrammatical expressions The Slangy and ungrammatical expressions employed by the house detective contrasted sharply with the well- educated and grammatical language by the Croydons. Ogilvie: “pretty neat set-up”, “now then”, “aint”, etc. The Duchess: “I imagine yo

25、u did not come here to discuss dcor.” The Duke: “Its no go, old girl.”,.,35,. Writing Devices,Rhetorical Devices: Transferred Epithet Definition: Transferred epithet is an adjective or descriptive phrase, especially of praise or blame used of a person. Sometimes a rhetorical epithet has no meaning a

26、t all, and is only used to create a rhetorical effect. Therefore, it is called a transferred epithet, i.e. an epithet shifted from its proper subject to some allied circumstance.,.,36,. Writing Devices,e.g. 1. The old man put a reassuring hand on my shoulder. 2. He said “yes” to the question in an u

27、nthinking moment.,.,37,. Writing Devices,Rhetorical Devices: Euphemism Definition: The word “euphemism” comes from the Greek word “euphemia”, meaning “the use of words of good omen”. An euphemism is the substitution of a mild, inoffensive, relatively uncontroversial phrase for another more frank exp

28、ression that might offend or otherwise suggest something unpleasant to the audience.,.,38,e.g. 1. and you took a lady friend. 2. Paul Kersey: Youve got a prime figure. You really have, you know. Joanna Kersey: Thats a euphemism for fat.,. Writing Devices,.,39,. Writing Devices,Rhetorical Devices: On

29、omatopoeia Definition: A word comes from Greek “onomatopoiia”, “onomat” means “name” and “poiia” “I make”. As a figure of speech, it means the use of words (such as hiss or murmur) that imitate the sounds associated with the objects or actions they refer to.,.,40,e.g. 1. The house detective clucked

30、his tongue reprovingly. 2. Chug, chug, chug. Puff, puff, puff. Ding-dong, ding- dong. The little train rumbled over the tracks.,. Writing Devices,.,41,. Sentence Paraphrase,1. The chief house officer, Ogilvie, who had declared he wouldtook twice that time. (Para. 1) The chief house officer, Ogilvie,

31、 gave the Croydons a mysterious telephone call telling them he would pay them a visit an hour later, but actually he appeared at their suite two hours later.,.,42,. Sentence Paraphrase,2. .the nerves of both the Duke and Duchess were excessively frayed. (Para. 1) The nerves of both the Duke and Duch

32、ess were worn out by the long wait. They were over-strained. Both the Duke and Duchess were extremely nervous.,.,43,. Sentence Paraphrase,3. He missed, and the butthe ignored it. (Para. 5) His cigar butt did not fall inside the fireplace as he had intended it to, but fell upon the carpet where he ju

33、st let it lie without picking it up.,.,44,. Sentence Paraphrase,4. The words spat forth with sudden savagery, all pretense of blandness gone. (Para. 18) Ogilvie said these words with great contempt and sudden rudeness as if he was spitting. He threw away his pretended politeness.,.,45,. Sentence Par

34、aphrase,5. Even the self-assurance of Ogilvie flickered for an instant. (Para. 20) The Duchess was a good actor and she appeared so firm about their innocence for a brief moment, Ogivlie felt unsure if his assumption about their crime was right. But the moment was very short and passed quickly.,.,46

35、,. Sentence Paraphrase,6. “Aint any doubt theyd match up, even without the brush trace an the blood.” (Para. 46) I havent any doubt, there isnt any doubt that the trim ring that had come off the car and the busted headlight will correspond. That will be enough for the police to identify the car even

36、 without the brush trace and the blood on the car fender.,.,47,. Sentence Paraphrase,7. The Duchess of Croydon kept firm, tight rein on her racing mind. (Para. 75) The Duchess kept firm and tight control of her mind which was working quickly. Here the Duchess was thinking quickly but at the same tim

37、e keeping her thoughts under control.,.,48,. Sentence Paraphrase,8. It would be hazardous, but no more than waiting here for certain detection. (Para. 84) To drive the car north would be risky, but not more risky than to wait here without doing anything, because if they did nothing, they would surel

38、y be discovered.,.,49,. Sentence Paraphrase,9. Her eyes were riveted on his face, her handsome imperious mold. (Para. 97) Her eyes were fixed on his face firmly, and her handsome and high-cheekboned features were set in a most arrogant and domineering manner.,.,50,. Sentence Paraphrase,10. She must

39、do so in such a way as to place the outcome beyond any doubt. (Para. 100) She would offer him so much money as to make it impossible for him to refuse to do what she would ask him, no matter how dangerous the job might be.,.,51,Part FourLanguage Study,. Word Study . Phrases and Expressions,.,52,. Wo

40、rd Study,1. blackmail 2. fray 3. flip 4. incongruous 5. adversary 6. wither 7. flicker 8. interject,9. caution 10. poise 11. unequivocal 12. peremptorily 13. respite 14. comply 15. vacillation 16. dally,.,53,. Word Study,1. blackmail (v.): syn. to threaten; to extort; to hold to ransom; to intimidat

41、e e.g. The rascal tried to blackmail the clerk into helping him draw the money, but he failed. 2. fray (v.): to strain (the nerves, temper, etc.) almost to breaking point e.g. The argument frayed their nerves.,.,54,. Word Study,3. flip (v.): to move, toss, push or throw sth. with a quick jerk; to fl

42、ick; to scan e.g. Mary flipped a speck of dust off from her trousers. 4. incongruous (adj.): not in harmony with e.g. The new theatre looks utterly incongruous in its setting.,.,55,. Word Study,5. adversary (n.): ones opponent in a contest, conflict, or dispute e.g. The United States and Germany wer

43、e adversaries during the two world wars. 6. wither (v.): (of a plant) to become dry and shriveled e.g. The grass withered because there was no water.,.,56,. Word Study,7. flicker (v.): to burn or shine with an unsteady light that goes on and off quickly e.g. The candle flickered in the wind. 8. inte

44、rject (v.): to make a sudden remark between others; to break in e.g. “Thats absolute rubbish!” he interjected.,.,57,. Word Study,9. caution (v.): to warn someone that sth. might be dangerous, difficult, etc. e.g. He cautioned them to avoid the forest at night. 10. poise (n.): freedom from affectatio

45、n or embarrassment; composure e.g. Louisa seems to have much more poise and confidence.,.,58,. Word Study,11. unequivocal (adj.): admitting of no doubt or misunderstanding; clear and unambiguous e.g. The European Parliament has given the plan its unequivocal support.,.,59,12. peremptorily (adv.): im

46、politely and unfriendly, commanding, insisting obedience, showing an expectation of being obeyed at once and without question e.g. The mayor peremptorily removed the child from the custody of his parents.,. Word Study,.,60,. Word Study,13. respite (n.): a welcome period of (time), delay, before suff

47、ering a punishment or fulfilling a duty e.g. A big cloud brought a respite from the glare of the sun. 14. comply (v.): to act in accordance with e.g. Every citizen should comply with the traffic rules.,.,61,. Word Study,15. vacillation (n.): hesitation, uncertainty, waver, continuous changing of one

48、s opinions e.g. His constant vacillation made him an unfit administrator. 16. dally (v.): to be slow/to waste time e.g. The children dallied about in the garden and forgot about dinner.,.,62,. Phrases and Expressions,1. on errand 2. cut it out 3. by rights 4. in fairness 5. out of the way,6. on a hu

49、nch 7. get around to doing 8. buy off 9. in sb.s mold 10. gamble on,.,63,. Phrases and Expressions,1. on errand: a short journey to carry out a particular task e.g. She had come on an errand and was greeted by a mad woman, an amazon.,.,64,2. cut it out: (spoken) used to tell sb. to stop doing sth. b

50、ecause it is annoying you e.g. Hey, you guys, cut it out Moms trying to get some sleep.,. Phrases and Expressions,.,65,. Phrases and Expressions,3. by rights: in a just or proper manner; justly e.g. The money is yours by rights. 4. in fairness: play fair (fair play); respect for the rules or equal t

51、reatment of all concerned e.g. And we ought, in fairness, to wonder who else in similar circumstances would have proved so much bolder?,.,66,. Phrases and Expressions,5. out of the way: improper; unusual e.g. I didnt go to the party for I was afraid that I might say something out of the way. 6. on a

52、 hunch: based on feeling and for which there is no proof e.g. She was acting on a hunch.,.,67,. Phrases and Expressions,7. get around to doing: to find the necessary time to e.g. I havent been able to get around to reading your essay. Ill read it tonight.,.,68,8. buy off: to pay sb. money to stop them causing trouble or threatening you e.g. That will allow him ample scope to buy off special- interest groups.,. Phrases and Expressions,.,69,. Phrases and Expressions,9. in sb.s mold: having all the attitudes and qualities typical of certain person e.g. Hell never give up fighting ag

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