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北京翻译公司如何收费论文翻译 加-微-信：544609186 精诚翻译公司全网最低 5 元百字起（市场价格 10 元，比传统翻译机构低 40%左右，互联 网+时代，省去中间的环节，价格低于翻译行业任何家翻译机构，5 年经验保证，首推先翻 译后付费模式，无效免单，免费试译，免费修改，为很多的大型外企和国企翻译过许多专 业文件!五周年庆，五折优惠中，可以通过以上联系方式咨询！ NAZIS came in all shapes and sizes. Some were grotesque1, many mere criminals. A few were clever, most were unthinking. Leni Riefenstahl was in a class of her own. She was never a party member and did not, overtly, commit any crimes. Indeed, she claimed through an astonishingly long lifeshe died in 2003, aged 101that she was first and foremost an artist, never a Nazi propagandist. 纳粹党三教九流云集。荒唐可笑者有之，十恶不赦者更甚；机灵的少，其余大多为莽撞之 流。雷妮瑞芬斯塔尔（Leni Riefenstahl）则另当别论。她无党无派，也未（公然）犯下 任何罪行。在异常漫长的一生（卒于 2003 年、终年 101 岁）当中，她始终坚称自己纯粹 是一名艺术家，绝非纳粹的鼓吹者。 In the 1930s she made two famous films which, only after the destruction unleashed2 by her compatriots in the second world war, became morally repugnant. （1）She stood by those two films, “Triumph of the Will” and “Olympia”, long after the events they celebratedthe 1934 Nuremberg Nazi rally and the 1936 Berlin Olympicshad come to be seen as representative of the spectacle of evil, if not precisely of evil itself. 20 世纪 30 年代，她的同胞在二战中肆意妄为，所到之处尽遭灭顶之灾。她的两部著名电 影就是在其后拍摄的，然却为道义所不容。1934 年纽伦堡纳粹集会与 1936 年柏林奥运会 这两个事件，在人们眼中早就成为纳粹堂而皇之作恶（若事件本身并非罪恶的话）的代名 词，而她却凭借这两部为其歌功颂德的影片意志的胜利（Triumph of the Will） 和奥林匹亚（Olympia ）登上成功之巅。 They were radical films technically, and won awards outside Germany. Riefenstahls use of moving cameras, telephoto lenses, distorted perspectives and aerial photography captivated audiences. In both these and other now less famous movies, her revolutionary approaches towards music and cinematography remain unquestioned. （2）The problems beganand they still continuewhen the films intentions, particularly those of “Triumph of the Will”, whose star is Adolf Hitler, are examined, as they have to be, outside an aesthetic frame. 从技术层面看，这是两部“进步”电影，还曾在国外获奖。瑞芬斯塔尔采用了移动摄影机、 长焦镜头、失真透视和空中摄影技术，令观众为之着迷。在这两部以及其它名气稍逊的电 影中，她对音乐和摄影艺术的运用在今天看来仍无疑是创新之举。然而，当从美学之外的 角度审视（这也是必须的）这些电影、尤其是阿道夫希特勒担纲主角的意志的胜利一 片的拍摄意图时，我们就为难了直到今天都是如此。 The woman behind “Triumph of the Will” had a rare hunger for success, and not just on the screen. Her sexual exploits in the 1920s, examined in impressive detail by Steven Bach, were operatic. Moreover, as Mr Bach reiterates, Riefenstahls reaction on hearing of menit was always menof renown was often: “I must meet that man.” （3）The central mystery of Riefenstahl, who though no intellectual was not stupid, is how her celebrity-chasing led to Hitler and how she allowed her artistry and, one has to assume, her soul to be corrupted by everything he stood for. 意志的胜利背后的这个女人对成功的渴望世所难见，而且不仅是在银幕上。20 世纪 20 年代，她以一名歌剧演员的身份惊艳于世。这在史蒂文 巴赫（Steven Bach）的著作 中有详细描述，令