文学翻译中文化传真的制约因素与形象转换.txt

20042feb.,2004 251journal of xiangnan universityvol.25 no.1 :2003-11-23 :(1964-), 桱 (,410205) :,桱 , ,黯, :; :h315:a:1672-8173(2004)01-0075-04 , , , , , , ,(image) , , , 漰 , , , , , , ,桱 , , ,塢 档, 塣 :ecology()material culture( )social culture()religious culture( )linguistic culture(), 档, , 1. ,; , , , , , talk along parallel lines , ,; 75, 漴,:to sing a different tune, () , , , 塢 廷; , ,; , , , , , , , 2. , ,塣 , , , , , , ,yellow river, 硰硱 , , , : ,簡,? shall i compare thee to a sum- mers day,sum- mers day罾 , , , , , , ,桱 , , , , 塣 , 塣, , , 1. , ,桰, , 京塣 ,岻 , ,塣 , 塢 , : all the rivers run into the sea; yet sea is not full. 麣, barking dogs do not bite. like father, like son. 丸, , , , , , 塱, ,: (1)he will retaliate on you and take eye for eye, as well as limb for limb, he is thoroughwhen he takes his re- venge. , 76 (2)at present the superpowers are armed to the teeth with nuclear weapons, placing the people of the whole world under their nuclear threat. , (3)these colonies are constant and even increasing drain on france. they are for her the tiger which she was mounted (to use the chinese phrase) and she can neither manage not get rid of. , , ,硰(castle in the air), ,lose face 硰birthdaysuit, , , , ? , ? 2.滻 , 黯, 滻, , : among the blind the one-eyed is king. (滻:, ) let anothers shipwreck be your seamark. ,(滻:) drawwater in a sieve go with the stream沨 to put all cards on the table a drawn rat go forwool and come back shorn as hostile as fire and water pigeon-hearted (chicken-hearted) look for grass on the top of the oak look for a needle in the hay fish in air gooseflesh kill the goose that lays golden eggs 3. , , , ,硰() , never offer to teach fish to swimit is easy to be wise after the event, , ,lu banzhuge liang, 塱塱, ,never show off ones skill with the axe before the master carpenter, lu banafter event one becomes the master mind, zhuge liang: 1.you look like al capone in that suit. ( ,62) al caponealphonse capone, (1899-1947), 1925-1931,緸 , ,: , 2.during the war he was sent on dangerous secretmi- ssions abroad. very exciting! he was sort of james bond. james bondian fleming ,007, , james bond,: , ! 4. , , , ,: 1.john can be relied on. he eats no fish and plays no game. , , ,eat no fish ;play no game, ; , 77塱: , 2.he rode sandwich all the way to newyork. rode sandwich:() ( ): 3., (:顷) fussy about trifles, careless about big things. penny wise, pound foolish. (ying yu) , ,to catch fish in a pool and to free fish intaihulake, ,塣 penny wise, pound foolish , 塣 : 1.m.人:, 2000. 2.m.:, 1986. 3.:m.:, 1999. 4.m.: ,1999. 5.j. ,2000,(4). 6.m.人:, 1999. 7.m.人:人 ,2000. 8.j.,2001,(2). 9.m.:,2001. 10.m.:, 1995. on the limit factors and image change in the cultural faxin literary translation zhang qiong (department of foreign languages,hunan commercial college,changsha410205,china) abstract: in literarytranslation, the translated version should, fromthe perspective of culture, make exactre-expres- sion of the meaning of the source text, and culturalfaxis the ideal target of translation. thanks to the difference of thi- nkingmode and culture background between chinese and english people, a same image may carry quite differentmeanings. in order to arouse the readers direct imago, a translator should try his best to keep the images in the source text, and should, according to the cultural and linguistic custom of the target language, decide whether he should take an alienizing or domesticating metho