浅谈城市雕塑及语言形式特征.doc

/ / / /浅谈城市雕塑的语言形式特征Introduction to language form characteristics of the city sculpture 不同的公共场所，有不同的文化心理和文化背景，优秀的公共雕塑作品必需注重环境认识，它要与四周的环境相谐和，能作用于环境，并使作品与环境互为组成局部，共生出新的悦目景观，美化人们的生活空间。但是，很遗憾，我们同样能看到许多劣质城市雕塑堂而皇之的呈现在公众的视野内，这些“菜雕”(特指设计内容或加工程度较差的雕塑)非但不能美化人们的生存环境，反而会起到毁坏作用。劣质城市雕塑普通出自非专业人士或者低程度设计者之手，而投资方的行为目的常常是急功近利、附庸风雅的，他们并不懂得公共环境艺术的设计理论和作用，“菜雕”极端恶劣的毁坏了自然、城市环境，丧失了城市雕塑应有的生命力和内涵，同时也伤害着公众的视觉和心理，劣质雕塑只不过是外表繁华本质肤浅的舞台化景观，缺乏深层面的人文关心和文化内涵。有义务感的艺术家必然会对这种伪文化现象停止鞭挞，并辅佐相关部门组织起开放性的同时又是专业程度的城市雕塑评审机构，目的无非是使人文景观更好的与环境相调和，尊重公众，尊重自然。Different public places, have different cultural psychology and cultural background, excellent public sculptures must pay attention to environmental awareness, it should be in harmony with the environment all round, can effect on environment, and make the work and the environment are composed of local, pleasing to the eye landscape, gives birth to a new, beautify peoples living space. But, unfortunately, we can also see a lot of bad city sculpture in silhouette rendering in public view, these food carving (referring to design content or poor processing degree of sculpture) rather than to beautify peoples living environment, it will destroy. Inferior ordinary city sculpture by amateurs or low level designers, purpose and behavior of investors are often pushing, arty, and they dont understand design theory and the function of public environmental art, food carving extreme destroyed the natural and urban environment, loss of vitality and the connotation of city sculpture should, at the same time also damage the public visual and psychological, inferior sculpture is just a superficial theatrical landscape looks busy nature, lack of in-depth analysis cultural concern and cultural connotation. Obligation sense of artist will stop scourge of this pseudo culture phenomenon, and for the related departments organize open and professional level of city sculpture review mechanism, purpose is improve human landscape and environment harmony, respect for the public, respect for nature. 城市雕塑的言语方式特征City sculpture way of speech features 融汇自然并联络受众心理的诸角度动身，环境艺术中的城市雕塑言语方式应具有三个特性，即公共性、文化性与多元化特征”。Blends together the natural contact and audience of the Angle set out, environmental art in the city sculpture words way should have three characteristics, namely publicity, culture and diversity. 公共性。 城市雕塑放置于公共环境下，必需充沛思索四周的生态环境与社会属性，并与之相谐和；它是一个开放系统，表现雕塑与人、雕塑与环境的对话；最主要的是表现了一种公众肉体。The public. City sculptures are placed in the public environment, it is necessary to the ecological environment around the abundant thought and social attribute, and with harmonic; It is an open system, performance sculpture, sculpture and the environment of dialogue with people; The main thing is that a public body. 文化性。 城市雕塑经过对一定资料的塑造、加工，表达雕塑家对世界的见地、本人的观念与认知，并融进历史的、传统的、中央的(或反历史、反传统的)要素，表现人对本身的肯定紫叶李，表现出雕塑家的人格肉体与艺术魅力。Culture. City sculpture after shaping, the processing of certain data, express the sculptor insight of the world, my concept and cognition, and circulate the history, tradition, central (or against history, traditional elements of the performance person sure of themselves, showing the sculptors personality and artistic charm flesh. 多元化。城市雕塑对具象、意象、笼统概念的新界定，并存在穿插，多种资料与多种加工手腕的复合运用生态袋，高科技的引入，静态与动态，实体与空间，硬质与软质并置，雕塑变得可看、可玩、可用。Diversification. City sculptures of representational, imagery, new definition of the concept of general and penetration, a variety of materials and a variety of processing compound use of the wrist, the introduction of high-tech, static and dynamic, entity and space, hard and soft, sculpture become to see, can play, is available. “中国的城市雕塑开展到今天，不再是艺术家单纯的对环境有所请求，而是更大水平上环境对艺术家的选择与接纳问题，特别是随着城市建立的进程，公共空间及景观设计的一些根底的硬件性的东西已根本到位，势必就要给艺术家提出更高的请求”锅炉省煤器。当前环境艺术设计中具有普遍性的方向问题是：共在空间环境艺术作品与人的共在、与人文环境的共在、与自然环境的共在。Of city sculpture in China today, artist is no longer a simple request for environment, but a greater choice of artists and acceptance level environment problem, especially as the city set up process, public space and landscape design of the hardware of some foundation thing has been fundamental in place, certainly will will give artists put forward higher request. The current environmental art design in the direction of the universal question is: were in space - environmental art and drawing in the humane environment, and in the, in with natural environment. 人发明并改造环境，反过来，环境也能影响人，改造人。好的环境在一定意义上能够进步并完恶人的品德和涵养，两者的关系是互动的。在我国当前社会开展过程中，城市建立、景观设计，根本仍处于“量化”的阶段，但随着时间的推移三轮汽车，逐渐会走到质的时期。城市雕塑设计者也必将从提供单纯的装点装饰性的初级审美转变为：努力营造一个具有文化意境、人文关心，并与自然调和的可持续开展的高质量的“共在生存空间”。People invented and change environment, environment can affect a person, in turn, transform people. Good environment after a sense to be able to progress and the character of the wicked and self-restraint, and the relationship is interactive. In our current society, in the process of city building, landscape design, the root is still in the quantitative phase, but with the passage of time, gradually will go to the nature. City sculpture designer wil