IMDB《星际穿越》纯正美式影评精析.docx

IMDB星际穿越纯正美式影评精析When I first heard that Nolan was preparing a sci-fi movie（科幻电影）, I felt like a kid again（可以用这句话来描述一种兴奋的心情）, waiting for his Christmas gift under the tree. I knew it would become a classic. And Im sure it will. 当我第一次听说诺兰准备拍一部科幻电影的时候，我兴奋的像一个在树下等待圣诞礼物的小孩子。我知道它将成为一部经典，对此我深信不疑。 First of all, it is incredibly beautiful to watch（“非常惊艳”的表达）. Honestly, it was so beautiful that I felt like I was sucked into（被吸引进入） the movie. The way Nolan decided to show some scenes really remind me of（让某人想起）2001 A Space Odyssey. We can feel the talent of（的才华） Christopher Nolan, just by looking at the way it is filmed. The techniques he used contribute to（有助于） create that visual environment（视觉效果） in a believable way（以一种真实的方式）. 首先，这部电影绝对是一场视觉盛宴。毫不夸张地说，它太美了以至于我观影之时深深地沉浸其中。诺兰向我们展示场景的方式让我想起了库布里克的那部2001：太空漫游。这部电影的呈现方式让我们能感受到了诺兰的才华，他使用的技术有助于营造一种极其真实的视觉效果。 The sound environment（音效） is just mesmerizing（令人着迷的）. It is a very important part of the movie, because some scenes take place in（发生在）space, and Noland just found the right way to use sound. The soundtrack（电影原声） is breathtaking（激动人心、震撼）, epic（史诗一般）, amazing, unreal. I could find a lot more adjectives to qualify it（当你想夸一样东西的时候，可用此句型）, but you have to hear it to understand how epic they are. 这部电影的音效也是让人陶醉的。音效是一部电影非常重要的方面，诺兰找到了正确的音效处理来展示太空场景的魅力。电影原声非常的激动人心，像史诗一般，给人一种不真实的惊艳感。我能找到大量的形容词来描述这种感受，但是只有你真正听到了才能感受到那种震撼。 These two important parts create a stunning atmosphere（营造了一种震撼的氛围）. You will forget you are in a movie theater, and you will be lost in space, sucked into the adventures of this new Space Odyssey, begging for more（祈求更多的东西）. It is a truly unique experience. I can say that I have never felt something like that in a movie theater. 这两样东西营造了一种震撼的观影氛围。你会忘记你正在电影院，你会觉得你真的迷失在太空，融入到了这场新的太空冒险之旅。这真的是一种独一无二的经历。我可以说在电影院我从未有这样的感受。 Then, of course, the cast. First of all, Matthew McConaughey. He is just what was needed to feel the human part of the story（这部电影中人性的一面）. He is capable of making us feel so many different emotions all along the story, as a father, as a human. Anne Hathaway（安妮海瑟薇，女神） was very convincing, all together the actors managed to（成功地）create some harmony, which makes the human interactions credible. Caine, Chastaing and Affleck are a perfect choice. And then there is. The special guest, I will call him X. His role, which could be seen as a minor role（配角）, is actually much more important than that. He proves, once again, that he is a great actor. Watch and see. 接着，我想谈谈的是片中的角色。首先，马修买康纳是让我体会到电影中人情味的一个角色。作为一个父亲，一个人类，他让我们感受很多不同层次的情感。安妮海瑟薇非常棒，她和其他角色配合得很和谐，让整部电影充满人性。凯恩、沙坦、阿弗莱克是一组绝佳的组合。当然，还有一个特殊嘉宾，暂且我称为“X”。虽然“X”只是一个配角，但是缺了他还真不行。他再一次证明了他确实是一位伟大的演员。让我们自己体会吧。 And finally, the scenario/story. I wont spoil（宠坏了）anything here; Ill just try to convince you how great it is. Nolan is known to（为大家所熟知）revolutionize everything when he tries a new genre（尝试一种新的风格） in cinema. Well, once again he did it. With The Dark Knight（蝙蝠侠黑暗骑士） he revolutionized the superhero genre. With Interstellar hes revolutionizing the sci-fi genre in cinema. From what I heard, he worked with a physicist of gravitational physics and astrophysics（引力物理学和天体物理学） to help him with that movie. And we can feel and see it. During the fifties, Asimov laid the foundations of（奠定了基础） modern science fiction. Lucas and Kubrick did the same in cinema. Today, Nolan is laying the new foundations of the genre in cinema, proving that cinema is still at the beginning of（处于初级阶段） what can be done. 最后，我来谈一谈这部电影的情节。我真的不想如此“一边倒”地赞美这部电影的一切，我只是想证明它确实很伟大。诺兰的特点就是颠覆和创新，特别是当他在一部电影中尝试新风格的时候。在星际穿越中，他又一次成功了。在蝙蝠侠黑暗骑士中，他重新定义了“英雄主义”电影风格，在星际穿越中，他又重新定义了科幻电影。我听说他和一个天体物理学家合作完成了这部电影，我们确实可以在电影中感受到。在50年代的时候，阿西莫奠定了现代科幻片的基础，卢卡斯和库布里克也做到了。今天，诺兰正在重新定义科幻片，向我们证明了我们所看到的科幻电影还处于初级阶段。Time/Space Relativity ExplainedInterstellar is based on the ideas of theoretical physicist Kip Thorne specifically the notion that while we observe the universe in three dimensions, there could be at least five dimensions. In certain theories, it is posited that certain forces (in this case gravity) bleed through dimensions meaning that, based on Newtons Laws, what we perceive as a finite calculation could actually have infinite implications.The concept is outright exemplified in the first planet that the Endurance team visits. In general, time on our side of the wormhole moves faster than time in the uncharted side. Due to close proximity with gravitational anomalies from a nearby black hole (Gargantua), time on the other side is exponentially slower relative to the distance between an object and the black holes gravitational pull. As a result, time on Millers planet moves significantly slower: for every hour that the team spends on the water planet, seven years pass back home a primary reason that Cooper is motivated to get off the planet as soon as possible (even before they realize its a death trap). Cooper knows that three hours on planets surface will cost him decades of time with his family.As Amelia suggests, the effect of gravity from the black hole on time was to blame for the Endurance teams unfortunate visit to Millers planet in the first place since what they perceived as years of positive beacon readings were actually mere minutes for Miller (who was killed by a wave moments after she landed).The concept is further hammered home when, following the mission, Amelia and Cooper reunite with Romilly, who stayed behind on the Endurance to gather data (far from Gargantua) and, in the three hours his team was gone, has lived twenty-three full years alone without them. Similarly, the crew receives video messages from back home and we see that Coopers children, Tom and Murph have also aged now full grown adults (played by Casey Affleck and Jessica Chastain, respectively).As the team moves farther from the black hole, the disproportion in spacetime reduces meaning that when they arrive at Manns planet, theres significantly less urgency (though the once brave astronaut has been twisted by his longer stretch of time alone).A tangible effect of gravity on spacetime is also responsible for Coopers ability to communicate with young Murph when inside the Tesseract. Inside the machine, gravity bleeds through to other dimensions in time and space, allowing Cooper to spell out a message (“S-T-A-Y”) by pushing books off of Murphs shelf or communicate map coordinates to the past version of himself by spreading dust across the floor (in binary language). Most importantly, the fifth-dimensional communication through gravity (made visible by three-dimensional objects back on Earth) enables Cooper to gently manipulate the hands on Murphs watch transferring the data that TARS acquired with morse coded watch ticks. Subsequently, translating that coded data gives Murph all the information she needs to drastically advance humanitys understanding of space and time as well as complete Plan A.As for how Cooper survives his time inside the Tesseract, and how he intends to reunite with Amelia? Nolan simply reapplies the same theory that has been present the entire film. Given that time moves slower near the gravity pull of the black hole, Coopers ejection from the Tesseract is only seconds for him, but over half a century for the rest of humanity. Keep in mind, if the ratio of time on Millers planet was 1 hour for every 7 years on Earth, the proportion would be skewed exponentially at the absolute center of the Tesseract singularity. As a result, while it appears to Earthbound humans that TARS and Cooper have been floating out in space for nearly ninety years, they were actually only out there for mere seconds as they perceived it.The disproportionate relativity allows Cooper to survive and reunite with Murph who, living on the faster moving side of the wormhole, is now over one-hundred years old. Knowing that Cooper has nothing left to live for in a post-Earth existence (since his son Tom is presumed dead and Murph will soon join him), Murph reminds her father that, thro