2. 外国语学院毕业论文格式 (2).doc

2014届学士学位论文隶书，二号（根据字数的多少可适当调整大小），居中论欲望号街车中的象征主义黑体，四号，居中，学院、专业 外国语、英语/日语/翻译 英语语言学、英国/美国/（英语国家选一个）文学、翻译理论与实践、应用语言学、英国/美国/（英语国家选一个）文化研 究 方 向 学 生 姓 名 张 三 学 号 指导教师姓名 李 四 指导教师职称 2014 年 4 月 25 日Huaibei Normal UniversityOn Symbolism in A Streetcar Named DesirebyZhang SanUnderthe Supervision ofProfessor Li SiSubmitted to the School of Foreign Studies in PartialFulfillment of the Requirements for the Degree of Bachelor of ArtsinEnglish/Translation/Japanese (三选一)Huaibei, P. R. ChinaApril, 2014附件2：淮北师范大学本科毕业论文（设计）答辩记录表答辩时间2014年 5月10 日答辩地点学生姓名指导教师题目答辩内容摘要：答辩小组意见（选题意义，所用资料和数据可靠性；创新性成果及学术水平；写作规范化和逻辑性；存在的主要不足之处，答辩情况等。）：成绩： 组 长 签 名： 答辩教师签名：秘 书： 2014 年 5 月 10 日附件3：淮北师范大学本科生毕业论文（设计）成绩评定表学院： 专业： 年级： 学生姓名： 学号： 指导教师： 题 目： 指导教师评语主要内容包括：学生写作态度、科研作风，论文选题的理论意义和实践价值，论据是否充分、可靠，掌握基础理论、专门知识、研究方法和技能的水平，写作的逻辑性、技巧及其他优缺点。成绩： 签名： 2014 年5月1日答辩组评定意见成绩： 答辩组组长签名：2014年5月10日学院意见成绩： 院长签章：2014 年 5 月 15 日本科生毕业论文（设计）诚信承诺书本人郑重承诺所呈交的毕业论文（设计） ，是在指导教师 的指导下严格按照学校和学院有关规定完成的。本人在毕业论文（设计）中引用他人的观点和参考资料均加以注释和说明。本人承诺在毕业论文（设计）选题和研究内容过程中没有抄袭他人的研究成果和伪造相关数据等行为，若有抄袭行为，由本人承担一切责任。 承诺人： 年级 专业 签 名： 2014 年 5 月 1 日8Times New Roman，三号，加粗，居中On Symbolism in A Streetcar Named DesireTimes New Roman, 小四，1.5倍行距，200-300个单词Abstract: Symbolism is profoundly used in Tennessee Williams masterpiece, A Streetcar Named Desire and plays an important role in the play by helping readers understand the concept of the theme. This paper is an attempt to give a comprehensive analysis of specific symbols in this play and to discuss how the misery and the inner world of the characters are disclosed through the remarkable use of symbols. Symbols are profuse in the play and they help to achieve a thematic importance when combined with the romantic realism that Williams favored at the beginning of his career. The thesis is made up of four parts. The first chapter gives a brief introduction of the playwright and the play. Also a literature review which states some scholars concerns in this play is given and in the second chapter, an elaborate analysis of the individual symbols such as names, colors, sound, language and other images in life applied in this play is presented. Chapter three is a thematic probe into the play based on the symbolic understandings of the characters. Finally, a conclusion is given to summarize symbolism in this play. Key words: symbolism; A Streetcar Named Desire; self-delusion; Southern culture论欲望号街车的象征主义黑体，三号加粗，居中宋体，小四号，1.5倍行距, 300-400个汉字摘要：象征手法在田纳西威廉斯的著作欲望号街车中得到了淋漓尽致的应用。其对帮助读者理解戏剧主题起重要的作用。本文试图对此戏剧中的象征物进行详尽的分析并讨论人物的悲惨境遇和内心世界如何通过象征物精彩的应用显现出来。论文分为四部分。第一章简介剧作家及戏剧并在文学评论中简述一些学者对此戏剧的研究。第二章详细分析戏剧中应用的各个象征物，包括名称，颜色，声音，语言等。第三章在对人物的象征性理解基础上探索主题。最后一章总结戏剧中的象征主义。内容仅供参考，英汉摘要和关键词内容必须一致关键词：象征手法；欲望号街车；自我欺骗；南方文化 ContentsTimes New Roman，三号，加粗，居中Abstract.I1. Introduction.12. Study of Individual Symbols.22.1 On Names.32.2 On Colors.43. On Symbolic Understanding of Characters.53.1 Victim of Self-delusions63.2 Victim of Social Circumstances.73.2.1 Victim of the Old Southern Culture.83.2.2 The Destruction of the Old South Genteel World.94. Conclusion.10Times New Roman，小四，1.5倍行距References.11Times New Roman，三号，加粗，居中上下左右页边距均为2.5，全文行距均为1.5，英文字体为Times New Roman, 中文为宋体On Symbolism in A Streetcar Named Desire一级标题：上面空一行， 小三号字，加粗1. Introduction首行缩进4个字符Tennessee Williams was one of the most important and talented playwright of all history. One of his masterpieces, A Streetcar Named Desire, which was opened on Broadway in 1947, was an immediate success, catapulting him into the mainstream idolatry as an American playwright.By now, scholars have paid much attention to various aspects in A Streetcar Named Desire. For example, Fang Jun and Liu Nuoya probe into the mature of the dramatic technique the poetic realism through meticulous study on the symbolic and expressionistic writing techniques and the interrelations of them in The Glass Menagerie and A Streetcar Named Desire (23). In Desire, Death and Dementia, researches have been put into analysis of the protagonist with understanding of symbolism (杨晋, 2002: 36-38) . 中文作者全名, 时间: 页码二级标题：上下不空， 四号字，加粗2. Study of Individual Symbols2.1 On Names英文作者姓氏, 时间: 页码At the beginning of the play, readers are confronted with extremely obvious symbolic names of places. When Blanche arrives at her sisters place, she says, “They told me to take a street-car named Desire, and then transfer to one called Cemeteries and ride six blocks and get off at Elysian Fields.” (Williams, 1978: 471) Thus, it is possible he represents a cemetery for Blanche. Stanislaus is the name of a king of Poland. Clearly, Stanley is the king of his household.2.2 On ColorsWhen Blanche first appears, she is described as “daintily dressed in a white suit with a fluffy bodice, necklace and earrings of pearl, white gloves and hat”. (Williams 471) Blanches white suit and gloves which are the symbol of purity shows her desire for purity and suggests that she wants to forget her sordid past, to hide her inner sins and to stay as an image of a dainty old south beauty. This is very ironic because white also is the color which is the most easily stained and destroyed. 3. On Symbolic Understanding of CharactersA Streetcar Named Desire can be described as an elegy, orpoetic expression of mourning, for the Old South that died in the first part of the twentieth century. Alcoholism, depression, thwarted desire, loneliness, and insanity are all parts of this play. The character of Blanche Dubois is a vivid example of the use of symbolism throughout the play. Blanche is victim of her own self-delusions and Old South attitudes.3.1 Victim of Self-delusionsBlanche arrives in New Orleans as an arrogant, fragile, and ultimately crumbling figure. Clinging desperately to her self-delusion, unable to accept the savage reality of what has happened to her, and just as unable to comprehend how her sister Stella can endure her current living condition, Blanche is slowly losing her mind. Her desperate line, “I dont want realism! I want magic!” (Williams, 1978: 545) is a cry from the heart. She wishes to view life as one that is rose-colored and that goes along with her old-fashioned southern belle personality. The loss of her young husband Allan has caused her loneliness, sexual desire, and even certain signs of psychological instability. What Blanche does not realize is that she can not change the past through the present. Blanches youth is gone, and she tries to give the appearance of being as youthful and innocent as she once was, but her illusion can not last. As an epigraph to the play, Williams quotes from the poem “The Broken Tower”, by Hart Crane: And so it was that I entered the broken world To trace the visionary company of love, its voice An instant in the wind (I know not whither hurled) But not for long to hold each desperate choice.The use of this poem helps to express Williamss choice of theme in A Streetcar Named Desire. After Blanches young husband Allan Grey dies, she has entered a “Broken world” of fear, longing, and sorrow because of her simple desire to hear “the visionary company of love, its voice”, or tender, gentle words of love and appreciation from Stella and Mitch. However, these words are only “visionary”. The loss of Allan and the desire to “trace” or recapture her love lead her to make so many desperate choices. (Londre, 1997: 49)三级标题：上下不空，小四号字，加粗3.2 Victim of Social Circumstances3.2.1 Victim of the Old Southern CultureGiven Mitchs statement, it seems that Blanches bad sexual experiences and romantic delusions have been the source of her fall. Yet Williams depicts the fallen, Southern women as Blanche who is also a victim of societys rules. Before we see Blanches miserable life experiences and fall, lets first have a look at the south land she has lost. In The Mind of the South, Cash present us a description of the land which cultivates those old southern gentlemen and ladies. The warm pleasant climate and leisure rich life there give this land certain atmosphere of romance. The plantation owners can have their own way in their land and enjoy the harvest by the slaves labors. Thus, a spirit of indulging and pleasure seeking is cultivated. But at the same time, Cash points out that those old southern residents, especially women, are puritans that are sternly restricted by their value of morality. The economic structure of the plantation leaves women highly dependent on men because for a long time, they are detached from working and management of the plantation. Thus they cling to men or become toys that entertain and please men. On one hand, they should act and speak appropriately and be lady-like because of the puritan doctrines they believe, on the other hand, they have to get mens admiration and hearts in order to maintain their dependent position. Therefore, there is a mixture of Puritanism and hedonism in them(汪义群, 1992: 83). Clearly，we can see the contradiction of desire and soul in Blanche. 3.2.2 The Destruction of the Old South Genteel WorldA Streetcar Named Desire describes the cultural and social differences and the arising problems between two different “worlds”. On the one hand is the former “world” of Blanche DuBois, a woman of the Old South and on the other hand is the “world” of Stella and Stanley Kowalski, who belong to the working class and live in the downtown immigrant neighborhood of New Orleans.The Northern and Southern cultures at that time were acting against each other, mirrored in Stanley and Blanche. The setting of New Orleans is important to the play. The city is one of powerful contrasts: old French architecture and the new rhythms of jazz; a kind of old world refinement mixed with a sign of poverty and modern life; decay and corruption with the regenerative powers of desire and creation. The city is eternally in a state of mixture, a mix of the modern world and New Orleans confused history; in Americans eyes, New Orleans is also associated with desire and sexuality. From the beginning, the three main characters in this play are in a state of tension. Williams establishes that the apartment is small and confining, the weather is hot and oppressive, and the characters have good reasons to come into conflict. 4. ConclusionWhen the history of American theater is written for the 20th Century, Tennessee Williams is one of the most prominent names to be mentioned. He pushed the exploration of the human soul to the very limit in his work. Williams is fond of symbols and he successfully uses these varieties of symbols to help the audience to understand the play, especially in A Streetcar Named Desire. The symbolic use of images including names, colors, sound, language and other images in life in this play is the purest device Williams applies to resonate with the theme. The hidden ugliness from the past, both emotional and sexual neediness of Blanche and her fading beauty, vulnerability, and weakness are successfully revealed through the images such as light, bath, color whose symbolic functions have been specifically discussed in chapter two. The symbolic understanding of the characters comes to the conclusion that Blanche and Stanley are respectively the representations of the Old South and the New South and Blanches mental deterioration into madness and the triumph of Stanley are the sign of the destruction of the old south genteel world.论文正文字数为5000字。References姓氏逗号，名字实心圆点Williams, Tennessee.Times New Roman，三号，加粗，居中1 Londre, Felicia Hardison. A Streetcar Running Fifty YearsA. in Matthew C. Roudane. The Cambridge Companion to Tennessee WilliamsC. New York: Cambridge UP, 1997.2 Williams, Tennessee. A Streetcar Named DesireM. New York: New Directions, 1978.3 方军、刘诺亚. 论田纳西.威廉斯诗化现实主义的成熟玻璃动物园和欲望号街车中的象征主义和表现主义之比较研究J. 荆门职业技术学院学报，2001（2）：23-26.4 汪义群. 当代美国戏剧M. 上海：上海外语教育出版社, 1992.5 杨晋. 欲望、死亡和疯癫试论欲望号街车女主角布兰奇杜波依斯的象征之旅J. 井冈山师范学院学报（哲学社会科学），2002(5): 36-38.英文为Times New Roman，中文为宋体，小四号，1.5倍行距注: 1. 先英文后中文，按首字母顺序排列。2. 英文部分：Times New Roman，小四；汉语部分:宋体 小四号；均1.5倍行距。3. 两行及以上悬垂缩进3个字符。4. 参考文献要与文中夹注相对应。5. 参考文献原则上应有10个左右，英文文献不少于3个。Times New Roman 三号 加粗 居中AcknowledgementsI gratefully acknowledge all those people who have assisted me in the process of completing my graduation thesis. Without their help, this thesis would have been impossible.First and foremost, I would like to express my great appreciation to my supervisor, Mr. Zhang Sanfeng, who has followed my toils with invariable kindness and patience, reading as well as correcting this dissertation at different stages of its conception, giving me advice instructive and constructive in addition to valuable encouragement.My thanks also go to professor Wang and Professor Zhou for their encouragements and suggestions in the opening defense of this paper which have given me much benefit in writing it. Finally, thanks go to my classmates and my dearest parents, who in one way or another have given me help and encouragement during my work on this thesis.Times New Roman小四号，1.5倍行距参考文献格式1期刊论文 Bolinger, D. The Atomization of Word MeaningJ. Language, 1965 (4): 555-573.朱永生. 名词化、动词化与语法隐喻J. 外语教学与研究, 2006(2)：83-90.何龄修. 读顾城南明史J. 中国史研究，1998 (3)：167-173.2论文集论文 Bybee, J. The Grammaticization of Zero: Asymmetries in Tense and Aspect Systems A. In W. Pagliuca (ed.). Perspectives on Grammaticalizat