袁延堃论文之《杨家埠年画小考》--3摘要.doc

摘 要 山东潍坊杨家埠年画起源于明代，至今已有五百多年的历史，是我国民间艺术宝库中的一朵奇葩。它以其古朴稚拙的形象特征、喜庆吉祥的象征意义、浓艳强烈的色彩效果成为具有鲜明地方特色的美术品种。以独特的艺术特色享誉全国。与天津杨柳青、苏州桃花坞并称为全国三大年画产地。本文通过对山东省潍坊杨家埠年画在历史渊源及地域人文内涵上的特点，进而对年画构图，造型，色彩等诸多造型因素的解读，简略讨论杨家埠在当下的现状发展前景。木版年画是中国民间美术的重要组成部分，具有极高的艺术与文化价值，同时也是一份沉甸甸的文化遗产。如何来继承、发扬和光大这份文化遗产，这是我们当前文化建设的重大问题，是值得研究和探讨的。关键词 ：杨家埠 木版年画 人文内涵 造型要素 发展现状AbstractThe woodcut for the spring festival in Weifang-Yangjiabu in Shandong Province，which originated from Ming Dynasty and has a history of more than 500 years, is a great treasure of the folk art of our nation. Its simple and unsophisticated formal feature, combined with the symbol meaning of happiness and felicity, and the affect of rich color, makes itself a type of art with strongly local character. To abreast with Yangliuqing in Tianjin and Taohuawu in Suzhou, Yangjiabu became the three most important producing area of the woodcut for the spring festival in China. This thesis studies on the historical origin and humanistic meanings of the woodcut for the spring festival in Weifang-Yangjiabu in Shandong Province，and analysis its pictorial factors such as composition, shape, color ,also discuss its developing status and prospect nowadays.The woodcut for the Spring Festival is an important component of the Chinese folk art and a heavy culture heritage with significant value of both art and culture. How to inherit and develop this culture heritage is an important problem in our culture construction which is worthwhile to be studied and discussed. Keywords：Yangjiabu,