The Open Window - Analysis - GEOCITIESws 打开的窗口分析geocitiesws.doc

The Open Window - AnalysisThe Open Window is Sakis most popular short story. It was first collected in Beasts and SuperBeasts in 1914. Sakis wit is at the height of its power in this story of a spontaneous practical joke played upon a visiting stranger. The practical joke recurs In many of Sakis stories, but The Open Window is perhaps his most successful and best known example of the type. Saki dramatizes here the conflict between reality and imagination, demonstrating how difficult it can be to distinguish between them. Not only does the unfortunate Mr. Nuttel fall victim to the storys joke, but so does the reader. The reader is at first inclined to laugh at Nuttel for being so gullible. However, the reader, too, has been taken in by Sakis story and must come to the realization that he or she is also inclined to believe a well-told and interesting tale.Style“The Open Window” is the story of a deception, perpetrated on an unsuspecting, and constitutionally nervous man, by a young lady whose motivations for lying remain unclear.StructureThe most remarkable of Sakis devices in “The Open Window” is his construction of the storys narrative. The structure of the story is actually that of a story-within-a-story. The larger “frame” narrative is that of Mr. Nuttels arrival at Mrs. Sappletons house for the purpose of introducing himself to her. Within this narrative frame is the second story, that told by Mrs. Sappletons niece.SymbolismThe most important symbol in “The Open Window” is the open window itself. When Mrs. Sappletons niece tells Mr. Nuttel the story of the lost hunters, the open window comes to symbolize Mrs. Sappletons anguish and heartbreak at the loss of her husband and younger brother. When the truth is later revealed, the open window no longer symbolizes anguish but the very deceit itself. Saki uses the symbol ironically by having the open window, an object one might expect would imply honesty, as a symbol of deceit.Narration“The Open Window” is a third-person narrative, meaning that its action is presented by a narrator who is not himself involved in the story. This allows a narrator to portray events from a variety of points of view, conveying what all of the characters are doing and what they are feeling or thinking. For most of the story, until he runs from the house, the reader shares Mr. Nuttels point of view. Like Mr. Nuttel, the reader is at the mercy ofVeras story. The reader remains, however, after Mr. Nuttel has fled and thus learns that Veras story was nothing but a tall tale.Tall TaleVeras story is essentially a tall tale. Tall tales are often found in folklore and legend and describe people or events in an exaggerated manner. Good examples are the story of John Henry and his hammer, and the story of Paul Bunyan and Babe the Blue Ox. Vera exaggerates the significance of the open window by making it the centerpiece of a fabricated tale of tragic loss.ThemesThough it is a remarkably short piece of fiction, “The Open Window” explores a number of important themes. Mr. Nuttel comes to the country in an attempt to cure his nervous condition. He pays a visit to the home of Mrs. Sappleton in order to introduce himself, and before he gets to meet the matron of tha house, he is intercepted by her niece, who regales him with an artful piece of fiction that, in the end, only makes his nervous condition worse.Appearances and RealityIt is no surprise that Mrs. Sappletons niece tells a story that is easy to believe. She begins with an object in plain view, an open window, and proceeds from there. The window is obviously open, but for the reasons for its being open the reader is completely at the mercy of Mrs. Sappletons niece, at least while she tells her story. The open window becomes a symbol within this story-within-a-story, and its appearance becomes its reality. When Mr. Nuttel (and the reader) are presented with a contrary reality at the end of the story, the result is a tension between appearance and reality that needs to be resolved: Which is real? Can they both be real?DeceptionWere it not for deception, this story could not happen. The action and irony of the story revolve around the apparent deception that Mrs. Sappletons niece practices. It remains to be seen, however, whether this deception is a harmless prank or the result of a sinister disposition. If the nieces deception is cruel, then the reader must question the motives behind the deception practiced by all tellers of stories, including Saki himself.Sanity and Insanity“The Open Window” shows just how fine the line can be between sanity and insanity. Mr. Nuttels susceptibility to deceit is no different from that of the reader of the story. Yet Mr. Nuttel is insane, and the reader, presumably, is not. In order to maintain this distinction, Saki forces his reader to consider the nature of insanity and its causes.Historical ContextSaki does not specify when his story takes place, but it is obvious that the story is set in Edwardian England, the period of time early in the 20th century when King Edward VII ruled England. During this time, England was at the peak of its colonial power and Its people enjoyed wealth and confidence because of their nations status in the world. The wealthy leisure class was perhaps overly confident, not seeing that political trends in Europe, including military treaties between the various major powers, would lead to World War I and the resulting destruction of their comfortable way of life. It is this complacency that Saki often mocks in his stories. Compare & Contrast 1910s: A rest in the country is often recommended for those city-dwellers suffering from nervous disorders.Today: Though many people take vacations to relieve stress, the “rest” cure is an antiquated treatment for nerves. Commonly, doctors prescribe medication. 1910s: In polite society, letters of introduction were a common means by which to make oneself known in a new place. Letters of this kind served to guarantee that a move to a new home did not isolate someone from the community.Today: Most people meet by chance in school or at work rather than through the pre-arranged situations, although dating services and personal ads are common. 1910s: Hunting is a popular sport among the English wealthy classes in the Edwardian Age. Today: Hunting is a popular sport among all social classes and it is seldom used solely as a means of obtaining food.Author BiographySaki, whose real name was Hector Hugh Munro, was born at the height of English Imperialism in Akyab, Burma, on December 18, 1870, to British parents, Charles Augustus and Mary Frances Munro. His father was a colonel in the British military. With illustrator Francis Carruthers Gould, Saki collaborated on a successful series of political cartoons. His unusual pseudonym comes from the name of a character in Edward Fitzgeralds translation of The Rubaiyat, a long poem by twelfth-century Persian writer Omar Khayyam.Saki is most widely known as a satiris