名著读后感英文版

名著读后感英文版 好汉歌 big river goes to the east all the star follows beidou （hey hey hey hey，follow beidou） （life-and-death friend，a bowl of wine） say go，lets go you have,i have,so do all （hey hey hey hey，all have） (in water in fire,not turn round) seeing injustice,have a cry should give a hand,just give a hand so cool so hot,go coast-to-coast (should give a hand,just give a hand) (so cool so hot,go coast-to-coast) hey ya yi er ya hey hey yi er ya (hey ya yi er ya hey hey yi er ya) seeing injustice,have a cry should give a hand,just give a hand so cool so hot,go coast-to-coast hey hey . 红楼梦 the one is a gods flower in the court the one is a perfect jade if say no adventure this life unluckily met him if say have adventure how the worry finally bees virtual ha. the one is plainting in vain the one is worrying for nothing the one is the moon in water the one is the flower in mirror think in eyes can hold how many tears how can support autumn goes to winter spring goes to summer ha 三国演义 the yangtze rivers rolling to the east sprays wash off heros sueess or failure when turn back,nothing left the montain is stille there day by day sunset white-haired fisherman fishing on island used to watching autumn ang spring a pot of unsrained wine for the glad meeting old and new stories,all in joking talk a pot of unsrained wine for the glad meeting old and new stories,all in joking talk 西游记 you carry burden,i pull horse receive sunrise,say good-bye to sunset overe troubles,walking on avenue finish fighting sufferings getting going again getting going again e e e a series of changes of seasons you taste bitterness and happiness dare to ask where is road the road under foot e e e a series of changes of seasons you taste bitterness and happiness dare to ask where is road the road under foot miss austen never attempts to describe a scene or a class of society with which she was not herself thoroughly acquainted. the conversations of ladies with ladies, or of ladies and gentlemen together, are given, but no instance ours of a scene in which men only are present. the uniform quality of her work is one most remarkable point to be observed in it. let a volume be opened at any place: there is the same good english, the same refined style, the same simplicity and truth. there is never any deviation into the unnatural or exaggerated; and how worthy of all love and respect is the finely disciplined genius which rejects the forcible but transient modes of stimulating interest which can so easily be employed when desired, and which knows how to trust to the never-failing principles of human nature! this very trust has sometimes been made an objection to miss austen, and she has been aused of writing dull stories about ordinary people. but her supposed ordinary people are really not such very ordinary people. let anyone who is inclined to criticise on this score endeavor to construct one character from among the ordinary people of his own acquaintance that shall be capable of interesting any reader for ten minutes. it will then be found how great has been the discrimination of miss austen in the selection of her characters, and how skillful is her treatment in the management of them. it is true that the events are for the most part those of daily life, and the feelings are those connected with the usual joys and griefs of familiar existence; but these are the very events and feelings upon which the happiness or misery of most of us depends; and the field which embraces them, to the exclusion of the wonderful, the sentimental, and the historical, is surely large enough, as it certainly admits of the most profitable cultivation. in the end, too, the novel of daily real life is that of which we are least apt to weary: a round of fancy balls would tire the most vigorous admirers of variety in costume, and the return to plain clothes would be hailed with greater delight than their oasional relinquishment ever gives. miss austens personages are always in plain clothes, but no two suits are alike: all are worn with their appropriate differen as we should expect from such a life, jane austens view of the world is genial, kindly, and, we repeat, free from anything like cynicism. it is that of a clear-sighted and somewhat satirical onlooker, loving what deserves love, and amusing herself with the foibles, the self-deceptions, the affectations of humanity. refined almost to fastidiousness, she is hard upon vulgarity; not, however, on good-natured vulgarity, such as that of mrs. jennings in sense and sensibility, but on vulgarity like that of miss steele, in the same novel, bined at once with effrontery and with meanness of soul. jane eyre, is a poor but aspiring, small in body but huge in soul, obscure but self-respecting girl. after we close the covers of the book, after having a long journey of the spirit, jane eyre, a marvelous figure, has left us so much to recall and to think: we remember her goodness: for someone who lost arms and blinded in eyes, for someone who despised her for her ordinariness, and even for someone who had hurt her deeply in the past. we remember her pursuit of justice. its like a panion with the goodness. but still, a virtuous person should promote the goodness on one side and must check the badness on the other side. we remember her self-respect and the clear situation on equality. in her opinion, everyone is the same at the gods feet. though there are differences in status、in property and also in appearance, but all the human being are equal in personality. we also remember her striving for life, her toughness and her confidence when we think of this girl, what she gave us was not a pretty face or a transcendent temperament that make us admire deeply, but a huge charm of her personality. actually, she wasnt pretty, and of course, the ordinary appearance didnt make others feel good of her, even her own aunt felt disgusted with it. and some others even thought that she was easy to look down on and to tease, so when miss ingram met jane eyre, she seemed quite contemptuous, for that she was obviously much more prettier than the plain and ugly governess. but as the little governess had said: do you think, because i am poor, obscure, plain, and little, i am soulless and heartless? you think wrong! this is the idea of equality in jane eyres mind. god hadnt given her beauty and wealth, but instead, god gave her a kind mind and a thinking brain. her idea of equality and self-respect impress us so much and let us feel the power inside her body. in my mind, though a persons beauty on the face can make others once feel that one is attractive and charming, if his or her mind isnt the same beautiful as the appearance, such as beauty cannot last for, when others find that the beauty which had charmed them was only a falsity, its not true, they will like the person no more. for a long time, only a persons great virtue, a noble soul, a beautiful heart can be called as an everlasting beauty, just as kahill gibran has said, that beauty is a heart enflamed and a soul enchanted. i can feel that how beauty really is, as we are all fleshly men, so we cant distinguish whether a man is of nobleness or humbleness, but fleshly men, so we cant distinguish whether a man is of nobleness or humbleness, but as there are great differences in our souls, and from that, we can know that whether a man is noble or ordinary, and even obscure, that is, whether he is beautiful or not. her story makes us thinking about life and we learn much from her experience, at least, that is a fresh new recognition of the real beauty 我的英文读后感-简爱as jane eyre, in her plainness and solitude, walks to and fro in the thornfield hall, her unfortunate childhood, conflicting love, and religious forbiddance all cannot stop her seeking a better life and cherishing the human nature. she broke loose the chains that jailed her spirit, and through her struggles she overcame the poverty, customs, social standards, and piety which all blocked her from her dream of happiness, and finally became the master of herself! it could be said that janes life was earned through retaliation and pursuit, that she fought tooth and nail until the sunlight was won. the sunlight now in her palm, shines brightly unto her! in fact, one has endless thoughts for the most effulgent sunbeam that shines after the storm. i always think in a difficult situation, if and when the hardships of this life is done, if and when the road of time no longer curves, if and when i try my best to walk to the end, will i be able to see the blinding sunlight? for the most important meaning in life is that, struggling through your trials you realize the value of your life, while taking away all the bitter misfortunes. only then will we see the true radiance of the golden sun. trekking through storms running towards the future luminence of the sun shines brightliest in the dark let the difficult journey feel like a luxury the sun in my hand fuels my arduous heart my will to fight is strong facing even the most unattainable heights the sun in my hand even if only after storms mustering all of its heat projects towards me the warmest radiance 欧美文学经典作品 20世纪部分 美国作家 1， tony morrison. the beloved; song of solomon 2， kurt vonnegut, jr. cats cradle 3， john updike. rabbit at rest 4， donald barthelme. forties stories 5， john barth. the floating opera 6， thomas pynchon. grravitys rainbow 7， arthur miller. death of a saleman 8， tennessee williams. a streetcar named desire 9， norman miller. the executioners song 10， j. d. salinger. the catcher in the rye 11， v, nabokov. lolita 12， flannery o connor. plete stories 13， c, mullers. the heart is a lonely hunter 14， ralph ellison. invisible man 15， saul bellow. herzog 16， henry ross. call it a sleep 17， richard wright. narive son 18， john steinbeck. the grapes of wrath 19， ernest hemingway. a fairwell to arms 20， william faulkner. the sound and fury; sanctuary 21， f. s. fitzgrald. the great gatsby 22， eugene o neill. long days journey into the night 23， john dos passos. u. s. a. 24， katherine anne porter. collected stories1 25， ezra pound. the cantos 26， sherwood anderson. winesburg, ohio 27， gertrude stein. three lives 澳大利亚 28， thomas keneally. schindlers list * 29， margaret atwood. surfacing 30， northrop frye. fables of identity * 31， boris pasternak. doctor zhivago 32， aleksandr solzhenitsyn. the gulog archipelago 德国 33， gunter grass. the tin drum 34， thomas mann. joseph and his brothers 35， franz kafka. the castle 英国 36， george orwell. 1984 37， doris lesssing. the golden notebook 38， willam golding. pincher martin 39， graham greene. the heart of the matter 40， samuel beckett. waiting for godot 41， james joyce. ulysses；dubliners 42， virginia woolf. to the lighthouse 43， d. h. lawrence. sons and lovers 44， e. m. forster. a passage to india 45， h. g. wells. the science fiction novels 46， joseph conrad. lord jim 47， thomas hardy. the return of the native 48， w. s. maugham. the moon and sixpence 49， arnold bent. the old wives tales 法国 50， 51， 52， 53， marguerite duras. the lover claude simon. the flander road alain robbe-grillet. the voyeur eugene ionesco. the bald soprano 54， jean-paul sartre. the family idiot: gustave flaubert 55， andre gide. the counterfeiters 56， anatole france. penguin island 意大利 57， italo calvino. if on a winters night a traveler 19世纪部分 美国 58， frank norris. the octopus 59， henry james. the portrait of a lady 60， henry david thoreau. walden 61， edgar allan poe. the narrative of arthur gordon pym 62， herman melville. billy budd 63， nathaniel haethorne. the scarlet letter 英国 64， george eliot. the mill on the floss 65， oscar wilde. the picture of dorian gray 66， george meredith. the egoist 67， emily bronte. wurthering herghts 68， charlotte bronte. jane eyre 69， charles dickens. a tale of two cities 70， mary w. shelley. frankenstein 71， elizabeth gaskell. mary barton 72， jane austen. mansfield park 73， 法国 74， 75， sir walter scott. waverley charles baudelaire. flowers of evil gustave flaubert. madame bovary 16世纪至19世纪末部分 德国 76， erasmus. in praise of folly 法国 77， voltaire. candide 78， michel de montaigne. essays 英国 79， l. stern. the life and opinions of tristram shandy, gentleman80， h. fielding. the history of tom jones, a founding 81， samuel richardson. pamela 82， daniel defoe. robinson crusoe 83， oliver goldsmith. the vicar of wakefield 84， jonathan swift. gullivers travels 85， john bunyan. the prigrims progress 86， john donne. poems 87， edmund spenser. the faerie queene 88， geoffrey chaucer. the canterbury tales 西班牙 89， miguel de cervantes. don quixote 意大利 90， dante. the divine edy 16世纪以前 古代罗马 91， virgil. the aeneid 92， ovid. metamorphoses 93， seneca. tragedies 希腊化时期 94， plutarch. lives 古代希腊 95， aristophanes. the clouds 96， sophocles. oedipus the king 97， aeschylus. the oresteia 98， hesiod. the works and days 99， homer. the odyssey 100， homer. the illiad 主要作品选 101， the norton anthology of world literature. vol. a: beginnings to a. d. 100; vol. b: a d. 100-1500 vol. c: 1500-1600 vol. d: 1650-1800 vol. e: 1800-1900 vol. f: the twentith century 102， the norton anthology of english literature 103， the norton anthology of american literature 104， the norton anthology of literature bywomen 名著读后感 中学生的成长离不开书籍,书籍是我们的精神食粮,没有它们的哺育滋养,我们的生活是不完美的;没有它们的意味深长,我们的人生是缺憾的;没有它们的充实诱导,我们的精神是虚无的.读书,特别是文学书籍,犹如春雨哺育着大地,使我们的生活丰富多彩;如夏风凉爽着世界,让我们享受着人生;如秋果挂满了枝头,叫我们精神饱满,文学名著的奥妙潜移默化的感染着我,塑造着我,成就着我,雪中送炭,无疑是我们对文学名著的真实体验! 我国的四大名著,可谓是博大精深,我对四大名著也情有独钟.西游记,小时候的我读起它来总觉得既过瘾又有趣,那光怪陆离,色彩斑斓的神话世界,令我留恋忘返,回味无穷.但今日今时,再次拜读西游记,我的领悟却变了. 西游记是我国古代文学百花园中一朵怒放的奇葩.自问世以来,不胫而走,风靡文坛,故事流传,广及民间,真可谓家喻户晓,妇孺皆知,雅俗共赏.每当我翻开西游记时,总有不同的心情.此时此刻我又有了新的领悟,他那曲折的情节中暗藏着人们渴望而不可及的生活理想和人性追求,那就是自由. 在经历了长时间个性受约束的日子,新世纪的人们都格外向往自由,向往那个自由的化身:孙悟空.孙悟空破石而出,不伏麒麟辖,不服凤凰管,又不服人间王位所约束,闯龙宫,闹冥司,花果山上称王.可以说已经达到人性摆脱一切束缚, * 自由的状态.孙悟空其实就是自由的化身,他的品质中最突出的就是向往自由,他始终在追求自由,它的一切斗争也是为了争取自由.这样一个鲜活的形象给予了读者一种追求自由,追逐自由的力量和勇气. 然而,每个人都明白, 在现在,即使是将来,完全的自由终究是不可能的,人始终要受到这般那般的约束.尽管包围着我们的是个受约束的世界,但我们可以让内心尽量变得广阔而幽深,让它能够无边无际,包容天地. 然而,目前社会上还有许多人被一些价值不大的东西所束缚,却自得其乐,还觉得很满足.经过几百年的探索和发展,人们对物质需求已不再迫切,但对于精神自由的需求却无端被抹杀了.总之, 我认为现代人最缺乏的就是一种开拓进取, 寻找最大自由的精神. 在厉尽时间锤炼的西游记中,竟深深蕴含着新世纪人们最渴望的自由精神这是我此次阅读西游记体会最深的,以前的热闹已烟消云散,我就是孙悟空,去寻找我的自由,我的精神带着意味未了的心情我又迈入水浒传中那忠义的世界,从中我有体悟到忠义背后的爱的精神. 然而,目前社会上还有许多人被一些价值不大的东西所束缚,却自得其乐,还觉得很满足.经过几百年的探索和发展,人们对物质需求已不再迫切,但对于精神自由的需求却无端被抹杀了.总之, 我认为现代人最缺乏的就是一种开阔进取, 寻找最大自由的精神. 在厉尽时间锤炼的西游记中,竟深深蕴含着新世纪人们最渴望的自由精神 西游记是我国古代文学百花园中一朵怒放的奇葩.自问世以来,不胫而走,风靡文坛,故事流传,广及民间,真可谓家喻户晓,妇孺皆知,雅俗共赏.如此之宏著怎一个梦字解决呢 不错,西游记它的艺术成就,人物塑造,思想内容等是多方面,多角度的.而在这儿,我只从弗洛伊德的梦论入手,用精神分析的方法来解析西游记. 为了能使西游记的创作与梦联系上,我们先来看一下弗洛伊德的精神分析法. 弗洛伊德的精神分析学说创立初期,由于他得天独厚的文学素养,他选择了与语言有密切联系的谈疗法来救治他的精神病人.在他看来,精神病人被封闭压抑了的内心障碍,可以经由语言交谈而得以宣泄或净化.可见,精神分析学说在初期阶段就与文学理论结下了不解之缘. 从重视,考察病人的语言反应到对正常人在日常生活中发生的语误,笔误,读误的心里分析,在向前跨出一步,就与作家的文学创作现象联系到一起了.这种联系实际上在标志着精神分析学说诞生的梦的解析(1900)一书中已显出端倪. 弗洛伊德将精神分析方法推衍至文学创作上来的一个重要前提就是:将作家与精神病患者联系在一起,而这一联系的桥梁就是梦.弗洛伊德认为,作家的写作也是在做梦,只不过是在非睡梦状态下作梦,因而他的作品也是他内心无意识本能的变形显现,欲望的替代满足.我们往往会说自己作的梦是混乱,荒谬的,完全是一种变了形的东西. 四大名著之一的水浒传总算被我啃完了,好辛苦!不过,我总算明白了很多道理. 不必说宋江和小旋风柴进的仗义疏财,也不必说武松漂亮的醉拳,吴用的足智多谋.单说天真烂漫的李逵,他颇有些野,一身鲁莽庄稼汉和无业游名的习气,动不动就发火,遇事不问青红皂白,总是一说二骂三打.结果不是吃亏就是后悔,但是却有富贵不能淫,贫贱不能移,威武不能屈的气概,最重要的是他身上有一种英雄气概,有一种愿意为兄弟两肋插刀的仗义,他这一点让我尤其感动. 我试想,假如让他来到我的身边,相信没有多少人能有他这样的魅力.这不是因为他的相貌,也不是因为他有所么高挑的身材,更不会是他有大把的财富,就一点,就是他那在别人眼中芝麻大的优点.请不要小看他那芝麻大的优点,在这世界上就要灭绝了. 我总觉得我们在生活中对于朋友甚至亲人少了一份亲情,少了一份哥们儿女情. 我清楚的记得,在我咿咿呀呀学语时,我经常毫无顾忌的到邻居家吃饭,没有礼节,没有拘束,只有欢乐.邻居家的姐姐现在和我还是和原来一样好.在我哭着闹着不上幼儿园时,我们和邻居经常一起聊天,但是我们开始装上了一扇木门. 现在当我知道为了未来奋斗的时候,我家的门也变成了三厘米厚的防盗门.这就像一条河,让我们和邻居的感情隔在天地两岸.这就像礼记里说的:今大道即隐,天下为家.各亲其亲,各子其子,货力为己. 我们的社会很自然的少了一份爱,一份及其重要的爱一份关怀.对于关怀,也许只需要一句简单的问候,或者是一个会心的微笑,就能让人喜笑颜开,就让人感受母亲般的关怀.不要太吝啬,一句问候,一个微笑不会让你失去什么,只能让你的人格得到升华. 水浒传一书记述了以宋江为首的一百零八好汉从聚义梁山泊,到受朝廷招安,再到大破辽兵,最后剿灭叛党,却遭奸人谋害的英雄故事.读完全书,印在我脑海里挥之不去的只有两个字:忠,义. 文学名著读后感集锦 读鲁滨孙漂流记有感 读完鲁滨孙漂流记这本精彩的小说后，一个高大的形象时时浮现在我的眼前，他就是勇敢的探险家、航海家鲁滨孙。他凭着顽强的毅力，永不放弃的精神，实现了自己航海的梦想。 我仿佛看到轮船甲板上站着这样的一个人：他放弃了富裕而又舒适的生活，厌恶那庸庸碌碌的人生，从而开始了一次与死神决斗的生存大挑战。种种的不幸与困难并没有压倒鲁滨孙，反而使他更加坚强。上苍给予鲁滨孙的困难，对于他也更具有挑战性！ 风暴海啸，全船除鲁滨孙无一幸免，真正的生存挑战才刚刚开始！ 流落孤岛，他为了找到合适的住所，在岸上跑了一整天，在一个山岩下找到了一个栖身之所。鲁滨孙在小山下搭了一个帐篷，而且尽量大些，里面再打上几根木桩来挂吊床。第二天，他把所有的箱子以及木板、做木排的材料，堆成一个临时性围墙，作防御工事。但只过了十几天，突然发生塌方。鲁滨孙不但把落下来的松土运出去，还装了天花板，下面用柱子支撑起来，免得再次出现塌方的灾难。永不放弃，鲁滨孙奠定了生活的基础。 一次，鲁滨孙无意中掉在墙角的谷壳，竟然长出绿色的茎干，不久，长出了几十个穗头，这真是老天的恩惠。从此，鲁滨孙一到雨季就撒下半数种子来试验，以得到更多的粮食。最糟糕的一次试验，大麦与稻穗的收成仅获了半斗而已。但是，经过这次试验，使鲁滨孙成为了种田高手。知道什么时候下种，现在他知道一年四季播种两次，收获两次。永不放弃，鲁滨孙有了生活的口粮。 造船回乡，鲁滨孙又花费了数年的时间，无数的心血。光砍树就是数月。但由于事先没有考虑周全，船离海边太远，他怎么也无法让船下水。这下，数年的心血白花了，一切希望都破灭了。直到星期五的出现，这个希望才重新油然升起！ 鲁滨孙是个伟大的人，坚毅的人，孤身一人在这个荒无人烟的孤岛上生活了27年。他敢于同恶劣的环境作斗争，勤奋劳动，把小岛经营得有条不紊。他在逆境中锻炼了自己，成就了一番不平凡的事业。 这本书教会我们只有坚持才能胜利，只有实干才能让我们摆脱困境，实干比信念更重要 我的人生也会随着这本书而起航，在人生的航海中，勇敢前进，永不放弃！ 西游记读后感 每当我翻开西游记时，总有不同的心情。它在四大名著中，是最生动活泼的，小时候的我读起它来总觉得既过瘾又有趣。但今时今日，不变的是那光怪陆离，