中外服饰文化差异

CulturaldifferencesbetweenChineseandwesternclothing,Tips,Laystressonthewomensdresses“主题以女性裙装为主”Laystressonthenobleclothing“贵族服饰为主”Thepicturesareonlysimilarinformorappearance.“影视图片仅仅取其形似为主”Westernclothing:TheRococoPeriod“西方服饰选取18世纪洛可可时期为代表”,Differences,1.Structureanddesign2.Color3.Patternandornaments,Structureandmodeling,Planedesign（平面设计）Lengthways（纵向扩张）LooseH-type(宽松的H形）Covering（覆盖）,Semi-stereoscopic（半立体设计）Transverse(横向扩张)Tight-fittingX-type（紧身的X形）Revealing（显露）,ChinaEurope,Structureandmodeling,Planedesign（平面设计）Lengthways（纵向扩张）LooseH-type(宽松的H形）Covering（覆盖）,Semi-stereoscopic（半立体设计）Transverse(横向扩张)Tight-fittingX-type（紧身的X形）Revealing（显露）,ChinaEurope,Differences,1.Structureanddesign2.Color3.Patternandornaments,China,金木水火土,黄青白红黑,正色,间色,Fortherich,Forthepoor,WhiteWhitesymbolizespurityandjustice.PurplePurplemeansnobility(高贵）.Blue（thereligiouscolor)Blueisconsideredasthecolorforthespiritandintelligence.,Europe,耶稣圣母MARY,Differences,1.Structureanddesign2.Color3.Patternandornaments（图案与配饰）,1Cirrus(藤草，庭院花草)2Jewelrylikepearlsanddiamonds(珍珠宝石）3Thehatandgloves（帽子手套)4Thepalacefan(宫廷扇子）,1Dragon,phoenix,peony（龙凤牡丹等花样）2Goldvesselandjade（金器美玉）3Headwear(头饰）4Handkerchief（手绢）,China,Europe,Analysis,1Geographicalenvironment2Thehistoricalreason3Theculturalreason,IntheMediterraneanregion地中海地区Marinecivilization海洋文明Peoplewanttoexploretheoceantofindmoreresources.Peoplescharacter:open,activeandthecuriosityoftheoutsideworldConsequently,intermsofclothingstyle,itbecomesopen,revealingandvaried.,TheChinesegeographicalenvironmentisclosedMainlandcivilization内陆文明Chinaitselfhasvastterritoryandabundantnaturalresources,Itisnotnecessarytogoout.(地大物博)Peoplescharacter:introvertedpersonality(内敛Thegarmentisimplicit（含蓄）anddoesnotappear,thehumanbodyishiddeninclothing.,Geographicalenvironment,中,西,Industrialrevolutionandtextileindustry工业革命和纺织业发展Thebourgeoiscultureandart资产阶级文化艺术Mrs.PompidouQueenMarry,Averticaldevelopmentofvariousdynasties垂直延续的朝代更替Feudalism封建主义Hanclothingandculturesdominantposition汉文化的主导地位,Thehistoricalreason,TheChinesebelievedthatpeopleandclothing,manandnature,clothingandnaturalrelationshipisharmonious,withoutconflict.Clothingdoesnotbindorharmthebody.Itpursuesnaturallytocoverhumanbodyintheclothing,nottoshowoffforthepurposeofself-publicity,notwanttoonlyperformindividuality.人与服装与自然和谐无冲突，服装不束缚伤害身体，体现中国女性宽容,自然Westernerstakethemselvesasmastersoftheworldandtheruleroftheworld.Theyareself-centered,makeeveryefforttotapintothepowerofpeople,releasehumanpotential,advocatehardcompetitionandmakedesiresexpand.Theystronglyexpressindividualityindressandemphasizethebeautyoftheexaggeratedhumanbody.以自我为中心，强烈表达个性的穿着和强调夸张的人体美,Theculturalreason,文化复兴汉服复兴,Nowadays,儒学复兴乃至传统文化复兴，是多方面、多角度、多层次的，而且是长期的过程，服饰礼仪的复兴也只是其中的一部分。华夏复兴，少不了传统文化的复兴；传统文化的复兴，不可能没有承载它的形式。儒学、论语可以是载体，汉服也可以是载体。穿上汉服，拜孔夫子，诵读论语选段，这是优秀传统文化的回归的一种尝试。汉服作为优秀传统文化也理应受到更多的重视，只希望它能在中断两百多年以后还能再度被我们大家唤醒，不再让它深藏于历史而能活跃于今朝，成为直观的传统文化标志之一！,Nowadays,itisnecessaryforustoabsorbthewesternadvancedtechnology.Atthesametime,itisveryimportantforustotreasureourowncivilizationoffivethousandyears.Itissignificanttopromoteanddevelopouruniquecostumec