人物简介 莎士比亚戏剧PPT课件

.,1,Theatre,-AboutShakespeare,.,2,Shakespeareinthecreationbackground,1590to1600,istheearlycreationofShakespeares,alsoknownashistoricaldrama,comedyperiod.DuringthisperiodShakespeareshumanistideasandartisticstylesgraduallyformed.ThenBritishruleisatthepeakofQueenElizabeth,royalsolidunityandeconomicprosperity.Shakespeareintherealworldwithconfidencetoachievetheidealofhumanism,worksfilledwithoptimisticbrightcolors.,.,3,Theearly17thcentury,QueenElizabethIandJamesIofregime,theBritishsocialconflicts,increasingexposureofsocialevils.Duringthisperiod,Shakespearesideasandartisticmaturity,humanisticidealswithsocialrealitycollide.Hispainisdifficulttoachieveanideal,creativepraisefromtheearlyhumanistidealsintothedarknessofthecommunitytoexposeandcriticize.,.,4,After1608,Shakespeareintothecreationofthefinalperiod.AtthistimeShakespearehadseentheidealofhumanismcannotbeachievedintherealworld,beginstowriteatragedytoturntowritemelodrama,fromcriticismtoexposethedarknessturnedtowritingrealdreamworld.Therefore,thisperiodmelodrama,alsoknownasShakespearestime.Thistime,hisworksoftenthroughmythicalfantasy,withsupernaturalpowertosolvethecontradictionbetweenidealandreality;workrunsthroughtheforgiveness,thespiritofreconciliation,notthejoyofearly,midandnogloomy,butfullofbeautifullifefantasy,romancestrong.,.,5,Shakespearesworksstartingfromthereallife,aprofoundreflectionofmodernstyleandsocialnature.Hebelievesthattheplayasiftogiveamirrorofnaturephotos:alookathisfacetovirtue,tolookathisabsurdattitudetotakealookattheirowntimesandsocialimageandimprint.,.,6,Creationcareer,Thefirstperiod(15901600)writinghistoricaldrama,comedy-based,thereareninehistoricaldrama,10comediesand2tragedies.Ofthe9historicaldramas,additiontoKingJohn,whichwaswritteninearly13thcentury,theothereightarecontenttodovetailthetwo4-steps:HenryVIon,thenextwiththeCharlesIII;CharlesII,HenryIV(knownasthemostsuccessfulhistoricaldrama),thenextandHenryV.,.,7,TheBritishhistoricaldramaoutlinesthehistoryofunrestamongthehundredsofyears,createaseriesofpositiveandnegativeimageofthemonarch,reflectsShakespeareagainstthefeudalseparatism,supportcentralization,condemnedthetyranttyranny,requirestop-downreformandenlightenedmonarch,tobuildaharmonioussocialrelations,politicalandmoralidealsofhumanism.,.,8,ComedyofErrors,TamingoftheShrew,“TwoGentlemenofVerona,loveinvain,MidsummerNightsDream,TheMerchantofVenice,“TheMerryWivesofWindsor,MuchAdoAboutNothing,“happy“TwelfthNight,10comedy,.,9,mostlylove,friendship,marriagetheme,theheroissomemorewisdomandvirtuewithhumanismyoungmenandwomen,throughtheirstruggleforfreedom,happinessstruggle,praiseprogress,betternewfreshair,butalsogentlyexposeandridiculetheolddecrepitanduglythings.,.,10,Thesecondperiod(1601-1607),mainlyintragedy,wrote3Romandramas,5tragedyand3darkcomedyorproblemplay.,FourTragedies,Hamlet,Othello,KingLear,Macbeth,thetragedyofTimonofAthensmarkedtheauthorsage,lifesdeepthinking,someneweffortstocreatesuchatragedyofthetimeshero:theyimprisonandignorancefromtheMiddleAgestowakeup,shininginthedawnofmodern,ambitioustowanttodeveloporimprovetheirown,butcannotovercomethelimitationsoftheirowntimesandfinallyinthesameenvironmentandthepowerdisparitybetweenthehostileforcesinsidestruggle,andsacrificewasinevitablefailure.,.,11,Hamlet,Itisreportedtorevengeandfoundthattheeraofde-tenon,anddecidedtotakeupthere-heavenandearth,theresponsibility,theresultisleftwithambition,powerless.,.,12,Othello,honestandsincere,IbelievepeoplewhoJiwuruchou,underthemercyofMurderSuicideinMenDonotCryforthepursuitofperfectionandbeautyFanzaoroost.,.,13,KingLear,inhispowertobringhonor,pride,self-confidencelostinnature,thelossofreason,imaginationpointstoallowthecountrytoprovetheirrighttoproperlydotheKingandanordinarypersoncandothesameorgreater,andthusstoodapainfulordeal.,.,14,TheactiveheroMacbeth,thecharacterinthesideofgoodandbeauty,becausethetemptationofthethroneanddrivenbyambitionandbecomeabloodyfromthebloodtothenoregret,andthesinner.,.,15,Thetragedyofthesecharacters,andprofoundlyrevealstheprimitiveaccumulationofcapitalhasbeguntoemergeduringthevarioussocialevilsandbourgeoisegoism,theperformanceofthehumanistidealandtheharshrealityofirreconcilablecontradictionsbetween,withahighdegreeofgeneralsignificance.,.,16,Thethirdperiod(16081613),tendtocompromiseandfantasytragicomedyormelodrama.HismajorworksarefourtragicomedyormelodramaTellPrinceRickReese,Cymbeline,TheWintersTale,TheTempest.,.,17,Theseworkswerewrittenseparated,reunited,framed,rehabilitate.Althoughstillinsistshumanistideal,haveexposedtherealityofthedark,butmainlyrelyonmagictosolveconflicts,fantasies,bychanceandaccident,andtopromoteforgiveness,tolerance,compromise,reconciliationandanend.ShakespeareandFletcheralsoco-wrotethehistoricaldramaHenryVIIIandthemelodrama,twoofyourfamily,whichinrecentyearsbysomeofShakespearesplays,income.,.,18,Formerresidence,.,19,.,20,.,21,TheroyalShakespearetheatre,.,22,.,23,TheGlobeTheatre,TheGlobeTheatreontheSouthBankoftheRiverThamesinthecentreofLondon.theGlobeTheatreweareseeingtodayisamarvellousreconstruction.TheoriginalGlobeTheatrewasdestroyedbyfire393yearsagoonJune29th1613.,.,24,Itisaroundbuilding.Itisinfactatwenty-sidedwoodenO,apolygonalO.Anditismadeofoakinthemain,anditsanopenairOsopeoplegatherroundinthetheatretohearaplay.Atwenty-sidedwooden，Thatsoak.Oakisaverydurableandhardwood.ItscommonlyusedinbuildingsandalsoforfurnitureintheUK.Openairplays.Theshowsareperformedoutside,sowecallitopenairplays,.,25,itwasbuiltin1599andShakespeareandagroupofactorsputmoneytogethertobuildthetheatre.ItwasthefirsttimeeverinEnglandactorshadpaidtobuildatheatre.Sothatwasveryspecial.AnditbecamethenumberonetheatreinLo