Tickets, please 劳伦斯.ppt

Tickets,please,ByD.H.Lawrence,Madeby:10022013/4/22,D.H.Lawrence(1885-1930),anEnglishnovelist,poet,playwright,essayist,literarycriticandpainter,ABriefIntroductionofhislife,Hewasthefourthchildofhisfamily.Hisfatherwasabarelyliterateminer,andhismotherwasaformerschoolmistress.Inhisearlylife,hestudiedwhileworked.,InMarch1912LawrencemetFriedaWeekley，withwhomhewastosharetherestofhislife.Shewasthewifeofaprofessorandtheyhadthreechildren.SheelopedwithLawrence,Duringtheyearfrom1912to1914,becauseofmilitarism,LawrencewasarrestedandaccusedofbeingaBritishspy.Aftertheexperienceofthewaryears,Lawrencebeganwhathetermedhissavagepilgrimage,atimeofvoluntaryexile.HeescapedfromEnglandandwithhiswifespenttheremainderofhislifetravelling.,Hediedoftuberculosis肺结核inasanatorium疗养院insouthernFranceattheageof44.,SymbolsUsedbyLawrence,TheCommonones:Horses-MaleMoon-Female,InTickets,please:Darkness-TheEnvironmentoftheSocietyandtheDesireFire-TheDesireforloveandforRevenge,ItwaswrittenduringtheFirstWorldWaranditusedthemoralandsocialupheavalbroughtaboutbytheconflict,insistingonthepsychologicalconsequencesofthechangeinwomensstatusresultingfromemploymentandfollowingtheirfighttobegivensocialrecognitionandthevote.Atthetime,thatnewsocialroleofwomenwasregardedasaformofprogressbythemale-dominatedsocietyandbysomewomen,asLawrencemakescriticallyclear.,Background,Thegirlconductors（售票员）benefitfromtheirnewstatusinthemicrocosm(缩图)ofthetram（电车）systembeforebecomingawareoftheirrealsecond-ratestatuswhenitcomestodirecthumanrelationship.Livingunderthedelusionofbeingrealactorsrecognisedasfullyresponsiblehumanbeings,theyarebrutallyshownbythechiefinspectors（检察官）offhandattitudehowwrongtheyhavebeen.Theirsubsequentviolentreactionrevealstheirdeepfrustrationandtheambiguousrelationshipsbetweenthesexes,marredandwarpedbyprogress.,OutlineofTickets,Please,AyounginspectorofthetramwaysystemseducesalltheconductressesontheMidlandsline.Oneofthem,Annie,eventuallyfallsforhimonaspecialoccasion,butshewantsmorethanaflirtation.Asshebecomesmoreandmorepossessive,theyoungmanletsherdownandpicksupanothergirl:Anniethendecidestotakerevenge.Asalltheotherconductressesmoreorlessconsciouslybearagrudgeagainsttheseducer,theysetatrapforhim;,oneeveningtheymanagetoattracthimintotheirwaiting-roomatthedepot（仓库）wheretheybeathim.Thegirlspretextforharassinghimistomakehimchooseoneofthemashiswife:eventuallyhespitefullychoosesAnniewho,farfrombeingproudandcontented,fallspreytoconflictingfeelings.Freedatlast,theinspectorwalksawayaloneinthenightwhilethegirlsleaveatthedepotonebyonewithmute,stupefied（呆若木鸡的）faces.,Tickets,Please？,Peopleshouldpayfortheirindulgentdesire.,MainCharacterAnalysis,AnnieStone,“Oh,mindmycorn,MissStone.Itsmybeliefyouvegotaheartofstone,foryoutrodonitagain.”“Youshouldkeepitinyourpocket,”repliedMissStone,andshegoessturdilyupstairsinherhighboots.”Fromthedialogueandhername“stone”,wecanfindthatAnnieisatomboyandmaybeverycruel.Infact,shewastheonewhowantedtoconquerThomasmost.Whatsmore,From“Annieshighboots”wewillthinkabout“soldiersboots”.,AnnieStone,thenameisevocativeofahard,mineralsubstance,isinkeepingwithherinflexible,adamantwayofassertingherbrandnewsoldier-likeauthority.Lawrenceironicallyinsistsonthegirlscommitmenttoherjobthroughtapinosis(明夸暗损).Anniespersonalityismorecomplex;shehastwofaces,asuperficialoneonboardthetramandadeep,instinctiveoneoutsidethesystem.Impervioustooneanotherinthefirsthalfoftheshortstory,thetwoidentitiesthenbegintooverlap.Asaconductorshetakesherjobseriously,whichincreaseshernaturalshrewishness(泼妇性质)andconsequentlyshefirstadoptsthesameattitudewithJohnThomasRaynoraswiththeothermalepassengers.,Beforeallowingagradualcomplicity(串通),bothintimateanddistanttodevelopbetweenthem:inthissubtleantagonism(对抗，对立)theykneweachotherlikeoldfriends,theywereasshrewdwithoneanotheralmostasmanandwife.Eachofthemknowstherulesofthegameandplaysthemonboardthetramwithintheframeofarelationshipsuperficiallyliberalisedbytheirrespectivefunctionsandtheiryoungage.However,Anniesfeminineinstinctsandimpulsearestillthere,tobegivenfullplayonafitoccasion.,JohnThomasRaynor,1)JohnThomas:InLadyChatterleyslover,itisdesignatedashisownpenis,sohereitsymbolizessexualdesire.Aswecanfindthatinthestory,Thomashadsexualrelationshipwithmanygirls.2)Raynor:ithasameaningofstrongforceswhichechoeswithAnnies“soldiersboots”Ihavementionedbefore.ThisimpliesfromthebeginningofthestorythatthereisasubtleconflictbetweenAnnieandThomas.Theirrelationwasdoomedtobeafailure.,Inordertoshowtheambiguityoftherelationshipbetweenmenandwomen,theyounginspectorJohnThomasRaynorisintroducedasacentraldevicetothemeaningfulmelodramathatgraduallydevelops.Afinecock-of-the-walkhewas:theyoungmansnumerousconquestsmakehimanobjectforscandal;alwaysonthelookoutforpasturesnew,heconsidershimselfastheproprietorofthegirlconductors.Thisvocabula