高音 越高越简单（The higher the treble, the simpler）

1、高音 越高越简单（The higher the treble, the simpler）The structure and principle of vocal organs1, breatheThe lungs are the organs that hold the air and are the places where we get the power to sing, so the more capacity we have, the better we can use the gas to increase its capacity. Most people have never

2、reached the point where they are full of gas because the lungs are often misunderstood - the lungs are located in the chest part and other parts are ignored. In fact, surrounded by ribs around the lungs, ribs role is to protect the lungs, there are places where the lungs have ribs, we can touch the

3、ribs, it is equivalent to touch the lungs. Let us first upper stomach, find the lowest two ribs branch where the finger points to the left, along the ribs down touch, we will find that the two ribs extending to the waist, we on the lung range, there is a impression.The top is below the apex of lung,

4、 call me. The part of the lobe is larger than the tip, i.e., the lower half of the lung is larger than the upper half. In its expansion, it is the same with. The lung is surrounded around the ribs, of course it is difficult to make a big expansion around, only the great expansion is the bottom of it

5、, but there is a strong muscle diaphragm below the bottom of it, its role is to control breathing, at rest is to arc, raised on the inhale, the curved upward into a downward arc, namely, inhale exhale down, rise. The diaphragm is the stomach, the stomach must first drop, the diaphragm can be decreas

6、ed. But the stomach below the intestines, there is no place to the stomach down, so the abdomen to protrude outward, the stomach can drop, breathing process is obvious.Its program is:Inhale(1) abdomen protruding outwards;(2) gastric diaphragm decline declineExhale(1) belly inward(2) the rise of gast

7、ric diaphragm reductionThese breathing movements, which we call abdominal breathing. Although the breath is controlled by the diaphragm, but it is not possible to artificially control the diaphragm, so can be used to complete the control of the abdomen. We know how to control the abdominal muscles i

8、s tantamount to control of breathing.Now take the balloon pump as an example. As we pump up, pull the piston handle down and push it up. For respiratory control, the piston handle is equal to ABS, piston diaphragm, cylinder body is equal to the lung, we can understand the gas access is controlled by

9、 the piston, the piston is controlled by the piston but handle.With abdominal breathing, the lungs cannot be absorbed at one time. We have the lower part of the lung is followed by respiratory expansion and contraction, but the chest is not necessary, because the chest is a main resonance box, to ke

10、ep its shape, and we sing, only half of the lung in the gas is enough, rarely used on the chest of the gas. Generally do not know abdominal breathing, often breathing in the chest, when singing, but also with the chest of gas, so that the chest often have to squeeze out the gas and injured. As long

11、as the chest is full of gas before we breathe in, it will naturally make the lower part of the lungs full of air. The chest full of the method is very simple, as long as the suction chest on the line before the rmb. In singing, usually only under the chest gas, used up immediately breathing. The che

12、st gas is used only when a special technique is sometimes performed and more gas is used.In fact, each of us is constantly breathing with the belly, but not to pay attention to it. Try lying on the bed without pillows. Put your hands on your abdomen and relax all over your body. You will feel the mo

13、vement of your abdomen up and down. That is abdominal breathing.2, soundVoice is the air through the vocal cords of the gap and the vocal cords are V shaped two films, elastic. When in the air, the air is completely opened, and the part is closed when the sound is made. The air is rubbed with the vo

14、cal cords when the air is squeezed out of the clamp gap, so that the sound is made, and the pronunciation of the air is not active, but passive. The principle is similar to using lips to trumpet. We try to blow the lips out of the trumpet and blow it with a little air,Lips slowly vibrate and produce

15、 a click sound, when the lips are loose, and then blow vigorously, lips will automatically shrink tight, and creak sound. Divination is a bass, and squeak is a treble. So, vocal cords and lips, pronunciation changes are controlled by air pressure, we want to control the vocal cords, we must first co

16、ntrol the pressure, control the pressure, we must control the breathing.3, resonanceAny musical instrument must have a resonator to increase its volume, and our singing is no exception. It has three sympathetic areas, that is, chest resonance, nasal resonance, and head resonance. The chest resonance

17、 means that our entire lungs are also called basic vibes, which are essential to whatever sounds we are singing (from bass to treble). We got a very low voice, hands in the chest, will feel the shock, and then hand in the back, can also feel vibrations. From this we know that the sound of singing is

18、 not emitted only by the mouth, but by the whole lungs, plus the resonance of joe. A nasal echo is a sympathetic sinus on either side of it. Here we do not confuse the nasal sounds with the Joe resonance. How do you separate them? Try holding your hand to the nose and then singing the so La Si do C.

19、 If you feel blocked and unable to sing, it is a nasal sound. If you hold your nose and still feel free to pronounce it, it is Joes sympathy.The head cavity resonance refers to our head, the high voice person (Soprano, tenor) sing to F2 pitch, that is, into the head cavity. Bass man (Alto, Bass) in

20、2 to e is necessary to be transferred to the head cavity. We had in the opera when the tenor, the so-called head tone, that is the head cavity resonance. The resonance of the head cavity is not easy to feel because the vibration is too fast. The only thing you can feel is that when you sing high not

21、es, you suddenly feel dizzy, that is to say, you have used the resonance in your head.A change in the volume of a resonatorOne problem is to note that when singing, the bodys resonant box and throat need to vary with pitch. The volume changes in the resonator volume have not been raised on many musi

22、cal books. In order to explain this problem, for example. There is a percussion instrument with many different sizes of the pieces of wood together, it is a xylophone. The key is completely in accordance with the xylophone piano arrangement of keys, there are a series of large and small pipes of dif

23、ferent length, bass, treble, short and small pipe. What is the function of these pipes? That is the volume of the block (keys) when it is struck.We sing like a musical instrument, and our resonant box is the lungs and throat. Like singing and playing the xylophone sound box of truth will vary with t

24、he pitch, it can be said that all the instruments are not out of this principle. If this principle is established, then some of the debate about vocal theory will be solved over the years.Remember, in the early years of the country, vocal music was divided into two major groups, one advocated singin

25、g belly to inward contraction, while the other thought that the lower abdomen should always be below the top, not to shrink into it. The truth is, when you sing the treble, the resonator is small and the bass is big.Four, direction and pass (mouth shape)The singers want the sound to go far enough fo

26、r the listeners in the back row to hear, which is to be studied technically. Today, because of the development of building technology, every concert hall has a good sound effect, so that it has created favorable conditions for the sound transmission. But making the song go far remains our point of a

27、ttention. Medieval churches tended to build circular roofs that first concentrated their voices, and then the sounds were sent in a parabolic manner. From this we can know that the sound must be centered first and then in a parabolic state.We sing, it is impossible to focus our voices up, but we sho

28、uld concentrate on the front, the part of the forehead. In order to achieve this requirement, we must pay attention to our mouth types. Some people pay too much attention to mouth types,Thats not necessary, as long as its natural. In fact, the mouth is not Zhang Zhang, is a jaw. The upper and lower

29、jaws are joined by tendons and are not easy to open wide, and the requirement of singing is to make it as wide as possible. Opening your jaw opens your throat and makes it easier for your chest to resonate. We have to practice yawning as we yawn, and when we practice, the tendon that connects to the

30、 lower jaw will be looser and easier to open.We dont have to pay attention to our lips. After we have opened the chin, we naturally do the right thing. But in some cases, we should also pay attention to the lips, and some peoples lower lip, because forward, it will affect the high sound before the c

31、oncentration. Present illustration illustrates that the lower lip of figure six (A) is incorrect and sounds as if it were water to the lower. The jaw of figure B is normal, and the sound can be taken up. If the voice cannot focus the front jaw, it cannot pass far (see figure C (1). If you can focus

32、up ahead, you can travel far, as shown in figure C (2).Abnormal lower lip can also affect the effect of resonance. We can do a test to feel the effect. Sing a small group of two C sound, singing in the lower lip down by hand, and then push back, you will feel sympathy when joe. If a person who learn

33、s to sing is in all respects very good, and only this shortcoming is not a pity? You should try to correct it. You can use your fingers to push the lower lip from time to time, or often do the movement of the lower lip so that the lower lip becomes a habitual habit of singing. Good sound and appropr

34、iate resonance, will produce a normal sound wave, normal sonic will automatically spread to far in the air. Finally, dont forget to raise your head and raise your voice up front.volumeWe cant use strength for any sport. There must always be some reservations. Voice can not be compared with the instr

35、ument, it is impossible to make too much sound, the volume of up to one (Forte), more than the physical requirements. If a string instrument pulls too hard, it becomes silent.In singing, if you want to show loud effects, you can use the volume contrast method. Performance loud, you can first sing in

36、 a low voice, and then set off a loud effect. If from beginning to end all sing loudly, to listen to people who dont feel loud. Voice in the volume is subject to certain restrictions, we must use the natural pressure to sing, so as to save effort and can be sustained.The third chapter exercisesFirst

37、, the importance of practiceAny exercise skills, by practice, if it becomes a habit, in the use of these skills will subconsciously play out, and not distracted to notice it. Just like learning how to drive, you should pay attention to how to operate and pay attention to the equipment when you are b

38、eginner, but you can not pay attention to the road surface. If we pay attention to the road, may rush, can not change the joystick or wrong brake. After learning to master, all the manipulation has become subconscious, it may be absorbed in the road. To get a drivers license, often driving, it is us

39、eful to pay attention to the operation of the machine.All the techniques of singing are equal to driving on the road. We are singing, never can be distracted to notice all the technical. When someone is singing, one feels his belly (breathing), and one holds his ears (sympathetic), that is impossibl

40、e to sing well. All methods, if acquired by practice, are truly attained. However, after acquiring the method, we must continue to practice, such as stopping practice, the methods obtained will be unfamiliar and even forgotten. Athletes should take part in sports meetings, not on temporary occasions

41、, but always practice. When we are students, it is impossible for us to have classes with our teachers every day, at most two times a week. Even if we understand the teachers methods, we can not get them without practice.Before the recorder is so common, the students sing and sing on the piano, and

42、they must play the piano while practising. Practice singing on the piano. Be sure to sit down,And sitting posture is not suitable for practicing singing. In addition, the practice of singing too early or too late will also affect others and so on, so it is ideal to use a tape recorder to help practi

43、ce singing. Are you in class, can use a tape recorder to practice the piano part all recorded (including voice, vocalising and song), then suitable for your time and place, turn on the recorder, pose with practice, all the difficulties and inconvenience are solved.Three, abdominal muscle useWe need

44、to make abdominal breathing natural, and to strengthen the muscles of the abdominal muscles, we must do the following exercises:Sleep flat (dont use pillows), put your hands on your belly, and concentrate on your stomach. Breathe through your nose, first feel the natural movements of breathing, and

45、then strengthen the action. When you think of the habit, put a thicker book in the belly, and when you inhale, the abdominal muscles push up the book vigorously. When you exhale, the book naturally presses down. In addition to allowing us to use abdominal breathing naturally, this exercise also adds

46、 strength to the abdominal muscles. Increasing strength is not something that can be achieved overnight, so practice it regularly and persistently. Then, we will gradually increase the number of books (not too much, so as not to fall down), continue to practice, to the satisfaction to get up to the

47、book standing against the wall to do the same exercises, so that we can make a habit of abdominal breathing right when standing.We cant dictate to practice breathing long, but the principle The more, the better. In fact, while we are practicing sounds, we are also practicing breathing, and the chang

48、es in breathing are endless. The breathing exercises mentioned above only make you experience the basic feeling of singing breathing, but also to strengthen the breathing force. In general, it is easier for beginners to understand the method of singing breathing, but to gain strength, that is repeat

49、ed practice. After the strength, we can get our training needs. When singing, there will be new changes, there are new requirements, but as long as the basic knowledge and technology, those changes and new requirements are not difficult to do.How long do you want to practice?When do you think its go

50、od? Besides these breathing exercises Danlian does not sound is so boring and monotonous. As with a martial arts man, some basic exercises should be done before the weapon is practiced. Such as sit horse, take the cedar, lift a stone bear; practicing boxing people to practice skipping and playing sa

51、ndbags; people playing soccer to long-distance train. And these exercises for a professional athlete, can be said to be perennial, and singing breathing exercises should also be persistent. Practice constantly, in addition to understanding, but also practice and time to cultivate the strength of the

52、 flesh and blood. Boring, it is inevitable.I am not in formal vocal learning in school, although the hobby blowing brass instruments, but the King. Later, determined to learn vocal music, she was at the time of the famous Soviet teachers door. She was the wife of Mrs. who was studying in Italy. Beca

53、use she has too many students, she is not easy to accept students. Her exam my singing ability, asked me to sing a song, but when the first formal class, although I took a lot of music, she only taught me to practice breathing, has been trained to have a class, do not send. After class, she seriousl

54、y told me not to go with the next sheet, if brought to the door. I was really disappointed at that time. I felt that I had spent an expensive tuition, but I learned to breathe instead of singing. But the tuition has been paid, at least one month after completion of the study! As a result, I did not

55、sing at the end of the month. But at this point, I gradually felt the benefits of breathing exercises, so I decided to continue. Later, I was admitted to the voice special, more and more that the first abecedarian is right! When she realized she wanted to go to her, unfortunately, she had died of il

56、lness. If she can explain to me in advance, make me understand the importance of breathing,That would be better. Unfortunately, she was Russian, and my English was not good at that time, so it was difficult for both sides to understand it through language. The reason why I am here to describe this e

57、xample in detail is that I hope you will fully understand the importance of breathing and make up your mind to practice breathing more. Most of the exercises Ive written today are largely based on the experience Ive learned from my first teacher! These exercises only increase the strength of the mus

58、cles, but are they compatible with the singing requirements? We know that the change of singing is infinite, when you are in training or singing, but also in practice breathing, also increase the new technology and power constantly to meet the needs of singing, until you start singing exercises, it

59、will not be because of individual practice breathing, feel boring.Five. Relax your energyPeople who learn vocal music are often confused by this question: how can they relax and how can they be effective? Powerful and how to relax? On the surface, Relaxation and strong are contradictory, but the experiment has proved that the two are not cont