中国银行xxxx笔试阅读理解真题.doc

1、中国银行2021笔试阅读理解真题中国银行校园招聘笔试英语的难度跟六级和考研的难度差不多,而且时间非常紧张,根本不够用的.题型大致分为：单项选择老六级、改错、完型、阅读、阅读新题型段落排序、句子排序、快速阅读等,题量笔研究生测试的题量还要大,而且时间只给一个半小时.本文为2021年笔试的阅读的一篇,并提供答案解析以供参考.Proponentsofdifferentjazzstyleshavealwaysarguedthattheirpredecessor"smusicalstyledidnotincludeessentialcharacteristicsthatdefinejazzas

2、jazz.Thus,1940"sswingwasbelittledbybeboppersofthe1950''swhowerethemselvesattackedbyfreejazzesofthe1960''s.Theneoboppersofthe1980''sand1990''sattackedalmosteverybodyelse.ThetitanicfigureofBlacksaxophonistJohnColtranehascomplicatedtheargumentsmadebyproponentsofstyl

3、esfrombebopthroughneobopbecauseinhisownmusicaljourneyhedrewfromallthosestyles.Hisinfluenceonalltypesofjazzwasimmeasurable.Attheheightofhispopularity,Coltranelargelyabandonedplayingbebop,thestylethathadbroughthimfame,toexploretheouterreachesofjazz.Coltranehimselfprobablybelievedthattheonlyessentialch

4、aracteristicofjazzwasimprovisation,theoneconstantinhisjourneyfrombeboptoopen-endedimprovisationsonmodal,Indian,andAfricanmelodies.Ontheotherhand,thisdoggedstudentandprodigioustechnician-whoinsistedonspendinghourseachdaypracticingscalesfromtheorybooks-wasneverabletojettisoncompletelytheinfluenceofbeb

5、op,withitsfastandelaboratechainsofnotesandornamentsonmelody.TwostylisticcharacteristicsshapedthewayColtraneplayedthetenorsaxophone:hefavoredplayingfastrunsofnotesbuiltonamelodyanddependedonheavy,regularlyaccentedbeats.ThefirstledColtranetosheetsofsoundwhereheracedfasterandfaster,pile-drivingnotesint

6、oeachothertosuggeststackedharmonies.Thesecondmeantthathissenseofrhythmwasalmostasclosetorockastobebop.ThreerecordingsillustrateColtrane''senergizingexplorations.RecordingKindofBluewithMilesDavis,Coltranefoundhimselfoutsidebop,exploringmodalmelodies.Hereheplayedsurging,lengthysolosbuiltlargel

7、yaroundrepeatedmotifsanorganizingprincipleunlikethatoffreejazzsaxophoneplayerOrnetteColeman,whomodulatedoralteredmelodiesinhissolos.OnGiantSteps,Coltranedebutedasleader,introducinghisowncompositions.Herethesheetsofsound,downbeataccents,repetitions,andgreatspeedarepartofeachsolo,andthevarietyofthesha

8、pesofhisphrasesisunique.Coltrane''ssearchingexplorationsproducedsolidachievement.MyFavoriteThingswasanotherkindofwatershed.HereColtraneplayedthesopranosaxophone,aninstrumentseldomusedbyjazzmusicians.Musically,theresultswereastounding.Withthesoprano''spipingsound,ideasthathadsoundedda

9、rkandbroodingacquiredafeelingofgiddyfantasy.WhenColtranebeganrecordingfortheImpulse!Label,hewasstillsearching.Hismusicbecameraucous,physical.Hisinfluenceonrockerswasenormous,includingJimiHendrix,therockguitarist,who,followingColtrane,raisedtheextendedguitarsolousingrepeatedmotifstoakindofrockartform

10、.TheprimarypurposeofthetextistoA discusstheplaceofColtraneintheworldofjazzanddescribehismusicalexplorations.B examinethenatureofbebopandcontrastitwithimprovisationaljazz.C analyzethemusicalsourcesofColtrane''sstyleandtheirinfluenceonhiswork.D acknowledgetheinfluenceofColtrane''smusic

11、onrockmusicandrockmusicians.Whichofthefollowingbestdescribestheorganizationofthefourthparagraph?A Athesisreferredtoearlierinthetextismentionedandillustratedwiththreespecificexamples.B Athesisisstatedandthreeexamplesaregiveneachsuggestingthatacorrectionneedstobemadetoathesisreferredtoearlierinthetext

12、.C Athesisreferredtoearlierinthetextismentioned,andthreeexamplesarepresentedandrankedinorderoftheirsupportofthethesis.D Athesisisstated,threeseeminglyopposingexamplesarepresented,andtheirunderlyingcorrespondenceisexplained.Accordingtothetext,JohnColtranedidallofthefollowingduringhiscareerEXCEPTA imp

13、roviseonmelodiesfromanumberofdifferentcultures.B performasleaderaswellassoloist.C spendtimeimprovinghistechnicalskills.D eliminatetheinfluenceofbeboponhisownmusic.AccordingtothetextamajordifferencebetweenColtraneandotherjazzmusicianswastheA degreetowhichColtrane''smusicencompassedallofjazz.B

14、 repetitionofmotifsthatColtraneusedinhissolos.C numberofhisowncompositionsthatColtranerecorded.D indifferenceColtranemaintainedtomusicaltechnique.Intermsofitstoneandform,thetextcanbestbecharacterizedasA dogmaticexplanation.B indignantdenial.C enthusiasticpraise.D speculativestudy.答案与考点解析答案AA.考生在解考点解

15、析此题是一道中央主旨题.第一段的倒数第一、二句是全文的中央主旨句,全文就是根据这两句话展开论述的.抓住这两句话就可以找出此题的正确选项题时,尤其是破解中央主旨题时,一定要先找出全文的中央主旨句.答案C考点解析这是一道例举证与细节理解题.第四段第一句明确指出“三张唱片为科尔特兰尼富有活力的探索提供了证实.这说明第四段将讲述三个例子用来说明在前一段即第三段所提出的论点.另外这三个例子是按着先后顺序给出的,因此此题的正确选项是C.考生在解题时要注意段落之间的相互关系,更要注意句子之间的相互关系.答案D考点解析这是一道细节理解题型.此题属于比拟难的题型,由于此题的涉及面比拟广.此题A、B、C选项的内容

16、分别在第二段第一句、第四段第三四句和第二段第二句提到过.故此题的正确选项应该是D.其实这道题外表上非常难,但是对于善于捕捉全文中央主旨句的同学来讲确比拟容易,由于从第一段第四句的原因状语从句中就可以推导出此题的正确答案D.考生在解题时应时时牢记全文的中央主旨句.答案A考点解析此题是一道审题定位题型.根据此题题干中的"otherjazzmusicians可将此题的答案信息来源定位在第一段的第一至四句,由于在这四句话中提到了其它的爵士音乐家.第一段第四句的状语从句明确指出了“Coltrane与其它音乐家的不同在于他吸收了各种风格的爵士音乐.故此题的正确答案应该是A.考生在解题时应重视审题

17、定位.答案C考点解析此题是一道归纳推导题型.细心的同学可从本文作者在论述时使用的词语中推导出此题的正确答案C.例如作者在第一段第四句的主语上使用了“titanicfigure；在第五句使用了"hisinfluencewasimmeasurable在最后一段的第三句使用了“hisinfluencewasenormous",这都反映了作者的"enthusiasticpraise".考生在解题时要重视原文作者在表达观点时的遣词造句.参考译文不同的爵士乐风格的支持者一贯认为他们前辈的音乐风格没有包括那些使爵士乐之所以成为爵士乐的本质特征.这样,二十世纪五十年代的

18、比波普派轻视二十世纪四十年代的摇摆音乐派,而他们自己又受到二十世纪六十年代的自由爵士派的抨击.二十世纪八十至九十年代的新比波普派几乎对任何其他人都进行抨击.而黑人萨克斯管巨匠约翰科尔特兰尼使这些从比波普派到新比波普派的支持者所提出的主张更加复杂化,由于在他自己的音乐例程中,他经历了所有这些风格.他对所有爵士音乐的风格的影响是不可估量的.在他最受欢送的时期,科尔特兰尼根本上放弃了比波普风格的演奏以便探索爵士乐更深的处延,然而正是比波普风格的演奏使得他成名.科尔特兰尼自己可能认为爵士乐的唯一本质特征就是即兴创作,这是他从比波普风格到对形式音乐、印度音乐、非洲音乐的自由即兴演奏的历程中一直没有改变的.另一方面,这个顽强的学生和异常的技巧家每天花几个小时用以练习理论书籍上的曲谱,从未能完全抛弃比波普的影响,在他的旋律中可以找到带有比波普特点的快速和精细的音符以及修饰效果.有两种风格特征影响了科尔特兰尼演奏男高音萨克斯管的方式：他喜欢对建立于一种旋律上的音符进行快速的演奏,同时也依赖于强有力的、有规律的重音节奏.