考研真题英汉互译与汉语写作

1、 HYPERLINK 好考研真题网-国内各大高校考研真题PAGE 更多考研资料，登陆 联系QQ1425536241青岛大学2009年硕士研究生入学考试试题科目代码：848 科目名称：英汉互译与汉语写作（共2页）请考生写明题号，将答案全部答在答题纸上，答在试卷上无效Part. Translate the following terms and passages into Chinese (60 points).A1. mythic archetype 2. Byronic hero 3. narratology 4. conflict 5. epiphany 6. Gothic novel 7.

2、 point of view 8. stream of consciousness 9. the three unities 10. modernism B The position of the drama is different. The drama may look towards the pictorial arts, it may allow Aristotle to discipline it, for it is not so deeply committed to the claims of human beings. Human beings have their grea

3、t chance in the novel. They say to the novelist: “Recreate us if you like, but we must come in,” and the novelists problem, as we have seen all along, is to give them a good run and to achieve something else at the same time. Whither shall he turn? Not indeed of help but for analogy. Music, though i

4、t does not employ human beings, though it is governed by intricate laws, nevertheless does offer in its final expression a type of beauty which fiction might achieve in its own way. Expansion. That is the idea the novelist must cling to. Not completion. Not rounding off but opening out. When the sym

5、phony is over we feel that the notes and tunes composing it have been liberated, they have found in the rhythm of the whole their individual freedom. Cannot the novel be like that?CWe sleep, and at length awake to the still reality of a winter morning. The snow lies warm as cotton or down upon the w

6、indow sill; the broadened sash and frosted panes admit a dim and private light, which enhances the snug cheer within. The stillness of the morning is impressive. The floor creaks under our feet as we move toward the window to look abroad through some clear space over the fields. We see the roofs sta

7、nd under their snow burden. From the eaves and fences hang stalactites of snow, and in the yard stand stalagmites covering some concealed core. The trees and shrubs rear white arms to the sky on every side; and where were walls and fences, we see fantastic forms stretching in frolic gambols across t

8、he dusky landscape, as if nature had strewn her fresh designs over the fields by night as models for mans art. D Rain was falling on the chapel, on the garden, on the college. It would rain for ever, noiselessly. The water would rise inch by inch, covering the grass and shrubs, covering the trees an

9、d houses, covering the monuments and the mountain tops. All life would be choked off, noiselessly: birds, men, elephants, pigs, children: noiselessly floating corpses amid the litter of the wreckage of the world. Forty days and forty nights the rain would fall till the waters covered the face of the

10、 earth. Towards dawn he awoke. O what sweet music! His soul was all dewy wet. Over his limbs in sleep pale cool waves of light had passed. He lay still, as if his soul lay amid cool waters, conscious of faint sweet music. His mind was waking slowly to a tremulous morning knowledge, a morning inspira

11、tion. A spirit filled him, pure as the purest water, sweet as dew, moving as music.Part. Translate the following passage into English (40 points). 我以为世间最宝贵的就是“今”，最易丧失的也是“今”。因为他最容易丧失，所以更觉得他可以宝贵。为甚么“今”最可宝贵呢？最好借哲人耶曼孙所说的话答这个疑问：“尔若爱千古，尔当爱现在。昨日不能唤回来，明天还不确实，尔能确有把握的就是今日。今日一天，当明日两天。”为什么“今”最易丧失呢？因为宇宙大化刻刻流转，决不停留。时间这个东西，也不因为吾人贵他爱他稍稍在人间留恋。试问吾人说“今”说“现在”，茫茫百千万劫，究竟哪一刹那是吾人的“今”，是吾人的“现在”呢？刚刚说他是“今”是“现在”，他早已风驰电掣的一般，已成“过去”了。吾人若要糊糊涂涂把他丢掉，岂不可惜？有的哲学家说，时间但有“过去”与“未来”，并无“现在”。有的又说“过去”“未来”皆是“现在”。我以为“过去未来皆是现在”的话倒有些道理。我请以最简明的一句话写出这篇的意思来：吾人在世，不可厌“今”而徒回思“过去”，梦想“将来”，以耗误“现在”的努力；又不可以