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湖北大学翻译硕士MTI《翻译硕士英语》命题思路序号考试内容题型分值时间(分钟)1词汇语法20题多项选择(10个词汇+10个语法)+1篇改错20+10602阅读理解2篇选择+2篇简答【第1篇专四难度后3篇专八难度】20+20603外语写作命题作文(400字)【给图表、诗歌等英文背景,谈看法】3060共计
100180湖北大学翻译硕士MTI《翻译硕士英语》考试样卷PARTI
GrammarandVocabulary(1’×20=20’)Directions:Therearefortysentencesinthissection.BeneatheachsentencetherearefourwordsorphrasesmarkedA,B,CandD.Chooseonewordorphrasethatbestcompletesthesentence.Markyouranswersonyouranswersheet.1.Heplaystennistothe______ofallothersports.A.eradiction
B.exclusion
C.extension
D.inclusion2.Sheansweredwithan______“No”totherequestthatsheattendthepublichearingA.eloquent
B.effective
C.emotional
D.emphatic3.Everyonewhohasvisitedthecityagreesthatitis______withlife.A.vibrant
B.violent
C.energetic
D.full4.WemetMaryandherhusbandatapartytwomonthsago.______we’vehadnofurthercommunication.A.Thereof
B.Thereby
C.Thereafter
D.Thereabouts5.Theheatinsummerisnoless______hereinthismountainregion/A.concentrated
B.extensive
C.intense
D.intensive6.
Couldyoujustgivemeahand?Let’s______thecarintomotion;itgotaflameoutjustnow.A.shove
B.nudge
C.prompt
D.poke7.
Theriverwas______withwastefromthatfactory.Somemeasuresmustbetakentostopitsproduction.A.corrupted
B.consumed
C.contaminated
D.infected8.Thisdisease______itselfinyellownessoftheskinandeyes.A.manifests
B.modifies
C.magnifies
D.exposes9.Isthereanypossible______explanationforhisbadhealthsinceheseemstohavenoobviousdisease?A.psychiatric
B.psychological
C.surgical
D.physical10.Theyoungloverswerenotallowedtogetmarriedbecausetheirtwofamilieswere____enemies.A.hereditary
B.congenital
C.innate
D.latent11.______Ilikeeconomics,Ilikesociologymuchbetter.A.Asmuchas
B.Somuch
C.Howmuch
D.Muchas12.______bothsidesaccepttheagreement______alastingpeacebeestablishedinthisregion.A.Onlyif,will
B.Ifonly,would
C.Should,will
D.Unless,would13.Iknowhefailedhislasttest,butreallyhe’s______stupid.A.somethingbut
B.anythingbutC.nothingbut
D.notbut14.What’sthechanceof______ageneralelectionthisyear?A.therebeing
B.theretobe
C.therebe
D.theregoingtobe15.______you______furtherproblemswithyourprinter,contactyourdealerforadvice.A.If…had
B.Have…had
C.Should…have
D.Incase…had16.Landbelongstothecity;thereis______thingasprivateownershipofland.A.nosucha
B.notsuch
C.notsucha
D.nosuch17.Itwas______wehadhoped.A.moreasuccessthan
B.asuccessmorethanC.asmuchofasuccesas
D.asuccessasmuchas18.Iamsurprised______thiscityisadullplacetolivein.A.thatyoushouldthink
B.bywhatyouarethinkingC.thatyouwouldthink
D.withwhatyouwerethinking19.Theopeningceremonyisagreatoccasion.Itisessential______forthat.A.forustobeprepared
B.thatwearepreparedC.ofustobeprepared
D.ourbeingprepared20.Lindawas______theexperimentamonthago,butshechangedhermindatthelastminute.A.tostart
B.tohavestartedC.tobestarting
D.tohavebeenstartingPARTIIReadingComprehension(2’×20=40’SectionAInthissectiontherearethreereadingpassagesfollowedby15questionsorunfinishedstatements,eachwithfoursuggestedanswersmarkedA,B,CandD.Choosetheonethatyouthinkisthebestanswer.Markyouranswersonyouranswersheet.(2’×10=20’TEXTAInthe1960s,medicalresearchersThomasHolmesandRichardRahedevelopedachecklistofstressfulevents.Theyappreciatedthetrickypointthatanymajorchangecanbestressful.Negativeeventslike"seriousillnessofafamilymember"werehighonthelist,butsoweresomepositivelife-changingevents,likemarriage.WhenyoutaketheHolmes-Rahetestyoumustrememberthatthescoredoesnotreflecthowyoudealwithstress--itonlyshowshowmuchyouhavetodealwith.Andwenowknowthatthewayyouhandletheseeventsdramaticallyaffectsyourchancesofstayinghealthy.Bytheearly1970s,hundredsofsimilarstudieshadfollowedHolmesandRahe.AndmillionsofAmericanswhoworkandliveunderstressworriedoverthereports.Somehow,theresearchgotboileddowntoamemorablemessage.Women’smagazinesranheadlineslike"Stresscausesillness!"Ifyouwanttostayphysicallyandmentallyhealthy,thearticlessaid,avoidstressfulevents.Butsuchsimplisticadviceisimpossibletofollow.Evenifstressfuleventsaredangerous,many--likethedeathofalovedone--areimpossibletoavoid.Moreover,anywarningtoavoidallstressfuleventsisaprescriptionforstayingawayfromopportunitiesaswellastrouble.Sinceanychangecanbestressful,apersonwhowantedtobecompletelyfreeofstresswouldnevermarry,haveachild,takeanewjobormove.Thenotionthatallstressmakesyousickalsoignoresalotofwhatweknowaboutpeople.Itassumeswe’reallvulnerableandpassiveinthefaceofadversity.Butwhatabouthumaninitiativeandcreativity?ManycomethroughperiodsofstresswithmorephysicalandmentalvigorthantheyhadIra.fore.Wealsoknowthatalongtimewithoutchangeorchallengecanleadtoboredom,andphysicalandmentalswain.1.TheresultofHolmes-Rahe’smedicalresearchtellsus________.A.thewayyouhandlemajoreventsmaycausestress
B.whatshouldbedonetoavoidstressC.whatkindofeventwouldcausestress
D.howtocopewithsuddenchangesinlife2.Thestudiesonstressintheearly1970’sledto________.A.widespreadconcernoveritsharmfuleffectsB.greatpanicoverthementaldisorderitcouldcauseC.anintensiveresearchintostress-relatedillnessesD.popularavoidanceofstressfuljobs3.ThescoreoftheHolmes-Rahetestshows_________.A.howmuchpressureyouareunder
B.howpositiveeventscanchangeyourlifeC.howstressfulamajoreventcanbe
D.howyoucandealwithlife-changingevents4.Whyis"suchsimplisticadvice"(Para.3)impossibletofollow?A.Noonecanstayonthesamejobforlong.B.Noprescriptioniseffectiveinrelievingstress.C.Peoplehavetogetmarriedsomeday.D.Youcouldbemissingopportunitiesaswell.5.Accordingtothepassagepeoplewhohaveexperiencedupsanddownsmaybecome________.A.nervouswhenfacedwithdifficulties
B.physicallyandmentallystrainedC.morecapableofcopingwithadversity
D.indifferenttowardwhathappenstothemTEXTBThatsummeranarmyofcricketsstartedawarwithmyfather.Theypickedafighttheminutetheyinvadedourcellar.Daddidn’tcareforbugsmuchmorethanMamma,buthecouldtolerateafewspidersandassortedcreepycrawlerslivinginthebasement.Everyfarmhousehadthem.Apartofrusticlivingandsomethingyouneededtoputupwithifyouwantedthesimplelife.HetoldMamma:nowthatwerelivingouthere,youcan’tbejerkingyourheadandswallowingyourgumoverwhat’splainnatural,Ellen.Butshewasacitygirlthroughandthroughandhadnoearswhenitcametodefendingvermin.Shesaidacricketwasjustanoisycockroach,justadumbhornybugthatwouldn’tshutup.Shesaidinthecitytherewereblocksofbuildingsoverrunwithcockroacheswithnowayforpeopletogetridofthem.Nosir,nowaycouldshesleepwithallthatchirpinggoingon;thentoproveherpointshewouldn’tgotobed.Shedrankcoffeeandsmokedmyfather’scigarettesandshepacedbetweenthecouchandtheTV.Nextmorningshethreatenedtopackupandleave,soDaddrovetothehardwarestoreandhurriedback.Hesquirtedpoisonfromajugwithaspraynozzle.Hesprayedthebasementandallaroundthefoundationofthehouse.Whenhewasfinishedhetoldusthatwastheendofit.Butwhatheshouldhavesaidwas:thisisthebeginning,thebeginningofourwar,thebeginningofourdestruction.Ioftenthinkbacktothatsummerandtrytoimaginehimdeliveringaspeechwithwordslikethat,becauseforthenextfourteendaysmammakeptfinddeadcricketsinthecleanlaundry.Shedshakeoutatowelorasheetandadeadblackcricketwouldrollacrossthelinoleum.Sometimesthecatwouldcornerone,andswatitaroundlikehewasplayinghockey,thencarryitawayinhismouth.Dadsaidswallowingafewdeadcricketswouldn’thurtaslongasthecatdidn’teattoomany.EachtimeMammacomplainedhetoldheritwasonlynaturalthatwe’dbefindingacoupleofdeadonesforawhile.Soonlivecricketsstartedshowingupinthekitchenandbathroom.Mammafreakedbecauseshethoughttheywerethedeadcricketscomebacktohaunt,butDadsaidthesewasdefinitelyanewbatch,probablycominguponthepipes.Hefetchedhisjugofpoisonandsprayedbeneaththesinkandbehindthetoiletandallalongthebaseboarduntilthewholehousesmelledofpoison,andthenhesprayedthecellaragain,andthenhewentoutsideandsprayedallaroundthefoundationleavingafoot-widemoatofpoison.Foracoupleofweekswewentbacktofindingdeadcricketsinthelaundry.Dadtoldustokeepasharplookout.Hesuggestedthatwe’dallbebetterofftohidasmanyawecouldfrommamma.IfedafewdozentothecatwhoIdidn’tlikebecausehescratchedandbitfornoreason.Ihopedthepoisonmightkillhimtoosowecouldgetapuppy.Acoupleofweekslater,whenbothliveanddeadcricketskeptturningup,heemptiedthecellarofjunk.Thenheburnedalotofbundlednewspapersandmagazineswhichhesaidthecricketshadturnedintonests.Hestoodoverthatfirewitharakeinonehandandagardenhoseintheother.Hewouldn’tleaveitevenwhenMammasentmeouttofetchhimforsupper.Hewouldn’tleavethefire,andshewouldn’tputsupperonthetable.Bothmybrotherswerecrying.Finallyshewentoutandgothimherself.Andwhileweate,thewindliftedsomeembersontothewoodpile.Theonlygasolinewasinthelawnmowersfueltankbutthatwasenoughtocreateanexplosionbigenoughtoreachthehouse.Oncetheroofcaught,therewasn’tmuchanyonecoulddo.11.Theword“rustic”inthefirstparagraphprobablymeans
A.urban
B.rural
C.metropolitan
D.extravagant12.WhichofthefollowingisCORRECTaboutDadandMamma?
A.ComparedwithMamma,Dadwasmoretolerantofbugs
B.MammatookDad’sadvicetoputupwithsomecrawlers.
C.Dadcouldbeartohavespidersmorethanbugs.
D.Mammaoftenswallowedherguminthehouse.13.Dadhadtogotothehardwarestoretobuy
A.somepesticide.
B.atoxicjug.
C.aspraynozzle.
D.somecigarettes.14.DadsprayedpoisoninallofthefollowingplacesEXCEPT
A.kitchen.
B.basement.
C.bathroom.
D.sitting-room.15.Theimmediatecauseofthefireis
A.thewind.
B.someembers.
C.theexplosionofthefueltank.
D.thematerialsoftheroof.SectionB:Directions:Inthissectiontherearetwopassagesfollowedbyanumberofquestions.Youarerequiredtogiveabriefanswerintwoorthreelinestoeachofthequestions.(2’×5=10TEXTATheearliestcontroversiesabouttherelationshipbetweenphotographyandartcenteredonwhetherphotograph’sfidelitytoappearancesanddependenceonamachineallowedittobeafineartasdistinctfrommerelyapracticalart.Throughoutthenineteenthcentury,thedefenceofphotographywasidenticalwiththestruggletoestablishitasafineart.Againstthechargethatphotographywasasoulless,mechanicalcopyingofreality,photographersassertedthatitwasinsteadaprivilegedwayofseeing,arevoltagainstcommonplacevision,andnolessworthyanartthanpainting.
Ironically,nowthatphotographyissecurelyestablishedasafineart,manyphotographersfinditpretentiousorirrelevanttolabelitassuch.Seriousphotographersvariouslyclaimtobefinding,recording,impartiallyobserving,witnessingevents,exploringthemselves—anythingbutmakingworksofart.Theyarenolongerwillingtodebatewhetherphotographyisorisnotafineart,excepttoproclaimthattheirownworkisnotinvolvedwithart.ItshowstheextenttowhichtheysimplytakeforgrantedtheconceptofartimposedbythetriumphofModernism:thebettertheart,themoresubversiveitisofthetraditionalaimsofart.
Photographers’disclaimersofanyinterestinmakingarttellusmoreabouttheharriedstatusofthecontemporarynotionofartthanaboutwhetherphotographyisorisnotart.Forexample,thosephotographerswhosupposethat,bytakingpictures,theyaregettingawayfromthepretensionsofartasexemplifiedbypaintingremindusofthoseAbstractExpressionistpainterswhoimaginedtheyweregettingawayfromtheintellectualausterityofclassicalModernistpaintingbyconcentratingonthephysicalactofpainting.Muchofphotography’sprestigetodayderivesfromtheconvergenceofitsaimswiththoseofrecentart,particularlywiththedismissalofabstractartimplicitinthephenomenonofPoppaintingduringthe1960’s.Appreciatingphotographsisarelieftosensibilitiestiredofthementalexertionsdemandedbyabstractart.ClassicalModernistpainting—thatis,abstractartasdevelopedindifferentwaysbyPicasso,Kandinsky,andMatisse—presupposeshighlydevelopedskillsoflookingandafamiliaritywithotherpaintingsandthehistoryofart.Photography,likePoppainting,reassuresviewersthatartisnothard;photographyseemstobemoreaboutitssubjectsthanaboutart.
Photography,however,hasdevelopedalltheanxietiesandself-consciousnessofaclassicModernistart.Manyprofessionalsprivatelyhavebeguntoworrythatthepromotionofphotographyasanactivitysubversiveofthetraditionalpretensionsofarthasgonesofarthatthepublicwillforgetthatphotographyisadistinctiveandexaltedactivity—inshort,anart.1.Whatistheauthormainlyconcernedwith?
2.WhydoestheauthorintroduceAbstractExpressionistpainter?
3.Howdidthenineteenth-centurydefendersofphotographystressthephotography?
4.CouldyounameafewoftheClassicalModernistpainters?
5.whatdoestheauthorwanttotellusbysaying“Ironically,nowthatphotographyissecurelyestablishedasafineart,manyphotographersfinditpretentiousorirrelevanttolabelitassuch.”(para.2)TextB:PopstarstodayenjoyastyleoflivingwhichwasoncetheprerogativeonlyofRoyalty.Wherevertheygo,peopleturnoutintheirthousandstogreetthem.Thecrowdsgowildtryingtocatchabriefglimpseoftheirsmiling,colorfullydressedidols.ThestarsaretransportedintheirchauffeurdrivenRolls-Royces,privatehelicoptersorexecutiveaeroplanes.Theyaresurroundedbyapermanententourageofmanagers,pressagentsandbodyguards.Photographsofthemappearregularlyinthepressandalltheircomingsandgoingsarereported,for,likeRoyalty,popstarsarenews.IftheyenjoymanyoftheprivilegesofRoyalty,theycertainlysharemanyoftheinconveniencesaswell.Itisdangerousforthemtomakeunscheduledappearancesinpublic.Theymustbeconstantlyshieldedfromtheadoringcrowdswhichidolizethem.Theyarenolongerprivateindividuals,butpublicproperty.Thefinancialrewardstheyreceiveforthissacrificecannotbecalculated,fortheirratesofpayareastronomical.
Andwhynot?Societyhasalwaysrewardeditstopentertainerslavishly.ThegreatdaysofHollywoodhavebecomelegendary:famousstarsenjoyedfame,wealthandadulationonanunprecedentedscale.Bytoday’sstandards,theexcessesofHollywooddonotseemquitesospectacular.Asinglegramophonerecordnowadaysmayearnmuchmoreinroyaltiesthanthefilmsofthepasteverdid.Thecompetitionforthetitle‘TopofthePops’isfierce,buttherewardsaretrulycolossal.
Itisonlyrightthatthestarsshouldbepaidinthisway.Don’tthetopmeninindustryearnenormoussalariesfortheservicestheyperformtotheircompaniesandtheircountries?Popstarsearnvastsumsinforeigncurrency–oftenmorethanlargeindustrialconcerns–andthetaxmancanonlybegratefulfrotheirmassiveannualcontributionstotheexchequer.Sowhowouldbegrudgethemtheirrewards?
It’sallverywellforpeopleinhumdrumjobstomoanaboutthesuccessesandrewardsofothers.Peoplewhomakeenviousremarksshouldrememberthatthemostfamousstarsrepresentonlythetipoftheiceberg.Foreveryfamousstar,therearehundredsofothersstrugglingtoearnaliving.Amanworkinginasteadyjobandlookingforwardtoapensionattheendofithasnorighttoexpectveryhighrewards.Hehaschosensecurityandpeaceofmind,sotherewillalwaysbealimittowhathecanearn.Butamanwhoattemptstobecomeastaristakingenormousrisks.Heknowsattheoutsetthatonlyahandfulofcompetitorsevergettotheverytop.Heknowsthatyearsofconcentratedeffortmayberewardedwithcompletefailure.Butheknows,too,thattherewardsforsuccessareveryhighindeed:theyaretherecompenseforthehugerisksinvolvedandifheachievesthem,hehascertainlyearnedthem.That’stheessenceofprivateenterprise.
6.WhydoesthewriterbelievethatPopstars’styleoflivingcouldbecomparedtothatofRoyalty?7.Theword“astronomical”inpara.onemeans____.8.Inwhatwayhasthesocietyrewardeditstopentertainerslavishly?
9.Whatdoes“thetipoftheiceberg”meaninthesentence“Peoplewhomakeenviousremarksshouldrememberthatthemostfamousstarsrepresentonlythetipoftheiceberg”?(para.4)10.Whatisthewriter’sattitudetowardsthetopic?
PartIII
Proofreading&ErrorCorrection(1’X10=20’)Thepassagecontains10errors.EachindicatedlinecontainsamaximumofONEerror.Ineachcase,onlyONEwordisinvolved.Youshouldproofreadthepassageandcorrectitinthefollowingway:Forawrongword,
underlinethewrongwordandwritethecorrectoneintheblankprovidedattheendoftheline.Foramissingword,
markthepositionofthemissingwordwitha“∧”signandwritethewordyoubelievetobemissingintheblankprovidedattheendoftheline.Foranunnecessaryword,
crosstheunnecessaryworkwithaslash“/”andputthewordin
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