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文学术语汇编1Literatureoftheabsurd:(荒诞派文学)Thetermisappliedtoanumberofworksindramaandprosefictionwhichhaveincommonthesensethatthehumanconditionisessentiallyabsurd,andthatthisconditioncanbeadequatelyrepresentedonlyinworksofliteraturethatarethemselvesabsurd.ThecurrentmovementemergedinFranceaftertheSecondWorldWar,asarebellionagainstessentialbeliefsandvaluesoftraditionalcultureandtraditionalliterature.Theyholdthebeliefthatahumanbeingisanisolatedexistentwhoiscastintoanalienuniverseandthehumanlifeinitsfruitlesssearchforpurposeandmeaningisbothanguishandabsurd.Theateroftheabsurd:(荒诞派戏剧)belongstoliteratureoftheabsurd.TworepresentativesofthisschoolareEugeneIonesco,FrenchauthorofTheBaldSoprano(1949)(此作品中文译名<秃头歌女>),andSamuelBeckett,IrishauthorofWaitingforGodot(1954)(此作品是荒诞派戏剧代表作<等待戈多〉).Theyprojecttheirrationalism,helplessnessandabsurdityoflifeindramaticformsthatrejectrealisticsettings,logicalreasoning,oracoherentlyevolvingplot.Blackcomedyorblackhumor:(黑色幽默)itmostlyemployedtodescribebaleful,naive,orineptcharactersinafantasticornightmarishmodernworldplayingouttheirrolesinwhatIonescocalleda“tragicfhrce”,inwhichtheeventsareoftensimultaneouslycomic,horrifying,andabsurd.JosephHeller’sCatch-22(美国著名作家约瑟夫海勒<二十二条军规〉)canbetakenasanexampleoftheemploymentofthistechnique.文学术语汇编2AestheticismortheAestheticMovement(唯美主义):itbegantoprevailinEuropeatthemiddleofthe19thcentury.Thetheoryof“artforart’ssake”wasfirstputforwardbysomeFrenchartists.Theydeclaredthatartshouldservenoreligious,moralorsocialpurpose.ThetwomostimportantrepresentativesofaestheticistsinEnglishliteratureareWaltPaterandOscarWilde.Allegory(寓言):ataleinverseorproseinwhichcharacters,actions,orsettingsrepresentabstractideasormoralqualities,suchasJohnBunyan’sThePilgrim’sProgress.Anallegoryisastorywithtwomeanings,aliteralmeaningandasymbolicmeaning.Fable(寓言):isashortnarrative,inproseorverse,thatexemplifiesanabstractmoralthesisorprincipleofhumanbehavior.Mostcommonisthebeastfable,inwhichanimalstalkandactlikethehumantypestheyrepresent.ThefablesinWesternculturesderivemainlyfromthestoriesattributedtoAesop,aGreekslaveofthesixthcenturyB.C.Parable(寓言):isaveryshortnarrativeabouthumanbeingspresentedsoastostressanalogywithagenerallessonthatthenarratoristryingtobringhometohisaudience.Forexample,theBiblecontainslotsofparablesemployedbyJesusChristtomakehisflockunderstandhispreach.(注意以上三个词在汉语中都翻译成语言,但是内涵并不相同,不要搞混)Alliteration(头韵):therepetitionoftheinitialconsonantsounds.InOldEnglishalliterativemeter,alliterationistheprincipalorganizingdeviceoftheverseline,suchasinBeowulf.Consonanceistherepetitionofasequenceoftwoormoreconsonantsbutwithachangeintheinterveningvowel,suchas“liveandlove”.Assonanceistherepetitionofidenticalorsimilarvowel,especiallyinstressedsyllables,inasequenceofnearbywords,suchas“childofsilence”.Allusion(典故)isareferencewithoutexplicitidentification,toaliteraryorhistoricalperson,place,orevent,ortoanotherliteraryworkorpassage.Mostliteraryallusionsareintendedtoberecognizedbythegenerallyeducatedreadersoftheauthor’stime,butsomeareaimedataspecialgroup.Ambiguity(复义性):SinceWilliamEmpson(燕卜荪)publishedSevenTypesofAmbiguity(《复义七型》),thetermhasbeenwidelyusedincriticismtoidentifyadeliberatepoeticdevice:theuseofasinglewordorexpressiontosignifytwoormoredistinctreferences,ortoexpresstwoormorediverseattitudesorfeeling.文学术语汇编3Antihero(反英雄):thechiefcharacterinamodernnovelorplaywhosecharacteristotallydifferentfromthetraditionalheroes.Insteadofmanifestinglargeness,dignity,power,orheroism,theantiheroispetty,passive,ineffectualordishonest.Forexample,theheroineofDefoe’sMollFlandersisathiefandaprostitute.Antithesis(对照):(afigureofspeech)Anantithesisisoftenexpressedinabalancedsentence,thatis,asentenceinwhichidenticalorsimilarsyntacticstructureisusedtoexpresscontrastingideas.Forexample,“Marriagehasmanypains,butcelibacy(独身生活)hasnopleasures.”bySamuelJohnsonobviouslyemploysantithesis.Archaism(拟古):theliteraryuseofwordsandexpressionsthathavebecomeobsoleteinthecommonspeechofanera.Forexample,thetranslatorsoftheKingJamesVersionofBiblegaveweightanddignitytotheirprosebyemployingarchaism.Atmosphere(氛围):theprevailingmoodorfeelingofaliterarywork.Atmosphereisoftendeveloped,atleastinpart,throughdescriptionsofsetting.Suchdescriptionshelptocreateanemotionalclimatetoestablishthereader’sexpectationsandattitudes.文学术语汇编4Ballad(民谣):itisasong,transmittedorally,whichtellsastory.Itoriginatedandwascommunicatedorallyamongilliterateoronlypartlyliteratepeople.Itexistsinmanyvariantforms.Themostcommonstanzaform,calledballadstanzaisaquatraininalternatefour-andthree-stresslines;usuallyonlythesecondandfourthlinesrhyme.AlthoughmanytraditionalballadsprobablyoriginatedinthelateMiddleAge,theywerenotcollectedandprinteduntiltheeighteenthcentury.Climax:asarhetoricaldeviceitmeansanascendingsequenceofimportance.Asaliteraryterm,itcanalsorefertothepointofgreatestintensity,interest,orsuspenseinastory’sturningpoint.Theactionleadingtotheclimaxandthesimultaneousincreaseoftensionintheplotareknownastherisingaction.Allactionaftertheclimaxisreferredtoasthefallingaction,orresolution.Thetermcrisisissometimesusedinterchangeablywithclimax.Anticlimax(突降):itdenotesawriter’sdeliberatedropfromtheseriousandelevatedtothetrivialandlowly,inordertoachieveacomicorsatiriceffect.ItisarhetoricaldeviceinEnglish.BeatGeneration(垮掉一代):itreferstoaloose-knitgroupofpoetsandnovelists,writinginthesecondhalfofthe1950sandearly1960s,whosharedasetofsocialattitudes一antiestablishment,antipolitical,anti-intellectual,opposedtotheprevailingcultural,literary,andmoralvalues,andinfavorofunfetteredself-realizationandself-expression.RepresentativesofthegroupincludeAllenGinsberg,JackKerouacandWilliamBurroughs.AndmostfamousliterarycreationsproducedbythisgroupshouldbeAllenGinsberg'slongpoemHowlandJackKerouac’sOntheRoad.文学术语汇编5Biography(传记):adetailedaccountofaperson’slifewrittenbyanotherperson,suchasSamuelJohnson’sLivesoftheEnglishPoetsandJamesBoswell’sLifeofSamuelJohnson.Autobiography(自传):aperson’saccountofhisorherownlife,suchasBenjaminFranklin’sautobiography.Blankverse(无韵体):Versewritteninunrhymediambicpentameter.ItistheverseformusedinsomeofthegreatestEnglishpoetry,includingthatofWilliamShakespeareandJohnMilton.Aparody(模仿)imitatestheseriousmannerandcharacteristicfeaturesofaparticularliterarywork,orthedistinctivestyleofaparticularauthor,orthetypicalstylisticandotherfeaturesofaseriousliterarygenre,anddeflatestheoriginalbyapplyingtheimitationtoalowlyorcomicallyinappropriatesubject.文学术语汇编6CelticRevivalalsoknownastheIrishLiteraryRenaissance(爱尔兰文艺复兴)identifiestheremarkablycreativeperiodinIrishliteraturefromabout1880tothedeathofWilliamButlerYeatsin1939.TheaimofYeatsandotherearlyleadersofthemovementwastocreateadistinctivelynationalliteraturebygoingbacktoIrishhistory,legend,andfolklore,aswellastonativeliterarymodels.ThemajorwritersofthismovementincludeWilliamButlerYeats,LadyGregory,JohnMillingtonSyngeandSeanO’Caseyandsoon.Characters(人物)arethepersonsrepresentedinadramaticornarrativework,whoareinterpretedbythereaderasbeingendowedwithparticularmoral,intellectual,andemotionalqualitiesbyinferencesfromthedialogues,actionsandmotivations.E.M.Forsterdividescharactersintotwotypes:flatcharacter,whichispresentedwithoutmuchindividualizingdetail;androundcharacter,whichiscomplexintemperamentandmotivationandisrepresentedwithsubtleparticularity.ChivalricRomance(ormedievalromance)(骑士传奇或中世纪传奇)isatypeofnarrativethatdevelopedintwelfth-centuryFrance,spreadtotheliteraturesofothercountries.Itsstandardplotisthatofaquestundertakenbyasingleknightinordertogainalady’sfavor;frequentlyitscentralinterestiscourtlylove,togetherwithtournamentsfoughtanddragonsandmonstersslain.Itstressesthechivalricidealsofcourage,loyalty,honor,mercifulnesstoanopponent,andelaboratemanners.Comedy:(喜剧)ingeneral,aliteraryworkthatendshappilywithahealthy,amicablearmisticebetweentheprotagonistandsociety.Farce(闹剧)isatypeofcomedydesignedtoprovoketheaudiencetosimpleandheartylaughter.Todosoitcommonlyemployshighlyexaggeratedtypesofcharactersandputsthemintoimprobableandludicroussituations.Confessionalpoetry(自白派诗歌)designatesatypeofnarrativeandlyricverse,givenimpetusbyRobertLowell’sLifeStudies,whichdealswiththefactsandintimatementalandphysicalexperiencesofthepoefsownlife.ConfessionalpoetrywaswritteninrebellionagainstthedemandforimpersonalitybyT.S.ElliotandtheNewCriticism.TherepresentativewritersofconfessionalschoolincludeRobertLowell,AnneSextonandSylviaPlathandsoon.CriticalRealism:(批判现实主义)Thecriticalrealismofthe19thcenturyflourishedinthefoutiesandinthebeginningoffifties.Therealistsfirstandforemostsetthemselvesthetaskofcriticizingcapitalistsocietyfromademocraticviewpointanddelineatedthecryingcontradictionsofbourgeoisreality.Buttheydidnotfindawaytoeradicatesocialevils.RepresentativewritersofthistrendincludeCharlesDickensandWilliamMakepeaceThackerayandsoon.Drama:(戏剧)Theformofcompositiondesignedforperformanceinthetheater,inwhichactorstaketherolesofthecharacters,performtheindicatedaction,andutterthewrittendialogue.(Thecommonalternativenameforadramaticcompositionisaplay.)文学术语汇编7DramaticMonologue:(戏剧独白)amonologueisalengthyspeechbyasingleperson.Dramaticmonologuedoesnotdesignateacomponentinaplay,butatypeoflyricpoemthatwasperfectedbyRobertBrowning.Byusingdramaticmonologue,asingleperson,whoispatentlynotthepoet,uttersthespeechthatmakesupthewholeofthepoem,inaspecificsituationatacriticalmoment.Forexample,RobertBrowning’sfamouspoem“MyLastDuchess”waswrittenindramaticmonologue.Elegy(哀歌或挽歌):apoemofmourning,usuallyoverthedeathofanindividual.Anelegyisatypeoflyricpoem,usuallyformalinlanguageandstructure,andsolemnorevenmelancholyintone.Enlightenment启蒙运动):ThenameappliedtoanintellectualmovementwhichdevelopedinWesternEuropeduringtheseventeenthcenturyandreacheditsheightintheeighteenth.Thecommonelementwasatrustinhumanreasonasadequatetosolvethecrucialproblemsandtoestablishtheessentialnormsinlife,togetherwiththebeliefthattheapplicationofreasonwasrapidlydissipatingtheremainingfeudaltraditions.ItinfluencedlotsoffamousEnglishwritersespeciallythoseneoclassicwriters,suchasAlexanderPope.Epic(史诗):itisalongversenarrativeonaserioussubject,toldinaformalandelevatedstyle,andcenteredonaheroicorquasi-divinefigureonwhoseactionsdependsthefateofatribe,anation,orthehumanrace.Epiphany:(顿悟)IntheearlydraftofAPortraitoftheArtistasaYoungMan,JamesJoyceemployedthistermtosignifyasuddensenseofradianceandrevelationthatonemayfeelwhileperceivingacommonplaceobject."Epiphany”nowhasbecomethestandardtermforthedescription,frequentinmodernpoetryandprosefiction,ofthesuddenflareintorevelationofanordinaryobjectorscene.Epithet(移就):asatermincriticism,epithetdenotesanadjectiveoradjectivalphraseusedtodefineadistinctivequalityofapersonorthing.Thismethodwaswidelyemployedinancientepics.Forexample,inHomer’sepic,theepithetlike"thewine-darksea”canbefoundeverywhere.Essay:(散文)anyshortcompositioninprosethatundertakestodiscussamatter,expressapointofview,persuadeustoacceptathesisonanysubject,orsimplyentertain.Theessaycanbedividedastheformalessayandtheinformalessay(familiaressay).Euphemism(委婉语):Aninoffensiveexpressionusedinplaceofabluntonethatisfelttobedisagreeableorembarrassing,suchas"passaway”insteadof"die”Expressionism(表现主义):aGermanmovementinliteratureandtheotherartswhichwasatitsheightbetween1910and1925-thatis,intheperiodjustbefore,during,andafterWWI.Theexpressionistartistorwriterundertakestoexpressapersonalvision-usuallyatroubledortenselyemotionalvision-ofhumanlifeandhumansociety.Thisisdonebyexaggeratinganddistorting.Werecognizeitseffects,directorindirect,onthewritingandstagingofsuchplaysasArthurMiller’sDeathofaSalesmanaswellasonthetheateroftheabsurd.Freeverse(自由体诗):Liketraditionalverse,itisprintedinshortlinesinsteadofwiththecontinuityofprose,butitdiffersfromsuchversebythefactthatitsrhythmicpatternisnotorganizedintoaregularmetricalform-thatis,intofeet,orrecurrentunitsofweakandstrongstressedsyllables.Mostfreeversealsohasirregularlinelengths,andeitherlacksrhymeorelseusesitonlyoccasionally.WaltWhitmanisarepresentativewhoemployedthispoemformsuccessfully.文学术语汇编8Gothicnovel:(哥特式小说)Itisatypeofprosefiction.ThewritersofthistypeoffictionsmostlysettheirstoriesinthemedievalperiodandinaCatholiccountry,especiallyItalyorSpain.Thelocalewasoftenagloomycastle.Thetypicalstoryfocusedonthesufferingsimposedonaninnocentheroinebyacruelvillain.Thistypeoffictionsmadebountifuluseofghosts,mysteriousdisappearances,andothersupernaturaloccurrences.Theprincipleaimofsuchnovelswastoevokechillingterrorandthebestofthistypeopeneduptothefictiontherealmoftheirrationalandoftheperverseimpulsesandnightmarishterrorsthatliebeneaththeorderlysurfaceofthecivilizedmind.SomefamousnovelistslikedtoemploysomeGothicelementsintheirnovels,suchasEmilyBronte’sWutheringHeights.Graveyardpoets(墓园派诗歌):Atermappliedtoeighteenth-centurypoetswhowrotemeditativepoems,usuallysetinagraveyard,onthethemeofhumanmortality,inmoodswhichrangefrompensivenesstoprofoundgloom.ThevogueresultedinoneofthemostwidelyknownEnglishpoems,ThomasGray’s“ElegyWritteninaCountryChurchyard”.HarlemRenaissance(哈莱姆文艺复兴):aperiodofremarkablecreativityinliterature,music,dance,painting,andsculpturebyAfrican-Americans,fromtheendoftheFirstWorldWarin1917throughthe1920s.AsaresultofthemassmigrationstotheurbanNorthinordertoescapethelegalsegregationoftheAmericanSouth,andalsoinordertotakeadvantageofthejobsopenedtoAfricanAmericansatthebeginningoftheWar,thepopulationoftheregionofManhattanknownasHarlembecamealmostexclusivelyBlack,andthevitalcenterofAfricanAmericancultureinAmerica.DistinguishedwriterswhowerepartofthemovementincludedLangstonHughesandJeanToomer.TheGreatDepressionof1929andtheearly1930sbroughttheperiodofbuoyantHarlemculture-whichhadbeenfosteredbyprosperityinthepublishingindustryandtheartworld-effectivelytoanend.HeroicCouplet(英雄双韵体)referstolinesofiambicpentameterwhichrhymeinpairs:aa,bb,cc,andsoon.Theadjective“heroic”wasappliedinthelaterseventeenthcenturybecauseofthefrequentuseofsuchcoupletsinheroicpoemsanddramas.ThisverseformwasintroducedintoEnglishpoetrybyGeoffreyChaucer.FromtheageofJohnDrydenthroughthatofSamuelJohnson,theheroiccoupletwasthepredominantEnglishmeasureforallthepoetickinds;somepoets,includingAlexanderPope,useditalmosttotheexclusionofothermeters.Hyperbole(夸张):thisfigureofspeechcalledhyperboleisboldoverstatement,ortheextravagantexaggerationoffactorofpossibility.Itmaybeusedeitherforseriousorironicorcomiceffect.Understatement轻描淡写):thisfigureofspeechdeliberatelyrepresentssomethingasverymuchlessinmagnitudeorimportancethanitreallyis,orisordinarilyconsideredtobe.Theeffectisusuallyironic.Imagism(意象派):itw

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