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第12讲阅读理解推理判断题(缥)
A
SophiaGholzisanaward-winningchildren'sbookauthor,musiclover,andmagicseeker.Sophiaenjoys
writingfictionwithhumorandheart.Whenwritingnonfiction,shepullsonherloveofscienceandherfamily
backgroundinecology.
Herbook,TheBoyWhoGrewaForest,sharesthetruestoryofJadavPayeng,amaninIndiawhosingle
handedlyplantedanentireforestoverthecourseofhislifetime.Whenhewasyounger,JadavPayengwas
shockedbythedestructionofhisislandhome.Sohetookmattersintohisownbandsandbeganplantingoneseed
atatime.Jadav*sforestisnowover1300acresandprovidesahometomanyanimals,someendangered.Jadavis
stillplantingtodayandhishardworkhasnowbeencelebratedaroundtheworld.
Towritethisstory,SophiagottoknowmoreaboutJadavPayengandhisforestthroughadocumentaryfilm
calledForestMan.Influencedbyherfather,aforestecologistandascientist,shegrewuplearningaboutthe
importanceoftreesandthenaturalworld.Whensheheardaboutamanonamissiontoreforestanentireisland
onhisown,shewasdrawntothisstory.
Asforresearch,mostofherresearchwasdoneonline.Shereadeverynewsarticlethatshecouldfindabout
Jadavandlistenedtoeveryinterview.ThenshereachedouttoseveralpeoplewhohadmetorinterviewedJadav
aswell,includingtheproducerofhisshortdocumentaryfilm.
ShehopesthatTheBoyWhoGrewaForestlightsasparkineveryonewhoreadsittogooutandcareforour
beautifulplanet.She*dloveyoungreaderstobeinspiredtoplantortolearnmoreaboutanimalhabitats,
biodiversityandscienceingeneral.
1.Whatisthesecondparagraphmainlyabout?
A.Astoryonhowtoplanttrees.B.Endangeredanimalsintheforest.
C.DestructionofJadav'sislandhome.D.Abookintroducingatree-plantinghero.
2.WhatdoweknowaboutJadavPayeng?
A.Hehasquitplantingrecently.B.Heisknowntomanypeople..
C.HewasanactorofForestMan.D.Heplantedtreeswithhisfamily.
3.WhichwordscanbestdescribeJadavPayeng?
A.Humorousandskilled.B.Creativeandoutgoing.
C.Determinedanddiligent.D.Controversialandhelpful.
4.WhafsthepurposeofwritingTheBoyWhoGrewaForest?
A.Toencourageresearchonwildlife.B.Todescribeaboy'sfarmingexperience.
C.Tostresstheimportanceofplantingtrees.D.Toadvocatetheactiontoprotecttheearth.
B
It'scommonknowledgethatthewomaninLeonardodaVinci'smostfamouspaintingseemstolookbackat
viewers,followingthemwithhereyesnomatterwheretheyareintheroom.Butthiscommonknowledgeturns
outwrong.
Anewstudyfindsthatthewomaninthepaintingisactuallylookingoutatanangleof15.4°offtothe
viewer'sright—welloutsidetherangethatpeoplenormallybelievewhentheythinksomeoneislookingrightat
them.Inotherwords,saidthestudyauthor,Horstmann,"She'snotlookingatyou.,,
Thisisironic(讽刺),becausetheentirephenomenonofaperson'sgaze(凝视)inaphotographorpainting
seemingtofollowthevieweriscalledthe“MonaLisaeffect”,whichisabsolutelyreal.Ifapersonisillustratedor
photographedlookingstraightahead,evenpeopleviewingtheportraitfromananglewillfeeltheyarebeing
lookedat.Aslongastheangleoftheperson'sgazeisnomorethanabout5degreesofftoeitherside,theMona
Lisaeffectoccurs.
Horstmannandhisco-authorwerestudyingthiseffectforitsapplicationinthecreationof
artificial-intelligenceavatars(虚拟头像)whenHorstmanntookalonglookatthe"MonaLisa"andrealizedshe
wasn'tlookingathim.
Tomakesureitwasn'tjusthim,theresearchersgathered24peopletoviewimagesofthe“MonaLisa”ona
computerscreen.Theysetarulerbetweentheviewerandthescreenandaskedtheparticipantstonotewhich
numberontherulerintersected(相交)MonaLisa'sgaze.TocalculatetheangleofMonaLisa'sgazeasshe
lookedattheviewer,theymovedtherulerfartherfromorclosertothescreenduringthestudy.Consistently,the
researchersfound,participantsjudgedthatthewomaninthe“MonaLisa"portraitwasnotlookingstraightatthem,
butslightlyofftotheirright.
Sowhydopeoplerepeatthebeliefthathereyesseemtofollowtheviewer?Horstmannisn'tsure.Ifs
possible,hesaid,thatpeoplehavethedesiretobelookedat,sotheythinkthewomanislookingstraightatthem.
Ormaybethepeoplewhofirstcoinedtheterm“MonaLisaeffect“justthoughtitwasacoolname.
5.Itisgenerallybelievedthatthewomaninthepainting“MonaLisa“.
A.attractstheviewerstolookback
B.seemsmysteriousbecauseofhereyes
C.fixeshereyesonthebackoftheviewers
D.looksatobserverswherevertheystand
6.Whatdidthenewstudyfind?
A.TheMonaLisaeffectdoesnotreallyexist.
B.Themysteryofthewoman'ssmileinthepainting.
C.TheangleofthegazeinMonaLisaeffect.
D.MonaLisaeffectdoesnotoccurwithMonaLisa.
7.Theexperimentinvolving24peoplewasconductedto.
A.confirmHorstmann'sbelief
B.createartificial-intelligenceavatars
C.calculatetheangleofMonaLisa'sgaze
D.showhowtheMonaLisaeffectcanbeapplied
8.Whatcanwelearnfromthepassage?
A.Horstmannthinksitcooltocointheterm“MonaLisaeffect”.
B.TheMonaLisaeffectcontributestothecreationofartificialintelligence.
C.FeelingbeinggazedatbyMonaLisamaybecausedbythedesireforattention.
D.Thepositionoftherulerintheexperimentwillinfluencetheviewers5judgement.
C
Teachingchildrentoempathizewithothersmeasurablyimprovestheircreativity,andcouldpotentiallylead
toseveralotherbenefits,newresearchsuggests.
Thefindingsarefromayear-longUniversityofCambridgestudywithDesignandTechnology(D&T)year9
pupilsattwoLondonschools.PupilsatSchoolAspenttheyearfollowingthestandardcurriculum,whileSchool
B'sD&Tlessonsusedasetofengineeringdesignthinkingtoolstofosterstudents'creativityandempathyin
solvingreal-worldproblems.
BothsetsofpupilswereassessedforcreativityatthestartandendoftheschoolyearusingtheTorranceTest
ofCreativeThinking:awell-establishedpsychologicaltest.
TheresultsshowedasignificantincreaseincreativityamongpupilsatSchoolB.Atthestart,thecreativity
scoresofpupilsinSchoolAwere11%higherthanthoseatSchoolB.Bytheend,however,creativityscoresfrom
SchoolBwere78%higher.
PupilsfromSchoolBagainscoredhigherincategoriessuchas''emotionalexpressiveness^^and
“open-mindedness",indicatinganimprovementinempathywasdrivingtheoverallcreativityscores.
Meanwhile,thestudysuggestsencouragingempathycandeepenpupils'generalengagementwithlearning.
TheyfoundthatboysinSchoolBshowedanimprovementinemotionalexpression,scoring64%higherattheend
oftheyearthanatthestart,whilegirlsimprovedmoreregardingcognitiveempathy,showing62%more
perspective-taking.
Theresearchispartofalong-termcooperationbetweentheFacultyofEducationandtheDepartmentof
EngineeringattheUniversityofCambridge,ledbyBillNichollandIanHosking.''Teachingforempathyhasbeen
problematicdespitebeingpartoftheNationalCurriculumforovertwodecades.Ifsvitalifwewanteducationto
encouragethedesignersandengineersoftomorrow."saidNicholl.
9.WhatwasthepurposetointroduceengineeringdesignthinkingtoolsinD&-Tlessons?
A.Toassessthepupils1creativityaccurately.
B.Toshowthesuperiorityofstandardcurriculum
C.Totrainpupilstoempathizewithothersinreality.
D.Toimprovepupils*involvementwithclassactivities.
10.Howdidtheresearchersgettheresult?
A.Bydoinganexperiment.
B.Byconductinginterviews.
C.Bygivingoutquestionnaires.
D.Byreferringtorelatedliterature.
11.Whatcanweinferfromthestudyresult?
A.ThecreativityofpupilsinSchoolBalwaystookthelead.
B.TheempathyofpupilsinSchoolApromotestheircreativity.
C.Boysandgirlsdi徐redintheirchangeduetotheD&Tcourse.
D.Teachingforempathyhasalreadyachievedalotduetoeducationreform.
12.Whereisthetextprobablyfrom?
A.Apopularjournal.
B.Apoliticalreport.
C.Anautobiography.
D.Asciencemagazine.
D
Withthesocialmediafreelyavailable,Fverealizedhoweasyitistobecomeajealouscow.Thetruthisthat
howevermuchIremindmyselfofthemanywonderfulthingsIhaveinmylife,therearestillmomentswhenI
lookatthosearoundmeandfeelbitterlyupsetbytheirsuccess.
It,sahorriblethingtoadmit!Inanidealworld,Fdneverwanttobejealousofanotherperson,sachievements
andFdwanttocelebratethesuccessesofmyfriends.Butsometimesifshard,evenwhenwewantto.ButIdon't
wanttolivemylifeasajealouscow,andIassumeyoudon*teither.
Ifseasiertocelebrateotherpeople'swinsifyoucelebrateyourown.Howoftendowetakethetimetoenjoy
oursuccessratherthaninstantlymoveontothenextthingwewanttoachieve?Lastyear,Idecidedtowriteabook.
ItwastheonlyprofessionalgoalIsetformyselfand,whileittiredmeout,Igotthere.Butassoonasitwasdone,
Istartedplanningmynextgoal-makingthebookasuccess.AsIsawotherpeoplepublishingbooks,Istopped
celebratingandinsteadbegantofearthatminewouldn*tcompete.
WhenItoldafriendhowIwasfeeling,sheremindedmehowmucheasieritistoclapforsomeoneelse
whenwealsoclapforourselves.So,Itookmyselfoutforlunch,orderedaglassofwineandwrotemyselfa
congratulationscard.WhenIsawallthoseotherbooksbeingwrittenonmysocialmedia,Ifeltproudofeachand
everyoneofuswhohadbattledtotheendofthewordcount.
Theothertrickforcelebratingotherpeople'ssuccessistorealizethatthereisnolimitonsuccess.Wecan
makemore,whichmeansthatwhileitmightseemasifothershaveeverythingandwehavenothing,therealityis
thatlifeturnsquicklyandourluckcouldchangeatanytime.Ifothershaveachievedthosethings,wecantoo.
Whenwecelebrateothers,we'reacknowledgingtheirachievementsbutalsocheeringforourselvesaswellasfor
ourhopesanddreamsandourbeliefthatwecanmakethemhappen.Andhopefully,whenwedo,thosepeople
willcheerforustoo.
13.WhatcanweinferfromParagraph1?
A.Socialmediaisthesourceoftheauthor'sjealousy.
B.Frequentsuccessesonsocialmediaencourageenvy.
C.Itisapleasuretofaceothers'successesonsocialmedia.
D.Peopletendtobecrazyaboutimmediatesuccessonline.
14.Asfarastheauthorisconcerned,whatshouldwedoafterachievingsuccess?
A.Appreciatewhat'sbeendone.
B.Showitoffonsocialmedia.
C.Reflectongainsandlosses.
D.Waiteforothers1congratulations.
15.Oneofthekeystoremovingjealousyliesin.
A.pursuingthoseachievablegoals
B.devotingyourselftothenextgoal
C.admittingpersonalincompetence
D.changingyourattitudetosuccess
16.Whatisthebesttitleforthepassage?
A.I'msohappyforus!
B.Whataconsideratefriend!
C.Idon'tcareaboutit!
D.Howselflessyoucanbe!
E
Flocksofhundredsofregenthoneyeaters(王吸蜜鸟)couldoncebespottedalloversouth-easternAustralia
onaregularbasis,buttodaythespeciesiscriticallyendangered,withonly300believedtoexistintheentire
world.Theywerealsoknownforthecomplexityoftheirmatingsongs,butastheirnumbersstarteddeclining,
scientistsstartednoticingmaleregenthoneyeatersdidn'tevensoundliketheirspeciesanymore.Today,thereis
enoughevidencethatregenthoneyeatershaveforgottenhowtosing,whichcouldcausetheentirespeciestogo
extinct.
Atonepoint,Australianscientistsnoticedthatmaleregenthoneyeaterswereimitating(模仿)thesongsof
otherbirdspecies.Someexpertsbelievedthattheimitationwasapurposefulstrategytoavoidattacksfromtheir
enemies.However,arecentstudyshowedotherwise.Youngregenthoneyeaterslearntheirsongsfromadult
membersoftheirspecies,justlikehumanchildrenlearntospeak,butbecausetheyarespreadsothinintheir
habitat-theycouldoccupyprobably10timesthesizeoftheUKbutarereallysmallinquantity-manymalesdon't
gettolistentotherightsongs,sotheystartadoptingthetunesofotherbirdspecies.Theproblemisthatthese
aren'tthesongsfemaleregenthoneyeaterswanttohear,sotheirchancesoffindingamateareveryslim.
Scientistsarenowplanningtocatchwildmalesthatcansingandputthemnexttocagedregenthoneyeaters
sothattheyoungbirdscanlearntherightsong.Theythenplantoreleasethemintothewildeveryfewyears,
wheretheywillhopefullybeabletoattractfemalesandreproduce.
“Thisstudyshowshowdamagingpopulationdeclinesandhabitatfragmentation(碎片)mightbetothis
criticalprocessinthelifeofsongbirds,“saidDrSueZollinger,anexpertinanimalcommunicationfrom
ManchesterMetropolitanUniversity.
17.Whyareregenthoneyeatersfacedwithextinction?
A.Theyareshortoffood.B.Theyareincapableofimitation.
C.Theirhabitatsarebadlydestroyed.D.Malebirdsfailtosingtherightsongs.
18.Whatisparagraph2intendedtodo?
A.Analysethereason.B.Drawaconclusion.
C.Presenttheproblem.D.Addsomebackground.
19.Whatarescientistsdoingtohelpthehoneyeaters?
A.Broadcastingmatingsongstotheyoungbirds.
B.Introducingwildbirdstoteachcagedones.
C.Trainingthemtoescapefromtheenemies.
D.Spreadingthemindifferenthabitats.
20.WhydoesthewritermentionDrSueZollinger'swords?
A.Toindicatethedifficultyofcatchingwildbirds.
B.Tooffersomestrategiesforanimalcommunication.
C.Topointoutthecriticaltunesofthebird'smatingsongs.
D.Tostressthesignificanceofanidealpopulationperhabitat.
F
OnJuly24,2020,MikeStoutlaunchedhiskayak(皮筏艇)justbefore8:30a.m.About56milesand16.5
hourslater,helandedonthesandyMichiganshore.ItwashissecondtimecrossingLakeMichigan.
Bychance,Stoutsaid,hegavekayakingatryin2016.Alreadyingoodphysicalcondition,heconsidered
kayakingaweekendescape.Thenhewaschallengedbyaclientofhisfirmtothinkbigger.Hedidgobigquickly.
Weekendkayaktripswere40,50and60mileslongoverthenextfewmonths.ThenhisgoalwastocrossLake
Michiganthatyear.OnAugust3,StoutcompletedhisfirstcrossingofLakeMichiganin15.5hours.Sincethen,
he'sfinishedcountlesslong-distancetripsonMinnesotariversandlakes.
InheadingbacktoLakeMich
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