展示体验建筑设计中英文对照外文翻译文献

中英文对照外文翻译文献(文档含英文原文和中文翻译)原文：NorwayRomsdalFolkMuseumPhotographfrom:StiftelsenRomsdalsmuseetTheRomsdalFolkMuseumisanarchitectonicattractionandatreasuredlandmarkthatembodiesthehistoryandidentityoftheentireregion.Ourintentioninthisprojectwastoletthestructuresignalitsmeaningandfunctionthroughanarchitecturalexpressionandtheuseoflocalmaterials.Thescaleofthebuildingreferstotheurbanityandmorphologyofthetown.Theoveralllayoutofthemuseumgroundstheconnectionstothetownbylinkingdifferentsurroundingareasinanoverallplanwhereallcirculationislinkedinaunifiedstructure.Theprojectconveysanopenandprogressiveattitudethatmakesdiverseutilizationpossible.

TheMuseumdesignapproachisrootedinrationalityandsustainability.Theplangeometryisdeceptivelysimple,thecharacteristicangledshapesarelimitedtotheroofandtheexternalwall,makingthecirculationandinternalorganisationclearandflexible.Thepublicareasareclearlyseparatedfromtheadministrationwing,whichislocatedonboththegroundandfirstfloor.Exhibitionrooms,theauditoriumandthelibraryareallplacedonthegroundfloortoincreaseflexibilityanduserexperience.Thetransparencyofthereceptionroompermitssupportinginternalandexternalactivities.Largeslidingdoorsseparatethepermanentandtemporaryexhibitionareas,givingthecuratorstheabilitytocombineorseparatethespaces.Thearchivesandworkshopsarelocatedonthebasementlevel,withtheverticalcirculationoflargeitemsfacilitatedbyalargegoodslift.Pineistheprimarybuildingmaterialofthemuseum.Exteriorwallsandroofaremadeofsolidtimberincombinationofsteelbeamwhenrequired.Theterrainentailedtheuseofconcrete,howeveritsusewasreducetothefoundations.Exteriorwallsandceilingscoveredwithmaintenance-pinerelieftemperedwithbio-basedoil.Differentopeningsfilterthedaylightinsuchwaythattheinternalspaceareenrichedbygradationsandtranslucencynuances.However,themainexhibitionroomsareblackboxes,givingthecuratorstotalcontrolofartificiallighteningintheseareas.Alltheglazingunitshavehigh-energyperformanceglass,insomelocationswithsilkprintedcoloursandpatterns.TheimpactontheNordicsociety:TheRomsdalFolkMuseumisagreatexampleofstrategicuseoflow-techbuildingsolutions.ItembodiesthenationalpolicyinNorwaytoaimforamoresustainablefuture.ThemuseumisbuiltusingNorwegiantimbertechnologyandactsasahubforculturaldevelopment.Inthisbuilding,thepeopleofMoldeaswellasvisitorsandtouristsaregiventheopportunitytoconnectandtobuildawidercommunity.ThemuseumhostsnotonlyexhibitsaboutNorwegianculturebutalsoconcerts,workshopsandlecturesonaday-to-daybasis.Thearchitecturalformbringstogethertheregion'sfolkcultureandthearea'scharacteristiclandscapequalitiesinalargercomposition.Therangeofperspectivesandactivitiesensuresabroadaudience,withthemuseumbecomingalivingcentrefortheexplorationoftheregion’shistory,contemporaryculture,andfuture.SchöningenGermanypaleontologyresearchandexperiencecenterArchitects:

HolzerKoblerArchitekturenLocation:Schöningen,GermanyArea:4,090㎡Year:2013Photographsfrom:CourtesyofHolzerKoblerArchitekturenFromthearchitect.

ArchitectureThePALÄONpushesitselfoutoftheslightlyhillytopographyandcutsintotheforestedmeadows.Thevolumeofthethree-storybuildingandthepathsemanatingfromitformlinesofsightthatdividethelandscapeintovectors.Asecondwindingpathsystemformssynapsesthatconnecttothesurroundings.Thebuildingisacamouflage–ahyperrealisticabstractionofthelandscape.ThemetallicskinofthePALÄONmirrorsthemeadowsandforeststhatsurrounditaswellasthemovementsofthecloudsintheskypassingby.Throughitsarchaicform,theresearchandexperiencecenterbecomesonewithitssurroundings.Sharp,large-formattedcutsintothebuildingfaçadeofferwide-reachingandfascinatingviewstotheplacewherethespearswerediscovered,thepitofthebrowncoalmine,thenearbyforest,andthePrzewalskihorsesgrazinginthemeadows.Theexpressiveopeningscutintothebuildinglikespearsintheskinofthehorsesandreflectthisdynamicintheformlanguage.Theabstractcutsintothebuildingalsoformallyreacttotheneighboringtracesofopencutmining.Theresultingexpressivearchitecturemediatesbetweenmanmadeandnaturallandscapeandformsanemblemfortheplace.ExhibitionTheexperienceexhibition,withitspresentationoftheoriginalsitefromSchöningenliesattheheartoftheproject.Memorableimagesspeaktothevisitor’ssensesandemotions.Newfindingsonourancestors,thehomoerectus,hisdailylifeandthefloraandfaunathatexistedaround300,000yearsagoarepresentedaswellasconnectionstocurrentthemessuchasclimatechangeandsustainability.Thecircuitthroughtheexhibitionbeginsinthethree-storyfoyerinthemiddleofthebuilding,whichconnectsalloftheviewstotheoutside.Thetallspacecreatesviewaxestotheresearchandexhibitionareasinthefirstandsecondfloorsaswellasvistastothebrowncoalmine.Hereiswhereallpathsleadingtotheprogrammaticareas,suchasexhibition,educationalareas,administration,restaurantorshop,beginandend.Thefoyerthenleadsonebacktoprehistorictimesthroughthelacqueredcross-sectionofthegeologicalandarchaeologicallayersoftheexcavation.Centraltotheexhibitiondesignisthesculpturalwhiteexhibitionstructure,whoseformvaguelyresemblethoseofhorsebones.Throughenlargementandabstraction,arowofthemecabinetsformaspatiallyactivatingelementwithviewsalternatingwithlarge-formatartwork.Highlighttotheexhibitioncircuitisthespears`cabinetthatpresentstheworld-wideuniqueswoodenspearsfromthestoneage.Finallythepanoramiccinemamakes300,000yearsemotionallyexperiential.Uponleavingthemainexhibitionspaceandcrossingthefoyeronelasttimehighabovetheentrance,currentarchaeologicalexcavationandresearchworkinSchöningencanbeexperiencedintheresearcharea.Inthelaboratory,visitorssolveatrickycasewithmodernarchaeologicalmethods.Theprofessionallaboratoryandworkspacesofthearchaeologistson-sitearestrungalongtheexhibitioncircuitandcanbeexaminedbythevisitors.The‘AdventureResearch’thattakesplaceheredailyismadecomprehensibleforlaymen,childrenandexpertsandallowedtobeexperiencedclose-up–inthePALÄONitselfandtheexhibitionsiteoutdoors.LandscapeForthedesignoftheoutdoorspacesofthenewresearchandexperiencecenter,twocomplementaryformlanguageswereintroducedintothelandscape.Theydifferfunctionallyandformallyinthenewlycreatedparklandscapeechoinganinter-glacialcycleofprimevaltimesandintheaccessandgatheringareas,whicharestronglyinfluencedarchitectonicallythroughthebuilding.Totheeast,densewoodswillsooncoverhalfoftheareaofthesite.TothewestandsurroundingthePALÄONstretchdappledforests,aswellasmeadowsandalake,whichalsoaccommodatethefenced-inareaforthePrzewalskihorses.Acurvingnetworkofpathsleadsthevisitortospecialviewpoints,attractions,andmakesnecessaryconnections.Forexample,thedesignoftheplaygroundwasinspiredfromextinctprimevalanimals.Andfromaslightlyraisedpointatoneareaofthelake,thevisitorisgivenanidealviewofwherethewildhorsesreside.SpaHotSpringsResortMingTang,Bazhou,HebeiProvinceofChina.Architect:

CTDesign

+CooperationTeamLocation:BazhouCity,HebeiProvince,ChinaSiteArea:About12hectaresatthefirstphaseInvestment:About600,000,000TWDHotSpringHotelArea:About13,000㎡Completion:Nov2010Photographs:TonyBACKGROUNDWithadvantageoflocationaboutdistancefromBeijingcitybycarin1hourandresourceofhotspring,BazhouhasbeenplanedanddevelopedashotspringtowninHebeiProvinceofChina.Thereare6piecesoflandallottedto6investmentgroupsinthenewdevelopmentareaandtheprojectis1of6hotspringresorts.ISSUE&AGENDAHowtoredefinequalityfor5starresorthotelwhichisnotmainlybyit’sphysicalluxurybutmoreaboutrichnatureexperienceistheissuewehaveandhowtocreateresortasonesustainableenvironmentisourmainconcern.Therefore,environmentgoesfirst,thenlandscapeexperience,architecturalformisjustbasedonhowtointegrateitwithsurroundings.SITESITUATIONThesiteisflatwhichisabout18hectaresinrectangleshape(12hectaresforthefirstphase)andasnormalnorthernlandscapeinChina.Coldwinterwindcomesfromnorthwestdirectionandcoolsummerwindcomesfromsoutheastdirection.Moreoverclimateandlandscapesituationisverydifferentat4reasons–springiscomfortable,summerishotwhichwillreachto32degreeathighest,autumniscool,andwinteriscoldaboutminus10degreeatlowest.Sohowtousethesevariedexperienceforresortistheoneofmainpointsfordesign.ABOUTPLANNING&LANDSCAPEMoreNature,MoreSustainableNewtopographycreatedintendstorespondtosite’ssituationwhichistohavehighhillatnorthsideworkingasdefenceforcoldwinterwindandlowhillatsouthsidetoguidecoolsummerwindintothesite.Topographyalsoworksasbasetocreatesthreelandscapetypologieswhichwillcreatemultiplelandscapeexperience–thehilltopasgrassland,thehillsideasforest,andthelowlandashotspring.Hotelandvillaswillbesetatdifferentpositionandzoningasgroupswithdifferentlandscapethemesuchashotspring,forest,andlake.Ashotspringresort,wateristhemainsubjectandisusedasmainlandscapeelement.FromhotspringtoSPA,fromdamtowaterfall,andfromwatercourtyardtosurroundinglake,weintendtocreatemorechanceforguesttoexperiencehotspringinmanydifferentways.Aboutwatersystem,secondhandhotspringiscollectedandpumpedintowaterfallandwaterwallincourtyard.Waterwillflowfromhighleveltolowlevel,frominsidetooutside,fromwatercourtyardtoentrancepoolanddowntolakeandriver.Finallywaterwillbepumpedbacktowatercourtyardattheendpoolofriverasonecirculatingsystem.ABOUTARCHITECTURE&SPACEArchitectureinNature,NatureinArchitecture“ArchitectureinNature,NatureinArchitecture”isourbasicconceptforthehotel.Intheway,weintendtocreateweakandhumblearchitecturewhichisharmoniousandconsistentwithsurroundings.Wetakelinearformforbuildingasthewaytointegrateitwithsurroundingsinsteadofcreatingonebigsolidobjectasnormalbusinesshotelonlandscape.Linearformisasloopputtingontopographywhichstillwillkeeplandscapeinsideandcangivemaximumproximityandaccesstothelandscape.Moreover,italsoworksascorridortoguideguestexperiencingenvironmentandasthebestcirculationforflowofpeopleaswell.Basedonarrangementoflandscape,thehotelspaceisarrangedin3loopsfollowingtopographyfromlevel+0.2muptolevel+1.1m.3LOOPSLoop1:Lobby,Café,SPA,indoor/outdoorswimmingpool–waterzoneSurroundedbywaterandlookslikestandingonit,ourintentionistointegrateinnerspacewithsurroundingbigwater.Andduetotemperaturedifference,hopefullyhotspringcouldcreatekindatmospherethathotelwilllooklikeasinmistinwinter.Loop2:Restaurant–flowerzoneSurroundedbyflowerandencirclingsakuracourtyard,weintendtocreatekindatmospherewhichiscomfortableandrefinedinrestaurant.Loop3:Guestroomarea–bambooforestzoneDuetoit’sspecialcharacterandabilitytosurviveinwinter,bambooischosentocreateforestforguestroomareawhichisnotjustonlytoprovideprivacybutalsocreatekindfeelingofmeditation,especiallyforhotspringareainguestroomtowardsbamboocourtyard.EXPECTATIONWehopethisresortcouldbeasanenvironmentwhichpeoplecanexperiencebynotjustonlyvision,buthearing,smell,andtouchaswell.Itisjustsimplyyoucanhearvoiceofwater,birds,andwindgoingthroughbamboo,andcanfeelhotspringandsmellfloweraswell.翻译：挪威Romsdal民俗博物馆图片来源：StiftelsenRomsdalsmuseet这是由ReiulfRamstad建筑事务所设计的Romsdal民俗博物。该博物馆是非常具有吸引力的建筑，体现了整个地区的历史和身份，是建筑上的一个里程碑。该项目的设计目的是希望通过建筑表现和就地取材来凸显标志性。建筑规模是参考城镇的建筑形态和风格。博物馆连接不同的周边地区，同时与城镇保持关联，在一个统一的结构里相互流通。该项目传达一个开放和进取的态度，呈现多功能化。

项目设计方法植根于理性和可持续性。简单的几何平面，屋顶和外墙限制出夸张的成角空间，形成清晰且灵活的内部组织和流通系统。公共区域分开管理，位于地面和一楼。展览空间、礼堂、图书馆都放置在一楼，增加灵活性和用户体验。接待室保证一定透明度，支持内、外部活动。大型滑动门分离出永久展区和临时展区，方便灵活合并或分隔空间。档案和车间位于地下室，垂直大物件的流通依靠一个大货梯。松树是博物馆的主要建筑材料，外墙和屋顶由木材和部分钢梁组成，表面都有松木浮雕。不同的开口过滤阳光，通过色调和透明度等细微差别来丰富内部空间。主要的展览空间是全黑的，方便配置人工的、艺术性的灯光。所有玻璃都是高性能玻璃，有些为丝绸印花玻璃。对北欧社会的影响：Romsdal民俗博物馆是使用低技术结构的典型案例。它体现了挪威追求可持续未来的国家政策。博物馆是以挪威木材工艺作为文化发展的中心。在这栋大楼里，莫尔德人就像游客一样，有机会与其他游客交流，建立一个更广泛的社区。博物馆不仅举办挪威文化展览，日常还可举办音乐会、研讨会和讲座等。建筑形式汇集了该地区的民俗文化和景观特色。多种活动的举办确保广泛的群众，同时使其成为该地区一个探索区域历史、当代文化与未来的生活中心。德国，舍宁根，PALÄON古生物研究与体验中心建筑师：

HolzerKoblerArchitekturen地点：德国舍宁根面积：4,090平方米年份：2013图片来源：CourtesyofHolzerKoblerArchitekturen以下是来自建筑师提供的方案信息PALÄON古生物研究与体验中心从这片丘陵地带里探身而出，周围环绕着密密麻麻的草丛。这栋三层高的建筑体量以及从中延伸出来的各条路径形成了若干条视线，将周围的景致划分为若干个部分。还有一条迂回曲折的道路系统，形成了如同神经键一般的触点，衔接着周围的环境。该建筑好像隐身于大地，这是对于景观的超现实抽象表达。PALÄON研究与体验中心的金属表皮映照出了周围的草地和森林，以及天空中飘过的朵朵白云。尽管建筑物外形古老，却早已与其所处的环境融为一体。在建筑的立面设计了棱角锐利的大型切口，让人们能够饱览周围的美景，在这里考古学家挖掘出了古代的长矛，还能看到远处的褐煤矿坑、附近的森林、在草地上放牧的蒙古野马。富于表现力的洞口如同长矛刺入马匹的皮肤一样切入建筑，从形体语言上体现出了这种动态之美。建筑内部抽象的切口也在形体上与附近露天开采的矿山开采痕迹形成了呼应。由此产生的令人印象深刻的建筑设计调和了人工与自然景观之间的关系，为场地塑造了一个地标。展览体验展就位于项目的核心地带，在展览中还展示了原先位于舍宁根的场地。让人难忘的景象挑动了游客的感觉和情感。人类先祖——直立人的日常生活和周围的动植物早在30万年前就已出现，在展览中展示了对他们的新发现，也联系了当前受人关注的课题，譬如气候变化和可持续发展。展厅的环形道路始于位于建筑中央的三层高门厅，此处衔接了室内外的所有风光。这个高大开敞的空间在一楼和二楼的研究与展览区创建了视图轴，并能眺望褐煤矿坑的风景。所有的内部通道都从这里通往各个功能区，如展厅、教室、行政办公区、餐厅或商店，这里既是起点，也是终点。于是，这个门厅通过涂漆的地质剖面和考古挖掘层模型将人们带回到史前时代。展览设计的首要之处是雕塑一般的白色展览结构，其形式与马的骨骼依稀相似。一连串小型主题陈列室以尺寸放大和抽象化的方式，创建了赋予空间活力的元素，与大型艺术品交替出现在游客面前。摆放长矛的陈列室展示了从石器时代开始的全世界的独特木质长矛，这里正是展厅环形通道的重心。最后是全景电影放映，让人从情感上感受30万年前的世界。离开主要展厅之后就会穿过入口上方的门厅，在这个研究区域能够亲身体验舍宁根地区当前的考古发掘和研究工作。在实验室里，游客们能够以现代化的考古方法处理棘手的案例。中心现场的考古学家的专业实验室和工作空间串联在展厅循环通道上，游客可逐一观看。这里每天都会发生“探险研究”，不但便于非专业人员、孩子们和专家理解，也允许人们近距离体验——在PALÄON中心内部及其户外展览场所。景观在设计研究与体验中心的户外空间时，设计师往景观中引入了两种互补的形式语言。两者在功能和形式上均有异于新建成的公园景观和入口、聚会区域，其中公园景观呼应了远古的间冰期自然风貌。公园景观和入口、聚会区域在建筑设计方面深受中心建筑的影响。在东侧，茂密的森林将很快覆盖建筑基地面积的一半。在西