考前押题02 语篇语法填空题(期末专项训练)（原卷版）

考前押题02语篇语法填空题(期末专项训练)话题1科学与研究话题4文化与节日话题2历史与文化话题5社会与经济话题3人物与故事话题6科技与创新话题1科学与研究Passage1ThePotalaPalace,asymbolofTibetanarchitectureandcultureinLhasa,thecapitalofXizang,haslaunchedanimportantdigitalpreservationproject.SinceearlyMarch,nearly1,000thangkapaintings1(evaluate)andscannedinhighdefinitionbytheCulturalRelicsResearchOfficeunderthePotalaPalaceManagementOffice.Thangkais2uniqueformofpaintinginTibetanculture.Itis3(typical)areligiousscrollmountedonsilkandhungforworship,4coverssubjectsfromhistorytomedicine,andsociallife.ThePotalaPalace5(house)over6,000suchartworksfromvariousperiodsandregions,includingcentralplains,Xizang,andSouthAsia.ThesepiecesnotonlyillustrateBuddhist6(story)butalsohighlightTibetanculturalelementsandcraftsmanship.Alongsidethangkas,ancienttextsandsculptureswithinthepalacearebeingorganizedandstudied,7(result)inpublicationssuchas“CatalogofAncientTextsintheFirstScriptureHallofthePotalaPalace”and“CollectedResearchPapersonAncientTextsinthePotalaPalace”.Theongoingdigitaleffortscombinetraditionalmethodswithmoderntechnology8(ensure)thatthepalace’sheritagecontinuestoinspirethepublic.ThePotalaPalaceserves9abridgebetweenthepastandthepresent.Throughdigitalpreservation,thispalacestrengthensitsroleinprotectingandpromotingChinesecultural10(diverse).Passage2WouldyouliketotravelthroughtimeliketheDoctorfromDoctorWho?Well,accordingtoscientistsfromtheUniversityofBritishColumbiainCanadaandtheUniversityofMarylandintheUS,itisamathematicalpossibility.InareporttitledTardis—anodtoDoctorWho’spoliceboxspacecraft,theydescribeaway11timetravelcouldhappenusingamachinemadeofextraordinarymaterials.Tounderstand12thesescientistshaveproposed,wefirstneedtogobackmorethan100years.AlbertEinstein’stheoryofgeneralrelativitywaspublishedin1915andexplainshowthepathoflight13(affect)bymassiveobjects,suchasplanetsandstars,thathaveahugeamountofgravity.Einsteinbelievedthatthesehugeobjectsbendspaceandtime,allowinglighttocurvearoundthem.Thinkofitlikethis:imagineyou’restandinginthemiddleofatrampoline(蹦床)—itwilldipdownwards.Ifyouputatennisballneartheedge,itwouldrolltowardsyou14itgetstoyourfeet.Youare15aplanet:thedipinthetrampolineislikethecurveinspace-time;andthetennisballislighttravellingaroundtheplanet.OneofthemostinterestingpartsofEinstein’stheorywastheideathattime16change,dependingonhowfastapersonistravelling.Hebelievedthatifsomeoneweretravellingatthespeedoflightinspacethentimewouldpass17(slowly)forthem,comparedwithsomeonestandingstillonEarth.Althoughthissoundsimpossible,scientists18(experiment)withaccurateclocksandfoundthatitistrue.ThescientistsbasedtheirreportonEinstein’stheoryofbendingspace-time.Theyfoundthatifatimemachinecouldtravelfasterthanthespeedoflightand“bendtimeintoacircle”,usingsomethingcalledexoticmatter,thentheycouldtheoreticallytravelbackintime.19thescienceiscorrect,theresearcherssaidthatitisunlikelyanyonewouldeverachieveit.BenTippett,oneoftheresearchers,said,“20itismathematicallyfeasible(可行的),itisnotyetpossibletobuildaspace-timemachinebecauseweneedmaterials—whichwecallexoticmatter—tobendspace-timeintheseimpossibleways,buttheyhaveyettobediscovered.”话题2历史与文化Passage1TeahasalonghistoryinChina,datingbackthousandsofyears.ItissaidthatShennong,oneofthelegendary1(figure)inancientChina,discoveredteawhenleavesfromawildtreefellintohisboilingwater.2time,teabecameanimportantpartofChineseculture,notonlyasabeveragebutalsoasasymbolofhospitalityandfriendship.DuringtheTangDynasty,tea3(drink)becamewidespreadamongtheupperclasses,andtheartofteamakingandbrewingbegantotakeshape.ThefamousteamasterLuYuwrote“TheClassicofTea,”which4(lay)thefoundationforthedevelopmentofChineseteaculture.IntheSongDynasty,theteaceremonyreachedanew5(high)ofrefinement,withelaborateteacompetitionsand6focusontheaestheticexperienceofteadrinking.Inmodernlife,theChineseteaceremonystillholdsgreatsignificance.Itprovidesawayforpeople7(slow)downandconnectwithnatureandtraditioninafast-pacedworld.Theteaceremonycanbeaformofmeditationandself-reflection,8helpspeopletocalmtheirmindsandfindinnerpeace.Moreover,theteaceremony9(become)popularinmanypartsoftheworld,aspeopleare10(increasing)interestedinChinesecultureandalternativewaysofliving.Passage2Zhangye,ahistoricSilkRoadhub(枢纽)inGansuProvince,hasinitiatedthe“TwoLinesMapping”projecttosafeguarditsculturalheritage.Zhangyeis1(strategic)locatedattheHexiCorridor’scrossroads,2theQinghai-TibetandMongolianPlateau’smeet.Thecity—oncecelebratedas“GoldenZhangye”—3(preserve)1,270immovablerelics,including20national-levelsites.ItsGreatWallsectionsextend813.7kmacrosstwodynasties,includingthe4(province)second-longestHan-erasectionandlongestMing-erastretch.Theprojectestablishestwoprotectionzones:acoreboundaryprotectingrelicsandtheirimmediateenvironment,and5outercontrolzonerestrictingdamagingconstruction.Byemployingdigitalmappingandgeographical6(technology),Zhangyeintegratespreciseheritagelocations7urbanplanningsystems,whichensurestheoriginalstateofrelicswhilemanagingmoderndevelopment.WangXu,aculturalprotectionofficial,explainsthismethodcombinestechnologywithtradition8(solve)modernchallenges.Bysettingclearrulesforlandusearoundculturalsites,Zhangyedemonstrates9Chinesecitiescangroweconomicallywhilepreservingtheirhistoricalroots.Theprojectnotonlyprotectsphysicalrelicsbutalsomaintainsthestoriesandculturalspiritlinkedtotheseancientwalls,10(ensure)futuregenerationsunderstandtheirvalue.话题3人物与故事Passage1Recently,avideohasgoneviralonline.OnthebusystreetsofSydney,Australia,ayoungChinesewoman,DongMin,dressedinbeautifulhanfu,thetraditionalclothingofChina,elegantly1(hold)adizi,thebamboofluteofChina,invitingpassers-bywithtraditionalChinesemusic.Bornin1990,DonggraduatedfromMinzuUniversityofChinawith2degreeinthemajorofChinesebamboofluteandlaterstudiedattheUniversityofNewSouthWalesinAustralia,3sheformedaChinesemusicbandwithlike-mindedfriends.4(subsequent),shefoundedtheSydneyMeyaConservatoryofChineseMusic,5(devote)toteachingChinesetraditionalinstrumentstomorepeople.Itattractsstudentsaged4to80,reflectingthetimelessappealofChinesemusicacross6(generation).HavingnoticedalackofawarenessofChinesetraditionalmusicinAustralia,she7(inspire)bylocalperformersusingwesterninstrumentslikepianosandviolins8(launch)streetperformanceswithhermembers,showingtraditionalChineseinstrumentsinSydney’sChinatownin2016.“StreetperformancesofferadirectandvisualwayforpeopletoexperienceChinesemusic,whichmakesit9(access)toeveryone,”shesaid.AsDong’sperformancesgrowinpopularity,videosofhershowsspreadacrosssocialmedia,drawinginalargeraudience.Donghaswitnessedachangeinforeignaudiences,fromunfamiliarity10activeengagement,demonstratingthegrowingpresenceoftraditionalChinesemusicinAustralia,bothinformalsettingsandonthestreets.Passage2TheEmeiKungFuGirls,afemaleKungFugroupconsistingofnineGen-ZmemberswhoarepassionateabouttraditionalChinesemartialarts,hasgoneviralonChina’ssocialmedia.LingYun,thecorememberofthegroup,1isalsoaninheritorofEmeimartialarts,andothermembersareskilledinEmeiKungFutechniques.Short2(video)ofthemperformingEmeimartialartshaveeffectivelypromotedtheintangibleculturalheritage.Intheirfirstpromotionalvideo,theyweargreenuniformsandperformvariousEmeiKungFutechniquesagainstthebackdropofMountEmeiinsouthwestChina’sSichuanProvince,3(demonstrate)theuniquecharmofEmeimartialarts,which4(date)backtotheSpringandAutumnPeriod.Ling,whobegantolearnmartialartsattheageof4,realizedthatpreservingandspreadingEmeimartialartsculturecouldn’trely5(mere)onpractitioners’training,andEmeiKungFushouldbepromotedinawaythatappealstomodernaesthetics6(reach)bothdomesticandinternationalaudiences.Therefore,formingagroupofversatiletalentswhocouldmakeEmeimartialartsculturethriveinmodernsocietybecame7priority.Asaresult,theEmeiKungFuGirlsgroupwasofficiallylaunchedatthe8(four)EmeiMartialArtsInheritanceConferenceonApril29,2024.Thegrouphascrackedthecodeofsocialmediasuccessbycarvingoutitsdistinctivestyle.Theircostumesstrikeaperfectbalancebetweenpracticalityandgraceandcombinetraditionalelements9modernaesthetics,featuringink-greenandredcolorschemes,cloudpatterns,and10(innovate)cuttingtechniques.话题4文化与节日Passage1OnDecember4,2024,theUNESCOincludedtheSpringFestival-socialpracticesoftheChinesepeoplein1(celebrate)ofthetraditionalnewyearontheRepresentativeListoftheIntangibleCulturalHeritage(非物质文化遗产)ofHumanity.Thedecisionwasmadeduringthe19thsessionoftheIntergovernmentalCommitteefortheSafeguardingoftheIntangibleCulturalHeritage,takingplaceinParaguayfromDecember2to7.Withthisaddition,Chinanowhas44culturalelementsorpracticesrecognizedbyUNESCO2IntangibleCulturalHeritageofHumanity.AccordingtoUNESCO’sdocumentation,thetraditionalknowledgeandcustoms3(relate)totheSpringFestivalarepasseddowninformallywithinfamiliesandcommunitiesaswellasformallythroughtheeducationsystem.Craftsmanshipandartisticskillsconnectedwiththefestivalarespread,4(promote)familyvalues,socialcohesion(凝聚力),andpeace,whileprovidingasenseofculturalidentity.Thecommitteealsoemphasizedthatthefestivalrepresentstheharmonybetweenhumansandnatureand5(contribute)tocontinuousdevelopmentinareassuchasfoodsecurityandeducation.Italsoplaysakeyroleinraisingenvironmental6(aware).China’sviceministerofCultureandTourism,RaoQuan,7ledtheChinesedelegation(代表团)attheUNESCOsession,expressedgratefulnessfortherecognition.He8(stress)thattheSpringFestivalisChina’smostimportanttraditionalholiday,symbolizingtheChinesepeople’shopesforabetterlife,strongtiestofamilyandcountry,andthevaluesofharmonybetweenhumansandnature.Raofurther9(proud)explainedthatthefestival,passeddownthroughgenerations,hasprovidedlastingspiritualstrengthtotheChinesepeople.Ithasplayedasignificantroleinstrengtheningfamilyandsocialharmony,drivingeconomicdevelopment,protectingtheenvironment,andencouragingglobalculturalexchange.Headded,“TheinclusionoftheSpringFestivalontheUNESCOlistwillhelppromoteuniversalvaluesofpeaceandharmony10highlighttheimportantroleofintangibleculturalheritageinthefuturedevelopment.”Passage2TheUNESCOonWednesdayinscribedSpringFestival,socialpracticesoftheChinesepeopleincelebrationofthetraditionalnewyear,ontheRepresentativeListoftheIntangibleCulturalHeritageofHumanity.Thedecision1(make)duringthe19thsessionoftheIntergovernmentalCommitteefortheSafeguardingoftheIntangibleCulturalHeritage,takingplaceinParaguayfromDec.2to7.Thecommitteerecognizedthefestivalforitswidearrayofrituals(仪式)2uniqueculturalelementsthatengageallofChinesesociety.UNESCOhighlightedthattheSpringFestival,3(mark)thestartofthetraditionalChineseLunarNewYear,involvesvarioussocialpractices,including4(prayer)forgoodfortuneandfamilyreunions.Italso5(feature)activitiesplannedbyeldersandfestivepubliceventsorganizedbycommunities.AccordingtoUNESCO’sdocumentation,theknowledgeandcustoms6(associate)withtheSpringFestivalarepassed7informallywithinfamiliesandcommunities,aswellasformallythroughtheeducationsystem.China’sviceministerofCultureandTourism,RaoQuan,8ledtheChinesedelegationattheUNESCOsession,expressedgratitudeforthe9(recognize).HestressedthattheSpringFestivalisChina’smostimportanttraditionalholiday,symbolizingtheChinesepeople’shopesfor10betterlife,strongtiestofamilyandcountry,andthevaluesofharmonybetweenhumansandnature.话题5社会与经济Passage1Forsomanyyears,ourworldhasoperatedinasetcycle:work,earnmoney,spendit,andrepeat.Intheprocess,1accumulationofunnecessaryitemswillquicklylosetheirappealandendupgatheringdust.However,apowerfulshifttowardssustainabilityisnowunderway.Thesharingeconomy,allaboutbondingpeopleandresources,2(become)verypopularinEuropeduringthepastdecades.InGermany,3(drive)bythecountry’sstrongenvironmentalconsciousnessandcommitmenttosustainability,thesharingeconomyhasbeenembraced,givingrisetonumerousplatformsandservices.Forexample,somepopularcar-platformslikeDrivyshowcasethe4(market)potentialforcollaborativeandwaste-reducinginnovations.Andthisisnotjustlimitedtobusinesses;itplacesgreateremphasis5ordinaryindividualsandcommunities.Peopleareincreasinglyusingthriftstores,donationstationsanddigitalplatforms6(exchange)theirunwanteditemsforfree.OnesuchplatformisGoHardcover,whichrevolutionizesbooksharingbyallowingreaderstoeasilylendandborrowbooks,thus7(form)asustainablesharingcyclethatreduceswasteandcarbonemissions.Userscancreatevirtual8(bookshelf)tosharetheircollectionsandexploreotherbooksfromfellowreaders,9makesliteraturemoreaccessibleandfostersagrowingnumberofbooklovers.Thesharingeconomyiscreatingamoresustainable,resource-efficientandconnectedfuture,wheremoreindividualparticipationwillpavethewayfora10(bright)future.Passage2FamedcontemporaryartistCaiGuoqianghaspartneredwithMGMtolaunchtheglobaldebut(首次亮相)ofhisAImodel,cAITM,withtheexhibition“cAITM:SoulScan”.HostedinMacau’shistoricBarradistrict,thedisplaypresentsaround20originalworks1(specific)tailoredtothecity,inlinewithMGM’sefforts2(promote)culturaltourismintheregion.3(locate)neartheA-MaTemple,theexhibitiondrawsinspirationfromMacau’slong-standingMazutraditionsandthehistoricalspreadofMazuculturefromCai’shometowninQuanzhou,Fujian.Itfeaturesarangeofstimulating4(experience),includingself-introductionsgeneratedbycAITM,gunpowderpaintingsby“gunpowderartistcAITM”and5interactivedeviceby“fireworksmastercAITM”allowingvisitorstoco-createvirtualfireworks.Astandoutis“cAITMDivination(预言)Room”,6aroboticarmdesignedby“divinercAITM”engagesaudienceswithinteractiveinsights,7(add)anexploratorydimensiontotheexhibition.“cAITM:SoulScan”reflectsCai’spioneeringinquiry8theintersectionofAIandcontemporaryart.Ontheopeningday,adynamicdialogue9(hold)betweenCaiandMacaubasedprofessors,studentsandartists.Itemphasized10(open)andinclusivityasvitaltoartisticdevelopment.话题6科技与创新Passage1OnJanuary28,3,000drones(无人机)performedastunninglightshowinChongqingduringtheSpringFestivalGala.Theshow,organizedbyDamodaIntelligentControlTechnology,1(feature)patternsoffamouslandmarksandflowersacrossthenightsky.Despitechallengessuchasunpredictableweatherandsignalinterference,theteam,2averageageis27,deliveredaflawlessperformance.Mostoftheteammembersspecializeindronetechnology,whileothersareenthusiastsrecruitedbythecompany.Inrecentyears,droneperformances3(become)amajortrendinentertainment.Comparedtotraditionalfireworks,dronesare4(safe)andlesspolluting.Advancementsintechnologyhavemadelarger-scaleperformancespossible.Damoda’sthird-generationdronesaredesigned5(take)offfromacompactbox,savingspace,whilethefourth-generationmodelschargeautomatically.In2023,thecompanysettwoGuinnessWorldRecordsby6(fly)10,197dronessimultaneously.Competitionisshiftingfromtechnologytocreativity,astheindus