雨课堂学堂在线学堂云《Film and Cultural Studies（华南理工）》单元测试考核答案

第1题Thestudyoffilmforminvolves_____.AAnalyzingwhatelementsarechosentoincludeinthefilmBLookingathowalltheformalelementsarerelatedtooneanotherCFindingoutwhatthefunctionstheformalelementshave.DAlloftheabove第2题TheFrenchterminologymise-en-scèneisusedbyfilmscholarstodiscussthedirector’scontrolover_____.Acharacter’sperformanceBbackgroundsettingCsoundeffectsDwhat’sshownonscreen第3题WhichofthefollowingdoesNOTbelongtomise-en-scène?ASettingBEditingCCostumeDCharacter第4题Lightinghasthefunctionof______.Aguidingourattentiontocertainobjectsandactions.Bcreatingtheoverallcompositionofeachother.Ccreatingcontrastsandshadows.DAlloftheabove.第5题InthefilmGonewiththeWind,theuseofattachedshadowsonScarletandMelanieisto______.Ashowthewomen’sfacesastheyaresadBcastshadowsonthewallastheyareprayingCcreateabalancebetweenthefiguresandtheirshadows.Dindicatethespatialdepthofthehospital.第6题Acharacter’sappearancedependson______.Awhats/helookslikeBwhats/hewearsCwhatroles/heplaysDwhats/hethinks第7题InthefilmGonewiththeWind,whatistheeffectofScarlet’scostume?AToshowherbeauty.BToshowherwealth.CToshowheremotion.DToshowhermisfortune.第8题Whenwesayhe’sagoodactor,wemean______.Aheisrich.Bheishandsome.Chisactsarereal.Dhisactsaredramatic.第9题Ifyouwanttoshowthatacharacterisverysad,youwouldchoose______.AflashbackBlongshotCmediumshotDextremeclose-up第10题Incinema,ourvisionisattunedtochangesin______.AcharactermovementBspatialdepthCcompositionalbalanceDAlloftheabove第11题Infilm,compositionrefersto______.Ahowmise-en-scèneisarrangedBhowthesettingissetupChowcolorsaredesignedDhowcharactersaresituated第12题Ourlookingispurposeful;itisguidedby______.AcuriosityBsympathyCexpectationDconcerns第13题Whenwecarryoutacinematographicanalysisofafilmsequence,weactuallyanalyze______.AcameraworkBsoundCcharacterperformanceDlighting第14题WhichTWOofthefollowingarethegeneralprinciplesforinterpretationoffilmsintermsofformalism?AunityanddisunityBsimilarityanddifferenceCrelevanceandirrelevanceDassumptionandexpectation正确答案：AB第15题Whatdoesthisscenesuggest?AItformsacontrastagainsttheactualKenyanstreets.BItsuggeststhecolonizationofKenya.CItdescribesthesplendidhouseBaronBlixenowns.DItforshadowsKaren’sexcitementofgettingmarried.第1题Infilmstudies,photographymeanswritingintexture.第2题Cinematographyinfilmmeanswritinginmovement.第3题Anangleofframingisnotdirectlyshown,butinsteadcanbeguessedfromtheframe.第4题Anglesofframingarecategorizedbasedonthelevelsofheightthatthecameraisplaced.第5题Themostcommontypeislowangle,bywhichthecamerasimply‘looks’upaheadasthecharacterisfilmed.第6题Cameradistancereferstohowfarthecameraisplacedinrelationtothefilmedmaterials.第7题Amediumshotisnormallyassociatedwithpotentialpsychologicaleffectsontheaudience.第8题Panningmeansthecamerastaysinafixedpositionbutrotatesupordowninaverticalplane.第9题CinematographicqualitiesinfilmsdoesNOTinclude:AthephotographicaspectsoftheshotBtheframingoftheshotCthedurationoftheshotDtheperformanceofthecharacters第10题Mobileframingreferstotheframingoftheobjectchangeswhilethe______moves.AcharacterBsettingCcameraDlighting第11题Amongdifferenttypesofcameramovements,____istheonethatmovesalongsidetheobject.AtrackingshotBcloseshotCpointofviewshotDjerkcamera第12题InouranalysisofJaneEyre,a_____shotisusedtomovealongwiththecharacter,followingbehindher.AtrackingBfollowingCmovingDpoint-of-view第13题InouranalysisofJaneEyre,thecharacterJaneleavingThornfieldisshotwithahand-heldcamera.Whateffectdoesitcreate?AUncertainty.BHurriedness.CTerror.DSpeed.第14题Whichanglecategorydoesthefollowshotbelongto?AHighangleframingBStraightonangleframingCLowangleframingDNoneoftheabove第15题Whichoneofthefollowingshotisaclose-up?AABBCCDDTest3第1题TheterminmediasresinLatinmeans_____.AbeginningfromthemiddleofaneventBbeginningwiththemediumdegreeofnarrationCtellingfromthestartofastoryDtellingfromthemiddleofastory第2题Inmediasres,inalotofcases,isusuallyrelatedwith.AbackstoryBflashbackCclimaxDanticlimax第3题Inanomniscientnarration,.AtheviewerknowmorethanthecharactersBthepointofviewisfromoneofthecharactersCthestory-tellingisrestrictedDthenarratorcanchange第4题Whatofthefollowingisthecharacteristicsofunrestrictednarration?AWehaveacharacterwithmoreknowledgethananyofthecharacters.BWehaveacharacterwithlessknowledgethananyofthecharacters.CWehaveanarratorwithmoreknowledgethananyofthecharacters.DWehaveanarratorwithlessknowledgethananyofthecharacters.第5题Restrictednarrationmeansthestory-tellingisrestrictedtoaparticular______.AnarratorBcharacterCcharacter-as-narratorDnarrator-as-character第6题Restrictednarrationcanbeachievedby.Afilmmakers’choicesBcameraworkCframingDalloftheabove第7题WhichofthefollowingisNOTthedifferencebetween‘story’and‘thestorybeingtold’?ATheexistenceofastoryteller.BThenatureofthestoryworld.CTemporaldurationofstoryevents.DSequentialarrangementbetweenstoryevents.第8题IntermsofRussianFormalism,sjuzhetmeansthe______arrangedandeditedbyastory-teller.AplotBstoryCnarrativeDnarration第9题What,accordingtotheFrenchStructuralistTodorov,doeshistoirerefersto?AThechainofeventsdepictedinnarrativeBHowthestoryisdepictedCThecauseoftheeventsDThestory-teller第10题Intermsofthesequenceofstorytelling,thefirstquarterofafilmcanbereferredtoasthe_____.AbeginningBwarm-upCset-upDbackgroundTest4第1题Rhythmiscreatedbythe________ofeachshot.AlengthBspeedCeventDmusic第2题InthefilmTheBirds,afastrhythmiscreatedbythedirectorby______ofeachshot.AintensifyingdramaBreducingthelengthCincreasingstory-tellingspeedDdesignmusicwithfastspeed第3题Ellipticaleditingpresentsanactioninsuchawaythatitconsumes_____timeonthescreenthanitdoesinthestory.AlittleBmoreClessDthesameamountof第4题______editingistheactionfromtheendofoneshotbeingpartlyrepeatedatthebeginningofthenext.AEchoBBackupCRepetitiveDOverlapping第5题Aflashbackreferstotellingthestory_____itsactualhappening.AbeforeBafterCwhenDwithout第6题Ifstoryeventsarethoughtofas1-2-3-4,whichoftheresentedplotorderisNOTflashback?A2-1-3-4B3-1-2-4C1-2-4-3D4-1-2-3第7题InthefilmTheConstantGardener,theflashbackisindicatedNOTby______.AachangeofcharacterBachangeoflocationCachangeofcolorDvoice-over第8题Filmeditingbelongstothe________processoffilmmaking.Apre-productionBpost-productionCin-productionDproduction-unrelated第9题Whatistherightorderofjointthefollowingshotsintothesceneof“KingKongrescuingAnnfromtwoTyrannosauruses”?AA-B-CBB-A-CCB-C-ADC-B-A第10题Acutiscommonlyusedineditingsinceitprovidesa(n)_____changefromoneshottoanother.AabruptBgradualCfadingDdissolvableTest5第1题Whatisthebestdefinitionofsemiotics?AThestudyoffeelingBThebeliefinintermediatestatesofbeingCTheanalysisofnewspaperimagesDTheinvestigationofsigns第2题Whichofthefollowingsignscanbeusedtopresentthefigure“FelixtheCat”inafilm?AAwaterbowlwiththenameFelixwrittenonitBAsudden“meow”soundCStirringcurtainsnearthewindowDAlloftheabove第3题WhatdoesChristianMetzmeanbysaying“frombeginningtoend,”afilmisdevotedto“signification”?AHemeansthatfilmcanbeunderstoodasaformoflanguage.BHemeansthatfilmmakersshouldencodefilmsfromtheverybeginning.CHewantstoconsiderfilmsclosely.DHewantstoshowthatfilmispresentinganartificialreality.第4题WhichoneisNOToneofMetz’sgrandesyntagmatique?ASettingBDescriptionCAlternativesDRepeatedAction第5题HowdoesMetzencourageustoanalyzeafilm?AUnderstandingitinthesamewayasareal-lifeexperienceBUsinghistoricalandlinguisticcontextCStudyingthewaysafilmmakercreatesvisualsignsDLookingforhiddenmessagesinthedialogue第6题WhatdoesRolandBarthesseeinthesemioticsofafilmandotherimages?AAconnectiontoideologyBInsightintothepsychologicalmotivationsofthecharactersCAnexpressionofhumaninsensitivitytothenaturalenvironmentDAnappreciationoftimelessbeauty第7题WhatdoesRolandBarthessayabout“work”?AWorkisauniversalfactlikebirthanddeath.BWorkisthesameforpeopleintheWesternworldandinthecolonizedworld.CWorkisonlynaturalwhenitisprofitable.DThecontentandsignificationofworkisequal.第8题Whatdothesignifiersofthetundra,apes,tapir,etc.suggestinKubric’s2001:ASpaceOdyssey?AaprimateinitsnaturalhabitatBthebehaviorsandinteractionsbetweenanimalsCthefundamentalcharacteristicsofhumanityDthereisafoodchainonthetundra第9题Whatisthesignificationofthenewrockthatappearsonthetundra?AItsignifiesanartificialintrusioninthenaturalworld.BItisdefinedbytheorganicprocessesofthenaturalworld.CItencouragestheapestotouch.DItsignifiesanewwayofthinking.第10题Saussuredescribetheconnectionbetweensignandthemeaningitsignifiesasarbitrary.第11题Thestudyofphoneticsignsisthebasisofsemiology.第12题Theconnectionbetweensignifierandsignifiedmaydependoncontext.第13题WecanseetheyoungAfricanlookingdirectlyattheFrenchflaginParisMatch.第14题InParisMatchthesignifiedofFrenchempireisvisible.第15题ParisMatchhascreateamyththatdoesnotsilencethefactsofcolonialism.Test6第1题WhatisNOTtrueaboutideology?AItoriginallymeans“scienceofideas.”BItisafalse,abstractthoughtthatsupportstherulersofasociety.CItisgenerallythoughtofinapositiveway.DIthidesthetrueconditionsandpowerrelationships.第2题Whichpersonisthekeyfigurebehindideologicalcriticism?ASigmundFreudBBetsyRossCKarlMarxDAdamSmith第3题WhatdoweknowaboutFrankfurtSchool?ATheybegananinquiryintotheideologybehindfilm.BTheyextendedtheMarxistideasonideology.CTheyfacedthepersecutionoftheNazi.DAlloftheabove第4题AccordingtoWalterBenjamin,whathasbecomeanorchidsurroundedbytechnology?AtherelationshipbetweenartistandartBtheuniquenessofartworkCthecontentofartworkDtheperceptionoftheviewers第5题HowtounderstandBenjamin’smemorablestatementthatrealityhasbecome“anorchid（兰花）

inalandoftechnology”?AReality

ismerelyarepresentation.BRealityisveryrarelyfoundinartworks.CRealityischerishedandappreciatedasanorchid.DRealitycanonlybeachievedbyusingmoderntechnology.第6题WhichofthefollowingistrueinrelatetoMcLuhan’sstatement“themediumisthemessage”?AThemediumimpartsamessagetotheviewerthatisseparatefromthecontent.BThecontentofthemessageismostimportant.CThemediumwasattachedgreatimportancebysemiotians.DWhenwewatchafilm,themostrelevantmediumistheprojector.第7题Whatistheforcethatcreateshegemony?AThreatofviolenceBFearoffailureCEconomicrewardDCulturalpersuasion第8题Thenotionofculturalhegemonyisoftenassociatedwith?AKarlMarxBAntonioGramsciCTheodoreAdornoDFredricJameson第9题Whatisanexampleofculturalresistance?ARippedjeansBUnusualhairstylesCFanculturesDAlloftheabove第10题ThefollowingstatementsarebasedonthequotefromAdorno.Readthestatements,andfindoutwhethertheyareTrueorFalse.“MarkeddifferentiationssuchasthoseofAandBfilms,orofstoriesinmagazinesindifferentpriceranges,dependnotsomuchonsubjectmatterasonclassifying,organizing,andlabelingconsumers.Somethingisprovidedforallsothatnonemayescape;thedistinctionsareemphasizedandextended.Thepubliciscateredforwithahierarchical（等级的）rangeofmassproducedproductsofvaryingquality,thusadvancingtheruleofcompletequantification.Everybodymustbehave(asifspontaneously)inaccordancewithhispreviouslydeterminedandindexedlevel,andchoosethecategoryofmassproductturnedoutforhistype.”

Onlypeopleoflowerclassaredominatedintheworkplaceaswellasbeingdominatedbymasscultureintheirfreetime.第11题Thevarietyofentertainmentofferedtothemasspublicisakindoftrap.第12题Byunderstandinghowmasscultureembodiestheseideologies,onecanbreakfreefromtheirgrip.第13题ThefollowingstatementsarebasedonthecasestudyofStarTrek.PleasefindoutwhethertheyareTrueorFalse.Thecrewisseenasindependentrebels.第14题The

imagesoffreedominStarTrek

didnotdisruptpowerinanymeaningfulwayandtheyweretoleratedtransgressionsoforder.第15题TheStarTrekfans’

arguingabouttheirrelevanceofauthoritarianimagesinsciencefictioncanberegardedas“counterhegemony”.Test7第1题FewwomenfilmmakersinBritainandAmericaobtainedcommercialsuccessbefore1970.第2题4.1970sawthefirstfeministfilmfestivalsaswellasthefirstfeministfilmjournal.第3题ThreeBillboardsOutsideEbbing,Missouriisalightcomedyaboutfemaleanger.第4题ChiefWilloughbyisdepictedasa“goodman”inthemovie.第5题WiththeintroductionoftheHaysCodein1934,gayrepresentationincinemabecameheavilycensoredandimagesofhomosexualityandbisexualitywerebanned.第6题NewQueerCinemawasatermcoinedinbyacademicB.RubyRichtodescribetherenaissanceingayandlesbianfilmmaking.第7题JillNelmesinhisfamousessay“MasculinityasSpectacle”initiatedadiscussiononmeninfilm.第8题FightClubisafilmaboutmasculinityincrisis.第9题FeministfilmtheoryfocusesonthestudyofthefollowingEXCEPT____________.AgenderpoliticsBpowerrelationsCsexualityDmiseenscène第10题Sincethebeginningofthefilmindustry,itwasrareforwomentoworkinareaslike_____________.AcostumedesignersBsetdecoratorsCmake-upartistsDdirectors第11题WhichoneofthefollowingisNOTtrueaboutwomandirectors?ATheyhavefundamentallychangedthelandscapeoffilmmakingindustry.BKathrynBigelowandJaneCampionbothreceivedinternationalrecognitionCWomenwereexcludedfromkeypositionsinfilmmakingbefore1960s.DThereisstillagapbetweenthepercentoffemaleandmalefilmmakers.第12题Ithasbeenarguedthatandhavetheoreticallyinspiredfeministfilmmakingsince1990s.ADeconstruction;psychoanalysisBDeconstruction;feministcountercultureCMarxism;psychoanalysisDMarxism;feministcounterculture第13题WhichofthefollowingstatementbestdescribesthefemalewrathinThreeBillboardsOutsideEbbing,Missouri?AItcreatesasarcasticeffectonhypocrisyofthetownpeople.BItshowsthehelplessnessofasinglemom.CItmaintainsthepresentstructuresthat“goodpeople”benefitfrom.DItchallengesthepatriarchalpowerwhichignoresfemalepain.第14题Thequote"Oneisnotbornawoman,onebecomesone"isfromSimonedeBeauvoir.第15题Ingenderstudies,theterm"gender"shouldbeusedtorefertothesocialandculturalconstructionsofmasculinityandfemininityandnotjusttothestateofbeingmaleorfemale.Test8第1题Intermsofthesocialimplicationof“race”,E.EllisCashmorediscussesthetermasawayofsociallyclassifyinggroupsofpeopleduetophysicalandpsychologicalmarkers.第2题Racistsocietiesbelievethatphysicalphenotypeislinkedwithintellectual,moralandbehavioralcharacteristics.第3题AccordingtoJohnStorey,raceandracismaremoreaboutbiologythanaboutsignification.第4题Bythenineteenthcentury,itwaswidelytakenforgrantedbymanywhiteEuropeansthatthehumanracewasdividedintosuperiorwhitesandinferiorothers.第5题Moodoo,thecharacterwhotrackeddownthegirlsinthemovie,actuallyreturnstohisarchetypalroleofthetracker.第6题Mr.Neville,the“ChiefProtectoroftheAborigines”istheapparentrepresentationofthewhitemajority.第7题NativeAmericaniconographyincludesthefollowingEXCEPT___________.ATotempoleBFeatherheaddressCTallitDTomahawk第8题WhichofthefollowingisNOTamongthekeystereotypesofAfricanAmericansdiscussedbyEtherington-wrightandDoughty?ATheTomBTheMammyCTheBuckDTheRed,greenandgold第9题AccordingtoRichardDyer,theterm“white”ispredominantlytosignifyethnicitybasedonculturaloriginsfromthefollowingEXCEPT____________.ABritishBItalianorPolishCCatholicorJewishDChineseAmerican第10题ThesymbolicmeaningsassociatedwithwhitenessincludethefollowingEXCEPT____________.Ahonor/truthBinnocence/chastity/purityCunenlightenedcivilizationDspiritualcleanliness/holiness/divinepowerTest9第1题The“Othering”oftheEastisrealizedinthefollowingwayEXCEPT.AImaginationBHomogenizationCFeminizationDEssentializaiton第2题WhichofthefollowingcanberegardedasexampleofSelf-Orientalization?AAladdinBGeneralYan’sBitterTeaCRaisetheRedLanternDMemoirsofaGeisha第3题Whichrepresentation(s)inMulanis/aretheresultoftheorientalisttradition?(Youmaychoosemorethanoneanswer.)ADragon-lizard“Mushu”BSlanteyesofthemajorcharactersCMulan’slookingforheridentityDThescenarioof“lovesaves”正确答案：ABCD第4题InMButterfly,Renékilledhimselfintheprisonafterhismonologue—“There’savisionoftheOrientthatIhave…Itisavisionthathasbecomemylife.”Whatdoes“vision”meanhere?ARené’sownOrientalfantasytoward“Butterfly”.BRené’shallucinationbeforedeath.CRené’sdesireforaperfectwoman.DRené’simaginationofmarryingaChinesewoman.第5题Originally,"orientalism”meansawayofimagining,emphasizing,exaggeratinganddistortinghownon-westernpeoplesandculturesaredifferentfromthatofEuropeandAmerica.第6题TheIndianaJonesseries,TheMummyfilms,andDisney'sAladdinfilmseriesalldemonstratetheimaginedlandscapeoftheEast.第7题Orientalistrepresentationshowsthewesterners’imaginationoftheeast;oneoftheexamplesistosexualizeeasternmalecharacters.第8题Theorientalistrepresentationstoppedwhenthetimeofimperialismended第9题Thecontemporaryformofimperialismismostlyfoundinculturalsphere.第10题Uptonow,thewestcontinuestoproduceandreproduceknowledgeoftheOther.第11题Internationallyspeaking,whenpeopleinacountryconsumeslargelythemediatextsproducedbythemediaofanothermorepowerfulnation,theystarttothinkindifferentways.第12题Whichofthefollowingstatementbestdescribes“theother”?AItoriginatedfromculturalcritcEdwardSaïd.BItismostlyusedinHollywoodwhenpresentingChinesecharacters.CItreferstotheimaginationorrepresentationofHollywoodonothercultures.DItreferstopeopleorculturesthatqueerlydifferfrom“us”,thewhitemainstreammassculture.第13题HollywoodpresentstheMaleChinesecharactersinqueerandstereotypedincluding.a.YellowPerilb.Thetrackerc.Kungfustereotyped.mysogynistse.Thegold-diggerf.ModelminorityAabcfBacdeCbcdfDacdf第14题Whichofthefollowingstatementbestdescribe“Orientalism”?AItfirstemergedinearly20thcentury.BItisusuallythoughtofasapositiverepresentationoftheEast.CItrationalizedthecolonizationof"thesavageEast".DItisbasedonthehistoricalandsociologicalstudyofeasterncountries.Test10第1题Filmmakerssometimesusefragmentaryreflectionsinmirrorstoshowindividualsstruggling.第2题Inthepsychoanalyticimagination,awomanexistsonlyasa“bleedingwound”.第3题InVertigo,Mulveywrites,thereisaveryobjectivecamera.ThenarrativeisfromScottie’spointviewexceptforoneflashback.Theaudiencegetstheobsessionandeventualdespairfromhim.第4题TheopeningofShutterIslandindicatesTeddywillfulfilltheroleoftherationalphallocentricinvestigator.第5题HowdoesFreuddescribethehumanpersonality?ACogitoergosum.BId,ego,andsuperego.CExcelsior.DDeusexmachina.第6题istheidealselfwhothepersonstrivestobecome,anditisdevelopedpartlythroughculture.AIdBEgoCSuperegoDIdentity第7题Oedipalcomplexisbasicallyusedtodescribe.AAtrilogyofplaysaboutOedipusBAchild’slovetowardhismotherCAnimaginaryconflictbetweenachildanditsfatherDAchild’sattempttokillitsfather.第8题WhichisaconceptfromJacquesLacanthatcanbeusedtounderstandcinema?ANatureversusnurture.BTheimpostersyndrome.CFlightorfight.DThemirrorstage.第9题ForLacan,theselfisaninteractionbetweentheorderandtheorder.Aimaginary;symbolicBunified;disunifiedCpre-Oedipal;OedipalDinside;outside第10题Thevisualpleasureoffilm,accordingtoMulvey,istracedbackto.AAristotleBFreudCJungDLacan第11题HowdoesLauraMulveydescribethephallocentricbiasofmainstreamcinema?AAnemphasisoninternalnarration.BArationalinvestigatorprobesaconsistentworld.CAninvestigationofthepsychologicalmotivationsofcharacters.DAlloftheabove.第12题InShutterIsland,Teddyispsychologicallydamagedbecause.AhiswasasoldierduringWWIIBtheimagesofhiswifekeptshowingupChischildrenhavebeenkilledDalloftheabove第13题WhichaspectofShutterIslandcanbeunderstoodbestwithpsychoanalytictheory?AThequestionsoftheinvestigator’strustworthiness.BThebrainwashingtechniquesusedbythedoctors.CThesymbolsofthekeyholesandtheswans.DTheexperttestimonyofferedinthecourtroom.第14题Egoistheanimalinstinctsthatarepartofourevolutionarypast;itisachild-likeselfthatactsonimpulses.第15题ToFreud,adreamisawayforthechildlikeidtostayincontrolofthemind.Test11第1题TheEnglishPatientisadaptedfromthenovelwrittenbyCanadianwriter.AHomiBhabhaBMichaelOndaatjeCYannMartelDAnthonyMinghella第2题ThegenreofTheEnglishPatientis.ARomanceBBlockbusterCThrillerDEpic第3题Thepatientisactuallya(n)countwholovesexpendituresinthedesertofNorthAfrica.AEnglishBGermanCHungarianDArabian第4题HowmanystoriesareactuallymentionedinTheEnglishPatient?A1B2C3D4第5题Almasyclaims“Athingisstillathing,notmatterwhatyouplaceinfrontofit”andusesasexample;whereasKatharineshowsherdisagreementbygivinganexampleof.Aplum;bookBplum;loveCcar;bookDcar;love第6题Theconflictinthefilmresultsfrom.AAlmasy’sbetrayaltohisownbeliefBKatharine’sbetrayaltoherhusbandCAlmasy’sbetrayaltotheAlliedDKatharine’sdeathinthecave第7题Whatisrightaboutthedesertsettinginthefilm?AItprovidestheaudiencewithsomebackgroundinformation.BItcarriessomesymbolicvaluesthatcomplementthefilm’sthematicconcerns.CItmakestheunfaithfulloveaffairlessimmoralandmoreenchanting.DAlloftheabove.第8题Whatisthefunctionof“TheStoryofCandaules”?AItisastoryfromAlmasy’sfavoritebookHis