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第1页(共1页)2025-2026年高考英语月考必刷题——说明文一.阅读理解(共20小题)1.(2025秋•丰台区期末)Wearefinallystartingtobuildapictureofthemanydifferentwaysofthinking,andunderstandhowyourinnermindscapeaffectsyourexperienceofreality.In1973,RussellHurlburtattheUniversityofNevada,LasVegas,inventedamethodthatwouldgiveusabetterhandleonintrospective(内省的)experiences:abeeperthatattachestotheearandsoundsatrandomintervals.Ateachbeep,volunteersrecordtheircurrentinnerexperience,whichislaterdiscussedindetailwithresearchers.Thismethod,calleddescriptiveexperiencesampling,hasbeenusedwiththousandsofpeopleoverthedecades."Afterfourorfivedays,youhaveaprettygoodsenseofsomeone'sinnerexperience,"Hurlburtsays.That'snottosayitiseasy.Thefirstsurprisewasthatpeoplereallystruggletointrospect,somuchsothatbeeperstudiestendtoignorethefirstday'sdataasitistoounreliable.Evendefininga"thought"istricky.WhatHurlburt'smethodrevealsisthatourthoughtsseemtoincludefivecommonphenomena:innerspeech,innerseeing,feelings,sensoryawareness,andunsymbolizedthinking.Thesecondsurprisewasthatwearepoorjudgesofwhatisgoingoninsideourownheads.Beeperstudiesaretime﹣consuming,soself﹣reportquestionnairesaskingpeoplehowtheythinkaremorecommon.Comparingthesetwoapproachesrevealsshockingdifferences.Researchsuggeststhatwemassivelyoverestimatetheamountofthinkingwedoinallfivemainphenomena,withtheresultsofself﹣reportquestionnairesbeingbetweentwoandfourtimeshigherthanthoseofdescriptiveexperiencesampling.Whathasbecomeclearisthatweallthinkusingourowncombinationofphenomena.Eachofthefivemaintypesappearsinabout25%ofbeeps.Asinglethoughtmightcontainfiveormoreseparatesimultaneousimagesalongwithinnerspeechaboutsomethingelseentirely.Descriptiveexperiencesamplingalsochallengesthesimpledichotomy(二分法)betweenmind﹣wanderingandfocusedthought.CharlesFernattheUniversityofDurhamfoundthatabout40%ofthoughtsdon'tfitneatlyintoeithercategory,suggestingbothstatescanbeactivesimultaneouslyatdifferentlevels."People'sexperiencesseemtounfoldonmultiple,parallel,simultaneoustracks,"hesays.Eveninnerspeechisnotasinglething."It'sakindoflanguage,andlanguageisincrediblyversatile,"saysFern.Itcanbeamonologue,dialogue,emotional,ordispassionate.Similarly,innerseeingvariesgreatly.Theideathatpeopleareeithervisualorverbalthinkersisamisconception."Weconsistentlyfindpositivecorrelations,"saysFern.Peoplewithvividinnerimageryalsotendtohaveavocalinnervoice.Ourmindsoftenblenddifferentthoughtformsinwaysresemblingsynesthesia(通感)."Untilveryrecently,bothphilosophersandscientistshaveassumedthateverybodythinksjustlikethem,"saysFionaMacphersonoftheUniversityofGlasgow."Wenowknowthere'salotthatisverydifferent."(1)Descriptiveexperiencesamplingcanhelpresearchers.A.recordpeople'sdailyactivitiesregularlyB.getspecificindividuals'innerexperienceC.testvolunteers'responsetorandombeepsD.predictpeople'sself﹣reflectiveexperience(2)Whatcanwelearnfromthepassage?A.Peoplecanbeneatlydividedintoverbalorvisualthinkers.B.Overestimationofinnerexperienceleadstopoorintrospection.C.Ourinnerexperienceisricherandmoremixedthanweassume.D.Thedifficultyindefining"thought"addsinaccurateself﹣reports.(3)Whatdoestheauthormainlydointhispassage?A.Clarifyaconcept.B.Makecomparisons.C.Illustrateanapproach.D.Presentresearchfindings.(4)Whichofthefollowingwouldbethebesttitleforthepassage?A.DoYouThinktheSameWayasOthers?B.CanWeTrulyUnderstandEachOther?C.HowDoYouDefineYourThoughts?D.HowWellDoYouKnowYourself?2.(2025秋•丰台区期末)RarelyadaygoesbythatIdon'tnoticeacartravelingeastdownmyquietone﹣waystreet,whichrunswest.Theyaren'tbreakingtherulesonpurpose—they'vejustfailedtorealisethey'remakingamistake.Andwhy?Ifyou'redrivingtherightway,youwillnoticewhitearrowsonabluebackgroundindicatingasmuch.Butifyou'redrivingthewrongway?Nothing.Thisisananalogy(类比)oflife.Whenweperformwell,wereceivevaguepraise.Butwhenwearewrong?Usually,silence—untilfailurestrikes.Timely,specificcriticismisrarebeforethingsgobadlywrong.Sometimesthesignsareinfrontofus,butwelookaway.In2019,tworesearchersatChicago'sBoothschool,LaurenAdamandAyeletFisherman,publishedanarticlepresentingseveralstudiesoftheeffectoffeedbackonlearning,inwhichsubjectswereofferedtwoplausibleanswerstoadifficultquestion,andinvitedtopickone.Inmostcases,thiswasaguess.After10answers,thesubjectswereeithershownalltheanswerstheyhadgotright,orshownalltheanswerstheyhadgotwrong.Logicallyspeaking,sincethesewereallbinaryquestions,thatamountstothesamething.ButAdamandFishermanfoundthattheemotionalframingmattered.Whenpeoplewereshowntheirsuccesses,theylearnt—anddidbetteronafollow﹣uptest.Whenpeoplewereshowntheirfailures,theydidnotimprove.Theresearcherssuggestthatpeopledon'tmuchcaretothinkovertheirerrors,andsoarequicktomoveonandforget—especiallyinanexperimentsuchasthis,whentheconsequencesoffurthererrorsaretrivial.Whenshowntheirsuccesses,theypausetosavourthemoment.Thismayhelptoexplainwhysomanyofusarefacedwiththeone﹣way﹣streetproblem:everyoneishappytoshareafriendlywordofreassurance,butfewpeoplearekeentooffercriticism,evenwhenspecificallyrequested.Sowhattodo?Onetacticistoaskforadvice,insteadoffeedback.AHarvardBusinessSchoolstudyfoundthataskingforadvicepromptsmorecritical,actionablecommentsfocusedonfutureimprovements.Anotherapproach,demonstratedbypsychologistAdamGrant,involvesatwo﹣stepprocess:first,askforarating(e.g.,"9outof10"),thenfollowupwith,"Whatwouldmakeita10?"Thisencouragesconstructivesuggestions.Butconstructivefeedbackofamoregeneralnatureremainsdifficulttoachieve.OneideaI'veplayedwithrecentlyhasbecomepopularintabletoprole﹣playinggames—it'scalled"starsandwishes".Afteragame,Iaskplayersfor"stars"(momentstheyenjoyed)and"wishes"(thingsthey'dliketoseenexttime).Wishescreateafriendlyspaceforconstructiveideas—evenifnotallresponsesareactionable,theactofaskingencouragespeopletosharehonestthoughtsImightotherwisemiss.Intheend,Ilearnmorebyframingfeedbackas"wishes"thanbystayingsilent.I'mnotsurehowyourbosswouldrespondtoarequestfor"starsandwishes",butthespiritistherightone.Ifwewanttimely,usefulcriticismfromothers,wemustbecleverinhowweaskforit.Otherwiseourcolleagueswillbeastactfullyuncommunicativeasthosenon﹣existentsignsforthosedrivingthewrongwaydownmystreet.(1)Theauthorusesthe"one﹣waystreet"analogymainlytoillustrate.A.theintentionaldesignofmisleadingsystemsB.acommonprobleminurbantrafficplanningC.people'stendencytoignoreclearinstructionsD.thelackofguidanceforthosemakingmistakes(2)Theunderlinedphrase"emotionalframing"inParagraph4mostprobablymeans.A.theemotionalresponseheldbackbyfeedbackB.theinfluenceofpriorexperiencesonfeedbackC.thewayfeedbackispresentedtoaffectperceptionsD.theidenticalfeedbacktoanswerstobinaryquestions(3)Whatcanbeinferredaboutfeedbackfromthepassage?A.Askingforadviceisthefirststeptowardsusefulfeedback.B.Peoplemayconsidergivingnegativefeedbackineffective.C.The"starsandwishes"methodguaranteeshonestfeedback.D.Constructivesuggestionsmakepeoplewillingtogivefeedback.(4)Whatisthepassagemainlyabout?A.Whyfeedbackalwaysfailsus.B.Howweobtainconstructivecriticism.C.Whathelpssetupthefeedbacksystem.D.Whereconstructivecriticismcomesfrom.3.(2025秋•盐城月考)Thesoft,gentlemurmursofababy'sfirstexpressions,likelittlewhispersofjoyandwondertoparents,areactuallysignsthatthebaby'sheartisworkingrhythmicallyinconcertwithdevelopingspeech.JeremyI.Borjon,assistantprofessorofpsychologyattheUniversityofHouston,isreportinginProceedingsoftheNationalAcademyofSciencesthatababy'sfirstsweetsoundsandearlyattemptsatformingwordsaredirectlylinkedtothebaby'sheartrate.Thefindingshaveimplicationsforunderstandinglanguagedevelopmentandpotentialearlyindicatorsofspeechandcommunicationdisorders.Forinfants(婴儿),producingrecognizablespeechismorethanacognitiveprocess.Itisamotorskillthatrequiresthemtolearntocoordinate(协调)multiplemusclesofvaryingfunctionacrosstheirbody.Thiscoordinationisdirectlylinkedtoongoingfluctuations(波动)inheartrate.Borjoninvestigatedwhetherthesefluctuationsinheartrateareconsistentwithvocal(声音的)productionandwordproductionin24﹣month﹣oldbabies.Hefoundthatheartratefluctuationsmatchthetimingofvocalizationsandareassociationsandareassociationandthelikelihoodofproducingrecognizablespeech."Itturnsoutinfantsweremostlikelytomakeavocalizationwhentheirheartratefluctuationhadreachedalocalpeak(maximum)orlocaltrough(minimum),"reportsBorjon."Vocalizationsproducedatthepeakwerelongerthanexpectedbychance.Vocalizationsproducedjustbeforethetrough,whileheartrateisdecreasing,weremorelikelytoberecognizedasawordbylisteners."Borjonandhisteammeasuredatotalof2,708vocalizationsproducedby34infantsbetween18and27monthsofagewhilethebabiesplayedwithacaregiver.Infantsinthisagegrouptypicallydon'tspeakwholewordsyet,andonlyasmallsubsetofthevocalizationscouldbereliablyidentifiedaswordsbylisteners(10.3%)."Everysoundaninfantmakeshelpstheirbrainandbodylearnhowtocoordinatewitheachother,eventuallyleadingtospeech,"Borjonsaid.Therelationshipbetweenrecognizablevocalizationsanddecreasingheartratemayimplythatthesuccessfuldevelopmentofspeechpartiallydependsoninfantsexperiencingpredictablerangesofautonomicactivitythroughdevelopment."Understandinghowtheautonomicnervoussystemrelatestoinfantvocalizationsoverdevelopmentisacriticalavenueoffutureresearchforunderstandinghowlanguageemerges,aswellasriskfactorsforatypical(非典型的)languagedevelopment,"saidBorjon.(1)Whatisthefocusoftheresearchregardingbabies?A.Caregivers'roleinearlyspeech.B.Theimportanceofbodycoordination.C.Motorskills'impactonearlyspeech.D.Heartrate'sconnectiontoearlyspeech.(2)Whatdoesparagraph3aimtostress?A.Thechallengesoflearningtospeak.B.Theimportanceofbodycoordination.C.Thetheoreticalfoundationofthestudy.D.Thecomplexityoflanguagedevelopment.(3)Whenareinfants'soundsmostlikelyrecognizedaswords?A.Whenheartrateisstable.B.Whenheartrateisincreasing.C.Whenheartrateisatapeak.D.Whenheartrateisslowingdown.(4)Whatisapotentialbenefitoftheresearchforparents?A.Toteachchildrentospeakearly.B.Todetectbabies'speechdelaysearlier.C.Tomonitorbabies'heartratebetter.D.Toimproveparent﹣childcommunication.4.(2025秋•济宁期末)HaveyoueverstaredatVincentvanGogh'siconicpaintingTheStarryNightandfeltlikeyoucouldalmostseetheskymoving?Well,itturnsoutthatyoureyesweren'tplayingtricksonyou.Ateamofresearchershasdiscoveredthattheswirling(旋动)patternsinvanGogh'smasterpieceactuallymirrorreal﹣worldatmosphericturbulence(湍流)withsurprisingaccuracy!TheresearchersusedsomeclevertechniquestoanalyzevanGogh'sbrushstrokes.Theytreatedthevaryingbrightnessofthepaintcolorsasastand﹣infortheenergyofphysicalmovementintheatmosphere.Whattheyfoundwasastonishing.ThepatternsinTheStarryNightcorrespondtotwoimportantprinciplesinfluiddynamics:Kolmogorov'slawandBatchelor'sscaling.Don'tworryifthesetermssoundabstruse﹣let'sbreakthemdown.Kolmogorov'slawdescribeshowenergymovesfromlargertosmallerscalesinturbulentflows.Imagineabigswirlbreakingdownintosmallerandsmallerones.Thisiswhathappensintheatmosphere,oceans...andamazingly,it'swhatvanGogh'sworkseemstorepresent.Batchelor'sscaling,ontheotherhand,dealswithhowsmall﹣scaleturbulencebehaves.TheresearchersfoundthatthefinedetailsinvanGogh'sbrushstrokesmatchthisprinciple,whichdescribeshowsubstanceslikeheatorpollutantsspreadinaturbulentfluid.Findingbothofthesepatternsinonesystemisrare,whichmakesthisdiscoveryevenmoreexciting."Itrevealsadeepandintuitiveunderstandingofnaturalphenomena.VanGogh'spreciserepresentationofturbulencemightbefromstudyingthemovementofcloudsandtheatmosphereoraninbornsenseofhowtocapturethedynamismofthesky,"saysYongxiangHuang,thestudy'sleadauthor.Thefactthatanartistinthe19thcenturycouldcapturethesecomplexdynamicssoaccuratelyismind﹣blowing.Thisresearchopensupexcitingpossibilitiesfortheintersectionofartandscience.Itshowsthatbeautyandscientificaccuracyaren'tmutuallyexclusive﹣theymightbemorecloselylinkedthanwerealize.So,thenexttimeyoulookatTheStarryNight,rememberthatyou'renotjustseeingabeautifulpainting.You'rewitnessingasnapshotoftheswirling,turbulentdanceoftheatmosphere.(1)Whichisclosestinmeaningtotheunderlinedword"abstruse"inparagraph2?A.InappropriateB.IncomprehensibleC.InseparableD.Inaccurate(2)WhichofthefollowingbestillustratesKolmogorov'slaw?A.B.C.D.(3)Whatisthepurposeofparagraph4?A.Tostressthesignificanceofthediscovery.B.Tostatethecomplexityofnaturalphenomena.C.ToapplaudtheexceptionaltalentofvanGogh.D.Torevealthelimitationsofthe19thcenturyartists.(4)Whatcanbeasuitabletitleforthetext?A.VanGogh:APioneerofTurbulenceResearchB.VanGogh:ATalentedArtistorANaturalScientistC.TheStarryNight:BeautyMeetsScientificPrecisionD.TheStarryNight:ArtTeachesAtmosphericPhysics5.(2025•安徽模拟)Plantsundergoingstress,suchasdroughtorinsectdamage,usevariousstrategiestodefendthemselvesandwarnothersof:danger.Somereleasestrongsmells,whileothers:changecolorandshape.Arecentstudyfoundthatstressedplantsevenproducepoppingorclickingsounds.However,humanscannothearthembecausetheyareatfrequenciesbeyondourhearingrange.Fortheirresearch,Dr.LilachHadanyandherteamatIsrael'sTelAvivUniversityselectedtomatoandtobaccoplants.Theystressedsomeplantsbyeithernotwateringthemforafewdaysorcuttingtheirstems.Theteamthenusedspecialmicrophonestorecordthesounds,firstinasoundproofroomandlaterinanoisiergreenhouse.Ananalysisusingaspecialalgorithmfoundthattheunstressedplantsmadelittletonosound.However,thestressedplantsweremuchnoisier.Theyemittedupto40clicksandpopsperhour,dependingonthespecies.Interestingly,themoisture﹣lessplantsbeganmakingnoisebeforeanyvisiblesignsofdehydration,suggestinganearly﹣warningmechanism.Thesoundsincreasedastheplantbecamedrier,butstoppedcompletelyonceitdriedout.Thescientistssuspectthatthesesoundsmayresultfromairbubblesformingandcollapsingwithintheplant'swatertransportsystem."Unstressedplantsemittedlessthanonesoundperhour,onaverage,"saidHadany."Thestressedplants﹣bothwater﹣deprivedandinjured—emitteddozensofsoundseveryhour."Hadanybelievestheseclickingsoundsmaywarnnearbyplantsofdanger.Shealsotheorizesthatanimalswithultrasonic(超声)hearingcapabilitiesmightbenefitfromthesesounds."Forexample,amoththatintendstolayeggsonaplantorananimalthatintendstoeataplantcouldusethesoundstohelpguidetheirdecision,"sheexplains.Thescientistsbelievetheirdiscoverycouldbeverybeneficialtofarmers.Withclimatechangecausingunpredictabledroughts,theycouldusesound﹣detectingdevicestoidentifywhencropsneedwaterorextracare.(1)WhatistheprimaryfindingofDr.Hadany'sstudy?A.Droughtcausesplantstolosenutrientsrapidly.B.Plantscancommunicatewithhumansusingsound.C.Stressedplantsproducesoundsthathumanscan'thear.D.Stressedplantsreleasestrongsmellsinresponsetothreats.(2)Howdidtheresearcherscollectdatainthestudy?A.Byanalyzingplantsoundswithanalgorithm.B.Byobservingplantcolorandshapechanges.C.Bycomparingplantgrowthindifferentenvironments.D.Byrecordingsoundsfromstressedandunstressedplants.(3)Whichhastheclosestmeaningtotheunderlinedword"dehydration"inParagraph4?A.Lackofwater.B.Lossofnutrients.C.Exposuretostress.D.Damagecausedbyinsects.(4)Whyisthestudysignificantforagriculture?A.Itallowsfarmerstoprovidetimelycarefortheircrops.B.Ithelpsfarmersidentifyplantdiseasesmoreeffectively.C.Itenablesscientiststodevelopplantsthatneedlesswater.D.Itintroducesanewirrigationmethodforcropsindryareas.6.(2025•浙江一模)Whenwethinkaboutinvertebrates(无脊椎动物),mostofuspicturebees,worms,orperhapsevenbutterflies.Butdidyouknowthatatleasttwothirdsofinvertebratesworkthenightshift,meaningmanyareunlikelytobeseen?Theyusephasesofthemoonandstarlighttolearnabouttheworldandmakevitaldecisions.Manyinsectsusethefaintglowofthemoonorstarstotellwhichwayisupwhenflyingincompletedarkness.Forcenturies,artificiallighthasbeenasymbolofprogress.Lighthasshapedhumancivilization.Butwhilewecelebrateitsconvenience,weoftenoverlookthedarkersideofourcrazeforillumination(照明):lightpollution.It'sadisturberofecosystems,withprofoundconsequencesforwildlife,humanhealthandenergyconsumption.A2021studyfoundthatcaterpillar(毛虫)populationswere52%lowerinareaswithstreetlights.Thewintermoth(蛾)isasmallbutecologicallyimportantspecies.Alargeproportionoftheirpopulationiscaterpillars.Lightpollutiondisorients(使迷惑方向)theadultmoths,disturbsmatingandaffectslaying,leadingtofewercaterpillars.Withdecliningcaterpillarnumbers,bluetits(蓝山雀)struggletofeedtheiryoung.Inonesense,lightpollutionisrelativelyeasytofix—wecansimplynotturnonthelightsandallowthenighttobelightednaturallybymoonlight.Logically,thisismostlynotfeasibleaslightsaremeantforthebenefitofhumanswhoareoftenunwillingtogivethemup.Intheabsenceofturningoffthelights,thereareothermanagementapproacheswecantaketolessentheirimpact.Wecanlimittheirnumber,reducetheirintensityandthetimetheyareon.Theextenttowhichinvertebrateshaverespondedtoartificiallightremainsunspecifiedanditalsoremainsunknownwhethertheycanadapttoadditionaltemporalchanges.Thesechangeslikelyaffectindividualfitness,soadditionalstudiesareneededtodeterminetheselectivepressureartificiallightproduces.Aninterdisciplinary(跨学科)approachisrequiredtodeterminebroaderscaleeffectsofartificiallightonwildlifebiodiversityandecosystemhealth,andtodeterminerelevantstrategies.(1)Whatdoweknowaboutthemajorityofinvertebrates?A.Theyareactiveatnight.B.Theyusedarknesstohide.C.Theyarebecomingextinct.D.Theyareintelligentcreatures.(2)Whatdoestheauthorwanttoillustratebymentioningcaterpillarpopulationsinparagraph3?A.Thechallengeinwildlifeconservation.B.Theimportanceofabalancedecosystem.C.Theurgencyofsavingspeciesthroughfood.D.Theeffectoflightpollutiononthefoodchain.(3)Whatdoestheunderlinedword"feasible"inparagraph4mean?A.Odd.B.Crazy.C.Workable.D.Disturbing.(4)Whatdoestheauthorthinkofpollutionmanagementproposals?A.Theyarepioneering.B.Theyareeasytoapply.C.Theyprovetobeeffective.D.Theycallforin﹣depthresearch.7.(2024秋•天津期末)QinXiaoya,avirtualfigureplayingayoungfemaleroleinQinqiangOpera,hascaughtpeople'sattentionsinceitmadeitsdebut(首次登台)inanartfestivalinXi'an,capitalofNorthwestChina'sShaanxiProvince.Thedesignteamemployed3Dmodelingtocopytheoriginalclothesandaccessories(配饰)ofthevirtualactress."Tomakehertruetolife,wewenttogreatefforttoreproducehergesturesanddecorationswiththerealvoiceoftheoperaperformer,"saidZhangXi,ateammember.QinqiangOpera,aChinesefolkoperaoriginatingintheWesternZhouDynasty(1046BC﹣771BC),continuestothriveinavastregionofNorthwestChinaandwasaddedtothecountry'sintangibleculturalheritagelistin2006.Asanewcomertothisancientart,QinXiaoyademonstratesayouthfulimage.InamusicvideofortheNinthChinaQinqiangOperaArtsFestivalheldinJune,sheperformedQinqiangOperaremixedwithrock'n'roll,fuelingtheinterestofyoungpeople."Thoughcreatingsuchafigureisnoteasy,wemadetheexpressionofthischaracteraccurateandvivid,byusinghighstandardtechnologicalmethods"Zhangsaid."WehopetomakeheraspokespersonforQinqiangOperaartandmakerelatedcartoons,moviesandotherdiversifiedproductsinthefuture,"saidZhang,addingthattheyaredevelopingmorefunctionsforthevirtualfigure,whoisexpectedtointeractwithcitizensvialivestreaming.Thetechnologythatisappliedintotheoperacanalsobefoundamongcinematictechniques.Tappingherfingerstotherhythmofthemusicandsingingalongwithactors,XiaoJie,a59﹣year﹣oldoperafan,enjoysa3DQinqiangOperafilmThreeDropsofBlood.RegardedasamasterpieceinQinqiangOpera,ThreeDropsofBlood,createdin1918anddeeplycriticalofpedanticbureaucrats(迂腐的官僚主义)infeudalsociety,hasbeenoftenfrequentedbyfansoverthepastcentury."Iwatchedablack﹣and﹣whitefilmoftheoperawhenIwasyoung.Atthistime,watchingitina3Dformistrulyintriguing.The3Dfilmmakethecenturies﹣oldarttakeonanewlook﹣wecanhaveacloserandclearerlookattheperformance,"saidXiao.Chineseoperashavelonghistoricaltiestomovies,forexample,thefirstmovieinChina,TheBattleofDingjunshan,screenedin1905,wasadaptedfromclipsfromPekingOpera.(1)TheauthormentionsQinXiaoyaatthebeginningofthepassagetointroduce.A.anewrealperformerofQinqiangOpera.B.theapplicationoftechnologyintheartofQinqiangOpera.C.theoriginofQinqiangOpera.D.therelationshipbetweenQinqiangOperaandmovies.(2)WhichofthefollowingstatementsisTRUEaccordingtothepassage?A.QinXiaoyaisafigurefromWesternZhouDynasty.B.QinqiangOperaoriginatesintheEasternZhouDynasty.C.QinXiaoya'sperformanceinJunecombinedQinOperawithrockmusic.D.QinXiaoyashowstheimageofamiddle﹣agedperson.(3)Whatdoestheunderlinedword"diversified"inParagraph6mean?A.various.B.appealing.C.elegant.D.tasteless.(4)WhatcanbeinferredfromXiaoJie?A.Hefindstherhythmofthefilmhardtofollow.B.Hethinksthethemeofthepassageshouldbecritical.C.Heistotallyintriguedbythe3Dfilm.D.Hesuggestsaudiencetoappearin3Dcinemafrequently.(5)Whatisthemainideaofthepassage?A.TechnologyelementsinQinqiangoperaarewelcomedbyseniorfans.B.QinqiangoperaisadaptedfromPekingOpera.C.Qinqiangoperaisabondbetweentheoldandtheyoung.D.TechnologymakesQinqiangoperashowanewlook.8.(2025秋•海淀区校级月考)Escapingpredators,digestionandotheranimalactivities—includingthoseofhumans—requireoxygen.Butthatessentialingredientisnolongersoeasyformarinelifetoobtain,severalnewstudiesreveal.Inthepastdecadeoceanoxygenlevelshavetakenadive—analarmingtrendthatislinkedtoclimatechange,saysAndreasOschlies,anoceanographerattheHelmholtzCenterforOceanResearchinGermany,whoseteamtracksoceanoxygenlevelsworldwide."Weweresurprisedbytheintensityofthechangeswesaw,howrapidlyoxygenisgoingdownintheoceanandhowlargetheeffectsonmarineecosystemsare,"hesays.Itisnosurprisetoscientiststhatwarmingoceansarelosingoxygen,butthescaleofthedipcallsforurgentattention.Oxygenlevelsinsometropicalregionshavedropped.byanastonishing40percentinthelast50years,somerecentstudiesreveal.Levelshavedroppedlesssignificantlyelsewhere,withanaveragelossof2percentglobally.Awarmingoceanlosesoxygenfortworeasons:First,thewarmeraliquidbecomes,thelessgasitcanhold.Thatiswhycarbonateddrinksgoflatfasterwhenleftinthesun,Oschliessay.Second,aspolarseaicemelts,itformsalayerofwaterabovecolder,moresaltyseawaters.Thisprocesscreatesasortoflidthatcankeepcurrentsfrommixingsurfacewaterdowntodeeperdepths.Andbecausealloxygenentersthishabitatatthesurface—eitherdirectlyfromtheatmosphereorfromsurface—dwellingphytoplankton(浮游植物)producingitduringphotosynthesis(光合作用)—lessmixingmeanslessofitatdepth.Oceananimalslargeandsmall,however,respondtoevenslightchangesinoxygenbyseekingrefugeinhigheroxygenzonesorbyadjustingbehavior,Oschliesandothersinhisfieldhavefound.Theseadjustmentscanexposeanimalstonewpredatorsorforcethemintofood—scarceregions.Climatechangealreadyposesseriousproblemsformarinelife,suchasoceanacidification,butdeoxygenationisthemostpressingissuefacingseaanimalstoday,Oschliessays.Afterall,hesays,"theyallhavetobreathe."Theeffectsofevenverysubtledipsinoxygenonwhereanimalsatthebaseofthefoodwebcongregateinthewatercolumnweredocumentedinasciencereport.Somespeciesswimtodeeper,coolerwaterwithmoreoxygen,butitdoesn'tworkforthembecauseitcanbehardertofindfoodorreproduceinlower﹣temperaturewaters.Asidefromfoodwebdisruptions,animalsfacevariousotherphysiologicalchallengesastheirbodiesadjusttoloweroxygenlevels.Chineseshrimpsfliptheirtailslessvigorouslytopreserveenergyinloweroxygenenvironments,becominglessagileasaresult.Also,somemalefisheshaveshownmorefragileabilityinreproductionandthetrenddoesnotseemtobouncebackinfuturegenerationswhenoxygenlevelsimprove.Meanwhile,somecreatures,suchasjellyfishes,aremoretolerantoflowoxygenthanothersare.Butallanimalswillfeeltheimpactofdeoxygenationbecausetheyallhaveevolvedtheiroxygencapacityforareason,saysOschlies."Anydropinoxygenisgoingtodamagesurvivabilityandperformance,"hesays.(1)Accordingtothefirsttwoparagraphs,whatworriesscientists

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