2026年中考英语考前冲刺押题试卷及答案（十七）

2026年中考英语考前冲刺押题试卷及答案（十七）（考试时间：120分钟满分：120分）第一部分听力（20分）Ⅰ.听句子，选择正确图片（每小题1分，共5分）（略，图片为中考拔高类场景图：非遗竹编数字化创新、跨境青少年人工智能交流、太阳能储能技术应用、传统书法与现代设计融合、非遗剪纸数字化展览）1.ABC2.ABC3.ABC4.ABC5.ABCⅡ.听句子，选择正确答语（每小题1分，共5分）6.A.Theinnovationoftraditionalbambooweavingwithdigitaltechnologyisunnecessarybecauseitwilldestroyitsoriginalcharm.B.Digitaltechnologycanhelptraditionalbambooweavingbreakthroughthelimitationsofmanualproductionandreachmoreyoungpeople.C.Traditionalbambooweavingisonlysuitablefortheelderlyandhasnovalueinmodernsociety.7.A.Thecross-borderyouthAIexchangeactivityIattendedlastmonthhelpedmeunderstandthedifferencesbetweenChineseandforeignAItechnologydevelopment.B.Cross-borderyouthactivitiesareuselessforstudents’studyandshouldbecancelled.C.ForeignteenagersarenotwillingtosharetheirAItechnologyexperiencewithChinesestudents.8.A.Solarenergystoragetechnologyisnotaspracticalastraditionalenergyandisnotworthpromoting.B.Solarenergystoragetechnologycansolvetheproblemofenergyshortageandreduceenvironmentalpollutioneffectively.C.Usingsolarenergystoragetechnologywillincreasethecostofdailylife.9.A.Combiningtraditionalcalligraphywithmoderndesigncanmakecalligraphymorepopularamongyoungpeopleandpromoteitsinheritance.B.Traditionalcalligraphyshouldbekeptunchangedandnotcombinedwithanymodernelements.C.Moderndesignwillmaketraditionalcalligraphyloseitsculturalconnotationandartisticvalue.10.A.Protectingintangibleculturalheritageistheresponsibilityofexperts,andteenagershavenoneedtoparticipate.B.Teenagerscanusetheirprofessionalknowledgeanddigitalskillstomakegreatercontributionstointangibleculturalheritageprotection.C.Intangibleculturalheritageisoutdatedandwillbereplacedbymodernculturesoonerorlater.Ⅲ.听对话，选择正确答案（每小题1分，共5分）11.Whydidthegirlfailtofinishherdigitalbambooweavingdesignontime?A.Shedidn’tmasterthedigitaldesignsoftwareandmademanyuncorrectablemistakes.B.Hercomputerbrokedownandallthedesignmaterialswerelost.C.Shewastoobusywithherexamsandhadnotimetofinishthedesign.12.Whatwilltheboydotoprepareforthecross-borderyouthAIexchangeforum?A.Hewillaskhisteachertofinishthespeechforhimandjustreciteit.B.HewillstudythelatestAItechnologyachievementsathomeandabroadandprepareadetailedspeech.C.HewillgiveupparticipatingbecauseheisnotgoodatEnglishcommunication.13.Howdoesthegirlthinksolarenergystoragetechnologywillchangeourlifeinthefuture?A.Itwillmakeourlifemoreconvenientandenvironmentallyfriendly,butitmaytakealongtimetopopularize.B.Itwillbringgreatinconveniencetoourlifeandisnotsuitableforpromotion.C.Itwillreplacealltraditionalenergysourcesinashorttime.14.Whatdifficultydidthetwospeakersmeetwhencombiningtraditionalcalligraphywithmoderndesign?A.Theycouldn’tfindprofessionalcalligrapherstoprovideguidance.B.Theycouldn’tbalancethetraditionalartisticcharacteristicsofcalligraphyandmoderndesignneeds.C.Theyhadnomoneytobuythenecessarydesignequipment.15.Whatplandothetwospeakershaveforthecomingholiday?A.TheywillattendasolarenergystoragetechnologyexhibitioninShanghai.B.Theywillparticipateinatraditionalbambooweavingtrainingcoursewithdigitalinnovationcontent.C.TheywillvisitaforeignAItechnologystudiotolearnadvancedexperience.Ⅳ.听短文，选择正确答案（每小题1分，共5分）16.Whatisthepassagemainlyabout?A.Agroupofteenagers’experienceofpromotingtraditionalpaper-cuttingthroughdigitaltechnologyandcross-culturalcommunication.B.ThedevelopmenthistoryofsolarenergystoragetechnologyinChina.C.HowtolearntraditionalcalligraphyskillsquicklywiththehelpofAItechnology.17.Whatdidtheteenagersdotomaketraditionalpaper-cuttingmorepopularamongyoungpeople?A.Theymadedigitalpaper-cuttingworkswithmodernelementsandpostedthemonshortvideoplatforms.B.Theyheldpaper-cuttingexhibitionsonlyintheirschoolanddidnotpromotethemtotheoutsideworld.C.Theyaskedyoungpeopletolearnpaper-cuttingwithoutanyinnovation.18.Whatproblemdidtheteenagersmeetwhenpromotingpaper-cuttingtoforeigncountries?A.Foreignaudiencesdidnotunderstandtheculturalbackgroundandsymbolicmeaningofpaper-cuttingworks.B.Theyhadnochancetoshowtheirpaper-cuttingworkstoforeignaudiences.C.Foreignaudiencesthoughtpaper-cuttingworkswereuglyandnotworthappreciating.19.Howdidtheteenagerssolvetheproblem?A.Theygaveuppromotingpaper-cuttingtoforeigncountriesandonlyfocusedondomesticpromotion.B.TheyaddeddetailedEnglishintroductionsandculturalexplanationstotheirdigitalpaper-cuttingworks.C.Theyinvitedforeignartiststohelpthemredesignpaper-cuttingworksandchangetheiroriginalstyle.20.Whatcanweinferfromthepassage?A.Theteenagershopetomaketraditionalpaper-cuttingabridgebetweenChineseandforeigncultures.B.Traditionalpaper-cuttingisnotsuitablefordigitalinnovationandshouldbekeptinitsoriginalform.C.Theteenagersspenttoomuchtimeonpaper-cuttingpromotionandtheiracademicperformancedeclinedsharply.第二部分笔试（100分）Ⅰ.单项选择（每小题1分，共20分）21.—Iwonder______wecanpromotetheintegrationoftraditionalbambooweavingwithdigitaltechnologymoreeffectively.—Weneedtocooperatewithprofessionaldesignersanddigitaltechnologycompanies.A.whatB.howC.whyD.when22.—Bytheendofthisyear,ourschool______aseriesofactivitiestopromotetheinheritanceofintangibleculturalheritagefor5years.A.willholdB.hasheldC.willhaveheldD.held23.—Howlonghaveyou______thedigitalpaper-cuttingworkmadebythefamouspaper-cuttingartist?—Forfouryears.It’sapreciousgiftfrommygrandmother.A.boughtB.borrowedC.keptD.lent24.Ifyou______moretimetostudytheculturalbackgroundoftraditionalcalligraphy,you______betterunderstanditsartisticvalue.A.willspend;willB.spend;willC.spend;won’tD.willspend;won’t25.—Thisisthedigitalstudio______wedesignedthemoderncalligraphyworkslastmonth.—Istillremembertheinterestingprocessofcombiningtraditionalelementswithmoderndesign.A.whereB.whichC.whoD.whose26.—______youpleasehelpmefinishthedigitalbambooweavingdesign?Ihavesomedifficultywiththesoftwareoperation.—Sure,I’llhelpyouafterIfinishmyownwork.A.MustB.NeedC.WouldD.Should27.Thecross-borderyouthAIexchangeforum______heldinourcitylastweek,anditattractedmorethan200studentsfrom10countries.A.isB.wasC.areD.were28.Ourteacherencouragesus______traditionalpaper-cuttingwithAItechnologytomakeitmorecreative.A.tocombineB.combineC.combiningD.combined29.—OfalltheintangibleculturalheritageIhavelearned,traditionalbambooweavingisthe______.Itrequiresgreatpatienceanddelicateskills.A.moredifficultB.mostdifficultC.lessdifficultD.leastdifficult30.There______asolarenergystoragetechnologyexhibitioninourcitynextmonth,andmanyfamouscompanieswillparticipateinit.A.willbeB.willhaveC.isD.was31.—WhereisLucy?—She______tothetraditionalpaper-cuttingstudiotolearndigitalpaper-cuttingskills.ShewillbebacknextMonday.A.hasbeenB.wentC.hasgoneD.willgo32.—I’msorryImadeamistakeinthecross-borderAIexchangespeechandembarrassedourteam.—______.Everyonemakesmistakes,andwecancorrectittogether.A.MypleasureB.Itdoesn’tmatterC.You’rewelcomeD.That’sright33.Thedigitalbambooweavingdesignprojectis______thantheonewedidlastterm.Itrequiresmoreprofessionaldigitalskillsandculturalknowledge.A.challengingB.morechallengingC.mostchallengingD.themostchallenging34.—Couldyouplease______thespeedofthedigitalpaper-cuttingvideo?It’stoofastformetofollowthesteps.—Sorry,I’llslowitdownrightaway.A.turndownB.speedupC.slowdownD.turnupShedidn’tparticipateinthetraditionalcalligraphycompetition______shewasillandcouldn’tpracticeherskills.A.becauseB.becauseofC.soD.but36.—Whatwereyoudoingwhenyourparentscamebackyesterdayevening?—I______thedesignofthedigitalbambooweavingworkandwasabouttofinishthefinalpart.A.finishB.finishedC.amfinishingD.wasfinishing37.Whichofthefollowingsentencesisincorrect?A.Sheisa17-year-oldgirlwhoisgoodatdigitalpaper-cuttingandtraditionalcalligraphy.B.Heis17yearsoldanddedicatedtopromotingtheintegrationoftraditionalcraftswithdigitaltechnology.C.Sheisa17yearsoldstudentwholovessolarenergystoragetechnology.D.Heisateenageraged17whoisskilledattraditionalbambooweaving.38.—Couldyoutellme______longittakestocompleteadigitalbambooweavingdesign?—Aboutaweek.A.howB.howfarC.whenD.where39.Bythetimewearrivedatthecross-borderAIexchangeforum,theopeningspeech______for15minutes.A.hasstartedB.hadstartedC.hasbeenonD.hadbeenon40.—IwanttoimprovemyabilitytointroducetraditionalChinesecraftstoforeignfriends.—Youshould______morewithforeignteenagersandlearntheirlanguageandculturalhabits.A.communicateB.communicatesC.communicatingD.tocommunicateⅡ.完形填空（每小题1.5分，共15分）Intangibleculturalheritageisthetreasureofanation,carryingtheuniqueculturalmemoryandartisticcharmofthenation.Inthedigitalage,theprotectionandinheritanceofintangibleculturalheritagearefacingnewopportunitiesandchallenges.Howtousedigitaltechnologytoinnovatetraditionalcraftsandpromotetheircross-culturalcommunicationhasbecomeanimportanttopicforallofus.Myexperienceofparticipatinginthetraditionalpaper-cuttingdigitalinnovationteamhasmademedeeplyunderstandthesignificanceofintegratingtraditionalculturewithdigitaltechnologyandcross-culturalcommunication.WhenIwasinGrade11,Ijoinedayouthteamfocusingonthedigitalinnovationoftraditionalpaper-cutting.Ourteam’sgoalwastousedigitaltechnologytoinheritandpromotetraditionalpaper-cutting,andletthisancientfolkartgototheworld.Atthebeginning,wemetmanyunexpecteddifficulties.Ontheonehand,wewerenotfamiliarwiththeprofessionalskillsoftraditionalpaper-cutting,anditwasdifficulttograspthedelicatetechniquesofpaper-cutting.Ontheotherhand,welackedprofessionaldigitaldesignskills,anditwashardtocombinetraditionalpaper-cuttingelementswithmoderndigitaldesignperfectly.Inaddition,whenwetriedtopromoteourdigitalpaper-cuttingworkstoforeignaudiences,wefoundthattherewasaseriousculturalbarrier,andforeignaudiencescouldnotunderstandthesymbolicmeaningandculturalbackgroundbehindtheworks.Withthehelpofprofessionalpaper-cuttingartistsanddigitaldesigners,wedidnotgiveup.Wespentalotoftimelearningtraditionalpaper-cuttingskillsfromoldartists,andstudieddigitaldesignsoftwareandvideoeditingtechnologyhard.Wealsocollectedalotofmaterialsaboutthehistoryandcultureofpaper-cutting,andaddeddetailedEnglishintroductionsandculturalexplanationstoourdigitalworks,soastohelpforeignaudiencesbetterunderstandthecharmoftraditionalpaper-cutting.Atthesametime,weusedinternationalsocialmediaplatformstopostourworksandheldonlineexchangeactivitieswithforeignteenagers,sharingtheproductionprocessandculturalconnotationofpaper-cutting.Afterhalfayearofhardwork,ourdigitalpaper-cuttingworkshaveattractedtheattentionofmanyforeignaudiencesandwonawardsininternationalculturalcompetitions.SomeforeignculturalinstitutionseveninvitedustoholdonlinelecturestointroducetraditionalChinesepaper-cuttingtotheircitizens.Thisexperiencemademerealizethattheprotectionandinheritanceofintangibleculturalheritageisnotonlyaboutpreservingtheoriginalform,butalsoaboutinnovationandcommunication.Onlybyintegratingtraditionalculturewithdigitaltechnologyandbreakingthroughculturalbarrierscanwemakeintangibleculturalheritageglowwithnewvitalityandbepassedontofuturegenerations.Inthefuture,Iwillcontinuetodevotemyselftothedigitalinnovationandcross-culturalcommunicationoftraditionalcrafts,andstrivetobeabridgebetweenChinesetraditionalcultureandtheworld.41.A.treasureB.wasteC.troubleD.burden42.A.commonB.uniqueC.ordinaryD.similar43.A.leftB.refusedC.joinedD.forgot44.A.unexpectedB.fewC.littleD.small45.A.easyB.difficultC.interestingD.boring46.A.perfectlyB.carelesslyC.quicklyD.slowly47.A.gaveupB.keptonC.putoffD.turneddown48.A.hardlyB.suddenlyC.finallyD.clearly49.A.awardsB.criticismC.hatredD.neglect50.A.formB.innovationC.separationD.differenceⅢ.阅读理解（每小题2分，共30分）ATheintegrationoftraditionalChinesebambooweavingwithdigitaltechnologyhasbroughtnewvitalitytothisancientfolkart.Bambooweaving,atraditionalChinesecraftwithahistoryofmorethan3,000years,isfamousforitsexquisitecraftsmanship,uniquedesignandenvironmentalprotection.However,withtherapiddevelopmentofmodernindustryandthechangeofpeople’saestheticconcepts,traditionalbambooweavingisfacingtheriskofbeingforgotten.Manyyoungpeoplearenotinterestedinbambooweaving,andthenumberofinheritorsisgettingfewerandfewer.Inaddition,themanualproductionmodeoftraditionalbambooweavingisinefficientandcannotmeettheneedsofmodernsociety.Inrecentyears,moreandmorepeoplehavebeguntopayattentiontotheprotectionandinheritanceoftraditionalbambooweaving,anddigitaltechnologyhasbecomeanimportantwaytoinnovateandpromoteit.Digitaltechnologycanhelpbambooweavingcraftsmenimproveproductionefficiencyandreduceproductioncosts.Forexample,somecraftsmenuse3Dmodelingtechnologytodesignbambooweavingworks,whichcannotonlyimprovethedesignefficiency,butalsomaketheworksmoreinlinewiththeaestheticneedsofmodernpeople.Someusedigitalprintingtechnologytoprintmodernpatternsonbambooweavingworks,makingthemmorefashionableandpopularamongyoungpeople.Inaddition,digitaltechnologycanhelptraditionalbambooweavingbreakthroughgeographicallimitations,andbespreadtoallpartsoftheworldthroughtheInternet,allowingmorepeopletounderstandandlovethistraditionalChinesecraft.However,theintegrationoftraditionalbambooweavingwithdigitaltechnologyalsofacessomechallenges.First,somedigitalbambooweavingworksover-pursuemodernelementsandignorethetraditionalartisticcharacteristicsofbambooweaving,leadingtothelossofitsoriginalculturalconnotation.Second,theapplicationofdigitaltechnologyrequiresprofessionaltalentswhoarefamiliarwithbothbambooweavinganddigitaltechnology,andthereisaseriousshortageofsuchtalents.Third,thecostofdigitaltechnologyapplicationisrelativelyhigh,whichlimitsthelarge-scalepromotionofdigitalbambooweavingworks.Despitethesechallenges,theintegrationoftraditionalbambooweavingwithdigitaltechnologyisaninevitabletrend.Withthejointeffortsofthewholesociety,thisancientfolkartwillsurelyglowwithnewvitalityinthedigitalage.51.Whatisthemainideaofthepassage?A.ThehistoryoftraditionalChinesebambooweaving.B.Thechallengesoftraditionalbambooweavingprotection.C.TheintegrationoftraditionalChinesebambooweavingwithdigitaltechnology.D.Thewaystoattractyoungpeopletotraditionalbambooweaving.52.WhichexampleisNOTmentionedabouttheintegrationofbambooweavingwithdigitaltechnology?A.Using3Dmodelingtechnologytodesignbambooweavingworks.B.Usingdigitalprintingtechnologytoprintmodernpatternsonbambooweavingworks.C.Usingdigitaltechnologytorecordtheproductionprocessofbambooweaving.D.Sellingbambooweavingworksinforeignphysicalstores.53.Whatproblemdoestraditionalbambooweavingface?A.Itistoopopularandhastoomanyinheritors.B.Itisfacingtheriskofbeingforgottenandthenumberofinheritorsisdecreasing.C.Itistooexpensivetobuybambooweavingworks.D.Itisonlylovedbytheelderlyandnotacceptedbyyoungpeople.54.Whatchallengedoestheintegrationofbambooweavingwithdigitaltechnologyface?A.Therearetoomanyprofessionaltalents.B.Thecostofdigitaltechnologyapplicationisrelativelyhigh.C.Digitalbambooweavingworksarenotpopularamongforeignaudiences.D.Thegovernmentdoesnotsupporttheintegration.55.Whatistheauthor’sattitudetowardstheintegration?A.Negative.B.Positive.C.Neutral.D.Doubtful.BSolarenergystoragetechnologyisakeytechnologyforthedevelopmentofnewenergyindustry,whichisofgreatsignificancetosolvingenergyshortageandenvironmentalpollutionproblems.Withtheincreasingemphasisonenvironmentalprotectionandthegradualdepletionofnon-renewableenergysourcessuchasoilandcoal,developingcleanandrenewablenewenergyhasbecomeanurgenttaskforallcountriesintheworld.Solarenergy,asacleanandrenewableenergysource,hashugedevelopmentpotential.However,theinstabilityofsolarenergylimitsitswideapplication.Solarenergystoragetechnologycansolvethisproblembystoringexcesssolarenergyandreleasingitwhenneeded.Solarenergystoragetechnologyhasmanyadvantages.First,itisenvironmentallyfriendly.Solarenergyisacleanenergysourcethatdoesnotemitanypollutantsduringuse,andsolarenergystoragetechnologydoesnotproduceanyenvironmentalpollution.Second,itcanimprovetheutilizationrateofsolarenergy.Bystoringexcesssolarenergy,wecanavoidthewasteofsolarenergyandmakefulluseofthisrenewableenergysource.Third,itcanensurethestabilityofenergysupply.Solarenergyisaffectedbyweather,timeandotherfactors,andsolarenergystoragetechnologycanstoreenergywhenthesunisabundantandreleaseitwhenthereisnosun,ensuringthestablesupplyofenergy.Inaddition,thedevelopmentofsolarenergystoragetechnologycanpromotetheupgradingofthenewenergyindustryanddrivethedevelopmentofrelatedindustriessuchassolarpanelsandenergystoragebatteries.However,thedevelopmentofsolarenergystoragetechnologyalsofacesmanydifficulties.First,thecostofsolarenergystoragetechnologyisrelativelyhigh,whichlimitsitslarge-scalepromotion.Second,theperformanceofenergystoragebatteriesisnotyetperfect.Theservicelifeofenergystoragebatteriesisrelativelyshort,andtheenergystoragecapacityneedstobeimproved.Third,thetechnicallevelofsolarenergystorageisnothighenough,andtherearestillmanytechnicalproblemstobesolved.Moreover,theconstructionofsolarenergystoragefacilitiesisrelativelycomplexandrequiresalotofinvestment.Topromotethedevelopmentofsolarenergystoragetechnology,governments,enterprisesandscientificresearchinstitutionsneedtoworktogether.Governmentsshouldincreaseinvestmentinsolarenergystoragetechnologyresearchanddevelopment,formulatepreferentialpoliciestoreducethecostofsolarenergystoragetechnology,andspeeduptheconstructionofsolarenergystoragefacilities.Enterprisesshouldstrengthentechnologicalinnovation,improvetheperformanceofenergystoragebatteriesandreduceproductioncosts.Scientificresearchinstitutionsshouldcarryoutin-depthresearchonkeytechnologiesofsolarenergystorageandprovidetechnicalsupportforitsdevelopment.Onlyinthiswaycansolarenergystoragetechnologybewidelypopularizedandmakegreatercontributionstoenvironmentalprotectionandenergyconservation.56.Whatissolarenergystoragetechnology?A.Atechnologythatusesoilasenergyandemitsalotofpollutants.B.Atechnologythatstoresexcesssolarenergyandreleasesitwhenneeded.C.Atechnologythatuseselectricityasenergyandneedstobechargedforalongtime.D.Atechnologythatisonlyusedindevelopedcountries.57.WhichisNOTanadvantageofsolarenergystoragetechnology?A.Itisenvironmentallyfriendlyanddoesnotproduceanypollutants.B.Itcanimprovetheutilizationrateofsolarenergy.C.Itcanensurethestabilityofenergysupply.D.Itscostisverylowandsuitableforlarge-scalepromotion.58.Whatdifficultydoesthedevelopmentofsolarenergystoragetechnologyface?A.Theperformanceofenergystoragebatteriesisnotyetperfect.B.Itisnotenvironmentallyfriendly.C.Itcannotimprovetheutilizationrateofsolarenergy.D.Thereisnodemandforsolarenergystoragetechnologyinthemarket.59.Whatmeasureshouldwetaketopromotethedevelopmentofsolarenergystoragetechnology?A.Reduceinvestmentinsolarenergystoragetechnologyresearchanddevelopment.B.Speeduptheconstructionofsolarenergystoragefacilities.C.Ignoretheimprovementofenergystoragebatteryperformance.D.Increasethecostofsolarenergystoragetechnology.60.Whatisthemainideaofthepassage?A.Theadvantagesofsolarenergystoragetechnology.B.Thedifficultiesofsolarenergystoragetechnologydevelopment.C.Theimportance,advantages,difficultiesanddevelopmentmeasuresofsolarenergystoragetechnology.D.Thecomparisonbetweensolarenergystoragetechnologyandtraditionalenergytechnology.CTheroleofdigitaltechnologyintheprotectionandinheritanceofintangibleculturalheritageisbecomingmoreandmoreimportant.Inthedigitalage,digitaltechnologyhasbroughtnewopportunitiesfortheprotectionandinheritanceofintangibleculturalheritage,makingitpossiblefortraditionalcraftstobreakthroughthelimitationsoftimeandspaceandbepassedonmoreeffectively.Digitaltechnologycannotonlyrecordandpreserveintangibleculturalheritage,butalsoinnovateandpromoteit,makingitmoreinlinewiththeneedsofmodernsociety.Digitaltechnologyplaysanimportantroleintheprotectionofintangibleculturalheritage.First,itcanrecordthedetailsofintangibleculturalheritageaccuratelyandcompletely.Forexample,usinghigh-definitioncamerasand3Dscanningtechnologytorecordtheproductionprocessoftraditionalcrafts,theperformanceskillsofartistsandthedetailsofworks,avoidingthelossofpreciousculturalresources.Second,itcanestablishadigitaldatabaseofintangibleculturalheritage,whichisconvenientforpeopletoqueryandstudy.Thedigitaldatabasecancollectandsortoutalargenumberofintangibleculturalheritagematerials,providingconveniencefortheresearchandinheritanceofintangibleculturalheritage.Third,itcanprotectintangibleculturalheritagefromnaturalandman-madedamage.Bystoringintangibleculturalheritageindigitalform,wecanavoidthedamagecausedbynaturaldisasters,agingandotherfactors.Digitaltechnologyalsoplaysanimportantroleintheinnovationandpromotionofintangibleculturalheritage.First,itcanhelptraditionalcraftsinnovate.Forexample,combiningtraditionalcraftswithdigitaldesign,digitalprintingandothertechnologiestocreatenewworksthataremoreinlinewiththeaestheticneedsofmodernpeople.Second,itcanpromotethespreadofintangibleculturalheritage.ThroughtheInternet,socialmediaplatformsandotherchannels,digitalworksofintangibleculturalheritagecanbespreadtoallpartsoftheworld,allowingmorepeopletounderstandandloveintangibleculturalheritage.Third,itcanattractyoungpeopletoparticipateintheinheritanceofintangibleculturalheritage.Digitaltechnologyispopularamongyoungpeople,andcombiningintangibleculturalheritagewithdigitaltechnologycanattractyoungpeople’sattentionandstimulatetheirinterestininheritingtraditionalculture.However,theapplicationofdigitaltechnologyintheprotectionandinheritanceofintangibleculturalheritagealsofacessomeproblems.First,somedigitalworksignorethetraditionalartisticcharacteristicsofintangibleculturalheritage,leadingtothelossofitsoriginalculturalconnotation.Second,thereisashortageofprofessionaltalentswhoarefamiliarwithbothintangibleculturalheritageanddigitaltechnology.Third,thecostofdigitaltechnologyapplicationisrelativelyhigh,whichlimitsitslarge-scalepromotion.Tosolvetheseproblems,weneedthejointeffortsofthewholesocietytomakedigitaltechnologybetterservetheprotectionandinheritanceofintangibleculturalheritage.61.Whatisthemainideaofthepassage?A.Theroleofdigitaltechnologyintheprotectionandinheritanceofintangibleculturalheritage.B.Thedifficultiesofdigitaltechnologyapplicationinintangibleculturalheritageprotection.C.Thewaystopromotethespreadofintangibleculturalheritage.D.Theimportanceofintangibleculturalheritageprotection.62.WhichroleofdigitaltechnologyinintangibleculturalheritageprotectionisNOTmentioned?A.Recordingthedetailsofintangibleculturalheritageaccuratelyandcompletely.B.Establishingadigitaldatabaseofintangibleculturalheritage.C.Helpingtraditionalcraftsinnovateandattractyoungpeople.D.Replacingtraditionalcraftswithdigitalworks.63.Whatproblemdoestheapplicationofdigitaltechnologyinintangibleculturalheritageprotectionface?A.Therearetoomanyprofessionaltalents.B.Somedigitalworksignorethetraditionalartisticcharacteristicsofintangibleculturalheritage.C.Thecostofdigitaltechnologyapplicationisverylow.D.Digitalworksarenotpopularamongyoungpeople.64.Howcanwesolvetheproblemsofdigitaltechnologyapplication?A.Relyonindividualstosolvetheproblemsalone.B.Thejointeffortsofthewholesociety.C.Onlyrelyonthegovernmenttoprovidesupport.D.Ignoretheproblemsandletthemdevelopfreely.65.Whatcanwelearnfromthepassage?A.Digitaltechnologyistheonlywaytoprotectandinheritintangibleculturalheritage.B.Digitaltechnologycanhelpintangibleculturalheritagebreakthroughthelimitationsoftimeandspace.C.Digitaltechnologywillmaketraditionalcraftslosetheiroriginalcu